Italy Box Office for Remember (2015)
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| Theatrical Performance (US$) | ||
| Italy Box Office | $634,579 | Details |
| Worldwide Box Office | $1,802,211 | Details |
| Home Market Performance | ||
| North America DVD Sales | $234,715 | Details |
| North America Blu-ray Sales | $136,795 | Details |
| Total North America Video Sales | $371,510 | |
| Further financial details... | ||
Synopsis
Zev Guttman is a 90-year-old struggling with memory loss who is living out his final years in a serene retirement home. A week following the death of his beloved wife Ruth, he suddenly gets a mysterious package from his close friend Max, containing a stack of money and a letter detailing a shocking plan. Both Zev and Max were prisoners in Auschwitz, and the same sadistic guard was responsible for the death of both their families—a guard who, immediately after the war, escaped Germany and has been living in the U.S. ever since under an assumed identity. Max is wheelchair-bound but in full command of his mental faculties. With his guidance, Zev will embark on a cross-continental road-trip to bring justice once and for all to the man who destroyed both their lives.
Metrics
Movie Details
| Italy Releases: | January 27th, 2016 (Wide) |
| Video Release: | May 3rd, 2016 by Lionsgate Home Entertainment |
| MPAA Rating: | R for a sequence of violence and language. (Rating bulletin 2392, 9/23/2015) |
| Running Time: | 95 minutes |
| Keywords: | Holocaust, Nazis Outside of World War II, Revenge, Wheelchair User, Faulty Memory, Retirement Home, Road Trip |
| Source: | Based on Play |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Serendipity Point Films, Distant Horizon, Detalle Films, Telefilm Canada, Egoli Tossell Film, Entertainment One, Atom Egoyan |
| Production Countries: | Canada, Germany |
| Languages: | English |
Home Market Releases for May 3rd, 2016
May 2nd, 2016
This week the biggest releases are busted Oscar-bait, Joy; a post-apocalyptic young adult adaptation, The 5th Wave; and the latest from Nicholas Sparks, The Choice. Joy is worth at least a rental. The other two are not. There are no major releases that are contenders for Pick of the Week, so that title will go to a smaller release, East Side Sushi on DVD. It has earned unanimously positive reviews, but no buzz.
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Theater Averages: Eye has Sky-High Opening with $22,761
March 16th, 2016
Eye in the Sky opened on first place on the per theater chart with an average of $22,761 in five theaters. This opening, plus its reviews, suggest it could do well in wider release. Likewise, Hello, My Name is Doris earned an average of $21,246 in four theaters while its Tomatometer Score is 90% positive. It could also earn some measure of mainstream success. City of Gold did very well for a documentary with an average of $15,740, also in four theaters. The overall number one film, Zootopia, earned an average of $13,415. Remember was the latest A24 to do well with an average of $10,245 in two theaters.
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Weekend Estimates: Zootopia Romps to $50 Million Second Weekend
March 13th, 2016
Zootopia is headed to another big win at the box office this weekend, with a modest 33% decline from last weekend keeping it well ahead of a pack of new releases. Its $50 million gross this time around takes it to $142.6 million in total domestically. With $288.7 million in the bank internationally, including over $100 million in China by the end of the weekend, Disney looks to have struck gold again. A sequel, theme park tie-ins and merchandizing seem likely, although Disney has so much of that going on already, what with Star Wars, Marvel, its Princess lines, and Pixar, that this might actually be more of a niche for them. (A half-billion-dollar-and-counting niche. Nice work if you can get it.)
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Limited and VOD Releases: Invading a Theater Near You
February 12th, 2016
It's Valentine's Day weekend, so it should come as no surprise that there's a few romantic films on this week's list. On the other hand, the biggest release is Where to Invade Next. Its reviews are good, but it is opening in 300 theaters, which could prove to be too many.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/01/29 | 25 | $7,720 | 6 | $1,287 | $24,643 | 1 | |
| 2016/02/05 | 11 | $226,579 | +2,835% | 94 | $2,410 | $258,967 | 2 |
| 2016/02/12 | 11 | $130,973 | -42% | 80 | $1,637 | $481,558 | 3 |
| 2016/02/19 | 16 | $40,817 | -69% | 27 | $1,512 | $550,152 | 4 |
| 2016/02/26 | 22 | $20,236 | -50% | 16 | $1,265 | $582,116 | 5 |
| 2016/03/04 | 29 | $7,309 | -64% | 7 | $1,044 | $596,198 | 6 |
| 2016/03/11 | 23 | $10,221 | +40% | 5 | $2,044 | $611,498 | 7 |
| 2016/03/18 | 28 | $3,397 | -67% | 2 | $1,699 | $619,327 | 8 |
| 2016/04/01 | 36 | $3,387 | 3 | $1,129 | $626,943 | 10 | |
| 2016/04/08 | 53 | $1,118 | -67% | 3 | $373 | $631,758 | 11 |
| 2016/04/15 | 49 | $787 | -30% | 2 | $394 | $634,579 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/31/2016 | $44,543 | 25 | 25 | 29 | $57,117 | 4/19/2016 |
| Australia | 5/6/2016 | $3,626 | 2 | 10 | 53 | $53,801 | 9/5/2023 |
| Brazil | 5/13/2016 | $52,929 | 0 | 0 | 0 | $243,811 | 11/16/2018 |
| Italy | 1/27/2016 | $7,720 | 6 | 94 | 245 | $634,579 | 6/9/2016 |
| Netherlands | 5/19/2016 | $13,443 | 19 | 19 | 57 | $47,282 | 11/18/2018 |
| New Zealand | 7/15/2016 | $13,467 | 21 | 24 | 188 | $81,711 | 10/11/2016 |
| North America | 10/16/2015 | $27,006 | 27 | 43 | 296 | $547,009 | |
| Portugal | 12/2/2016 | $5,064 | 7 | 8 | 15 | $7,867 | 12/15/2016 |
| Russia (CIS) | 3/25/2016 | $13,824 | 0 | 0 | 0 | $24,800 | 11/13/2018 |
| Spain | 3/4/2016 | $37,590 | 42 | 42 | 77 | $76,614 | 6/9/2016 |
| Turkey | 7/22/2016 | $5,957 | 16 | 16 | 31 | $23,146 | 2/26/2019 |
| United Kingdom | 2/26/2016 | $3,073 | 2 | 2 | 4 | $4,474 | 6/9/2016 |
| Worldwide Total | $1,802,211 | 9/5/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Christopher Plummer | Zev Guttman |
Supporting Cast
| Martin Landau | Max Zucker |
| Bruno Ganz | Rudy Kurlander #1 |
| Jurgen Prochnow | Rudy Kurlander #4 |
| Heinz Lieven | Rudy Kurlander #2 |
| Henry Czerny | Charles |
| Dean Norris | John Kurlander |
| James Cade | Gun Shop Owner |
| Peter DaCunha | Tyler |
| Sofia Wells | Molly |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Atom Egoyan | Director |
| Benjamin August | Screenwriter |
| Robert Lantos | Producer |
| Ari Lantos | Producer |
| Mark Musselman | Executive Producer |
| Anant Singh | Executive Producer |
| Moises Cosio | Executive Producer |
| Michael Porter | Executive Producer |
| Jeff Sagansky | Executive Producer |
| D. Matt Geller | Executive Producer |
| Lawrence Guterman | Executive Producer |
| Jens Meurer | Co-Producer |
| Paula Devonshire | Co-Producer |
| Paul Sarossy | Director of Photography |
| Matthew Davies | Production Designer |
| Christopher Donaldson | Editor |
| Mychael Danna | Composer |
| Debra Hanson | Costume Designer |
| John Buchan | Casting Director |
| Jason Knight | Casting Director |