Japan Box Office for Sayonara no asa ni yakusoku no hana o kazarô (2018)
Theatrical Performance (US$) | ||
Japan Box Office | $1,218,765 | Details |
Worldwide Box Office | $4,324,668 | Details |
Home Market Performance | ||
North America DVD Sales | $78,376 | Details |
North America Blu-ray Sales | $308,952 | Details |
Total North America Video Sales | $387,328 | |
Further financial details... |
Synopsis
The people of Iorph live far away from the lands of men, weaving the happenings of each day into a fabric called Hibiol. They live for centuries while maintaining their youthful appearance. Maquia, an orphaned Iorph girl, lives her life in an oasis surrounded by friends, yet somehow feels “alone”. But the tranquil lives of the Iorph are shattered in an instant when the Mezarte army invades their territory on a dragon fleet, seeking the blood that grants the Iorph long life. Maquia manages to escape, but loses her friends and her home in the chaos. She then encounters an orphaned baby who is “alone”. Maquia raises this boy "Ariel", with the help of some new friends. But as the era changes, the bond between Maquia and Ariel changes too, amidst a backdrop of racial tensions between the Iorph and the Mezarte. This is a story of irreplaceable time, woven by two lonely people who can only find solace in each other.
Metrics
Movie Details
Japan Releases: | February 23rd, 2018 (Wide) |
Video Release: | February 5th, 2019 by Shout Factory |
MPAA Rating: | Not Rated |
Running Time: | 115 minutes |
Keywords: | Anime, Abandoned Child, Unexpected Families, Adopted Family |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Digital Animation |
Creative Type: | Fantasy |
Production/Financing Companies: | P A Works, Bandai Visual, Cygames, Hakuhodo DY Music and Pictures, Lantis Productions |
Production Countries: | Japan |
Languages: | Japanese |
Home Market Releases for February 5th, 2019
February 5th, 2019
We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying.
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Limited and VOD Releases: Some Promising Limited Releases are Ready to Bloom
July 20th, 2018
It is not a busy week for limited releases, but the majority of the ones on the main list are worth checking out. I think Blindspotting has the best shot at box office success, but personally I’m most interested in seeing Maquia: When The Promised Flower Blooms.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 6/8/2018 | $32,685 | 36 | 36 | 43 | $49,226 | 6/18/2018 |
China | 2/22/2019 | $37,678 | 0 | 1719 | 1719 | $2,551,388 | 3/15/2019 |
Japan | 2/23/2018 | $444,800 | 0 | 0 | 0 | $1,218,765 | 6/8/2018 |
New Zealand | 6/8/2018 | $5,092 | 9 | 9 | 11 | $6,137 | 6/25/2018 |
North America | 7/20/2018 | $0 | 0 | 0 | 0 | $0 | |
Russia (CIS) | 4/19/2018 | $116,296 | 290 | 290 | 531 | $233,350 | 2/26/2019 |
South Korea | 7/19/2018 | $131,099 | 117 | 117 | 206 | $265,802 | 7/6/2022 |
United Kingdom | 6/27/2018 | $0 | 0 | 0 | 0 | $0 | |
Worldwide Total | $4,324,668 | 7/6/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Manaka Iwami | Maquia |
Supporting Cast
Miyu Irino | Ariel |
Ai Kayano | Leilia |
Yūki Kaji | Krim |
Miyuki Sawashiro | Racine |
Rina Satō | Mido |
Yoshimasa Hosoya | Lang |
Yōko Hikasa | Tita |
Misaki Kuno | Medmel |
Tomokazu Sugita | Izor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mari Okada | Director |
Mari Okada | Screenwriter |
Naoko Endo | Producer |
Nobuhiro Takenaka | Producer |
Kenji Horikawa | Producer |
Takahiro Kikuchi | Producer |
Tomomi Kyōtani | Producer |
Ayumu Takahashi | Editor |
Kenji Kawai | Composer |
Satoshi Namiki | Cinematographer |