South Korea Box Office for The Reader (2008)
Theatrical Performance (US$) | ||
South Korea Box Office | $2,603,752 | Details |
Worldwide Box Office | $112,964,875 | Details |
Home Market Performance | ||
North America DVD Sales | $13,224,541 | Details |
Total North America Video Sales | $13,224,541 | |
Further financial details... |
Synopsis
When he falls ill on his way home from school, 15 year-old Michael Berg is rescued by Hanna, a woman twice his age. The two begin an unexpected and passionate affair only for Hanna to suddenly and inexplicably disappear. Eight years later, Michael, now a young law student observing Nazi war trials, meets his former lover again, under very different circumstances. Hanna is on trial for a hideous crime, and as she refuses to defend herself, Michael gradually realizes his boyhood love may be guarding a secret she considers to be more shameful than murder.
Metrics
Movie Details
Production Budget: | $32,500,000 |
South Korea Releases: | March 26th, 2009 (Limited) |
Video Release: | April 14th, 2009 by Weinstein Co./Genius |
MPAA Rating: | R for some scenes of sexuality and nudity |
Running Time: | 122 minutes |
Keywords: | Romantic Drama, 1950s, 1960s, 1980s, February / May Romance, Holocaust, Illiteracy / Learning to Read, Suicide, 2009 Oscars Best Picture Nominee |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Mirage Enterprises, Neunte Babelsberg Films GmbH |
Production Countries: | Germany, United States |
Languages: | English |
International Details - Harry Leaves Competition in the Cold
July 26th, 2009
Ice Age - Dawn of the Dinosaurs was pushed into second place by The Half-Blood Prince, but it became the biggest international hit of the year topping Transformers - Revenge of the Fallen. Over the weekend the film added $61.90 million on 11,089 screens in 102 markets for a total of $430.88 million internationally and $582.75 million Worldwide. It is possible that the film is already the biggest his in the franchise, but we won't know for sure till this weekend's numbers are released.
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DVD Sales - New Releases Lack Spirit on the Home Market
April 29th, 2009
There were just a pair of new releases to reach the top 30 on the sales chart this week. This includes the new number one DVD; however, sales of The Spirit were hardly impressive as it managed just 334,000 units and $6.27 million in sales.
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DVD Rentals - Rental Chart Stands Still
April 29th, 2009
There were only two new releases to reach the top 30 on the rental chart this week, meaning there was not a lot of movement to report. The Day the Earth Stood Still remained in first place with a third more rentals than The Spirit, which opened in second place.
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DVD Releases for April 28th, 2009 - Part I
April 27th, 2009
We are about to enter the summer blockbuster season, which is great for box office numbers, not so good for the home market. In fact, it is arguably the weakest time of the year for DVD sales. Looking at this week's list, that's not a huge surprise. There are no first run releases that are must haves, nor are there are lot of smaller releases to pick up the slack. The clear DVD Pick of the Week is Star Trek - The Original Series - Season One - Blu-ray, which is better than the previous HD DVD release. Also worth picking up is One-Eyed Monster on DVD, but that has a more limited target audience. While there's not a lot on the top, there's plenty of bulk, so much so we need a second page, which can be found here.
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International Details - Japan Rising Sun on International Chart
April 26th, 2009
Japan was a major player on the international charts this past weekend, placing three films in the top 30, and helping a couple others as well. Detective Conan: The Raven Chaser placed first in its native market, and sixth internationally, with $6.00 million on 341 screens. More...
International Details - Unknown Success
April 19th, 2009
Knowing was able to sneak into third place, despite earlier reports to the contrary. Over the past weekend it earned $13.35 million on 2943 screens in 24 markets for a total of $47.80 million. The film opened in a number of smaller markets, but most of the growth came from two major markets: Germany and Spain. In the former it made $1.47 million on 440 screens, while in the latter it made a more impressive $2.35 million on 330 screens over the weekend for a total of $3.11 million. As far as holdovers are concerned, the film held steady in France down just 16% to $3.06 million on 348 screens, but that was for the full week. After two weeks the film now has $6.72 million in that market.
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DVD Releases for April 14th, 2009 - Part II
April 14th, 2009
Not a busy week on the home market with the least number of new releases on this week for a number of weeks. (It seems busier than it is, because of all of the spotlight reviews. In fact, there are as many spotlight reviews as there are simple mentions. Additionally, there are more spotlight reviews for late arrivals than there are for this week's releases.) Looking for the best of the best, there's not a lot on top worth of the DVD Pick of the Week. The release I'm looking forward to the most is Lost in Austen - Buy from Amazon, which I'm awarding the DVD Pick of the Week. Thanks to the number of spotlight reviews, this week's list had to be split into two with the second part found here.
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International Details - Marley Nears Century Mark
April 12th, 2009
Marley & Me fell to sixth place, but it is nearing $100 million internationally. This past weekend it added $5.97 million on 2860 screens in 33 markets for a total of $83.34 million. The film opened in second place in Italy with $2.00 million on 348 screens, which is on par with expectations. Meanwhile, it added $1.23 million on 464 screens in the U.K. for a total of $18.41 million after four weeks while it made $1.01 million on 439 screens in Japan for a total of $5.17 million after two. It is still aiming at $100 million internationally, but it could be close.
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International Details - Duplicity Doubles
April 5th, 2009
Duplicity doubled its international haul over the weekend landing in sixth place with $6.47 million on 1811 screens in 20 markets for a total of $12.21 million. The film opened in fourth place in France with $2.01 million on 380 screens, while it managed fourth in Russia as well, but with a much weaker $873,000 on 265 screens. It did hold on better than most in the U.K. down just 31% to $775,000 on 355 screens over the weekend for a total of $2.68 million after two.
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International Details - Watchmen Slowing Down
March 29th, 2009
Watchmen fell out of the top five with $6.35 million on 4965 screens in 53 markets for a total of $60.63 million. Unless it is a big hit in Japan over the weekend, $100 million internationally is likely out of the question, as is $200 million worldwide. Depending on how much it costs to advertise, it could still make enough to show a profit, but it could take quite a bit longer than the studio would have liked.
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International Details - Shopaholic Selling Well
March 22nd, 2009
Confessions Of A Shopaholic nearly doubled its weekend haul as it pulled in $6.78 million on 2023 screens in 26 markets for a total of $31.91 million after a month of release. The film opened in first place in Australia, no surprise there, as that's the home of Isla Fisher, with $1.89 million on 309 screens. It earned a nearly identical result of $1.84 million on 426 screens in Germany, but that was only enough for third place in that market. Next up for the film is South Korea and Spain at the end of this month, while it doesn't end its run till the end of May when it opens in Japan and France.
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Sun is Shining on Per Theater Chart
March 17th, 2009
Sunshine Cleaning had the best per theater average of any film so far this year, pulling in an outstanding $220,000 in 4 theaters for an average of $54,798. Any doubts about the film's ability to expand wide should be greatly reduced after that. Opening in second place was Tokyo Sonata with an average of $14,173. The re-release of Z was the only other film to top $10,000 with an average of $10,144; however, Fados came close with $9,788.
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International Details - Reading Between the Lines
March 15th, 2009
The Reader nearly reached the top five with $5.14 million on 1169 screens in 17 markets for a total of $28.35 million. The film opened in a number of smaller markets, including Belgium where it placed fifth with $174,000 on 24 screens over the weekend and $225,000 in total. However, most of its money came from holdovers, like Germany, where the film added $2.89 million on 456 screens over the weekend for a total of $7.44 million after two.
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International Details - Pink in the Red
March 8th, 2009
Pink Panther 2 may have climbed a spot to sixth place, but it is hard to be happy with its run so far. The film opened in second place in both Spain and Mexico with $1.95 million on 360 screens and $750,000 on 375 screens respectively, which is better than the film has managed in most major markets. However, overall it only managed $6.33 million on 3186 screens in 53 markets for a total of $22.26 million so far. It does open in Italy this weekend, and still has Germany, Japan, and a few other markets to go, but I can't see it turning its fortunes around at this point.
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Awards Season - Slumdog Wins More than the Oscars
March 3rd, 2009
It's been just over a week since Slumdog Millionaire won big at the Oscars, and it won again last weekend. It was the only one of the ten theatrical winners to show a significant bounce at the box office, as its theater count and per theater average both rose. This helped its box office climb by 43% to just over $12 million, the best weekend haul in its run.
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Katyn Examined on the Per Theater Chart
March 3rd, 2009
Katyn was the leader on the Per Theater Chart with $14,206 in one theater, while Examined Life was close behind with $12,085, also in one theater.
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International Details - Confessions of the International Box Office
March 1st, 2009
Confessions Of A Shopaholic expanded this past weekend jumping into sixth place with $6.13 million on 1365 screens in 10 markets for a total of $10.05 million. This includes a second place, $2.80 million opening on 424 screens over the weekend in the U.K., for a total of $4.14 million there. The film also held well in Russia down just 42% with $1.04 million on 415 screens over the weekend for a total of $3.41 million after two.
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Madea got it Made on the Per Theater Chart
February 25th, 2009
The overall box office leader, Madea Goes to Jail, was also the leader on the Per Theater Chart with an average of $20,192. The only other member of the $10,000 club was Gomorrah, which barely managed that feat with an average of $10,087 over the weekend.
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Awards Season - Slumdog Rich in Awards
February 22nd, 2009
The Academy of Motion Picture Arts and Sciences announced their winners tonight in a star-studded gala. While there were plenty of winners, Slumdog Millionaire walked away with eight Oscars, easily the most of any film tonight.
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Weekend Estimates: Tyler Perry Sets New Personal Best
February 22nd, 2009
Madea Goes to Jail dominated Oscar weekend at the movies with an impressive $41.1 million opening, according to Lionsgate's Sunday estimate. That's a record for Perry, topping the $30 million debut of Madea's Family Reunion two years ago. Even after factoring in the exhibitor's share of box office, Madea Goes to Jail has already recovered its $17.5 million production budget. More...Oscar Contest - Category Highlight - Best Director and Best Picture
February 21st, 2009
With our annual Oscar Prediction contest under way, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Female Actor in a Supporting Role and Best Male Actor in a Supporting Role.
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Oscar Contest - Category Highlight - Leading Actors
February 20th, 2009
With our annual Oscar Prediction contest under way, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Female Actor in a Leading Role and Best Male Actor in a Leading Role. More...Oscar Contest - Category Highlight - Original Screenplay and Adapted Screenplay
February 18th, 2009
With our annual Oscar Prediction contest under way, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at Best Writing - Original Screenplay and Best Writing - Adapted Screenplay.
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Per Theater Chart Bloodied Up
February 10th, 2009
Crips and Bloods: Made in America was the only film to reach $10,000 on the per theater chart with $13,978 in one theater during its second weekend of release.
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Melancholy on the Per Theater Chart
February 4th, 2009
There was only one film with a per theater average of more than $10,000 this week, and that film was Medicine for Melancholy, which opened with $12,625 in its lone theater.
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Weekend Estimates: "Taken" Shows Action Can Work on Superbowl Weekend
February 1st, 2009
Moviegoers took Taken to the top of the chart this weekend, in spite of conventional wisdom that says that action thrillers can't work against the power of the Superbowl.
Strong performances on Friday and Saturday will propel the movie to a $24.6 million opening weekend, according to Fox's estimate released on Sunday morning.
Sony are delighted with another strong hold for Paul Blart: Mall Cop, which was down only 35% to $14 million, while The Uninvited had a decent $10.5 million weekend for Paramount.
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Awards Season - Slumdog Continues its Streak
January 26th, 2009
The latest Awards Season ceremony was held last night by the Screen Actors Guild, and yet again Slumdog Millionaire came out a winner. However, it was not the only winner.
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Awards Season - Oscar Nods far from Curious
January 22nd, 2009
For a year without an obvious front-runner for the Oscar race, there were not a whole lot of surprises when it came to the nominations. The Academy of Motion Picture Arts and Sciences announced their nominations today and leading the way was The Curious Case of Benjamin Button with thirteen while Slumdog Millionaire was second with ten.
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Millionaire Richer after Golden Wins
January 21st, 2009
The Golden Globe bounce wasn't exactly overwhelming after the winners were announced, but many of the winners have been in theaters too long to really benefit from the added publicity.
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Defying the Odds on the Per Theater Chart
January 13th, 2009
It is very rare for a film to repeat as champion on the per theater chart, but that's exactly what Defiance did this past weekend, as it earned an average of $34,092 in two theaters. The Wrestler climbed into second place with an average of $14,140 in 60 theaters, which suggests serious room to expand, especially if it continues its winning ways during Awards Season. Made in U.S.A. was the best of the new releases, as it pulled in $11,125 in one theater, while Revolutionary Road was right behind with an average of $10,558 in 135. Finally, Gran Torino earned an average of $10,500 during its first week of wide release.
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Awards Season - Golden Globes are Slumming It
January 12th, 2009
The first of the major awards ceremonies were held last night as the Hollywood Foreign Press handed out the 66th annual Golden Globes awards. There were very few films that earned more than one award, but the big winner was Slumdog Millionaire with four wins. It is instantly an Oscar favorite.
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Per Theater Chart Defiant
January 6th, 2009
Despite earning mixed reviews, Defiance topped the per theater chart with a massive average of $61,757 in two theaters, and that's over the weekend. In total the film made more than $200,000 in 2 theaters over five days. Gran Torino's per theater average grew by 26% to $34,957 in 84 theaters. At this point, it would be fair to say it has earned some measure of mainstream success, and it expands wide this weekend. Revolutionary Road saw its theater count grow from 3 to 38, while it still managed a per theater average of $25,946. The Wrestler also saw growth with an average of $24,323, and it should expand over the coming weeks. I'm not sure it will expand wide, but it should do reasonably well. Che continues its Oscar qualifying run earning an average of $17,742 in 2 theaters. Last Chance Harvey saw small growth to $17,034 in 6 theaters, but I'm not sure how far it will expand. Waltz with Bashir was the final film in the $10,000 club with an average of $10,713 in five theaters.
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Revolution on the Per Theater Chart
December 30th, 2008
Revolutionary Road was nothing short of fantastic on the per theater chart earning a stunning $190,000 in just three theaters for an average of $63,304. Gran Torino saw both is theater count and per theater average grow earning more than $2 million in 84 theaters for a stunning average of $27,652; the film might not earn as many awards as some were expecting, but its box office potential is as high as ever. The Wrestler slipped to third place during is sophomore stint with an average of $21,529 in 18 theaters, but it too should earn some measure of mainstream success. Che continued its Oscar qualifying run with $35,000 in 2 theaters for an average of $17,252. Last Chance Harvey opened with nearly $100,000 in six theaters for an average of $16,210, which would have been very impressive though most of the year, but we've hit such a winning streak recently that is feels merely average. The overall box office leader, Marley & Me earned an average of $10,448, while Waltz with Bashir barely managed to enter the $10,000 club with an average of $10,004 in five theaters.
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Awards Season - SAG Strikes Back
December 28th, 2008
The Screen Actors Guild nominations were announced last Friday, but in the holiday rush, they fell through the cracks. Perhaps that's because most SAG talk these days revolves around possible strike action. The big player here is undoubtedly Doubt, which picked up four individual nods and one for its primary cast.
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Wrestler Overpowers Competition on the Per Theater Chart
December 23rd, 2008
The Wrestler had one of the best opening per theater averages this year, pulling in just over $200,000 in 4 theaters for an average of $50,679; this impressive beginning is even more impressive once one realizes it was a Wednesday opener, which undoubtedly cut its weekend average. Gran Torino tripled its theater count but its per theater average held well at $24,643 during its second weekend of release. Likewise, Doubt saw a significant increase in its theater count while earning an average of $17,460 over the weekend. The Reader remained in 8 theaters with an average of $11,599, and it will be interesting to see how well it expands at this point, but momentum is not on its side.
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Torino Grand on Per Theater Chart
December 17th, 2008
Gran Torino opened on top of the Per Theater Chart with an outstanding average of $45,287 in six theaters. Wide expansion seems inevitable at this point. Likewise, Doubts debut of just over $500,000 in 15 theaters gave it an average $33,815 making expansion almost assured. Che - The Argentine was close behind with $30,535 in two theaters. The Reader opened with an average of $21,006 in 8 theaters, which most weeks would be enough to score top spot; however, given the competition, without continued success during Awards Season, it could struggle to expand. There were only two holdovers in the $10,000 club with Frost/Nixon earning an average of $16,061 and Slumdog Millionaire earning $12,873. The final $10,000 film was Rab Ne Bana Di Jodi, which opened with $10,985. However, both My Name Is Bruce and Wendy and Lucy came relatively close with averages of $9,119 and $9,109 respectively.
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All Signs Point to Awards Season on Limited Releases
December 12th, 2008
Another week, another group of Awards Season hopefuls are being given a limited release. This week we have four films that have already earned nominations, plus a couple others that might later on. Of these, none are guaranteed to walk away winners, but I would be surprised if all of them were shut out.
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Awards Season - The Curious Case of the Frost/Nixon Globe Nominations
December 12th, 2008
The latest set of Awards Season nominations were handed out today as the Hollywood Foreign Press Association announced their nominations. There was not much in the way of surprises, and it is hard to look at one film and say it was the big winner, but Frost/Nixon and The Curious Case of Benjamin Button come the closest.
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2008 Preview: December
December 1st, 2008
We end the year with a winning streak, one that will hopefully continue right through the New Year holiday. It seems nearly every film released this month is either an Oscar contender or a potential $100 million hit. Sometimes both. If all six films with box office potentials of $100 million or more reach that milestone, and Bolt and Four Christmases have the legs to make it there as well, we could set the record for most $100 million released in a single year. (It is currently at 29 films set in 2003.)
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New Movie US Release Dates - March 16, 2008
March 16th, 2008
This week's round of new movie release information contains release dates for Henry Poole is Here, The Rocker, Humboldt Park and more!
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New Movie US Release Dates - February 3, 2008
February 3rd, 2008
This week's round of new movie release information contains release dates for Igor, Up, Planet 51 and more!
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Cast Updates - January 10, 2008
January 10th, 2008
This week's round of new casting information contains updates for Armored, Easy Virtue, Solomon Kane, and more!
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Cast Updates - August 23, 2007
August 23rd, 2007
This week's round of new cast information contains updates for Day Zero, The Fighter, He's Just Not That Into You and more!
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New Movie Announcements, Stars and Directors - August 21, 2007
August 21st, 2007
Starting today we will provide a list of announced movies, new stars and directors on our website each Tuesday.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/01/20 | 20 | $7,844 | 28 | $280 | $2,571,777 | 409 | |
2017/01/27 | - | $3,249 | -59% | 7 | $464 | $2,580,165 | 410 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 12/10/2008 | $168,051 | 8 | 1,203 | 10,545 | $34,194,407 | 3/3/2014 |
South Korea | 3/26/2009 | $0 | 0 | 28 | 35 | $2,603,752 | 2/16/2017 |
Rest of World | $76,166,716 | ||||||
Worldwide Total | $112,964,875 | 2/16/2017 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kate Winslet | Hanna Schmitz |
Ralph Fiennes | Michael Berg |
Supporting Cast
David Kross | Young Michael Berg |
Lena Olin | Rose Mother/Ilana Mather |
Bruno Ganz | Professor Rohl |
Jeanette Hain | Brigitte |
Susanne Lothar | Carla Berg |
Alissa Wilms | Emily Berg |
Florian Bartholomai | Thomas Berg |
Friederike Becht | Angela Berg |
Matthias Habich | Peter Berg |
Frieder Venus | Doctor |
Marie Anne Fliegel | Hanna's Neighbour |
Hendrik Arnst | Woodyard Worker |
Rainer Sellien | Teacher |
Torsten Michaelis | Sports Master |
Moritz Grove | Holger |
Joachim Tomaschewsky | Stamp Dealer |
Barbara Philipp | Waitress |
Hans Hohlbein | Clerk |
Juergen Tarrach | Gerhard Bade |
Kirsten Block | Female Judge |
Vijnessa Ferkic | Sophie |
Vanessa Berthold | Sophie's Friend |
Benjamin Trinks | Holger's Friend |
Fritz Roth | Tram Supervisor |
Hannah Herzsprung | Julia |
Jaqueline Macaulay | Heidelberg Lecturer |
Volker Bruch | Dieter |
Karoline Herfurth | Marthe |
Max Mauff | Rudolf |
Ludwig Blochberger | Seminar Group Student |
Jonas Jagermeyr | Seminar Group Student |
Alexander Kraspik | Seminar Group Student |
Burghart Klaussner | Judge |
Sylvester Groth | Prosecuting Council |
Fabian Busch | Hanna's Defence Council |
Margarita Broich | Co-Defendant |
Marie Gruber | Co-Defendant |
Lena Lessing | Co-Defendant |
Merelina Kendall | Co-Defendant |
Hildegard Schroedter | Co-Defendant |
Alexandra Maria Lara | Young Ilana Mather |
Martin Brambach | Remand Prison Guard |
Michael Schenk | Remand Prison Guard |
Ava Eusepi-Harris | Young Julia |
Nadja Engel | Mail Room Guard |
Anne-Kathrin Grummich | Mail Room Guard |
Carmen-Maja Antoni | Prison Librarian |
Petra Hartung | Head Prison Guard |
Linda Bassett | Ms. Brenner |
Beata Lehmann | Ms. Brenner's Secretary |
Heike Hanold-Lynch | Prison Guard |
Bettina Scheuritzel | Gate Guard |
Robin Lyn Gooch | Ilana's Maid |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Stephen Daldry | Director |
David Hare | Screenwriter |
Bernhard Schlink | Based on the book "Der Vorleser" |
Anthony Minghella | Producer |
Sydney Pollack | Producer |
Donna Gigliotti | Producer |
Redmond Morris | Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Jason Blum | Co-Executive Producer |
Chris Menges | Director of Photography |
Roger Deakins | Director of Photography |
Brigitte Broch | Production Designer |
Claire Simpson | Editor |
Nico Muhly | Composer |
Ann Roth | Costume Designer |
Jina Jay | Casting Director |
Simone Baer | Casting Director |
Henning Molfenter | Co-Producer |
Carl L. Woebcken* | Co-Producer |
Christoph Fisser | Co-Producer |
Michael Simon de Normier | Associate Producer |
Tarik Karam | Associate Producer |
Nora Skinner | Associate Producer |
Marieke Spencer | Associate Producer |
Arno Neubauer | Line Producer |
Sabine Schenk | Line Producer (New York Unit) |
Marianna Rowinska | Line Producer (Poland Unit) |
Richard Styles | Assistant Director |
Josh Newport | Assistant Director (New York) |
Tarik Karam | Second Unit Director |
Aaron Levine | Production Manager (New York Unit) |
Paulina Czech | Production Manager (Poland Unit) |
Jasmina Torbati | Production Manager (Czech Unit) |
Christian M. Goldbeck | Supervising Art Director |
Erwin W. Prib | Art Director |
Stefan Hauck | Art Director |
Yeshim Zolan | Art Director |
Anja Fromm | Art Director (Cologne) |
Anu Schwartz | Art Director (New York) |
Eva Marie Stiebler | Set Decorator |
Donna Maloney | Costume Designer |
Heike Hutt | Costume Supervisor |
Antonio Arroyo | Production Sound Mixer (New York Unit) |
Manfred Banach | Recordist |
Jim Greenhorn | Additional Recordist |
Michael Barry | Re-recording Mixer |
Lee Dichter | Re-recording Mixer |
Andy Kris | Re-recording Mixer |
Blake Leyh | Supervising Sound Editor |
Heather Gross | Sound Effects Editor |
Blake Leyh | Sound Designer |
Eliza Paley | Supervising Dialogue Editor |
Jac Rubenstein | Dialogue Editor |
Sylvia Menno | Dialogue Editor |
Annette Kudrak | Music Editor |
Jim Flatto | Associate Music Editor |
Michael Feiser | Associate Music Editor |
Anna Von Gwinner | Makeup |
Annett Schulze | Makeup (Kate Winslet) |
Gabriele Kent-Horspool | Makeup |
Linda Melazzo | Makeup |
Peter Owen | Hairstylist (Wig Designer) |
Ivana Primorac | Make-up and Hair Designer |
Pauline Flowers | Special Effects Makeup (Chief Prosthetic Supervisor) |
Matthew Weston Smith | Special Effects Makeup (Prosthetic Designer) |
Vokhart Buff | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.