Russia (CIS) Box Office for Дело Ричарда Джуэлла (2019)

← Go to main Richard Jewell page

Richard Jewell
Theatrical Performance (US$)
Russia (CIS) Box Office $1,100,000Details
Worldwide Box Office $43,092,210Details
Home Market Performance
North America DVD Sales $1,101,580 Details
North America Blu-ray Sales $890,773 Details
Total North America Video Sales $1,992,353
Further financial details...

Synopsis

“There is a bomb in Centennial Park. You have thirty minutes.” The world is first introduced to Richard Jewell as the security guard who reports finding the device at the 1996 Atlanta bombing—his report making him a hero whose swift actions save countless lives. But within days, the law enforcement wannabe becomes the FBI’s number one suspect, vilified by press and public alike, his life ripped apart. Reaching out to independent, anti-establishment attorney Watson Bryant, Jewell staunchly professes his innocence. But Bryant finds he is out of his depth as he fights the combined powers of the FBI, GBI and APD to clear his client’s name, while keeping Richard from trusting the very people trying to destroy him.

Metrics

Movie Details

Production Budget:$45,000,000
Russia (CIS) Releases: January 9th, 2020 (Wide), released as Дело Ричарда Джуэлла
Video Release: March 3rd, 2020 by Warner Home Video
MPAA Rating: R for language including some sexual references, and brief bloody images.
(Rating bulletin 2604 (Cert #52441), 11/3/2019)
Running Time: 129 minutes
Keywords: Biography, 1990s, Set in Atlanta, GA, Olympics, Terrorism, Media Circus, Falsely Accused, Biographical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Appian Way, 75 Year Plan, Misher Films, Malpaso Productions, Warner Bros.
Production Countries: United States
Languages: English

Home Market Releases for March 17th, 2020

March 17th, 2020

The Point

It’s a relatively good week on the home market, as we have Jumanji: The Next Level coming out. On the other hand, that’s the only big release of the week, at least on physical media. Star Wars: The Rise of Skywalker is hitting Video on Demand. Neither are Pick of the Week contenders, although Jumanji could get there when the screener arrives. As for the best of the rest, The Point: Ultimate Edition and Superman: Red Son Blu-ray / 4K Ultra HD are worth checking out. The Point came out a while ago, but the screener arrived late. That said, it is still the best release on this week’s list. More...

Home Market Releases for March 3rd, 2020

March 5th, 2020

Jojo Rabbit

It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago. More...

2020 Awards Season: Oscar Highlight: Best Supporting Actress

February 4th, 2020

Marriage Story

Our annual Oscar Prediction contest underway so now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. We are continuing today with Best Supporting Actress. In this category, there is an absolute favorite, a long shot with a shot, and then everyone else. More...

2020 Awards Season: Oscar Nominations

January 13th, 2020

1917

The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year. More...

Weekend Wrap-Up: Jumanji Spreads a Little Christmas Cheer

December 17th, 2019

Jumanji: The Next Level

As expected, Jumanji: The Next Level dominated the competition over the weekend. Fortunately, it did so with a lot more than anticipated, earning $59.25 million. This is more than the rest of the top ten combined. Unfortunately, this happened in part due to the disastrous openings of Black Christmas and Richard Jewell. The overall box office rose dramatically from last weekend earning 31% more at $117 million. More importantly, this was 1.6% higher than the same weekend last year. Granted, that’s a tiny margin, but any win is worth celebrating at this point. Year-to-date, 2019 is still well behind 2018’s pace down 5.7% or $620 million at $10.31 billion to $10.93 billion. That said, if we can chip away at that deficit, then 2019 can at least end on a positive note and save face. More...

Weekend Estimates: Jumanji Blows Past Predictions with $60-million Debut

December 15th, 2019

Jumanji: The Next Level

Jumanji: The Next Level is not only beating predictions, but is also topped projections based on Friday’s estimates. The film’s weekend estimate is $60.1 million, which is easily more than the rest of the top ten combined. It is also 66% higher than the Welcome to the Jungle’s opening weekend, although that film had a Wednesday opening, so it isn’t a fair comparison. Internationally, the film is nearly as impressive, earning $85.7 million on 39,900 screens in 52 markets for totals of $152.5 million internationally and $212.6 million worldwide. This includes a monster opening in the U.K., where it earned $12.6 million over the five-day weekend, including previews. This is 32% ahead of the previous installment in the franchise. Overall, the new film is 33% ahead of Welcome to the Jungle’s performance in the same group of new markets. If you look at is box office so far, add in its solid reviews and the Christmas break and we are looking at a $1 billion worldwide run. Sony had a really bad three-year streak a few years ago, but this is the second year in a row where they have been back in form. More...

Friday Estimates: Jumanji Finds Plenty of Christmas Cheer

December 14th, 2019

Jumanji: The Next Level

Jumanji: The Next Level got off to a great start on Friday, earning $19.4 million. Sony is projecting just over $50 million for the weekend after this start, which is well above our $42-million prediction, and in fact on the very high end of range of everyone’s predictions. Furthermore, the film’s reviews remain solid, and, while it doesn’t have a published CinemaScore yet, its word-of-mouth does seem like an asset going forward. Granted, it does have intense competition next weekend, but I have no doubt that Sony is already working on a third installment of the Jumanji reboot. More...

Thursday Night Previews: Jumanji Gets off to a $4.7 million Start

December 13th, 2019

Jumanji: The Next Level

Jumanji: The Next Level earned $4.7 million during its Thursday previews. Welcome to the Jungle was a Wednesday opening, and there were no previews we can compare against. Meanwhile, last year’s big release, Spider-Man: Into the Spider-Verse, was a kids movie, so we can’t compare its $3.5 million in previews either. This means we are in bit of a waiting period for more hard data, but with overall positive reviews, I’m cautiously optimistic. More...

Weekend Predictions: Will Christmas Come a Week Early?

December 12th, 2019

Jumanji: The Next Level

Jumanji: The Next Level will have no trouble earning first place and could earn more than Frozen II, Black Christmas, and Richard Jewell will earn combined. The real question is whether or not the overall box office will keep pace with the same weekend last year when Spider-Man: Into the Spider-Verse debuted with $35.36 million. I really think Jumanji will top that figure while this year will also have marginally better depth helping 2019 earn a much needed win in the year-over-year competition. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

2019 Preview: December

December 1st, 2019

Star Wars: The Rise of Skywalker

Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/10 7 $489,169   430 $1,138   $489,169 1
2020/01/17 8 $270,736 -45% 428 $633   $923,619 2
2020/01/24 16 $68,469 -75% 193 $355   $1,076,018 3

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/3/2020 $79,182 102 102 163 $157,501 1/20/2020
Australia 2/14/2020 $398,722 252 252 867 $840,843 3/24/2020
Brazil 1/3/2020 $199,000 124 124 239 $353,000 1/15/2020
Bulgaria 1/10/2020 $11,139 0 0 0 $21,399 1/28/2020
China 1/10/2020 $225,000 1394 1654 3048 $685,000 1/22/2020
Czech Republic 1/17/2020 $19,361 69 69 99 $35,172 10/19/2022
France 2/20/2020 $2,300,000 485 561 2046 $5,700,000 3/24/2020
Germany 6/26/2020 $0 0 0 0 $379,717 4/12/2021
Hong Kong 1/3/2020 $108,485 0 0 0 $238,000 1/15/2020
Italy 1/16/2020 $1,297,359 0 7 7 $3,066,573 10/19/2022
Japan 1/17/2020 $786,000 244 244 488 $2,700,000 3/4/2020
Mexico 1/1/2020 $360,456 365 365 365 $1,000,000 10/19/2022
Netherlands 3/6/2020 $123,501 83 83 165 $242,712 10/19/2022
New Zealand 2/13/2020 $25,229 67 67 224 $58,494 10/19/2022
North America 12/13/2019 $4,705,265 2,502 2,502 10,158 $22,345,542
Portugal 1/3/2020 $109,340 65 65 192 $270,400 10/19/2022
Romania 2/14/2020 $22,641 61 61 122 $45,534 3/23/2020
Russia (CIS) 1/9/2020 $489,169 430 430 1109 $1,100,000 10/19/2022
Slovakia 1/24/2020 $9,308 44 44 54 $15,002 2/5/2020
Spain 1/3/2020 $579,632 270 299 1073 $2,100,000 3/4/2020
Turkey 3/27/2020 00$0
United Kingdom 1/31/2020 $209,616 319 319 319 $209,616 2/5/2020
 
Rest of World $1,527,705
 
Worldwide Total$43,092,210 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sam Rockwell Watson Bryant
Kathy Bates Bobi Jewell
Paul Walter Hauser Richard Jewell

Supporting Cast

Jon Hamm Tom Shaw
Olivia Wilde Kathy Scruggs
Brandon Stanley Student
Ryan Boz Student
Charles Green Dr. W. Ray Cleere
Mike Pniewski Brandon Hamm
Ian Gomez Agent Dan Bennet
Nina Arianda Nadya Light
Ronnie Allen Kenny Rogers Impersonator
David Lengel Cameraman
Elizabeth Keener Pregnant Woman
Grant Roberts Will Jones — APD
Alan Heckner Bill Miller — GBI
Desmond Phillips Mike Silver — APD
Alex Collins Max Green — APD
Michael Otis Mr. Braden
Izzy Herbert Mariah Braden
Kelly Collins Lintz Mrs. Braden
Jonathan D. Bergman Jerrod Braden
Daniel Annone Drunk Teen
Zack Shires Drunk Teen
Christian Adam Drunk Teen
Megan Mieduch 911 Operator #1
Eric Mendenhall Eric Rudolph
Randy Havens Sound Tech
Kevin Patrick Murphy Sound Tech
Mitchell Hoog Teen Intern
David Shae Ron Martz
Brian Brightman Zoeller
Mike Wilson Forsythe
Andrea Laing 911 Operator #2
Aubriana Davis Girl in Park
Deja Dee Woman in Park
Franco Castan APD Cop
Kendrick Cross GBI Guy
Brandon Morris ATF Guy
Billy Slaughter Tim Barker
Philip Fornah Grateful APD Cop
Dani Deette Grateful APD Cop
John Atwood Mr. Brenner
Dylan Kussman Bruce Hughes
Max Bickelhaup Unnamed Swimmer
Robert Treveiler Patrick Williams
David DeVries John Walter
Maury Morgan News Anchor
Tommy Kane Horde Reporter
Mallory Hoff Horde Reporter
Jill-Michele Melean Horde Reporter
Gregory Clarkson Horde Reporter
Nicole Sellars Horde Reporter
Garon Grigsby Bryant Gumbel
Niko Nicotera Dave Dutchess
Josh Henry FBI Physical Evidence Guy
Wayne Duvall Richard Rackleff
Jesse Burt Supply Cart Guy

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clint Eastwood Director
Clint Eastwood Producer
Tim Moore Producer
Jessica Meier Producer
Kevin Misher Producer
Jonah Hill Producer
Leonardo DiCaprio Producer
Jennifer Davisson Killoran Producer
Billy Ray Screenwriter
Marie Brenner Story Based on the Article “American Nightmare: The Ballad of Richard Jewell” by
Yves Belanger Director of Photography
Kevin Ishioka Production Designer
Joel Cox Editor
Deborah Hopper Costume Designer
Arturo Sandoval Composer
Tim Gunny Moore Unit Production Manager
David M. Bernstein First Assistant Director
Jeff Hubbard Second Assistant Director
Stephen S. Campanelli Second Unit Director
Holly Hagy Associate Producer
Priscilla Elliott Supervising Art Director
Chris Craine Art Director
Ron Reiss Set Decorator
Nathan Godley Assistant Editor
David Cox Assistant Editor
Adam Ohl Visual Effects Producer
Erin Mast Script Supervisor
Alan Robert Murray Supervising Sound Editor
Jose Antonio Garcia Sound Mixer
Chris McGeary Music Editor
Chris McGeary Score Producer
Chris McGeary Score Coordinator
Juan Lopez Costume Supervisor
Kimberly Felix-Burke Make up
Mark Bautista Make up
Ashley McGuire Make up
Joy Zapata Hairstylist
Vito Trotta Hairstylist
Deaundra Metzger Hairstylist
Holly Hagy Production Supervisor
Patrick O. Mignano Supervising Location Manager
Elizabeth Wright Location Manager
Clarke McAlarney Set Designer
Jake Ewonus Set Designer
Cameron Steenhagen Supervising Dialogue Editor
John Joseph Thomas Sound Effects Editor
Doug Jackson Sound Effects Editor
Michael W. Mitchell Sound Effects Editor
Christian Wenger Sound Effects Editor
Tom Ozanich Sound Designer
Michael Dressel Supervising Foley Editor
Willard Overstreet Foley Editor
John Reitz Re-recording Mixer
Dean A. Zupancic Re-recording Mixer
Richard Duarte Foley Mixer
Jack Cucci Foley Mixer
Thom Williams Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.