Bulgaria Box Office for Рок Дог (2016)

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Rock Dog
Theatrical Performance (US$)
Bulgaria Box Office $137,907Details
Worldwide Box Office $24,148,488Details
Home Market Performance
North America DVD Sales $1,813,306 Details
North America Blu-ray Sales $1,169,761 Details
Total North America Video Sales $2,983,067
Further financial details...

Synopsis

For the Tibetan Mastiffs living on Snow Mountain, a dog’s life has a simple riff: Guard a peaceful village of wool-making sheep from the thuggish wolf Linnux and his rabid pack. To avoid distractions, Mastiff leader Khampa forbids all music from the mountain. But when Khampa’s son Bodi discovers a radio dropped by a passing airplane, it takes just a few guitar licks for his fate to be sealed: Bodi wants to be a rock n’ roll star. Yet that means defying his father’s wishes, heading to the city, and locating the legendary—and reclusive—musician Angus Scattergood, who needs to write a new song and fast.

Metrics

Movie Details

Production Budget:$60,000,000
Bulgaria Releases: March 3rd, 2017 (Wide), released as Рок Дог
Video Release: May 9th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG for action and language.
(Rating bulletin 2447 (Cert #50651), 10/19/2016)
Running Time: 80 minutes
Keywords: Animal Lead, Talking Animals, Father’s Footsteps, Musicians, Rock 'n' Roll, Development Hell, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Summit Premiere, Huayi Brothers Corp., Mandoo Pictures, Huayi Tencent Entertainment Company, Eracme Entertainment, Dream Factory Group
Production Countries: China, Hong Kong, United States
Languages: English, Mandarin

Home Market Releases for May 23rd, 2017

May 24th, 2017

My Life as a Zucchini

It is a great week on the home market with two monster hits coming out: Logan and Get Out. However, both have previously been named Pick of the Week. Fortunately there was one other release in competition for Pick of the Week, My Life as a Zucchini on Blu-ray. Thank goodness this film comes out this week. Otherwise, John Wick: Chapter Two would have become the third Video on Demand release in a row to win Pick of the Week. More...

Home Market Releases for May 9th, 2017

May 10th, 2017

Get Out

It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD. More...

Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million

February 28th, 2017

Get Out

Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers. More...

Weekend Estimates: Get Out Pulls Off Huge Win

February 26th, 2017

Get Out

If you took a bet a year ago that the Oscar weekend box office would be dominated by a movie with an A- CinemaScore, and a score of 100% on Rotten Tomatoes, you probably wouldn’t get great odds. If you’d included the stipulation that the film would be a horror movie written and directed by Jordan Peele, your winnings would set you up for retirement. For that is what we have this morning: Get Out will easily top the chart this weekend, with Universal estimating a weekend around $30.5 million. More...

Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million

February 25th, 2017

Get Out

As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish. More...

Thursday Night Previews: Get Out Starts Out on Top with $1.8 million

February 24th, 2017

Get Out

Get Out opened with $1.8 million during its midnight previews. This isn’t the best previews we’ve seen this year, but it is near the top. For example, it is just 10% lower than Split managed in January and only three other films topped $2 million during previews. The film’s 100% positive reviews should certainly help the film’s legs over the weekend and that’s great news for the studio. In fact, there are some who think it will earn more than $35 million over the weekend. That’s a little too bullish for my tastes, but I can’t entirely dismiss those predictions. Opening with just over $30 million, on the other hand, now feels more likely. Since the film only cost $5 million to make, it could earn more over the opening weekend than it cost to make and advertise. More...

Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?

February 23rd, 2017

Get Out

There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close. More...

Contest: Straight Outta Suburbia

February 17th, 2017

Get Out

Surprisingly, there are three wide releases next week. I wasn’t expecting both Collide and Rock Dog to debut in more than 2,000 theaters, but that appears to be the case. That said, Get Out is widely expected to be the biggest of these three releases and as such, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Get Out.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Rock Dog Trailer

February 7th, 2017

Animated adventure opens February 24 ... Full Movie Details. More...

2017 Preview: February

February 1st, 2017

The Lego Batman Movie

January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/03/03 2 $31,475   0     $31,475 1
2017/03/10 3 $44,170 +40% 0     $89,766 2
2017/03/17 3 $20,961 -53% 0     $107,299 3
2017/03/24 5 $11,879 -43% 0     $122,502 4
2017/03/31 11 $1,434 -88% 0     $127,025 5
2017/04/07 15 $694 -52% 0     $127,232 6
2017/04/14 16 $243 -65% 0     $128,137 7
2017/04/21 19 $251 +3% 0     $129,286 8
2017/04/28 18 $289 +15% 0     $132,146 9
2017/05/05 19 $414 +43% 0     $134,008 10
2017/05/26 17 $501   0     $137,907 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/17/2017 $48,714 0 0 0 $94,632 1/1/2019
Brazil 5/5/2017 $236,078 0 0 0 $379,816 6/26/2018
Bulgaria 3/3/2017 $31,475 0 0 0 $137,907 2/26/2019
China 7/2/2016 $209,254 0 13445 13445 $6,010,000 8/27/2018
Czech Republic 2/24/2017 $58,522 119 119 282 $135,199 1/1/2019
Italy 12/2/2016 $202,570 0 0 0 $535,488 12/21/2016
Lithuania 5/12/2017 $14,231 132 132 442 $102,199 7/19/2017
Mexico 3/3/2017 $495,978 0 0 0 $907,194 3/15/2017
North America 2/24/2017 $3,704,749 2,077 2,077 6,335 $9,420,546 7/10/2018
Poland 7/14/2017 $0 0 0 0 $477,106 1/1/2019
Portugal 3/3/2017 $74,664 55 55 215 $202,301 6/27/2018
Russia (CIS) 4/28/2017 $216,552 858 1236 3730 $1,439,122 1/1/2019
Slovakia 2/24/2017 $42,875 69 69 168 $89,965 4/7/2017
South Korea 9/14/2016 $0 0 399 898 $1,555,523 11/29/2016
Turkey 3/10/2017 $87,676 204 204 447 $211,059 2/26/2019
United Kingdom 6/16/2017 $17,060 93 93 93 $17,060 6/21/2017
 
Rest of World $2,433,371
 
Worldwide Total$24,148,488 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Luke Wilson Bodi
Eddie Izzard Angus Scattergood
J.K. Simmons Khampa
Lewis Black Linnux
Mae Whitman Darma
Jorge Garcia Germur

Supporting Cast

Kenan Thompson Riff
Matt Dillon Trey
Sam Elliott Fleetwood Yak
Liza Richardson Radio DJ
Ash Brannon Ian
Will Finn Floyd/Carl
Julie Craig Additional Voice
Deng Feng Additional Voice
Kellen Goff Additional Voice
Jennifer Hale Additional Voice
Matt Taylor Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ash Brannon Director
Ash Brannon Screenwriter
Kurt Voelker Screenwriter
Zheng Jun Screenwriter
Ash Brannon Story by
Zheng Jun Based on the Graphic Novel “Tibetan rock Dog” by
Zheng Jun Producer
Amber Wang Producer
Rob Feng Producer
Joyce Lou Producer
David B. Miller Producer
Wang Zhongjun Executive Producer
Deng Feng Executive Producer
Angela Wu Executive Producer
Andrew Yang Executive Producer
Wang Zhonglei Executive Producer
Jerry Ye Executive Producer
Xu Xiaoping Executive Producer
Liu Shengyi Executive Producer
Tan Fei Executive Producer
Chuck Peil Executive Producer
Uri Fleming Executive Producer
Mike Bundlie Executive Producer
Lauren Selig Executive Producer
Elad Tibi Production Designer
Ivan Bilancio Editor
Ed Fuller Editor
Rolfe Kent Composer
Niu Xue Co-Producer
Benjamin Gilberg Co-Producer
Bin Huang Co-Producer
Alonzo Ruvalcaba Co-Producer
Richard Zhang Associate Producer
Felix Liu Associate Producer
Yang Ruiyi Associate Producer
Roger Luo Associate Producer
Jen Rudin Casting Director
Christian Schellewald Art Director
Matthew Bates Character Designer
John Clark Head of Layout
David Esneault Digital Supervisor
Scott Petersen Digital Supervisor
Bill Haller Supervising Animator
Liza Richardson Music Supervisor
Steven Ticknor Sound Designer
Joanna D. Ferguson Production Manager
Carolyn Gair Head of Story
Kathy Cavaiola Script Supervisor
Lawrence Gan First and Second Assistant Editor
Dave Colman Character Designer
Gary Dunn Character Designer
Damjan Mitrevski Animation Supervisor
Jovan Matoski Animation
Mihail Naumov Animation
David Dresher Post-Production Supervisor
Tateum Kohut Re-recording Mixer
Steven Ticknor Re-recording Mixer
Greg Orloff Re-recording Mixer
Joe Iemola Sound Effects Editor
Jamie Hardt Sound Effects Editor
David Williams Dialogue Editor
Andy Sisul Dialogue Editor
Nick South Music Editor
Bruno Coon Music Editor
Daniel Mandelman Additional Music
Greg Townley Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.