Turkey Box Office for Scoob! (2020)
| Theatrical Performance (US$) | ||
| Turkey Box Office | $140,225 | Details |
| Worldwide Box Office | $26,276,211 | Details |
| Home Market Performance | ||
| North America DVD Sales | $15,157,382 | Details |
| North America Blu-ray Sales | $12,346,689 | Details |
| Total North America Video Sales | $27,504,071 | |
| Further financial details... | ||
Synopsis
The first full-length animated Scooby-Doo adventure for the big screen is the never-before told stories of Scooby-Doo’s origins and the greatest mystery in the career of Mystery Inc. “SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.
Metrics
Movie Details
| Turkey Releases: | September 18th, 2020 (Wide) |
| Video Release: | May 15th, 2020 by Warner Home Video |
| MPAA Rating: | PG for some action, language and rude/suggestive humor. (Rating bulletin 2622 (Cert #52581), 3/25/2020) |
| Running Time: | 93 minutes |
| Franchise: | Scooby-Doo |
| Keywords: | Talking Animals |
| Source: | Based on TV |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Atlas Entertainment, Warner Bros., Warner Animation Group |
| Production Countries: | United States |
| Languages: | English |
DEG Watched At Home Chart: Something New to Report
August 6th, 2020
Most of the top five on the DEG Watched at Home chart this week are the same as they were
last week. Most, but not all. Trolls World Tour did remain in first place for what seems like forever. But a new Universal release was next: the Kevin Bacon / Amanda Seyfried thriller, You Should Have Left. Given its mixed critical reception, it probably won’t stay there long.
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DEG Watched At Home Chart: Scoob! Shakes Up the Chart
July 30th, 2020
The DEG Watched at Home chart remains mostly static this week, with four of the five films in last week’s top five also reaching the top five this week. This includes Trolls World Tour, which has been top for four weeks now. The arrival of Scoob! on disc does shake things up a bit though.
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DEG Watched At Home Chart: Trolls can’t be Toppled, but Bruce Lee Fights His Way onto the Chart
July 23rd, 2020
There was a major shake-up on the DEG Watched at Home chart this week when compared to last week. Just kidding. The same five releases remained in the top five, just in a slightly different order. This means Trolls World Tour remained locked in first place on the chart and will likely remain there until Scoob! comes out. Universal also led the way with four releases in the top twenty, but unlike last week, it was in a three-way tie with Paramount and Sony.
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New on Disc: Scoob! Steals the Spotlight
July 21st, 2020
It is a rather slow on the home market, even compared to what we’ve seen recently. However, there are at least a couple of releases that should do well on the sales chart. Scoob! should easily sell the most units of any release on this week’s list, but Northern Exposure: The Complete Series is getting the jump on next week’s massive flood of TV on DVD releases and that’s clearly helping its sales numbers. That said, neither of these are contenders for Pick of the Week; in fact, there is really only one contender for that title, Marriage Story, which is getting a Criterion Collection release this week.
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International Round Up: Scoob Starts Snacking at the Box Office
July 16th, 2020
We are still waiting for a real return to normalcy in any major box office market, but at least we had a major Hollywood release testing the waters this past weekend. Okay, maybe calling Scoob! a major Hollywood release is stretching things, but it is also a bigger release than many international markets have seen in months. The film earned $1.8 million in five markets, led by $900,000 during its second-place debut in France.
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New on Disc: Trolls Tower Above the Competition
July 7th, 2020
Trolls World Tour is coming out on physical media this week, on all four major formats: DVD, Blu-ray, 3D, and 4K Ultra HD. However, while it is easily the biggest release of the week, it isn’t the best. There are two contenders for Pick of the Week, Murdoch Mysteries: Season 13 and The War of the Worlds: Criterion Collection. The War of the Worlds is the Pick of the Week, but Murdoch Mysteries does get the rarely-awarded Puck of the Week, for Best Canadian Release.
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VOD Releases: Are Audiences Hungry for a Family Film on VOD?
May 14th, 2020
We only have a short list of VOD releases this week, but one of them is Scoob!, which Warner Bros. originally planned to release theatrically. Perhaps we’ll have another VOD hit on our hands this weekend?
More...
SCOOB! Trailer
November 11th, 2019
Animated adventure with the voices of Will Forte and Frank Welker opens May 15, 2020 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/09/18 | 2 | $16,022 | 178 | $90 | $16,022 | 1 | |
| 2020/09/25 | 2 | $11,959 | -25% | 181 | $66 | $3,642 | 2 |
| 2020/10/02 | 4 | $9,214 | -23% | 179 | $51 | $51,864 | 3 |
| 2020/10/09 | 20 | $75 | -99% | 147 | $1 | $63,490 | 4 |
| 2020/10/16 | 5 | $7,594 | +10,025% | 129 | $59 | $73,224 | 5 |
| 2020/10/23 | 8 | $4,773 | -37% | 107 | $45 | $80,588 | 6 |
| 2020/10/30 | 11 | $3,615 | -24% | 76 | $48 | $84,091 | 7 |
| 2020/11/06 | 7 | $352 | -90% | 65 | $5 | $877 | 8 |
| 2020/11/13 | 9 | $3,186 | +805% | 55 | $58 | $102,036 | 9 |
| 2020/11/20 | 10 | $183 | -94% | 47 | $4 | $104,719 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Austria | 9/18/2020 | $0 | 0 | 0 | 0 | $606,000 | 10/19/2022 |
| Brazil | 9/17/2020 | $0 | 0 | 0 | 0 | $853,692 | 12/30/2020 |
| Czech Republic | 7/17/2020 | $135,137 | 92 | 98 | 742 | $727,000 | 10/19/2022 |
| France | 7/10/2020 | $0 | 0 | 634 | 2499 | $5,500,000 | 10/19/2022 |
| Germany | 7/9/2020 | $0 | 0 | 337 | 2890 | $1,888,542 | 1/29/2021 |
| Hungary | 8/21/2020 | $0 | 0 | 0 | 0 | $463,000 | 10/19/2022 |
| Lithuania | 9/18/2020 | $8,102 | 9 | 15 | 91 | $86,397 | 10/19/2022 |
| Mexico | 8/21/2020 | $332,000 | 1379 | 1379 | 1379 | $2,100,000 | 10/19/2022 |
| Netherlands | 7/10/2020 | $324,015 | 187 | 200 | 1939 | $3,100,000 | 10/19/2022 |
| North America | 5/15/2020 | $850,000 | 2,500 | 2,500 | 2,500 | $2,188,425 | |
| Poland | 7/24/2020 | $336,889 | 323 | 323 | 3876 | $2,529,314 | 10/19/2022 |
| Portugal | 8/7/2020 | $29,139 | 73 | 76 | 427 | $283,359 | 10/19/2022 |
| Saudi Arabia | 8/21/2020 | $0 | 0 | 0 | 0 | $734,000 | 10/19/2022 |
| Slovakia | 7/24/2020 | $90,850 | 57 | 57 | 370 | $394,257 | 10/13/2020 |
| Spain | 7/17/2020 | $289,166 | 267 | 283 | 2071 | $2,400,000 | 10/19/2022 |
| Switzerland | 8/21/2020 | $0 | 0 | 0 | 0 | $1,100,000 | 10/19/2022 |
| Turkey | 9/18/2020 | $16,022 | 178 | 181 | 1164 | $140,225 | 10/19/2022 |
| United Arab Emirates | 8/28/2020 | $0 | 0 | 0 | 0 | $551,000 | 11/2/2020 |
| Vietnam | 8/21/2020 | $0 | 0 | 0 | 0 | $631,000 | 11/30/2020 |
| Worldwide Total | $26,276,211 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Will Forte | Shaggy |
| Mark Wahlberg | Blue Falcon |
| Frank Welker | Scooby-Doo |
| Zac Efron | Fred Jones |
| Gina Rodriguez | Velma |
| Amanda Seyfried | Daphne |
| Ken Jeong | Dynomutt, Dog Wonder |
| Kiersey Clemons | Dee Dee Skyes |
Supporting Cast
| Jason Isaacs | Dick Dastardly |
| Tracy Morgan | Captain Caveman |
| Iain Armitage | Young Shaggy |
| Mckenna Grace | Young Daphne Blake |
| Pierce Gagnon | Young Fred Jones |
| Ariana Greenblatt | Young Velma Dinkley |
| Christina Hendricks | Officer Jaffe |
| Henry Winkler | Keith |
| John DiMaggio | Restaurant Owner |
| Kevin Heffernan | Bike Cop Gary |
| Henry Kaufman | Chad/Chet |
| Maya Erskine | Judy Takamoto |
| Billy West | Muttley |
| Don Messick | Muttley |
| Fred Tatasciore | Cerberus |
| Justina Machado | Jamie Rivera |
| Kennedy Peil | Indira Knight |
| John McDaniel | Hal Murphy |
| Ryan Folsey | Beach Guy |
| Pam Coats | Mrs. Rogers |
| Tony Cervone | Ghost/Mr. Rigby/Alice |
| Adam Sztykiel | Officer Casey |
| Alex Kauffman | Officer North |
| Vanara Taing | Baby Rotten |
| Sarah Lancia | Dispatcher Stevens |
| Eric Cowell | Ben |
| Michael Kurinsky | Samuel Colton |
Cameos
| Simon Cowell | Himself |
| Harry Perry | Himself |
| Ira Glass | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tony Cervone | Director |
| Adam Sztykiel | Screenwriter |
| Jack C. Donaldson* | Screenwriter |
| Derek Elliott | Screenwriter |
| Matt Lieberman | Screenwriter |
| Matt Lieberman | Story by |
| Eyal Podell | Story by |
| Jonathon E. Stewart | Story by |
| Pam Coats | Producer |
| Allison Abbate | Producer |
| Richard Suckle | Producer |
| Adam Sztykiel | Executive Producer |
| Charles Roven | Executive Producer |
| Jesse Ehrman | Executive Producer |
| Dan Povenmire | Executive Producer |
| Chris Columbus | Executive Producer |
| Michael Kurinsky | Production Designer |
| Ryan Folsey | Editor |
| Vanara Taing | Editor |
| Tom Holkenborg | Composer |
| Rafael Zentil | Head of Story |
| Emil Mitev | Art Director |
| Gabe Hilfer | Music Supervisor |
| Bill Haller | Head of Animation |
| Jeff Alcantara | Visual Effects Supervisor |
| Mike Fortner | Character CG Supervisor |
| William D. Kastak | Character Effects Supervisor |
| Tony Cosanella | Co-Producer |
| Timothy Jason Smith | Associate Producer |
| Robin Morrison | Associate Producer |
| Hannah Checkley | Associate Producer |
| Ruth Lambert | Casting Director |
| Angela Pava | Production Manager |
| Alex Kauffman | Production Manager |
| Bill R. Dean | Supervising Sound Editor |
| Bill R. Dean | Sound Designer |
| Sandro Lucio Cleuzo | Character Designer |
| Jessica Ambinder-Rojas | Additional Editor |
| Anton Capaldo-Smith | Additional Editor |
| David L. Mendel | Additional Editor |
| Joe Frataccia | First Assistant Editor |
| Mark Adelsberger | Assistant Editor |
| Leo Chan | Assistant Editor |
| Ralph Jean-Pierre | Assistant Editor |
| Christos Voutsinas | Assistant Editor |
| Randall James Bol | Post-Production Supervisor |
| Tim LeBlanc | Re-recording Mixer |
| Michael Keller | Re-recording Mixer |
| Ando Johnson | Sound Designer |
| Harry Cohen | Sound Designer |
| Jon Title | Sound Designer |
| Jeff Sawyer | Sound Designer |
| Mitch Osias | Sound Designer |
| Jon Title | Sound Effects Editor |
| Jeff Sawyer | Sound Effects Editor |
| Mitch Osias | Sound Effects Editor |
| Michelle Pazer | Dialogue Editor |
| Cameron Steenhagen | Dialogue Editor |
| Julie Feiner | Dialogue Editor |
| Fred Paragano | Dialogue Editor |
| Christopher Flick | Foley Editor |
| Randy Singer | Foley Mixer |
| Catherine Wilson | Music Editor |
| Katie Greathouse | Music Editor |
| Will Kaplan | Music Editor |
| Dominick Certo | Music Editor |
| Tom Holkenborg | Score Producer |
| Tom Holkenborg | Score Mixer |
| Chris Fogel | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.