Spain Box Office for Sabotage (2014)
Theatrical Performance (US$) | ||
Spain Box Office | $395,074 | Details |
Worldwide Box Office | $18,376,443 | Details |
Home Market Performance | ||
North America DVD Sales | $4,805,334 | Details |
North America Blu-ray Sales | $3,646,667 | Details |
Total North America Video Sales | $8,452,001 | |
Further financial details... |
Synopsis
John “Breacher” Wharton leads an elite DEA task force that takes on the world’s deadliest drug cartels. When the team successfully executes a high-stakes raid on a cartel safe house, they think their work is done—until, one-by-one, the team members mysteriously start to be eliminated. As the body count rises, everyone is a suspect.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Spain Releases: | July 11th, 2014 (Wide) |
Video Release: | July 22nd, 2014 by Universal Home Entertainment |
MPAA Rating: | R for strong bloody violence, pervasive language, some sexuality/nudity and drug use. (Rating bulletin 2307, 1/29/2014) |
Running Time: | 110 minutes |
Keywords: | DEA Agent, Narcotics, Corrupt Cops, Organized Crime, Revenge, Internal Affairs, Action Thriller |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | QED International, Crave Films |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for July 22nd, 2014
July 22nd, 2014
I think it is fair to say it is a mixed week on the home market. There are four wide releases coming out this week, but all but one struggled at the box office. Worse still, looking down the list of new releases and you quickly run into filler. Fortunately, there are a few films that are contenders for Pick of the Week, including Blue Ruin and Next Goal Wins. However, the winner is Ginger Snaps, which is coming out on a Special Edition Blu-ray.
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Weekend Wrap-Up: Winter Soldier Produces a Lot of Heat
April 7th, 2014
So the first weekend of April was amazing. Not only did Game of Thrones set a series record for ratings (and the best for HBO since The Sopranos) but Captain America: The Winter Soldier set the April opening weekend of all time. Its opening was on the high end of expectations, which is great news, and this strength helped the overall box office grow by 19% from last weekend to $167 million. This is also 24% more than the same weekend last year. Year-to-date, 2014 now has $2.55 billion, which is 7% more than 2013's running tally of $2.38 billion.
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Weekend Wrap-Up: Noah Sails to the Top, but Box Office Sinks
April 1st, 2014
March is over and it ended on a bit of a down note. Noah topped expectations, but not every film managed to do the same. For instance, Sabotage barely avoided the Mendoza Line. Overall the box office was down less than $1 million, or 0.7%, when compared to last weekend. Compared to last year, the box office was down 5%, which isn't great, but given how strong 2014 has been, it is hardly a reason to panic. In fact, year-to-date, 2014 has a 6% lead over 2013 at $2.35 billion to $2.22 billion.
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Weekend Predictions: Will Noah Wash Away the Competition?
March 27th, 2014
The final weekend in March is a busy one with two wide releases, possibly two wide expansions, and a semi-wide release that could reach the top ten. Noah is the wider of the two wide releases and should have little trouble earning first place over the weekend. On the other hand, there is a chance Sabotage won't reach the top five. Both Bad Words and The Grand Budapest Hotel are expanding wide, or widish. The Grand Budapest Hotel should pop into the top five, but not everyone thinks Bad Words will reach the top ten. Finally, Cesar Chavez is opening in more than 600 theaters and there is a chance it will reach the top ten. This weekend last year was led by G.I. Joe: Retaliation with just over $40 million. Noah could get there, but even if it does, I don't think the other films will hold their end of the bargain and 2014 will finally lose in the year-over-year comparison.
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Contest: It's Raining Prizes
March 21st, 2014
Noah opens next week and it could be a massive hit, or it might be an expensive flop. The film reportedly cost $160 million to make, so the studio will be pushing it hard. However, the buzz is mixed, at best. That said, it should crush the only other wide release of the week, Sabotage, which feels like an afterthought. There's a clear choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Noah.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win the first Frankenprize of the week, which I'm expanding. You can choose between three DVDs / Blu-rays, four TV on DVD releases, or six single-disc TV on DVD releases, usually kid's movies.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win the second Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2014 Preview: March
March 1st, 2014
2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/07/11 | 6 | $173,151 | 197 | $879 | $173,151 | 1 | |
2014/07/18 | 9 | $58,635 | -66% | 180 | $326 | $342,904 | 2 |
2014/07/25 | 21 | $9,876 | -83% | 71 | $139 | $395,074 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
China | 4/24/2015 | $2,280,000 | 15970 | 15970 | 15970 | $3,320,000 | 9/4/2018 |
Iceland | 7/2/2014 | $10,007 | 5 | 5 | 5 | $10,007 | 12/30/2018 |
Lebanon | 6/12/2014 | $0 | 0 | 1 | 1 | $13,624 | 12/30/2018 |
North America | 3/28/2014 | $5,272,444 | 2,486 | 2,486 | 6,039 | $10,508,518 | |
Spain | 7/11/2014 | $173,151 | 197 | 197 | 448 | $395,074 | 12/17/2015 |
Rest of World | $4,129,220 | ||||||
Worldwide Total | $18,376,443 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Arnold Schwarzenegger | John "Breacher" Wharton |
Sam Worthington | James "Monster" Murray |
Olivia Williams | Investigator Caroline Brentwood |
Terrence Howard | Julius "Sugar" Edmonds |
Joe Manganiello | Joe "Grinder" Phillips |
Mireille Enos | Lizzy Murray |
Supporting Cast
Josh Holloway | Eddie "Neck" Jordan |
Harold Perrineau | Jackson |
Max Martini | Tom "Pyro" Roberts |
Martin Donovan | Floyd Morgan |
Gary Grubbs | Lou Cantrell |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Ayer | Director |
David Ayer | Screenwriter |
Skip Woods | Screenwriter |
Bill Block | Producer |
Paul Hanson | Producer |
David Ayer | Producer |
Ethan Smith | Producer |
Palak Patel | Producer |
Joe Roth | Executive Producer |
Anton Lessine | Executive Producer |
Sasha Shapiro | Executive Producer |
Albert S. Ruddy | Executive Producer |
Skip Woods | Executive Producer |
Geoffrey Yim | Executive Producer |
Alex Ott | Co-Producer |
Jason Blumenfeld | Co-Producer |
Bruce McCleery* | Director of Photography |
Devorah Herbert | Production Designer |
Dody Dorn | Editor |
Mary Claire Hannan | Costume Designer |
Atlantic Screen Composers | Music Score Produced and Published by |
David Sardy | Composer |
Mary Vernieu | Casting Director |
Lindsay Graham | Casting Director |
Gabe Hilfer | Music Supervisor |
Season Kent | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.