Argentina Box Office for Pobres criaturas (2023)
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| Theatrical Performance (US$) | ||
| Argentina Box Office | $974,941 | Details |
| Worldwide Box Office | $111,900,274 | Details |
| Further financial details... | ||
Synopsis
The tale and fantastical evolution of Bella Baxter, a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter. Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn, a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
Metrics
Movie Details
| Argentina Releases: | January 18th, 2024 (Wide), released as Pobres criaturas |
| Video Release: | February 27th, 2024 by Searchlight Pictures |
| MPAA Rating: | R for strong and pervasive sexual content, graphic nudity, disturbing material, gore, and language. (Rating bulletin 2771 (cert #54287), 2/22/2023) |
| Running Time: | 141 minutes |
| Keywords: | Romance, Disrupted by 2023 WGA & SAG Strikes, 2024 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Searchlight Pictures , Film 4, TSG Entertainment, Element Pictures |
| Production Countries: | Ireland, United Kingdom, United States |
| Languages: | English |
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/01/19 | - | $91,356 | 0 | $91,356 | 1 | ||
| 2024/01/26 | - | $95,332 | +4% | 0 | $236,123 | 2 | |
| 2024/02/02 | - | $98,072 | +3% | 0 | $387,266 | 3 | |
| 2024/02/09 | - | $93,463 | -5% | 0 | $529,980 | 4 | |
| 2024/02/16 | - | $60,378 | -35% | 0 | $678,721 | 5 | |
| 2024/02/23 | - | $51,662 | -14% | 0 | $749,956 | 6 | |
| 2024/03/01 | - | $43,501 | -16% | 0 | $831,864 | 7 | |
| 2024/03/08 | - | $29,090 | -33% | 0 | $876,435 | 8 | |
| 2024/03/15 | - | $34,371 | +18% | 0 | $927,459 | 9 | |
| 2024/03/22 | - | $13,729 | -60% | 0 | $949,355 | 10 | |
| 2024/03/29 | - | $10,083 | -27% | 0 | $963,851 | 11 | |
| 2024/04/05 | - | $2,943 | -71% | 0 | $971,845 | 12 | |
| 2024/04/12 | - | $1,226 | -58% | 0 | $974,026 | 13 | |
| 2024/04/19 | - | $583 | -52% | 0 | $974,941 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/18/2024 | $91,356 | 0 | 0 | 0 | $974,941 | 4/22/2024 |
| Australia | 12/26/2023 | $298,965 | 83 | 143 | 1083 | $2,875,998 | 5/14/2024 |
| Austria | 1/18/2024 | $120,506 | 0 | 0 | 0 | $1,071,112 | 5/13/2024 |
| Belgium | 1/17/2024 | $209,526 | 0 | 0 | 0 | $1,409,914 | 5/13/2024 |
| Brazil | 2/1/2024 | $504,188 | 0 | 0 | 0 | $3,160,395 | 5/13/2024 |
| Bulgaria | 1/19/2024 | $0 | 0 | 0 | 0 | $0 | |
| Chile | 1/25/2024 | $117,755 | 0 | 0 | 0 | $594,924 | 4/22/2024 |
| Colombia | 1/25/2024 | $141,728 | 0 | 0 | 0 | $1,153,095 | 4/29/2024 |
| Croatia | 1/18/2024 | $30,677 | 55 | 55 | 226 | $158,329 | 4/19/2024 |
| Czech Republic | 1/25/2024 | $86,138 | 147 | 147 | 406 | $445,897 | 4/9/2024 |
| Denmark | 1/18/2024 | $138,989 | 0 | 0 | 0 | $944,824 | 5/13/2024 |
| Finland | 1/12/2024 | $132,012 | 72 | 72 | 511 | $785,942 | 5/13/2024 |
| France | 1/17/2024 | $1,017,055 | 0 | 0 | 0 | $4,769,154 | 5/13/2024 |
| Germany | 1/18/2024 | $800,465 | 0 | 0 | 0 | $6,161,237 | 5/13/2024 |
| Hong Kong | 2/29/2024 | $284,568 | 0 | 0 | 0 | $1,549,932 | 5/13/2024 |
| Italy | 1/25/2024 | $2,166,547 | 0 | 0 | 0 | $9,965,197 | 5/13/2024 |
| Japan | 1/26/2024 | $649,333 | 0 | 0 | 0 | $3,476,443 | 5/13/2024 |
| Mexico | 1/25/2024 | $1,329,896 | 0 | 0 | 0 | $5,818,961 | 4/29/2024 |
| Netherlands | 2/8/2024 | $466,263 | 72 | 138 | 931 | $3,072,872 | 5/13/2024 |
| New Zealand | 1/1/2024 | $26,769 | 0 | 69 | 505 | $545,992 | 5/13/2024 |
| North America | 12/8/2023 | $661,230 | 9 | 2,300 | 13,326 | $34,553,225 | |
| Norway | 1/12/2024 | $0 | 0 | 0 | 0 | $1,049,830 | 5/13/2024 |
| Philippines | 2/14/2024 | $84,914 | 0 | 0 | 0 | $166,968 | 4/2/2024 |
| Poland | 1/19/2024 | $256,136 | 0 | 0 | 0 | $2,017,333 | 5/13/2024 |
| Portugal | 1/26/2024 | $170,190 | 79 | 79 | 472 | $957,414 | 4/16/2024 |
| Romania | 2/9/2024 | $121,968 | 83 | 83 | 334 | $417,794 | 5/15/2024 |
| Singapore | 1/18/2024 | $0 | 0 | 0 | 0 | $0 | |
| Slovakia | 2/8/2024 | $32,885 | 70 | 70 | 144 | $127,032 | 4/2/2024 |
| South Africa | 1/19/2024 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 3/6/2024 | $296,954 | 454 | 454 | 1191 | $1,172,987 | 5/13/2024 |
| Spain | 1/26/2024 | $867,198 | 286 | 303 | 2118 | $5,277,760 | 5/13/2024 |
| Sweden | 1/26/2024 | $60,709 | 0 | 0 | 0 | $1,164,110 | 5/13/2024 |
| Switzerland | 1/17/2024 | $174,171 | 0 | 0 | 0 | $1,446,962 | 5/13/2024 |
| Taiwan | 2/8/2024 | $81,097 | 0 | 0 | 0 | $1,675,362 | 5/13/2024 |
| Thailand | 2/22/2024 | $88,015 | 0 | 0 | 0 | $261,405 | 4/8/2024 |
| Turkey | 2/9/2024 | $226,840 | 95 | 97 | 665 | $1,133,301 | 5/10/2024 |
| United Kingdom | 1/12/2024 | $2,319,096 | 587 | 621 | 3472 | $9,592,464 | 4/29/2024 |
| Rest of World | $1,951,168 | ||||||
| Worldwide Total | $111,900,274 | 5/15/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Emma Stone | Bella Baxter |
Supporting Cast
| Willem Dafoe | Dr. Godwin Baxter |
| Mark Ruffalo | Duncan Wedderburn |
| Ramy Youssef | Max McCandless |
| Christopher Abbott | Alfie Blessington |
| Suzy Bemba | Toinette |
| Jerrod Carmichael | Harry Astley |
| Kathryn Hunter | Swiney |
| Vicki Pepperdine | Mrs. Prim |
| Margaret Qualley | Felicity |
| Hanna Schygulla | Martha Von Kurtzroc |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Yorgos Lanthimos | Director |
| Alasdair Gray | Story based upon the novel by |
| Tony McNamara | Screenwriter |
| Yorgos Lanthimos | Producer |
| Ed Guiney | Producer |
| Andrew Lowe | Producer |
| Emma Stone | Producer |
| Robbie Ryan | Director of Photography |
| James Price | Production Designer |
| Shona Heath | Production Designer |
| Holly Waddington | Costume Designer |
| Nadia Stacey | Make-up and Prosthetic Effects Designer |
| Jerskin Fendrix | Composer |
| Johnnie Burn | Sound Designer |
| Yorgos Mavropsaridis | Editor |
| Zsuzsa Mihalek | Set Decorator |
| Hayley Williams | First Assistant Director |
| Edoardo Petti | Second Assistant Director |
| Deborah Harding | Post-Production Supervisor |
| Ildiko Szucs | Stunt Coordinator |
| Adam A. Makin | Supervising Art Director |
| James Lewis | Supervising Art Director |
| Geza Kerti | Lead Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.