Mexico Box Office for Point Break (2015)
Theatrical Performance (US$) | ||
Mexico Box Office | $5,177,901 | Details |
Worldwide Box Office | $126,704,591 | Details |
Home Market Performance | ||
North America DVD Sales | $3,168,125 | Details |
North America Blu-ray Sales | $2,852,878 | Details |
Total North America Video Sales | $6,021,003 | |
Further financial details... |
Synopsis
A young FBI agent, Johnny Utah infiltrates a group of extreme athletes let by the charismatic Bodhi. The athletes are suspected of carrying out a spate of crimes in extremely unusual ways. Deep undercover, and with his life in imminent danger, Utah strives to prove they are the architects of this string of inconceivable crimes.
Metrics
Movie Details
Production Budget: | $100,000,000 |
Mexico Releases: | January 8th, 2016 (Wide) |
Video Release: | March 15th, 2016 by Warner Home Video |
MPAA Rating: | PG-13 for violence, thematic material involving perilous activity, some sexuality, language and
drug material. (Rating bulletin 2398 (Cert #50031), 11/4/2015) |
Running Time: | 113 minutes |
Keywords: | Extreme Sports, Heist, Gangs, Undercover, FBI, 3-D, 3-D - Post-production Conversion, Action Thriller, Prologue, Death of a Best Friend |
Source: | Remake |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Alcon Entertainment, DMG Entertainment, Taylor-Baldecchi-Wimmer, Studio Babelsberg |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 29th, 2016
March 29th, 2016
There are a huge number of new releases on Amazon this week. Unfortunately, they go from Oscar contenders to stuff that would be filler on a slow week really, really quickly, so I will be skipping over most of them. Almost half of the releases on this week's list are contenders for Pick of the Week, so it is really hard to narrow that list. In the end, I couldn't chose between any of the movies / TV shows, so I went BabyMetal Metal Resistance, which comes out on CD on Friday.
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Theater Averages: Panda Eats the Competition with an average of $10,438
February 3rd, 2016
There was only one film in the $10,000 this week, Kung Fu Panda 3, which earned an average of $10,438. The best limited release was Rabin The Last Day, which opened with $7,940 in one theater.
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Weekend Wrap-Up: Star Wars misses its third Century Mark, Still Sets Multiple Records with $90.24 Million
January 4th, 2016
As expected, Star Wars: The Force Awakens dominated the weekend box office earning $90.24 million, breaking several records along the way. However, it did fall 40% over the weekend, which is a lot for this time of year. It appears The Force Awakens is acting more like a typical blockbuster hit and less like the typically leggy December release. That said, I don't think Disney is disappointed with the results so far. On the other hand, The Hateful Eight got off to a disappointing start earning third place with just a fraction of Django Unchained's opening weekend. The overall box office was down from last week, but was still an incredible $219 million. This was 26% lower than last week, but 41% higher than the same weekend last year. Year-to-date is a little less useful, as 2016 is only 3 days old, but it is 27% higher than 2015 was after the first weekend. This is even more impressive, as 2015 had an extra day before the weekend.
Weekend Wrap-Up: The Force Awakens Earns $149.20 million and Daddy Hits Home Run
December 28th, 2015
Star Wars: The Force Awakens easily won the weekend race, but not by as much as anticipated. On the other hand, Daddy's Home was a surprise hit and should cruise to $100 million. None of the rest of the new releases really bombed and most will end their runs as midlevel hits. Overall, the box office fell just 5.1% from last weekend to $295 million, which is the second biggest combined weekend of all time. It was also 41% bigger than the same weekend last year and 2015's year-over-year lead grew to 7.0%. It looks like the 2015 box office will reach $11 billion when all is said and done, but we won't know for sure till we get the absolute final numbers.
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Weekend Estimates: Star Wars’ $153 million Christmas demolishes another set of records
December 27th, 2015
The Star Wars juggernaut continues to roll through box office records all around the world this weekend. It will pass $1 billion globally today, Sunday, in just its 12th day in release—one day faster than Jurassic World. That blockbuster figure is largely thanks to an incredible $544 million after just ten days domestically, far ahead of Jurassic World’s $402 million at the same point in its run. The Force Awakens has now broken records for every milestone from $50 million to $500 million, with more to fall. The current record for fastest to $550 million is also Jurassic World, which reached the mark in 24 days. Star Wars will do it in eleven. After that, we will start looking at some serious all-time records.
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The Force Awakens Doubles Previous Christmas Record with $49.34 Million
December 26th, 2015
Star Wars: The Force Awakens set another record by earning $49.34 million on Christmas Day. This more than doubles the previous record of $24.61 million held by Sherlock Holmes. However, this was only 79% more than it made on Christmas Eve, whereas Avatar rose 107% on the same day in its run. You can't even say Avatar had it easy due to weaker competition, so perhaps the explanation lies elsewhere. Perhaps a lot of people who were scared off by the crowds thus far decided to see the movie on Christmas Eve, because it is historically a slow day a the box office. That’s certainly what I was thinking. Because of this, I'm lowing my expectations for the weekend from $170 million to $160 million. This would have been a good opening weekend result for the film. It will be well above the current Record Second Weekend of $106.59 million by Jurassic World.
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Weekend Predictions: Will The New Releases Experience Any Joy?
December 23rd, 2015
There are five wide releases / wide expansions this week, none of which will even come close to Star Wars: The Force Awakens' second weekend of release. The rest of the box office combined won't come close to The Force Awakens' sophomore stint. It looks like Daddy's Home has the advantage for second place, while Joy should be close behind. The Big Short expands wide on Wednesday and its five-day total should be close to the previous two films' three-day totals. On the downside, it looks like both Concussion and Point Break will open on the outside of the top five. The Force Awakens will make more than the entire top ten made this weekend last year, so 2015 will end the year on a very positive note in the year-over-year comparison.
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International Box Office: Major Milestone for Hunger Games
December 9th, 2015
It was a milestone weekend for The Hunger Games: Mockingjay - Part 2, as it crossed the $500 million mark worldwide. Over the weekend, the film pulled in $32.4 million in 93 markets for totals of $296.8 million internationally and $524.2 million worldwide. Its biggest market of the weekend was Germany, where it pulled in $4.77 million on 1,127 screens for a three-week total of $30.53 million. On the other hand, its biggest market overall has been the U.K., where it has made $35.21 million, including $3.38 million in 539 theaters this past weekend. There are rumors that Lionsgate are working on prequels for this franchise. Not sure that's a good idea.
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2015 Preview: December
December 1st, 2015
November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/01/08 | 1 | $1,848,322 | 0 | $1,848,322 | 1 | ||
2016/01/15 | 1 | $1,645,097 | -11% | 1,192 | $1,380 | $4,306,280 | 2 |
2016/02/12 | 36 | $574 | 2 | $287 | $5,177,901 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/14/2016 | $234,929 | 86 | 86 | 149 | $538,757 | 2/17/2016 |
Australia | 1/1/2016 | $1,384,430 | 354 | 354 | 1042 | $3,895,546 | 6/9/2016 |
Austria | 1/21/2016 | $129,027 | 64 | 64 | 214 | $464,663 | 6/9/2016 |
Belgium | 2/3/2016 | $179,166 | 38 | 38 | 124 | $425,635 | 3/8/2016 |
Bolivia | 1/14/2016 | $79,307 | 19 | 19 | 56 | $253,531 | 12/31/2018 |
Brazil | 1/28/2016 | $612,749 | 321 | 321 | 762 | $1,658,503 | 6/9/2016 |
Bulgaria | 1/1/2016 | $60,374 | 0 | 31 | 116 | $301,333 | 2/26/2019 |
Cambodia | 12/24/2015 | $17,896 | 14 | 14 | 17 | $45,582 | 12/31/2018 |
Central America | 1/7/2016 | $352,566 | 142 | 142 | 307 | $775,228 | 2/2/2016 |
Chile | 1/14/2016 | $159,627 | 79 | 79 | 133 | $397,954 | 12/31/2018 |
China | 12/3/2015 | $11,110,000 | 26001 | 26001 | 57599 | $35,930,000 | 9/30/2018 |
Colombia | 1/7/2016 | $0 | 0 | 190 | 325 | $1,603,328 | 12/31/2018 |
Croatia | 12/31/2015 | $44,230 | 48 | 48 | 140 | $134,268 | 12/31/2018 |
Czech Republic | 12/31/2015 | $75,036 | 80 | 80 | 173 | $177,122 | 12/31/2018 |
Denmark | 12/25/2015 | $0 | 0 | 50 | 77 | $440,127 | 6/9/2016 |
Ecuador | 3/4/2016 | $0 | 0 | 28 | 57 | $200,266 | 12/31/2018 |
Finland | 12/25/2015 | $55,400 | 37 | 37 | 82 | $169,171 | 6/9/2016 |
France | 2/3/2016 | $1,555,587 | 379 | 379 | 1026 | $3,674,569 | 6/9/2016 |
Germany | 1/21/2016 | $436,684 | 444 | 444 | 805 | $895,420 | 6/9/2016 |
Greece | 12/24/2015 | $71,132 | 35 | 35 | 70 | $194,527 | 6/9/2016 |
Hong Kong | 12/3/2015 | $480,938 | 55 | 55 | 139 | $1,238,923 | 11/26/2018 |
Hungary | 12/31/2015 | $127,833 | 0 | 42 | 42 | $310,555 | 12/31/2018 |
Iraq | 12/24/2015 | $18,400 | 4 | 4 | 14 | $54,150 | 12/31/2018 |
Italy | 1/27/2016 | $1,501,678 | 327 | 327 | 829 | $3,809,640 | 6/9/2016 |
Japan | 2/20/2016 | $1,273,175 | 538 | 540 | 1618 | $4,213,123 | 6/9/2016 |
Kenya | 12/25/2015 | $0 | 0 | 12 | 12 | $43,746 | 12/31/2018 |
Kuwait | 12/24/2015 | $25,987 | 1 | 1 | 3 | $52,429 | 12/31/2018 |
Latvia | 12/25/2015 | $0 | 0 | 7 | 7 | $91,631 | 12/31/2018 |
Lebanon | 12/24/2015 | $44,519 | 6 | 7 | 20 | $417,671 | 12/31/2018 |
Lithuania | 12/25/2015 | $67,731 | 223 | 223 | 282 | $108,685 | 6/9/2016 |
Malaysia | 12/3/2015 | $0 | 0 | 90 | 159 | $758,210 | 9/5/2016 |
Mexico | 1/8/2016 | $1,848,322 | 0 | 1192 | 1194 | $5,177,901 | 6/9/2016 |
Netherlands | 1/7/2016 | $354,523 | 98 | 98 | 337 | $1,259,370 | 6/9/2016 |
New Zealand | 1/1/2016 | $275,738 | 119 | 119 | 436 | $795,930 | 6/9/2016 |
North America | 12/25/2015 | $9,800,252 | 2,910 | 2,910 | 8,960 | $28,782,481 | |
Oman | 12/24/2015 | $9,147 | 2 | 2 | 5 | $32,202 | 12/31/2018 |
Peru | 1/21/2016 | $150,965 | 105 | 105 | 149 | $268,529 | 12/31/2018 |
Philippines | 12/2/2015 | $0 | 0 | 40 | 40 | $413,370 | 12/30/2018 |
Poland | 1/8/2016 | $0 | 0 | 112 | 112 | $273,830 | 12/31/2018 |
Portugal | 1/7/2016 | $124,115 | 91 | 91 | 202 | $234,714 | 6/9/2016 |
Romania | 1/1/2016 | $360,483 | 55 | 55 | 103 | $803,638 | 12/31/2018 |
Russia (CIS) | 12/24/2015 | $1,632,045 | 1526 | 1526 | 2411 | $5,097,526 | 12/31/2018 |
Serbia and Montenegro | 12/31/2015 | $13,246 | 14 | 14 | 32 | $52,341 | 12/31/2018 |
Singapore | 12/3/2015 | $0 | 0 | 27 | 35 | $698,277 | 6/9/2016 |
Slovakia | 12/31/2015 | $61,378 | 56 | 56 | 97 | $139,597 | 6/9/2016 |
Slovenia | 12/31/2015 | $16,986 | 12 | 12 | 46 | $51,983 | 6/9/2016 |
South Africa | 12/25/2015 | $0 | 0 | 85 | 212 | $848,366 | 6/9/2016 |
South Korea | 1/7/2016 | $1,021,775 | 406 | 406 | 665 | $1,918,694 | 6/9/2016 |
Spain | 1/1/2016 | $595,845 | 292 | 292 | 835 | $1,494,615 | 11/16/2018 |
Sweden | 2/5/2016 | $143,554 | 147 | 147 | 284 | $0 | 2/9/2016 |
Switzerland | 2/3/2016 | $0 | 0 | 12 | 12 | $293,292 | 6/9/2016 |
Taiwan | 12/11/2015 | $0 | 0 | 2 | 2 | $1,099,565 | 6/9/2016 |
Thailand | 12/9/2015 | $643,281 | 202 | 202 | 404 | $1,383,488 | 6/9/2016 |
Turkey | 12/25/2015 | $131,334 | 161 | 161 | 242 | $269,159 | 2/26/2019 |
Ukraine | 12/31/2015 | $176,315 | 146 | 146 | 290 | $511,068 | 12/31/2018 |
United Arab Emirates | 12/24/2015 | $554,697 | 48 | 48 | 130 | $1,819,987 | 12/31/2018 |
United Kingdom | 2/5/2016 | $610,269 | 364 | 364 | 729 | $1,237,114 | 6/9/2016 |
Uruguay | 1/14/2016 | $11,761 | 12 | 12 | 21 | $25,228 | 12/31/2018 |
Venezuela | 1/8/2016 | $0 | 0 | 71 | 284 | $8,349,388 | 3/8/2016 |
Vietnam | 12/23/2015 | $38,448 | 41 | 41 | 70 | $98,645 | 12/31/2018 |
Worldwide Total | $126,704,591 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Edgar Ramirez | Bodhi |
Luke Bracey | Utah |
Supporting Cast
Teresa Palmer | Samsara |
Delroy Lindo | Instructor Hall |
Ray Winstone | Pappas |
Matias Varela | Grommet |
Clemens Schick | Roach |
Tobias Santelmann | Chowder |
Max Thieriot | Jeff |
Nikolai Kinski | Pascal Al Fariq |
Judah Lewis | Young Utah |
Glynis Barber | FBI-Head of Investigations |
Steve Toussaint | FBI Dept. Director #1 |
James LeGros | FBI Dept. Director #2 |
Bojesse Christopher | FBI Dept. Director #3 |
Ronak Patani | FBI Technician |
Eddie Santiago Jordan | C-130 Pilot |
Patrick Dewayne | C-130 Pilot |
Seumas Sargent | C-130 Co Pilot |
Numan Acar | Turkish Doorman |
Julien Louis Lambert | Boat Vendor |
Laird Hamilton | Surf Vagabond |
Jorg Reichlin | French Driver |
Christian Alexander Koch | Rock Hauler Driver |
Stephan Baumecker | Rock Hauler Driver |
Jeff Burrell | Cortes Banks Helicopter Pilot |
Francesco Martino | Interpol Technician |
Gerard Monaco | Interpol Agent |
Cameos
Mouloud Achour | Cameo Yacht |
Faris Al Sultan | Cameo Yacht |
Bob Burnquist | Cameo Yacht |
Kenny Glasgow | Cameo Yacht |
Sal Masekela | Cameo Yacht |
Michael Raelert | Cameo Yacht |
Jonny White* | Cameo Yacht |
Seth Troxler | Cameo Yacht |
Sea Bass* | Cameo Yacht |
Steve Aoki | Cameo Chalet |
Jeb Corliss | Cameo Chalet |
Xavier De Le Rue | Cameo Chalet |
Christian Haller | Cameo Chalet |
Eric Koston | Cameo Chalet |
Chris Sharma | Cameo Chalet |
Mitch Tolderer | Cameo Chalet |
Louie Vito | Cameo Chalet |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ericson Core | Director |
Kurt Wimmer | Screenwriter |
Rick King | Story by |
W. Peter Iliff | Story by |
Kurt Wimmer | Story by |
Andrew A. Kosove* | Producer |
Broderick Johnson | Producer |
John Baldecchi | Producer |
David Valdes | Producer |
Christopher Taylor | Producer |
Kurt Wimmer | Producer |
Robert L. Levy | Executive Producer |
Peter Abrams | Executive Producer |
Dan Mintz | Executive Producer |
Wu Bing | Executive Producer |
John McMurrick | Executive Producer |
Udo Kramer | Production Designer |
Thom Noble | Editor |
Jerry Greenberg | Editor |
Tom Holkenborg | Composer |
Ericson Core | Director of Photography |
Yolanda T. Cochran | Co-Producer |
Dana Belcastro | Co-Producer |
Henning Molfenter | Co-Producer |
Charlie Woebcken | Co-Producer |
Christoph Fisser | Co-Producer |
John Nelson | Visual Effects Supervisor |
Lisy Christl | Costume Designer |
John Papsidera | Casting Director |
Deva Anderson | Music Supervisor |
Mark Nolting | Unit Production Manager |
Mark Taylor | First Assistant Director |
Enda Doherty | Second Assistant Director |
Ralph Brosche | Line Producer |
Gianluca Leurini | Line Producer-Italy |
Anton Maillie | Line Producer-U.S. Units |
Michael Minkler | Re-recording Mixer |
Dean A. Zupancic | Re-recording Mixer |
Odin Benitez | Supervising Sound Editor |
Todd Toon | Co-Supervising Sound Editor |
Zoe Sonja Simijonovic | Script Supervisor |
Roland Winke | Sound Mixer |
Thomas Nellen | Make-up and Hair Designer |
Heike Merker | Make-up and Hair Designer |
Fiona Landreth | Production Supervisor |
Uli Nefzer | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.