Australia Box Office for Pulp Fiction (1994)
| Theatrical Performance (US$) | ||
| Australia Box Office | $977,434 | Details |
| Worldwide Box Office | $212,891,598 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $8,000,000 |
| Australia Releases: | November 25th, 1994 (Wide) March 23rd, 2023 (Limited) |
| Video Release: | March 5th, 1996 by Miramax Video |
| MPAA Rating: | R for strong graphic violence and drug use, pervasive strong language and some sexuality. |
| Running Time: | 155 minutes |
| Keywords: | Non-Chronological, Segments, Film Noir, Accidental Death, Throwing a Fight / Match, Crime Drama, Crime, Set in Los Angeles, 1995 Oscars Best Picture Nominee |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Jersey Films, A Band Apart |
| Production Countries: | United States |
| Languages: | English |
Contest: Live or Die
July 29th, 2016
Next week is the first week of August and only two wide releases are coming out: Nine Lives and Suicide Squad. ... It is not going to be a competitive weekend at the box office. There are many who think Suicide Squad will earn well over $100 million during its opening weekend, so there’s little doubt it should be the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Suicide Squad.
The main prize this week is a John Travolta Blu-ray Bundle that includes five Blu-rays, plus a Digital Download Code. The bundle is lead by I Am Wrath (Blu-ray Combo Pack), as well as The Forger (Blu-ray); From Paris With Love (Blu-ray); The Punisher (Blu-ray); Pulp Fiction (Blu-ray); and She’s So Lovely (Digital Downloads).
To determine the winner, we will look at the participant who came the closest without going over and the participant who came the closest without going under. Whoever is closest among those two wins the John Travolta Blu-ray Bundle. The other will win a pair of previously reviewed movies.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be in the running for the John Travolta Blu-ray Bundle. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be in the running for the John Travolta Blu-ray Bundle. To determine the winner, we will look at the participant who came the closest without going over and the participant who came the closest without going under. Whoever is closest among those two wins the John Travolta Blu-ray Bundle. The other will win a pair of previously reviewed movies.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of a pair of previously reviewed movies.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Blu-ray Sales: Top of the Chart Looks Super
December 8th, 2011
Harry Potter and the Deathly Hallows, Part 2 and Super 8 had legitimate claim to top spot in this week's Blu-ray sales chart. The holdover sold more units at 550,000 units to 503,000 units, but the newcomer led the way in revenue at $11.49 million to $9.89 million. That represented an opening week Blu-ray ratio of 55%, which should make the studio happy. Also of note this week, the final Harry Potter release became the best selling Blu-ray of the year with 3.95 million units sold and $86.16 million in total revenue so far.
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Blu-ray Sales: King Begins Reign of the Century
October 19th, 2011
A pair of powerful new releases helped push the Blu-ray sales chart to record levels. The Lion King led the way with 1.57 million units sold, earning $46.46 million. If you add in The Trilogy Box Set, which sold 44,000 units / $3.33 million, the film earned nearly $50 million in opening week sales. I wasn't expecting it to sell this well.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/06/12 | 10 | $9,757 | 4 | $2,439 | $893,783 | 1,334 | |
| 2020/06/19 | 14 | $6,017 | -38% | 2 | $3,009 | $900,138 | 1,335 |
| 2020/06/26 | - | $4,006 | -33% | 2 | $2,003 | $904,823 | 1,336 |
| 2020/07/10 | - | $16,246 | 50 | $325 | $933,977 | 1,338 | |
| 2020/07/17 | - | $5,764 | -65% | 30 | $192 | $950,809 | 1,339 |
| 2020/07/31 | - | $1,814 | 9 | $202 | $975,087 | 1,341 | |
| 2020/09/25 | - | $324 | 1 | $324 | $958,023 | 1,349 | |
| 2020/10/23 | - | $612 | 2 | $306 | $977,434 | 1,353 | |
| 2020/11/13 | - | $142 | 1 | $142 | $0 | 1,356 | |
| 2020/11/27 | - | $6,043 | 1 | $6,043 | $6,043 | 1,358 | |
| 2023/03/24 | - | $1,845 | 2 | $923 | $8,425 | 1,479 | |
| 2023/04/07 | - | $1,870 | 1 | $1,870 | $14,187 | 1,481 | |
| 2023/06/23 | - | $2,231 | 1 | $2,231 | $16,382 | 1,492 | |
| 2023/07/21 | - | $138 | 2 | $69 | $18,145 | 1,496 | |
| 2023/09/08 | - | $1,573 | 1 | $1,573 | $18,731 | 1,503 | |
| 2023/09/15 | - | $98 | -94% | 1 | $98 | $18,646 | 1,504 |
| 2023/12/15 | - | $1,031 | 1 | $1,031 | $25,360 | 1,517 | |
| 2024/02/02 | - | $2,791 | 2 | $1,396 | $28,228 | 1,524 | |
| 2024/03/08 | - | $4,505 | 20 | $225 | $33,609 | 1,529 | |
| 2024/03/22 | - | $2,094 | 1 | $2,094 | $36,145 | 1,531 | |
| 2024/03/29 | - | $2,888 | +38% | 1 | $2,888 | $38,764 | 1,532 |
| 2024/05/03 | - | $625 | 1 | $625 | $39,435 | 1,537 | |
| 2024/05/10 | - | $2,746 | +339% | 1 | $2,746 | $43,204 | 1,538 |
| 2024/05/17 | - | $5,871 | +114% | 5 | $1,174 | $49,076 | 1,539 |
| 2024/05/31 | - | $1,689 | 3 | $563 | $54,652 | 1,541 | |
| 2024/06/21 | - | $488 | 1 | $488 | $55,577 | 1,544 | |
| 2024/08/09 | - | $719 | 1 | $719 | $56,921 | 1,551 | |
| 2024/09/06 | - | $2,495 | 1 | $2,495 | $63,036 | 1,555 | |
| 2024/09/13 | - | $1,186 | -52% | 1 | $1,186 | $63,410 | 1,556 |
| 2024/09/20 | - | $737 | -38% | 1 | $737 | $65,090 | 1,557 |
| 2024/09/27 | - | $731 | -1% | 2 | $366 | $67,512 | 1,558 |
| 2024/10/04 | - | $50 | -93% | 1 | $50 | $68,934 | 1,559 |
| 2024/10/18 | - | $2,822 | 1 | $2,822 | $70,374 | 1,561 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/25/1994 | $0 | 0 | 50 | 161 | $977,434 | 10/21/2024 |
| Czech Republic | 5/9/2014 | $0 | 0 | 55 | 56 | $107,199 | 10/22/2024 |
| Italy | 10/28/1994 | $0 | 0 | 0 | 0 | $1,045 | 9/17/2021 |
| Mexico | 8/2/2019 | $51,746 | 0 | 0 | 0 | $51,746 | 10/19/2022 |
| New Zealand | 2/17/1995 | $0 | 0 | 5 | 39 | $2,070 | 10/14/2024 |
| North America | 10/14/1994 | $9,311,882 | 1,338 | 1,494 | 32,680 | $107,928,762 | 7/4/2013 |
| Portugal | 3/23/2023 | $691 | 1 | 1 | 2 | $7,978 | 4/11/2023 |
| South Korea | 9/10/1994 | $0 | 0 | 15 | 66 | $68,137 | 7/27/2022 |
| Spain | 7/7/2017 | $44,271 | 83 | 83 | 240 | $142,987 | 9/5/2024 |
| United Kingdom | 5/16/2014 | $0 | 0 | 350 | 357 | $250,499 | 8/28/2024 |
| Rest of World | $103,353,741 | ||||||
| Worldwide Total | $212,891,598 | 10/22/2024 | |||||
Leading Cast
| Uma Thurman | Mia |
Supporting Cast
Cameos
| Quentin Tarantino | Jimmy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Quentin Tarantino | Director |
| Quentin Tarantino | Screenwriter |
| Lawrence Bender | Producer |
| Quentin Tarantino | Story Creator |
| Roger Avary | Story Creator |
| Danny DeVito | Executive Producer |
| Michael Shamberg | Executive Producer |
| Stacey Sher | Executive Producer |
| Bob Weinstein | Co-Executive Producer |
| Harvey Weinstein | Co-Executive Producer |
| Richard N. Gladstein | Co-Executive Producer |
| Andrzej Sekula | Director of Photography |
| Sally Menke | Editor |
| David Wasco | Production Designer |
| Betsy Heimann | Costume Designer |
| Karyn Rachtman | Music Supervisor |
| Frances R. Mahony III | Assistant Director |
| Paul Hellerman | Production Manager |
| Charles Collum | Art Director |
| Sandy Reynolds-Wasco | Set Decorator |
| Jacqueline Aronson | Costume Supervisor |
| Ken King | Sound Mixer |
| Rick Ash | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Michelle Buhler | Make up |
| Iain Jones | Hairstylist |
| Audree Futterman | Hairstylist |
| Robert Kurtzman | Special Make-up Effects |
| Gregory Nicotero | Special Make-up Effects |
| Howard Berger | Special Make-up Effects |
| Ronnie Yeskel | Casting Director |
| Gary M. Zuckerbrod | Casting Director |
| Ken Lesco | Stunt Coordinator |
| William Paul Clark | Additional Second Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.