Mexico Box Office for Point Break (2015)

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Point Break poster
Theatrical Performance (US$)
Mexico Box Office $5,177,901Details
Worldwide Box Office $126,704,591Details
Home Market Performance
North America DVD Sales $3,168,125 Details
North America Blu-ray Sales $2,852,878 Details
Total North America Video Sales $6,021,003
Further financial details...

Synopsis

A young FBI agent, Johnny Utah infiltrates a group of extreme athletes let by the charismatic Bodhi. The athletes are suspected of carrying out a spate of crimes in extremely unusual ways. Deep undercover, and with his life in imminent danger, Utah strives to prove they are the architects of this string of inconceivable crimes.

Metrics

Movie Details

Production Budget:$100,000,000
Mexico Releases: January 8th, 2016 (Wide)
Video Release: March 15th, 2016 by Warner Home Video
MPAA Rating: PG-13 for violence, thematic material involving perilous activity, some sexuality, language and drug material.
(Rating bulletin 2398 (Cert #50031), 11/4/2015)
Running Time: 113 minutes
Keywords: Extreme Sports, Heist, Gangs, Undercover, FBI, 3-D, 3-D - Post-production Conversion, Action Thriller, Prologue, Death of a Best Friend
Source:Remake
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Alcon Entertainment, DMG Entertainment, Taylor-Baldecchi-Wimmer, Studio Babelsberg
Production Countries: United States
Languages: English

Home Market Releases for March 29th, 2016

March 29th, 2016

BabyMetal

There are a huge number of new releases on Amazon this week. Unfortunately, they go from Oscar contenders to stuff that would be filler on a slow week really, really quickly, so I will be skipping over most of them. Almost half of the releases on this week's list are contenders for Pick of the Week, so it is really hard to narrow that list. In the end, I couldn't chose between any of the movies / TV shows, so I went BabyMetal Metal Resistance, which comes out on CD on Friday. More...

Theater Averages: Panda Eats the Competition with an average of $10,438

February 3rd, 2016

Kung Fu Panda

There was only one film in the $10,000 this week, Kung Fu Panda 3, which earned an average of $10,438. The best limited release was Rabin The Last Day, which opened with $7,940 in one theater. More...

Weekend Wrap-Up: Star Wars misses its third Century Mark, Still Sets Multiple Records with $90.24 Million

January 4th, 2016

Star Wars: The Force Awakens

As expected, Star Wars: The Force Awakens dominated the weekend box office earning $90.24 million, breaking several records along the way. However, it did fall 40% over the weekend, which is a lot for this time of year. It appears The Force Awakens is acting more like a typical blockbuster hit and less like the typically leggy December release. That said, I don't think Disney is disappointed with the results so far. On the other hand, The Hateful Eight got off to a disappointing start earning third place with just a fraction of Django Unchained's opening weekend. The overall box office was down from last week, but was still an incredible $219 million. This was 26% lower than last week, but 41% higher than the same weekend last year. Year-to-date is a little less useful, as 2016 is only 3 days old, but it is 27% higher than 2015 was after the first weekend. This is even more impressive, as 2015 had an extra day before the weekend.

More...

Weekend Wrap-Up: The Force Awakens Earns $149.20 million and Daddy Hits Home Run

December 28th, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens easily won the weekend race, but not by as much as anticipated. On the other hand, Daddy's Home was a surprise hit and should cruise to $100 million. None of the rest of the new releases really bombed and most will end their runs as midlevel hits. Overall, the box office fell just 5.1% from last weekend to $295 million, which is the second biggest combined weekend of all time. It was also 41% bigger than the same weekend last year and 2015's year-over-year lead grew to 7.0%. It looks like the 2015 box office will reach $11 billion when all is said and done, but we won't know for sure till we get the absolute final numbers. More...

Weekend Estimates: Star Wars’ $153 million Christmas demolishes another set of records

December 27th, 2015

Star Wars: The Force Awakens

The Star Wars juggernaut continues to roll through box office records all around the world this weekend. It will pass $1 billion globally today, Sunday, in just its 12th day in release—one day faster than Jurassic World. That blockbuster figure is largely thanks to an incredible $544 million after just ten days domestically, far ahead of Jurassic World’s $402 million at the same point in its run. The Force Awakens has now broken records for every milestone from $50 million to $500 million, with more to fall. The current record for fastest to $550 million is also Jurassic World, which reached the mark in 24 days. Star Wars will do it in eleven. After that, we will start looking at some serious all-time records. More...

The Force Awakens Doubles Previous Christmas Record with $49.34 Million

December 26th, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens set another record by earning $49.34 million on Christmas Day. This more than doubles the previous record of $24.61 million held by Sherlock Holmes. However, this was only 79% more than it made on Christmas Eve, whereas Avatar rose 107% on the same day in its run. You can't even say Avatar had it easy due to weaker competition, so perhaps the explanation lies elsewhere. Perhaps a lot of people who were scared off by the crowds thus far decided to see the movie on Christmas Eve, because it is historically a slow day a the box office. That’s certainly what I was thinking. Because of this, I'm lowing my expectations for the weekend from $170 million to $160 million. This would have been a good opening weekend result for the film. It will be well above the current Record Second Weekend of $106.59 million by Jurassic World. More...

Weekend Predictions: Will The New Releases Experience Any Joy?

December 23rd, 2015

Star Wars: The Force Awakens

There are five wide releases / wide expansions this week, none of which will even come close to Star Wars: The Force Awakens' second weekend of release. The rest of the box office combined won't come close to The Force Awakens' sophomore stint. It looks like Daddy's Home has the advantage for second place, while Joy should be close behind. The Big Short expands wide on Wednesday and its five-day total should be close to the previous two films' three-day totals. On the downside, it looks like both Concussion and Point Break will open on the outside of the top five. The Force Awakens will make more than the entire top ten made this weekend last year, so 2015 will end the year on a very positive note in the year-over-year comparison. More...

International Box Office: Major Milestone for Hunger Games

December 9th, 2015

The Hunger Games: Mockingjay - Part 2

It was a milestone weekend for The Hunger Games: Mockingjay - Part 2, as it crossed the $500 million mark worldwide. Over the weekend, the film pulled in $32.4 million in 93 markets for totals of $296.8 million internationally and $524.2 million worldwide. Its biggest market of the weekend was Germany, where it pulled in $4.77 million on 1,127 screens for a three-week total of $30.53 million. On the other hand, its biggest market overall has been the U.K., where it has made $35.21 million, including $3.38 million in 539 theaters this past weekend. There are rumors that Lionsgate are working on prequels for this franchise. Not sure that's a good idea. More...

2015 Preview: December

December 1st, 2015

Star Wars: The Force Awakens

November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/01/08 1 $1,848,322   0     $1,848,322 1
2016/01/15 1 $1,645,097 -11% 1,192 $1,380   $4,306,280 2
2016/02/12 36 $574   2 $287   $5,177,901 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/14/2016 $234,929 86 86 149 $538,757 2/17/2016
Australia 1/1/2016 $1,384,430 354 354 1042 $3,895,546 6/9/2016
Austria 1/21/2016 $129,027 64 64 214 $464,663 6/9/2016
Belgium 2/3/2016 $179,166 38 38 124 $425,635 3/8/2016
Bolivia 1/14/2016 $79,307 19 19 56 $253,531 12/31/2018
Brazil 1/28/2016 $612,749 321 321 762 $1,658,503 6/9/2016
Bulgaria 1/1/2016 $60,374 0 31 116 $301,333 2/26/2019
Cambodia 12/24/2015 $17,896 14 14 17 $45,582 12/31/2018
Central America 1/7/2016 $352,566 142 142 307 $775,228 2/2/2016
Chile 1/14/2016 $159,627 79 79 133 $397,954 12/31/2018
China 12/3/2015 $11,110,000 26001 26001 57599 $35,930,000 9/30/2018
Colombia 1/7/2016 $0 0 190 325 $1,603,328 12/31/2018
Croatia 12/31/2015 $44,230 48 48 140 $134,268 12/31/2018
Czech Republic 12/31/2015 $75,036 80 80 173 $177,122 12/31/2018
Denmark 12/25/2015 $0 0 50 77 $440,127 6/9/2016
Ecuador 3/4/2016 $0 0 28 57 $200,266 12/31/2018
Finland 12/25/2015 $55,400 37 37 82 $169,171 6/9/2016
France 2/3/2016 $1,555,587 379 379 1026 $3,674,569 6/9/2016
Germany 1/21/2016 $436,684 444 444 805 $895,420 6/9/2016
Greece 12/24/2015 $71,132 35 35 70 $194,527 6/9/2016
Hong Kong 12/3/2015 $480,938 55 55 139 $1,238,923 11/26/2018
Hungary 12/31/2015 $127,833 0 42 42 $310,555 12/31/2018
Iraq 12/24/2015 $18,400 4 4 14 $54,150 12/31/2018
Italy 1/27/2016 $1,501,678 327 327 829 $3,809,640 6/9/2016
Japan 2/20/2016 $1,273,175 538 540 1618 $4,213,123 6/9/2016
Kenya 12/25/2015 $0 0 12 12 $43,746 12/31/2018
Kuwait 12/24/2015 $25,987 1 1 3 $52,429 12/31/2018
Latvia 12/25/2015 $0 0 7 7 $91,631 12/31/2018
Lebanon 12/24/2015 $44,519 6 7 20 $417,671 12/31/2018
Lithuania 12/25/2015 $67,731 223 223 282 $108,685 6/9/2016
Malaysia 12/3/2015 $0 0 90 159 $758,210 9/5/2016
Mexico 1/8/2016 $1,848,322 0 1192 1194 $5,177,901 6/9/2016
Netherlands 1/7/2016 $354,523 98 98 337 $1,259,370 6/9/2016
New Zealand 1/1/2016 $275,738 119 119 436 $795,930 6/9/2016
North America 12/25/2015 $9,800,252 2,910 2,910 8,960 $28,782,481
Oman 12/24/2015 $9,147 2 2 5 $32,202 12/31/2018
Peru 1/21/2016 $150,965 105 105 149 $268,529 12/31/2018
Philippines 12/2/2015 $0 0 40 40 $413,370 12/30/2018
Poland 1/8/2016 $0 0 112 112 $273,830 12/31/2018
Portugal 1/7/2016 $124,115 91 91 202 $234,714 6/9/2016
Romania 1/1/2016 $360,483 55 55 103 $803,638 12/31/2018
Russia (CIS) 12/24/2015 $1,632,045 1526 1526 2411 $5,097,526 12/31/2018
Serbia and Montenegro 12/31/2015 $13,246 14 14 32 $52,341 12/31/2018
Singapore 12/3/2015 $0 0 27 35 $698,277 6/9/2016
Slovakia 12/31/2015 $61,378 56 56 97 $139,597 6/9/2016
Slovenia 12/31/2015 $16,986 12 12 46 $51,983 6/9/2016
South Africa 12/25/2015 $0 0 85 212 $848,366 6/9/2016
South Korea 1/7/2016 $1,021,775 406 406 665 $1,918,694 6/9/2016
Spain 1/1/2016 $595,845 292 292 835 $1,494,615 11/16/2018
Sweden 2/5/2016 $143,554 147 147 284 $0 2/9/2016
Switzerland 2/3/2016 $0 0 12 12 $293,292 6/9/2016
Taiwan 12/11/2015 $0 0 2 2 $1,099,565 6/9/2016
Thailand 12/9/2015 $643,281 202 202 404 $1,383,488 6/9/2016
Turkey 12/25/2015 $131,334 161 161 242 $269,159 2/26/2019
Ukraine 12/31/2015 $176,315 146 146 290 $511,068 12/31/2018
United Arab Emirates 12/24/2015 $554,697 48 48 130 $1,819,987 12/31/2018
United Kingdom 2/5/2016 $610,269 364 364 729 $1,237,114 6/9/2016
Uruguay 1/14/2016 $11,761 12 12 21 $25,228 12/31/2018
Venezuela 1/8/2016 $0 0 71 284 $8,349,388 3/8/2016
Vietnam 12/23/2015 $38,448 41 41 70 $98,645 12/31/2018
 
Worldwide Total$126,704,591 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Teresa Palmer Samsara
Delroy Lindo Instructor Hall
Ray Winstone Pappas
Matias Varela Grommet
Clemens Schick Roach
Tobias Santelmann Chowder
Max Thieriot Jeff
Nikolai Kinski Pascal Al Fariq
Judah Lewis Young Utah
Glynis Barber FBI-Head of Investigations
Steve Toussaint FBI Dept. Director #1
James LeGros FBI Dept. Director #2
Bojesse Christopher FBI Dept. Director #3
Ronak Patani FBI Technician
Eddie Santiago Jordan C-130 Pilot
Patrick Dewayne C-130 Pilot
Seumas Sargent C-130 Co Pilot
Numan Acar Turkish Doorman
Julien Louis Lambert Boat Vendor
Laird Hamilton Surf Vagabond
Jorg Reichlin French Driver
Christian Alexander Koch Rock Hauler Driver
Stephan Baumecker Rock Hauler Driver
Jeff Burrell Cortes Banks Helicopter Pilot
Francesco Martino Interpol Technician
Gerard Monaco Interpol Agent

Cameos

Mouloud Achour Cameo Yacht
Faris Al Sultan Cameo Yacht
Bob Burnquist Cameo Yacht
Kenny Glasgow Cameo Yacht
Sal Masekela Cameo Yacht
Michael Raelert Cameo Yacht
Jonny White* Cameo Yacht
Seth Troxler Cameo Yacht
Sea Bass* Cameo Yacht
Steve Aoki Cameo Chalet
Jeb Corliss Cameo Chalet
Xavier De Le Rue Cameo Chalet
Christian Haller Cameo Chalet
Eric Koston Cameo Chalet
Chris Sharma Cameo Chalet
Mitch Tolderer Cameo Chalet
Louie Vito Cameo Chalet

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ericson Core Director
Kurt Wimmer Screenwriter
Rick King Story by
W. Peter Iliff Story by
Kurt Wimmer Story by
Andrew A. Kosove* Producer
Broderick Johnson Producer
John Baldecchi Producer
David Valdes Producer
Christopher Taylor Producer
Kurt Wimmer Producer
Robert L. Levy Executive Producer
Peter Abrams Executive Producer
Dan Mintz Executive Producer
Wu Bing Executive Producer
John McMurrick Executive Producer
Udo Kramer Production Designer
Thom Noble Editor
Jerry Greenberg Editor
Tom Holkenborg Composer
Ericson Core Director of Photography
Yolanda T. Cochran Co-Producer
Dana Belcastro Co-Producer
Henning Molfenter Co-Producer
Charlie Woebcken Co-Producer
Christoph Fisser Co-Producer
John Nelson Visual Effects Supervisor
Lisy Christl Costume Designer
John Papsidera Casting Director
Deva Anderson Music Supervisor
Mark Nolting Unit Production Manager
Mark Taylor First Assistant Director
Enda Doherty Second Assistant Director
Ralph Brosche Line Producer
Gianluca Leurini Line Producer-Italy
Anton Maillie Line Producer-U.S. Units
Michael Minkler Re-recording Mixer
Dean A. Zupancic Re-recording Mixer
Odin Benitez Supervising Sound Editor
Todd Toon Co-Supervising Sound Editor
Zoe Sonja Simijonovic Script Supervisor
Roland Winke Sound Mixer
Thomas Nellen Make-up and Hair Designer
Heike Merker Make-up and Hair Designer
Fiona Landreth Production Supervisor
Uli Nefzer Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.