Spain Box Office for The Night Before (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $56,822 | Details |
Worldwide Box Office | $52,568,099 | Details |
Home Market Performance | ||
North America DVD Sales | $3,105,279 | Details |
North America Blu-ray Sales | $2,583,302 | Details |
Total North America Video Sales | $5,688,581 | |
Further financial details... |
Synopsis
Ethan, Isaac and Chris have been friends since childhood, and for a decade, their yearly Christmas Eve reunion has been an annual night of debauchery and hilarity. Now that they’re entering adulthood, the tradition is coming to an end, and to make it as memorable as possible, they set out to find the Nutcracka Ball – the Holy Grail of Christmas parties.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Spain Releases: | December 4th, 2015 (Wide) |
Video Release: | February 9th, 2016 by Columbia Pictures Home Entertainment |
MPAA Rating: | R for drug use and language throughout, some strong sexual content and graphic nudity. (Rating bulletin 2395, 10/14/2015) |
Running Time: | 101 minutes |
Keywords: | Christians, Jewish, Christmas in November, Christmas, Orphan, Young Child Dealing with the Death of a Parent, Narcotics, Black Out Drunk, Parties Gone Wild, Gratuitous Cameos, Stoner Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, Good Universe, LStar Capital, Point Grey |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 1st, 2016
March 2nd, 2016
There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made.
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Theater Averages: Anomalisa Leads Uneventful Chart with $12,738
January 13th, 2016
There were only three films in the $10,000 club this weekend and all of them were holdovers. Leading the way was Anomalisa with an average of $12,738 in 17 theaters. At this pace, the film will earn some measure of mainstream success. However, unless it wins an Oscar, it likely won't match its $8 million production budget in theaters. The Revenant slipped into second place with $11,801, while the overall number one film, Star Wars: The Force Awakens, was next with $10,245.
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Weekend Predictions: How Big a Force Will Star Wars be at the Box Office?
December 17th, 2015
There are three wide releases this week, but only one of them matters: Star Wars: The Force Awakens. Better than anticipated reviews could help it break records over the weekend. It has already broken some box office records, becoming the first film to reach $100 million in advance ticket sales. The other wide releases are Alvin and the Chipmunks: The Road Chip and Sisters, both of which are just trying to not completely disappear. This weekend last year, the total box office was $135 million. The Force Awakens could earn nearly 50% more than that and some would still see it as a disappointment. 2015 should extend its lead over 2014 by more than $100 million.
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Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games
November 24th, 2015
The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year.
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Weekend Estimates: Mockingjay Tops $100 Million, But Only Just
November 22nd, 2015
The Hunger Games: Mockingjay—Part 2 is about to record the most disappointing $100 million weekend ever, based on Sunday’s estimate from Lionsgate. Why disappointing? Because its $101.025 million projected opening follows the $158 million earned by Catching Fire on this weekend in 2013 (then the sixth-biggest weekend ever), and the $122 million debut of Mockingjay—Part 1 this weekend last year. That marks a decline of 20% or so from one installment of the franchise to the next, which is the worst performance of any franchise to have recorded a $100 million start. Global numbers tell a similar story: $247 million this weekend against Part 1’s $275 million. However, once we get that troubling statistic out the way, this is also a reason for celebration: $100 million domestically and $250 million globally in one weekend is still a huge amount of money, and caps a spectacularly successful franchise for Lionsgate.
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Friday Estimates: Hunger Games not as Filling as Anticipated
November 21st, 2015
There’s good news / bad news for The Hunger Games: Mockingjay, Part 2’s Friday box office. On the positive side, it is dominating in theaters with $46 million on Friday, which is more than any other film will earn during the entire weekend. It might be more than the combined weekend hauls of the rest of the top five, in fact. On the down side, this is below expectations and puts the film on pace for about $104 million for the weekend as a whole. Granted, this is still the best opening since Jurassic World and the fifth-best opening of the year, but it is well behind Part 1, which pulled in $55 million on its opening day, so some will call this a disappointment. It is the curse of high expectations.
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Thursday Previews: Appetizer for Hunger Games
November 20th, 2015
The Hunger Games: Mockingjay, Part 2 got off to a $16 million start last night. That is the best "midnight" preview we've seen since Jurassic World earned $18.5 million this summer. However, it is a little lower than The Hunger Games: Mockingjay, Part 1's figure of $17 million. Does this mean Part 2 is going to open on the low end of expectations? It's too soon to tell. Previews are not very predictive of box office success, especially when the numbers are this close. Obviously bigger would be better, but there's no reason to panic just yet.
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Weekend Predictions: Will Moviegoers Feel Satiated?
November 20th, 2015
It should be a very busy weekend, at least at the top, as The Hunger Games: Mockingjay, Part 2 is nearly guaranteed to dominate the box office and many think it will top $100 million over the weekend. On the other hand, the other two releases are The Night Before and Secret in Their Eyes, neither of which is expected to do particularly well. That said, they would have to truly bomb to not at least make the top five, but I doubt either of them will top Spectre over the weekend. This weekend last year, The Hunger Games: Mockingjay, Part 1 opened with just over $120 million. That is the figure Part 2 will need to match to be considered a success. I'm feeling cautiously optimistic, but not everyone is.
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2015 Preview: November
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/04 | 18 | $22,849 | 34 | $672 | $22,849 | 1 | |
2015/12/11 | 27 | $7,209 | -68% | 31 | $233 | $51,072 | 2 |
2015/12/18 | 41 | $915 | -87% | 5 | $183 | $54,700 | 3 |
2015/12/25 | 64 | $57 | -94% | 2 | $29 | $55,915 | 4 |
2016/01/01 | 57 | $163 | +186% | 2 | $82 | $56,822 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 11/26/2015 | $0 | 0 | 3 | 7 | $16,324 | 12/30/2018 |
Australia | 12/4/2015 | $570,947 | 182 | 182 | 634 | $1,912,270 | 12/29/2015 |
Austria | 11/27/2015 | $83,362 | 47 | 47 | 253 | $416,734 | 6/9/2016 |
Belgium | 12/9/2015 | $13,791 | 5 | 5 | 7 | $20,527 | 12/21/2015 |
Bolivia | 12/10/2015 | $11,373 | 10 | 10 | 13 | $20,207 | 12/30/2018 |
Bulgaria | 11/12/2015 | $0 | 0 | 17 | 53 | $75,638 | 12/31/2018 |
Curacao | 11/26/2015 | $1,050 | 1 | 3 | 7 | $7,165 | 12/30/2018 |
Ecuador | 12/11/2015 | $14,836 | 18 | 18 | 35 | $58,507 | 12/31/2018 |
Estonia | 12/11/2015 | $29,931 | 13 | 13 | 23 | $56,838 | 12/21/2015 |
Germany | 11/26/2015 | $343,456 | 226 | 226 | 891 | $1,186,316 | 6/9/2016 |
Iceland | 11/27/2015 | $12,036 | 7 | 7 | 23 | $70,539 | 12/31/2018 |
Israel | 12/3/2015 | $120,757 | 25 | 25 | 138 | $743,349 | 12/31/2018 |
Jamaica | 11/25/2015 | $4,651 | 4 | 4 | 6 | $9,835 | 12/30/2018 |
Latvia | 12/11/2015 | $15,160 | 7 | 7 | 20 | $61,069 | 12/31/2018 |
Lithuania | 12/11/2015 | $27,988 | 13 | 50 | 84 | $91,670 | 1/5/2016 |
Mexico | 12/11/2015 | $22,275 | 40 | 40 | 59 | $41,202 | 12/29/2015 |
Netherlands | 12/3/2015 | $56,649 | 25 | 25 | 117 | $288,634 | 6/9/2016 |
New Zealand | 12/4/2015 | $67,909 | 39 | 39 | 125 | $227,964 | 1/5/2016 |
North America | 11/20/2015 | $9,880,536 | 2,960 | 2,960 | 13,033 | $43,035,725 | 3/3/2020 |
Portugal | 12/3/2015 | $42,528 | 16 | 16 | 83 | $219,374 | 6/9/2016 |
Romania | 12/11/2015 | $99,283 | 50 | 50 | 178 | $328,004 | 12/31/2018 |
South Africa | 12/11/2015 | $10,899 | 9 | 10 | 28 | $65,608 | 6/9/2016 |
Spain | 12/4/2015 | $22,849 | 34 | 34 | 74 | $56,822 | 9/5/2016 |
Suriname | 11/26/2015 | $0 | 0 | 1 | 3 | $3,958 | 12/30/2018 |
Sweden | 12/4/2015 | $74,703 | 47 | 47 | 149 | $323,489 | 6/9/2016 |
Trinidad | 11/25/2015 | $30,990 | 11 | 12 | 37 | $89,421 | 12/30/2018 |
Ukraine | 12/31/2015 | $115,184 | 122 | 122 | 232 | $287,200 | 12/31/2018 |
United Kingdom | 12/4/2015 | $412,094 | 279 | 279 | 694 | $1,185,320 | 6/9/2016 |
Venezuela | 12/4/2015 | $178,013 | 35 | 38 | 101 | $1,426,855 | 1/20/2016 |
Rest of World | $241,535 | ||||||
Worldwide Total | $52,568,099 | 3/3/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Joseph Gordon-Levitt | Ethan |
Seth Rogen | Isaac |
Anthony Mackie | Chris |
Supporting Cast
Lizzy Caplan | Diana |
Jillian Bell | Betsy |
Mindy Kaling | Sarah |
Michael Shannon | Mr. Green |
Helene Yorke | Cindy |
Ilana Glazer | Rebecca Grinch |
Aaron Hill | Tommy Owens |
Darrie Lawrence | Nana |
Nathan Fielder | Joshua |
Kamal Angelo Bolden | Kamal |
Lorraine Toussaint | Mrs. Roberts |
Chuck Muckle | Piano Playing Uncle |
Curt Bouril | Cindy's Husband |
Brooke Liddell | Cindy's Daughter |
Kiley Liddell | Cindy's Daughter |
Jason Mantzoukas | Bad Santa #1 |
Jason Jones | Bad Santa #2 |
Clem Cheung | Deli Owner |
Harolyn Blackwell | Opera Singer |
Randall Park | Boss |
Natalie Knepp | Coat Check Girl |
Cameron Earl Thrift | Singing Kid |
Jeremy Vimes | Hunan Waiter |
Gabriel Long | Karaoke Singer #3 |
Michaela Sprague | Isaac's Daughter |
Euan Morton | Coat Check Patron |
Marilyn O'Connell | Old Lady |
Richard Hughes | Train Conductor |
Stacy Jones | Bandleader/Drummer |
Jamie Arentzen | Guitar Player #1 |
Jaco Caraco | Guitar Player #2 |
Mike Schmid | Keys Player |
Julia Ross | Background Vocal #1 |
Danielle Elliott | Background Vocal #2 |
Theodora Woolley | Woman |
Narrator(s)
Tracy Morgan | Narrator/Santa |
Cameos
James Franco | Himself |
Miley Cyrus | Herself |
Baron Davis | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jonathan Levine | Director |
Evan Goldberg | Producer |
Seth Rogen | Producer |
James Weaver | Producer |
Jonathan Levine | Screenwriter |
Kyle Hunter | Screenwriter |
Ariel Shaffir | Screenwriter |
Evan Goldberg | Screenwriter |
Jonathan Levine | Story by |
Nathan Kahane | Executive Producer |
Joe Drake | Executive Producer |
Kyle Hunter | Executive Producer |
Ariel Shaffir | Executive Producer |
Barbara A. Hall | Executive Producer |
Ben Waisbren | Executive Producer |
Brandon Trost | Director of Photography |
Annie Spitz | Production Designer |
Zene Baker | Editor |
Melissa Toth | Costume Designer |
Marco Beltrami | Composer |
Miles Hankins | Composer |
Gabe Hilfer | Music Supervisor |
Paul Linden | Visual Effects Supervisor |
Spencer Wong | Co-Producer |
Francine Maisler | Casting Director |
Kathy Driscoll-Mohler | Casting Director |
Barbara A. Hall | Unit Production Manager |
Jonathan Watson | First Assistant Director |
Sandi Greenberg | Second Assistant Director |
Jeffrey Gibson | Stunt Coordinator |
Steven Ritzi | Stunt Coordinator |
Chris Shriver | Art Director |
Chryss Hionis | Set Decorator |
Julia Croon | Script Supervisor |
Angela Quiles | Production Supervisor |
Alexandria McAtee | Associate Producer |
Shaun Burke | Associate Producer |
Natalie Arango | Costume Supervisor |
Mindy Hall | Make up |
Ashley Ryan | Make up |
Nathan Busch II | Hairstylist |
Jon Jordan | Hairstylist |
Christof Gebert | Sound Mixer |
Steve Kirshoff | Special Effects Supervisor |
David Trachtenberg | Additional Editor |
Michael A. Webber | Additional Editor |
Nancy Kirhoffer | Post-Production Supervisor |
Joe Zappia | Assistant Editor |
Eddie Mikasa | Assistant Editor |
Michael Babcock | Re-recording Mixer |
Michael Babcock | Supervising Sound Editor |
Vanessa Lapato | Dialogue Editor |
Jim Schultz | Music Editor |
Tyson Lozensky | Score Mixer |
Jeff Campbell | Visual Effects Supervisor |
Neishaw Ali | Visual Effects Executive Producer |
JP Giamos | Visual Effects Producer |
Peter Giliberti | Animation Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.