Brazil Box Office for The Nice Guys (2016)
Theatrical Performance (US$) | ||
Brazil Box Office | $503,289 | Details |
Worldwide Box Office | $59,596,747 | Details |
Home Market Performance | ||
North America DVD Sales | $2,500,481 | Details |
North America Blu-ray Sales | $3,958,593 | Details |
Total North America Video Sales | $6,459,074 | |
Further financial details... |
Synopsis
Down-on-his-luck private eye Holland March and hired enforcer Jackson Healy must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.
Metrics
Movie Details
Production Budget: | $50,000,000 |
Brazil Releases: | July 22nd, 2016 (Wide) |
Video Release: | August 9th, 2016 by Warner Home Video |
MPAA Rating: | R for violence, sexuality, nudity, language and brief drug use. (Rating bulletin 2396 (Cert #50049), 10/21/2015) |
Running Time: | 116 minutes |
Keywords: | Private Investigator, 1970s, Set in Los Angeles, Missing Person, Government Corruption |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Warner Bros., Silver Pictures, Waypoint Entertainment |
Production Countries: | United States |
Languages: | English |
2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Home Market Releases for September 27th, 2016
September 27th, 2016
It is a pretty good week on the home market with a few releases worth picking up. The biggest of these is Central Intelligence, but while it is worth picking up, it isn’t a contender for Pick of the Week. There are some smaller releases that were up for that title, including The Shallows, An American Werewolf in London and The Innocents. However, in the end, I went with Captain America: Civil War. The Blu-ray screener arrived late, and I held off on naming it Pick of the Week when it came out for that very reason.
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Home Market Releases for August 23rd, 2016
August 24th, 2016
There are not many major hits on this week’s list, but there are several releases that are contenders for Pick of the Week. This includes TV on DVD releases like Ash vs The Evil Dead: Season 1 (DVD or Blu-ray), as well as limited releases like Maggie’s Plan (DVD or Blu-ray). However, in the end I went with The Nice Guys on Blu-ray Combo Pack.
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Home Market Releases for August 9th, 2016
August 8th, 2016
It is a really slow week on the top with only a couple of main releases worth being a contender for Pick of the Week: Supergirl: Season 1 and Sweet Bean on DVD. The Nice Guys would also be a contender, but it is only coming out on Video on Demand this week and it is worth waiting for the Blu-ray Combo Pack. With only two real choices, Sweet Bean is my Pick of the Week.
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Weekend Wrap-Up: X-Men has Okay Opening with $79.81 million, Alice suffers Apocalyptic Opening
May 31st, 2016
Last Memorial Day was bad with Tomorrowland leading the way with $33.03 million / $42.68 million. This year things were a bit better, with X-Men: Apocalypse earning $65.77 million / $79.81 million. Again, this is okay, but not outstanding. It's record-breaking compared to Alice Through the Looking Glass, which took in $26.86 million / $33.51 million. It's Disney's first bomb of the year. Don't feel bad for them, as they also set the record for fastest to $4 Billion Worldwide over the weekend. Overall, the box office was at $164 million, which was 20% better than last weekend and 18% better than last year. Including Monday, the box office pulled in $205 million, which was 6.3% more than last Memorial day. Year-to-date, 2016 has earned $4.39 billion, which is 5.4% or $220 million more than last year's figure of $4.16 billion. (This does include Monday of last year, because of the misalignment of holiday. This is the last misaligned holiday till Labor Day.)
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Weekend Wrap-Up: Birds should be Happy with a $38.16 million
May 24th, 2016
While each film in the top five on this weekend's box office chart finished in the right place, none of them matched expectations, save for The Jungle Book, which earned fifth place. The Angry Birds Movie debuted on top of the chart with $38.16 million, which is an okay opening for a family film at this time of year and nothing more. Likewise, Neighbors 2: Sorority Rising struggled compared to its predecessor, but did well compared to its budget. The Nice Guys will need long legs to break even. The overall box office rose 4.5% from last weekend, reaching $137 million, but fell 11% from the same weekend last year. 2016's lead over 2015 shrank to 5.1% or $200 million at $4.14 billion to $3.94 billion. This is a very impressive figure, but might not be enough to keep 2016 in the lead throughout the rest of the year. Jurassic World came out last June and there's little hope any film this June will match it.
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Weekend Estimates: Angry Birds Win Civil War with $39 Million Debut
May 22nd, 2016
The Angry Birds Movie is performing at the top end of expectations this weekend, and will top the box office chart with a commendable $39 million. While that’s a long way behind the $75.1 million earned by Zootopia on its opening weekend back in March, it’s a very respectable figure, and gives Sony the increasingly-rare bragging rights over Disney this weekend, with Captain America: Civil War dropping to second place with $33.1 million.
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Friday Estimates: Angry Birds have Nice Opening
May 21st, 2016
The Angry Birds Movie earned first place on Friday’s box office chart with $11 million. This is in line with our reduced prediction after Thursday’s previews. The film’s reviews have fallen to just 42% positive, while its CinemaScore is just a B+. Both of those results are fine, for a kids film, I guess. (It’s hard to get worked up either way.) It won’t have the same internal multiplier that Zootopia had, so look for an opening weekend of just under $40 million and more than $100 million domestically. The film cost $80 million to make, so Rovio Animation needs the film to make about $300 million worldwide to have a shot at breaking even. (Sony is taking a 7% cut to distribute the movie, but didn’t pay for its production or advertising.)
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Thursday Night Previews: Neighbors 2 Rises
May 20th, 2016
Neighbors 2: Sorority Rising led the way during Thursday night previews pulling in $1.67 million in 2,627 theaters last night. This is a third less than Neighbors earned, while the its internal multiplier will also be smaller, due to weaker reviews and the Sequel Effect. That said, it is still aiming at $30 million over the weekend, which is very likely more than it cost to make.
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Weekend Predictions: Will Angry have a Reason to Blow Up?
May 19th, 2016
There are three wide releases coming out this week, all of which are aimed at different target audiences. The Angry Birds Movie is aimed at families and will likely be the biggest hit of the weekend. Neighbors 2: Sorority Rising is an R-rated comedy that is hoping to avoid a Horrible Bosses 2 drop-off. Finally there's The Nice Guys, which is aiming for counter-programming success. If it tops $15 million over the weekend, it will be seen as a success. Captain America: Civil War will still be in the mix and could earn the threepeat, but could also fall to third place. This weekend last year, all five films in the top five earned at least $20 million. That won't happen this year. 2016 will lose, but it won't be a disaster in the year-over-year comparison.
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Contest: Anger Management
May 13th, 2016
It is actually challenging to decide which film should be the target film in this week's box office prediction contest. The Angry Birds Movie is expected to be the biggest hit opening next weekend, but Neighbors 2: Sorority Rising could open faster, but not have as strong legs. (The Nice Guys will be a midlevel hit, at the most.) Sorority Rising's international numbers are weaker than expected, so I'm going with The Angry Birds Movie as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are; two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: May
May 1st, 2016
April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.)
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/1/2016 | $236,922 | 102 | 102 | 172 | $456,208 | 11/30/2018 |
Australia | 5/27/2016 | $1,436,186 | 262 | 262 | 1017 | $4,394,008 | 7/14/2016 |
Brazil | 7/22/2016 | $270,564 | 0 | 0 | 0 | $503,289 | 11/16/2018 |
Czech Republic | 6/2/2016 | $60,432 | 91 | 91 | 202 | $169,850 | 12/31/2018 |
France | 5/20/2016 | $286,094 | 0 | 0 | 0 | $2,781,017 | 8/17/2018 |
Italy | 6/1/2016 | $1,001,433 | 0 | 0 | 0 | $2,106,826 | 6/29/2016 |
Lithuania | 5/27/2016 | $12,012 | 108 | 108 | 191 | $40,783 | 7/14/2016 |
Mexico | 7/8/2016 | $416,422 | 0 | 0 | 0 | $988,779 | 9/8/2018 |
Netherlands | 5/19/2016 | $159,442 | 0 | 81 | 270 | $594,746 | 7/6/2016 |
New Zealand | 5/27/2016 | $204,621 | 88 | 94 | 418 | $701,168 | 7/11/2016 |
North America | 5/20/2016 | $11,203,270 | 2,865 | 2,865 | 10,318 | $36,261,763 | |
Poland | 5/20/2016 | $193,665 | 0 | 0 | 0 | $991,634 | 11/17/2018 |
Portugal | 5/26/2016 | $82,091 | 49 | 51 | 184 | $291,799 | 7/22/2016 |
Russia (CIS) | 6/10/2016 | $417,777 | 524 | 949 | 2608 | $2,456,043 | 12/31/2018 |
Slovakia | 6/2/2016 | $40,352 | 56 | 56 | 130 | $112,317 | 7/29/2016 |
Slovenia | 5/20/2016 | $5,658 | 16 | 16 | 38 | $23,847 | 6/15/2016 |
South Korea | 6/28/2016 | $0 | 0 | 249 | 249 | $170,437 | 8/2/2016 |
Spain | 6/10/2016 | $470,722 | 371 | 371 | 1134 | $1,335,223 | 8/5/2016 |
Turkey | 5/20/2016 | $94,243 | 121 | 121 | 274 | $310,810 | 2/26/2019 |
United Kingdom | 6/3/2016 | $1,458,722 | 484 | 510 | 1985 | $4,906,200 | 7/13/2016 |
Worldwide Total | $59,596,747 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Russell Crowe | Jackson Healy |
Ryan Gosling | Holland March |
Angourie Rice | Holly |
Kim Basinger | Judith Kuttner |
Keith David | Older Guy |
Margaret Qualley | Amelia Kuttner |
Matt Bomer | John Bomer |
Beau Knapp | Blueface |
Yaya DaCosta | Tally |
Supporting Cast
Lois Smith | Mrs. Glenn |
Murielle Telio | Misty Mountains |
Gil Gerard | Bergen Paulsen |
Daisy Tahan | Jessica |
Jack Kilmer | Chet |
Lance Valentine Butler | Kid on Bike |
Ty Simpkins | Bobby |
Cayla Brady | Young Beauty |
Tammi Arender | Reporter |
Rebecca Rusk | Fred's Widow |
Terence Rosemore | Bourbon Bartender |
John L. Morris | Peep Show Employee |
Michelle Rivera | Medic |
Nathan Scott | Medic |
Amy Goddard | Nun |
Frank Mottek | Radio Announcer |
Joanne Spracklen | Healy's ex-wife |
Greg Lindsay | Stand Up Comic |
Maddie Compton | Janet |
J. Todd Anderson | Smoker at Protest |
Meredith Berg | Die-In Protester |
Lauren Marini | Die-In Protester |
Ward Roberts | Die-In Protester |
Lauren Bair | Die-In Protester |
Ryan Powers | Die-In Protester |
Zarah Kulczycki | Die-In Protester |
Yuka Sano | Die-In Protester |
Marvin Ross | Valet at Sid's |
Rachele Brooke Smith | Party Girl |
Adriana Karras | Party Girl |
Milo Wesley | Pornookio |
Marilyn Chen | Contortionist |
Matthew Warzel | Bartender at Sid's |
Jordan Hairston | Painted Girl |
Angela Everhart | Bartender at Mermaid Bar |
Joshua Hoover | Dork |
Yvonne Zima | Young Porn Queen |
Lexi Johnson | Pocahontas |
Chloe Hurst | Exotic Girl at Sid's |
Gary Weeks | Officer McMillian |
Charles Green | Dog Walker |
Gary Wolf | Flight Deck Bartender |
Hannibal Buress | Bumble |
Steve Wilder | Perry the Lawyer |
Garrett Carpenter | Buddy |
Hank Quillen | Maintenance Man |
Michael Beasley | Car Show Bartender |
Dominic Bagarozzi | Paulsen-in-Porn |
Karrueche Tran | Tally-in-Porn |
Carson Meyer | Mexican Restaurant Bartender |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Shane Black | Director |
Shane Black | Screenwriter |
Anthony Bagarozzi | Screenwriter |
Joel Silver | Producer |
Ken Kao | Executive Producer |
Hal Sadoff | Executive Producer |
Anthony Bagarozzi | Executive Producer |
Alex Walton | Executive Producer |
Michael J. Malone | Executive Producer |
Philippe Rousselot | Director of Photography |
Richard Bridgland | Production Designer |
Joel Negron | Editor |
John Ottman | Composer |
David Buckley | Composer |
Kym Barrett | Costume Designer |
Ethan Erwin | Co-Producer |
Aaron Auch | Co-Producer |
Randall Poster | Music Supervisor |
Sarah Halley Finn | Casting Director |
Michael J. Malone | Unit Production Manager |
Nilo Otero | Assistant Director |
Eric Lasko | Second Assistant Director |
Peter J. Devlin | Sound Mixer |
Oliver Tarney | Supervising Sound Editor |
Emma Zee | Post-Production Supervisor |
Carmel Musgrove | Associate Producer |
Jeff Valeri | Production Supervisor |
Georgina Marquis | Production Supervisor |
David Utley | Art Director |
Paul D. Kelly | Art Director |
Sean Ryan Jennings | Set Designer |
Mayumi Konishi-Valentine | Set Designer |
Danielle Berman | Set Decorator |
Luca Kouimelis | Script Supervisor |
Brendan McFadden | Additional Photography-Still Photographer |
Peter Zuccarini | Additional Photography-Underwater Unit Director of Photography |
Andrew Ward | First Assistant Director |
Alina Gatti | Second Second Assistant Director |
Kevin Thomas Roy | Additional Second Assistant Director |
Eric Hooge | Location Manager |
Jane Galli | Make up |
Stephanie "Stevie" Martin* | Make up |
Barbara Lorenz | Hairstylist |
Jason B. Stamey | Additional Casting-Casting Associate |
Justin Kiang | Additional Casting-Casting Assistant |
James Harrison | Sound Designer |
Mark Taylor | Sound Effects Editor |
Adam Fil Mendez | Foley Mixer |
Mark Taylor | Re-recording Mixer |
Paul Massey | Re-recording Mixer |
Chris Burdon | Re-recording Mixer |
Gilbert Lake | Re-recording Mixer |
Amanda Goodpaster | Music Editor |
Casey Stone | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.