Hong Kong Box Office for Scary Stories to Tell in the Dark (2019)

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Scary Stories to Tell in the Dark
Theatrical Performance (US$)
Hong Kong Box Office $151,000Details
Worldwide Box Office $104,793,708Details
Home Market Performance
North America DVD Sales $5,090,482 Details
North America Blu-ray Sales $4,679,714 Details
Total North America Video Sales $9,770,196
Further financial details...

Synopsis

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.

Metrics

Movie Details

Production Budget:$28,000,000
Hong Kong Releases: August 30th, 2019 (Wide)
Video Release: November 5th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for terror/violence, disturbing images, thematic elements, language including racial epithets, and brief sexual references.
(Rating bulletin 2585 (Cert #52250), 7/3/2019)
Running Time: 111 minutes
Keywords: 1960s, Fiction / Reality Crossover, Writing and Writers, Kids Horror, Halloween
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Entertainment One, CBS Films, Rolling Hills, Starlight Media, Hivemind, 1212 Entertainment, Double Dare You
Production Countries: Canada, United States
Languages: English

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 5th, 2019

November 6th, 2019

Good Omens

Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Scary Stories to Tell in the Dark Trailer

May 29th, 2019

Supernatural horror movie, based on the books, opens August 9 ... Full Movie Details.

It’s 1968 in America. Change is blowing in the wind… but seemingly far removed from the unrest in the cities is the small town of Mill Valley where, for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/30 - $151,000   0     $151,000 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/27/2019 $85,397 234 234 327 $150,677 11/10/2019
Australia 9/27/2019 $546,266 209 209 651 $1,560,297 11/13/2019
Brazil 8/9/2019 $249,000 366 366 612 $613,455 8/31/2019
Chile 8/16/2019 $212,737 75 75 75 $212,737 8/20/2019
Czech Republic 8/9/2019 $115,087 95 95 216 $330,275 10/19/2022
France 8/23/2019 $665,880 0 267 622 $1,649,514 9/26/2019
Hong Kong 8/30/2019 $151,000 0 0 0 $151,000 10/19/2022
Italy 10/24/2019 $311,576 0 24 78 $736,230 10/19/2022
Lithuania 8/9/2019 $23,803 13 13 33 $73,053 9/12/2019
Mexico 8/16/2019 $2,878,765 0 0 0 $7,812,860 10/19/2022
Netherlands 8/9/2019 $168,789 66 66 295 $616,142 10/19/2022
New Zealand 9/26/2019 $63,076 54 54 153 $149,141 10/19/2022
North America 8/9/2019 $20,915,346 3,135 3,135 19,939 $68,947,075 8/15/2024
Peru 8/9/2019 $340,000 0 0 0 $340,000 8/20/2019
Poland 8/9/2019 $192,913 160 160 480 $714,343 10/19/2022
Portugal 8/9/2019 $84,637 50 51 136 $249,950 9/10/2019
Romania 8/23/2019 $76,283 67 67 206 $221,732 10/19/2022
Russia (CIS) 8/8/2019 $701,716 1307 1310 3280 $1,926,451 10/19/2022
Slovakia 8/9/2019 $56,623 55 55 135 $171,121 9/10/2019
Slovenia 8/23/2019 $13,184 13 13 35 $36,861 10/7/2019
South Korea 3/27/2020 $105,284 185 212 533 $306,260 5/19/2020
Spain 8/9/2019 $623,909 256 278 1137 $2,709,188 9/19/2019
Taiwan 8/9/2019 $602,000 0 0 0 $602,000 8/20/2019
Turkey 8/23/2019 $27,031 128 128 224 $79,427 10/19/2022
United Kingdom 8/23/2019 $749,409 418 429 1174 $2,567,487 9/11/2019
 
Rest of World $11,866,432
 
Worldwide Total$104,793,708 8/15/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Zoe Margaret Colletti Stella Nicholls
Michael Garza Ramón Morales
Gabriel Rush Auggie Hilderbrandt
Austin Abrams Tommy Milner
Dean Norris Roy Nicholls
Gil Bellows Police Chief Turner
Lorraine Toussaint Lou Lou
Austin Zajur Chuck Steinberg
Natalie Ganzhorn Ruth Steinberg
Kathleen Pollard Sarah Bellows

Supporting Cast

Deborah Pollitt Mrs. Steinberg
Victoria Fodor Mrs. Milner
Marie Ward Mrs. Hildebrandt
Mark Steger Harold the Scarecrow/Pale Lady
Javier Botet The Toe Corpse
Troy James Jangly Man
Kyle Labine Deputy Hobbs
David Tompa Doctor
Karen Glave Claire Baptiste
Stephanie Belding Reception Nurse
Hume Baugh Deodat Bellows
Jane Moffat Delanie Bellows
Will Carr Ephraim Bellows
Amanda Smith Gertrude Bellows
Brandon Knox Harold Bellows
Rodrigo Fernandez-Stoll Drive-In Manager
Anna Fraser Actress
Alex Spencer Orderly #1
Matt Smith Mr. Steinberg
Colton Gobbo Letterman #1
Daniel Gravelle Letterman #2
Ajanae Stephenson Lou Lou (8 yrs)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

André Øvredal Director
Guillermo del Toro Screenwriter
Dan Hageman Screenwriter
Kevin Hageman Screenwriter
Patrick Melton Screenwriter
Marcus Dunstan Screenwriter
Alvin Schwartz Story based on the book series by
Sean Daniel Producer
Elizabeth Grave Producer
Guillermo del Toro Producer
Jason F. Brown Producer
J. Miles Dale Producer
Roman Osin Director of Photography
David Brisbin Production Designer
Patrick Larsgaard Editor
Ruth Myers Costume Designer
Marco Beltrami Composer
Anna Drubich Composer
Regina Robb Production Manager
J. Miles Dale Unit Production Manager
Myron Hoffert First Assistant Director
Tyler Deben Second Assistant Director
Zhitang Chen Co-Executive Producer
Jacky Cheung Co-Executive Producer
Darren McGuire Stunt Coordinator
Brandt Gordon Art Director
Sorin Popescu Set Designer
Etienne Gravrand Set Designer
Patricia Larman Set Decorator
Jane Flanders Costume Supervisor
Charlotte Robertson Sets Supervisor
Colin Penman Make up
Trason Fernandes Make up
Cliona Furey Hairstylist
Jacqueline Robertson-Cull Hairstylist
Dug Rotstein Script Supervisor
Greg Chapman Sound Mixer
Erika Schengili-Roberts Sound Mixer
Glen Gauthier Sound Mixer
Vince Nyuli Location Manager
Douglas Wilkinson Post-Production Supervisor
J.R. Fountain Supervising Sound Editor
Jill Purdy Supervising Sound Editor
Joe Dzuban Sound Designer
Tyler Whitham Sound Editor
Steve Medeiros Sound Editor
Andrew Tay Re-recording Mixer
Michael Woroniuk Re-recording Mixer
Geoff Hill Special Effects Coordinator
Chris McGeary Music Editor
Kevin Banks Music Editor
Matt Glover Visual Effects Supervisor
Greg Sigurdson Visual Effects Producer
Kevin Scott Animation Supervisor
Jason Edwardh Animation Supervisor
Rich Delia Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.