Argentina Box Office for El callejón de las almas perdidas (2021)
| Theatrical Performance (US$) | ||
| Argentina Box Office | $184,199 | Details |
| Worldwide Box Office | $37,537,773 | Details |
| Home Market Performance | ||
| North America DVD Sales | $420,116 | Details |
| North America Blu-ray Sales | $952,406 | Details |
| Total North America Video Sales | $1,372,522 | |
| Further financial details... | ||
Synopsis
When charismatic but down-on-his-luck Stanton Carlisle endears himself to clairvoyant Zeena and her has-been mentalist husband Pete at a traveling carnival, he crafts a golden ticket to success, using this newly acquired knowledge to grift the wealthy elite of 1940s New York society. With the virtuous Molly loyally by his side, Stanton plots to con a dangerous tycoon with the aid of a mysterious psychiatrist who might be his most formidable opponent yet.
Metrics
Movie Details
| Production Budget: | $60,000,000 |
| Argentina Releases: | January 27th, 2022 (Wide), released as El callejón de las almas perdidas |
| Video Release: | March 8th, 2022 by Searchlight Pictures |
| MPAA Rating: | R for strong/bloody violence, some sexual content, nudity and language. (Rating bulletin 2688 (cert #53284), 7/7/2021) |
| Running Time: | 150 minutes |
| Keywords: | Psychological Thriller, Ensemble, Fake Psychics, Confidence Men, Relationships Gone Wrong, Abusive Therapists, No Honor Among Thieves, Fugitive / On the Run, Homeless, 2022 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Searchlight Pictures , Double Dare You |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Spider-Man rewrites pandemic rulebook with $253-million opening
December 19th, 2021
-2-News.jpg)
After two dismal years for the theatrical business, Spider-Man has returned to change the rules of the game. Again. Back in 2002, the first Spider-Man movie set an all-time record by opening with $114.8 million—becoming the first film to top $100 million at the box office in a single weekend. That was arguably the beginning of the modern era at the box office.
This weekend, Spider-Man: No Way Home may be kicking off the post-pandemic era with a gargantuan $253-million opening. That’s not just the best result of the pandemic. It’s the best by a huge margin, more than doubling the opening of Venom: Let There Be Carnage, which itself significantly outperformed expectations. Even more impressively, it’s the third-best weekend of all time, behind only Avengers: Endgame ($357 million) and Avengers: Infinity War ($258 million). In fact, a good Sunday number would take it into second place on that list.
Oh, and it’s already the highest-grossing film of 2021.
More...
Weekend predictions: Spider-Man eyes $150-million weekend
December 17th, 2021
-1-News.jpg)
Spider-Man: No Way Home is already rewriting the pandemic record books, after posting a spectacular $50 million in previews on Thursday. That’s the third-best preview number ever, and well ahead of our model’s most optimistic prediction going into the weekend. Every film not in the Twilight Saga franchise that has earned even half that amount from previews has gone on to open with over $150 million. So a very, very big weekend is in store. So big, that it’s taken quite a bit of number crunching to settle on what I think is a good prediction.
More...
Nightmare Alley trailer
December 14th, 2021
Historical thriller written and directed by Guillermo del Toro, with an ensemble cast led by Bradley Cooper and Cate Blanchett opens in theaters on Friday, December 17 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/28 | - | $44,367 | 0 | $44,367 | 1 | ||
| 2022/02/04 | - | $39,006 | -12% | 0 | $103,577 | 2 | |
| 2022/02/11 | - | $20,760 | -47% | 0 | $138,921 | 3 | |
| 2022/02/18 | - | $11,367 | -45% | 0 | $160,212 | 4 | |
| 2022/02/25 | - | $7,777 | -32% | 0 | $170,886 | 5 | |
| 2022/03/04 | - | $2,778 | -64% | 0 | $176,762 | 6 | |
| 2022/03/11 | - | $1,352 | -51% | 0 | $178,989 | 7 | |
| 2022/03/18 | - | $93 | -93% | 0 | $179,624 | 8 | |
| 2022/03/25 | - | $3,512 | +3,676% | 0 | $183,188 | 9 | |
| 2022/04/01 | - | $143 | -96% | 0 | $184,194 | 10 | |
| 2022/04/08 | - | $4 | -97% | 0 | $184,199 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/27/2022 | $44,367 | 0 | 0 | 0 | $184,199 | 4/11/2022 |
| Australia | 1/20/2022 | $370,477 | 279 | 279 | 941 | $1,229,272 | 10/31/2022 |
| Austria | 1/20/2022 | $33,359 | 0 | 0 | 0 | $141,520 | 10/20/2022 |
| Belgium | 1/19/2022 | $110,304 | 0 | 0 | 0 | $376,474 | 10/20/2022 |
| Brazil | 1/27/2022 | $143,098 | 0 | 0 | 0 | $364,235 | 4/26/2022 |
| Chile | 1/27/2022 | $22,910 | 0 | 0 | 0 | $87,987 | 3/30/2022 |
| Colombia | 1/27/2022 | $68,738 | 0 | 0 | 0 | $271,609 | 10/20/2022 |
| Czech Republic | 1/28/2022 | $46,966 | 146 | 146 | 239 | $92,802 | 10/20/2022 |
| Denmark | 1/27/2022 | $45,655 | 0 | 0 | 0 | $135,097 | 10/20/2022 |
| Finland | 1/28/2022 | $14,410 | 51 | 52 | 153 | $134,045 | 10/20/2022 |
| France | 1/19/2022 | $972,946 | 0 | 0 | 0 | $3,273,279 | 10/20/2022 |
| Germany | 1/19/2022 | $206,752 | 0 | 0 | 0 | $911,228 | 5/3/2022 |
| Indonesia | 1/19/2022 | $156,385 | 0 | 0 | 0 | $202,787 | 10/20/2022 |
| Italy | 1/27/2022 | $708,611 | 0 | 0 | 0 | $2,058,889 | 10/20/2022 |
| Japan | 3/25/2022 | $356,018 | 0 | 0 | 0 | $1,322,123 | 5/3/2022 |
| Lithuania | 1/21/2022 | $16,048 | 75 | 75 | 111 | $74,253 | 3/23/2022 |
| Malaysia | 1/13/2022 | $0 | 0 | 0 | 0 | $15,648 | 10/20/2022 |
| Mexico | 1/27/2022 | $849,573 | 0 | 0 | 0 | $3,839,915 | 5/3/2022 |
| Netherlands | 1/27/2022 | $114,908 | 82 | 84 | 324 | $447,711 | 10/20/2022 |
| New Zealand | 1/21/2022 | $39,571 | 80 | 86 | 287 | $122,847 | 10/20/2022 |
| North America | 12/17/2021 | $2,811,703 | 2,145 | 2,145 | 12,433 | $11,338,107 | |
| Norway | 1/28/2022 | $40,156 | 0 | 0 | 0 | $116,646 | 10/20/2022 |
| Poland | 1/28/2022 | $74,926 | 0 | 0 | 0 | $251,427 | 4/26/2022 |
| Portugal | 1/27/2022 | $35,180 | 71 | 71 | 326 | $157,433 | 4/4/2022 |
| Romania | 2/25/2022 | $61,242 | 73 | 73 | 293 | $220,641 | 5/18/2022 |
| Russia (CIS) | 1/20/2022 | $945,654 | 724 | 724 | 2438 | $3,874,551 | 10/20/2022 |
| Singapore | 1/13/2022 | $0 | 0 | 0 | 0 | $39,743 | 4/20/2022 |
| Slovakia | 2/3/2022 | $12,281 | 51 | 51 | 86 | $23,458 | 3/1/2022 |
| South Korea | 2/23/2022 | $117,976 | 461 | 461 | 712 | $331,991 | 4/20/2022 |
| Spain | 1/21/2022 | $589,971 | 381 | 381 | 1614 | $2,175,375 | 10/20/2022 |
| Sweden | 1/28/2022 | $81,835 | 0 | 0 | 0 | $345,766 | 5/3/2022 |
| Switzerland | 1/19/2022 | $105,380 | 0 | 0 | 0 | $361,395 | 10/20/2022 |
| Taiwan | 1/28/2022 | $108,788 | 0 | 0 | 0 | $371,226 | 10/20/2022 |
| Thailand | 1/20/2022 | $13,960 | 0 | 0 | 0 | $34,008 | 2/17/2022 |
| Turkey | 2/4/2022 | $19,965 | 77 | 77 | 151 | $110,487 | 10/20/2022 |
| United Kingdom | 1/21/2022 | $747,041 | 568 | 568 | 1422 | $2,499,599 | 10/20/2022 |
| Worldwide Total | $37,537,773 | 10/31/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Bradley Cooper | Stanton Carlisle |
| Cate Blanchett | Doctor Lilith Ritter |
| Toni Collette | Zeena Krumbein |
| Willem Dafoe | Clem Hoately |
| Richard Jenkins | Ezra Grindle |
| Rooney Mara | Molly Cahill |
| Ron Perlman | Bruno |
| Mary Steenburgen | Felicia Kimball |
| David Strathairn | Pete Krumbein |
Supporting Cast
| Tim Blake Nelson | Carny Boss |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Guillermo del Toro | Director |
| Guillermo del Toro | Screenwriter |
| Kim Morgan | Screenwriter |
| William Lindsay Gresham | Story based on the novel by |
| Guillermo del Toro | Producer |
| J. Miles Dale | Producer |
| Bradley Cooper | Producer |
| Dan Laustsen | Director of Photography |
| Tamara Deverell | Production Designer |
| Cam McLauchlin | Editor |
| Luis Sequeira | Costume Designer |
| Nathan Johnson | Composer |
| Robin D. Cook | Casting Director |