Australia Box Office for Mr. Turner (2014)

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Mr. Turner poster
Theatrical Performance (US$)
Australia Box Office $1,433,031Details
Worldwide Box Office $25,187,026Details
Home Market Performance
North America DVD Sales $444,626 Details
North America Blu-ray Sales $375,344 Details
Total North America Video Sales $819,970
Further financial details...

Synopsis

The last quarter century of the great if eccentric British painter J.M.W.Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea.Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.

Metrics

Movie Details

Production Budget:$14,000,000
Australia Releases: January 22nd, 2015 (Wide)
Video Release: May 5th, 2015 by Sony Pictures Home Entertainment
MPAA Rating: R for some sexual content.
(Rating bulletin 2337, 8/27/2014)
Running Time: 149 minutes
Keywords: Artists, Biography, 1800s, Biographical Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Xofa Productions, Diaphana, France 3 Cinema, Amusement Park, Canal Plus, Cine Plus
Production Countries: United Kingdom
Languages: English

DVD and Blu-ray Releases for May 5th, 2015

May 6th, 2015

Selma

While summer is the worst time of year for the home market, there are actually two big first-run releases coming out this week, plus a handful of TV on DVD releases that are worth checking out. The biggest release is 50 Shades of Grey, but while it made more than $500 million worldwide, its reviews are just bad. On the other hand, Selma, the second biggest new release of the week, is clearly the best new release of the week and the DVD or Blu-ray Combo Pack is the Pick of the Week. More...

Per Theater Chart: Tales has Wild Debut

February 25th, 2015

Relatos salvages poster

Wild Tales was the only film in the $10,000 club over the weekend earning an average of $21,275 in four theaters. However, What We Do in the Shadows is an interesting case. It expanded to 16 theaters over the weekend, sort of, earning an average of $8,033. The reason I said "sort of" is that in many theaters it had special showings, not a full run. It is really hard to reach the $10,000 mark on the per theater chart when several theaters are only showing the film once a night instead of more than a dozen times a weekend. More...

Per Theater Chart: Future for Timbuktu Is Bright

February 3rd, 2015

Timbuktu poster

Timbuktu was the only film in the $10,000 club this weekend earning an estimated average of $12,500 in four theaters. Running Man came close with an average of $9,246 in 20 theaters. Impressively, Game Of Thrones: The IMAX Experience earned 15th place on the overall chart with $1.46 million in just over 200 theaters for an average of $7,142. This is enough to expect this to happen again, but I don't know if it will be a regular thing. More...

Weekend Estimates: American Sniper Shatters January Record

January 18th, 2015

American Sniper poster

American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office. More...

2014 Awards Season: Oscars - Nominations

January 17th, 2015

Birdman poster

The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight. More...

Per Theater Chart: Sniper Still Calling the Shots

January 13th, 2015

American Sniper poster

There was only one new release in the $10,000 club, which left American Sniper with an easy victory. It pulled in an average of $144,880 in four theaters, making it the first film ever to earn an per theater average of $100,000 or more for three weeks. Second place went to A Most Violent Year with an average of $29,135, also in four theaters. Taken 3 was the best of the new releases with an average of $10,908, just ahead of Song of the Sea with an average of $10,470. More...

2014 - Awards Season: BAFTA - Nominations

January 11th, 2015

The Grand Budapest Hotel poster

The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way. More...

Per Theater Chart: American Shoots for the Top

December 31st, 2014

American Sniper poster

American Sniper led the way on the per theater chart with an estimated average of $152,500 in four theaters. This is the second best per theater average of the year, behind just The Grand Budapest Hotel and ahead of The Imitation Game. Second place for the weekend was Selma, which earned an average of $30,076 in 19 theaters during their Oscar-qualifying run. Two Days, One Night was a surprise entry in the $10,000 club earning an average of $24,118 in two theaters. It earned amazing reviews, but it didn't have as much buzz behind it as other film's that opening on Christmas. Into the Woods was the best of the wide releases in the $10,000 club earning an average of $12,726 in 2,440 theaters. Last week's winner, Inherent Vice, was next with an estimated average of $12,500 in 16 theaters. The overall box office leader, The Hobbit: The Battle of the Five Armies, earned an average of $10,689, while The Imitation Game was right behind with $10,618. The final film in the $10,000 club was Mr. Turner with an average of $10,498 in 24 theaters. More...

Per Theater Chart: Going Once, Going Vice...

December 22nd, 2014

Inherent Vice poster

The $10,000 club was crowded this weekend with six films earning per theater averages of more than $10,000. This includes Inherent Vice, which led the way for the second time in a row earning an average of $29,055 in five theaters. This bodes well for its wide expansion in January. Speaking of expanding, The Imitation Game expanded from 25 theaters to 34 theaters earning an average of $25,253 in the process. It has already earned some measure of mainstream success and with room to grow, it will stay in theaters for a while. Mr. Turner was the best of the new limited releases earning an average of $21,728 in five theaters. Song of the Sea was next with $17,967 in one theater. The overall box office champ, The Hobbit: The Battle of the Five Armies, earned an average of $14,122, which is lower than anticipated, but still pretty good. Finally, P.K. opened with an average of $13,108 in 272 theaters. It is rare that we get to talk about a Bollywood film in the $10,000 club. More...

Weekend Estimates: Hobbit Enjoys $50 Million Swansong

December 21st, 2014

The Hobbit: The Battle of the Five Armies poster

After thirteen years (with a lengthy break in the middle), Peter Jackson’s Middle Earth Saga finally comes to an end this weekend with The Hobbit: The Battle of the Five Armies. Tolkein/Jackson fans are giving the franchise a rousing farewell, with $50 million expected this weekend and $90 million in total after five days. Comparisons are a little difficult, because the previous Hobbit installments opened on Fridays, but Desolation of Smaug racked up $86 million in its first five days and An Unexpected Journey hit $100 million on its fifth day in release. So this outing seems set to perform similarly overall, with $250 million – $300 million domestically and around $1 billion worldwide. That will solidify the franchise as the fourth-most successful in history, and if it can top $1.079 billion in this outing, it will be the only franchise ever to average more than $1 billion globally per film. More...

Limited Release: Anything for Limited Releases

December 19th, 2014

Pret a tout poster

It is not a super busy weekend, but that doesn't mean there's nothing worth checking out. Mr. Turner's reviews are incredible, so much so that I'm surprised it hasn't been a major player during Awards Season thus far. It isn't the only film earning great reviews, as both Song of the Sea and Winter's Sleep could find audiences in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/11/21 7 $14,276   1 $14,276   $14,276 10
2014/11/28 9 $9,704 -32% 1 $9,704   $23,733 9
2014/12/26 9 $221,723   34 $6,521   $252,079 5
2015/01/02 12 $196,790 -11% 34 $5,788   $632,293 1
2015/01/09 15 $130,448 -34% 35 $3,727   $869,563 1
2015/01/16 19 $82,556 -37% 33 $2,502   $1,030,202 1
2015/01/23 23 $55,193 -33% 36 $1,533   $1,137,931 1
2015/01/30 21 $39,422 -29% 35 $1,126   $1,191,205 2
2015/02/06 20 $91,312 +132% 53 $1,723   $1,310,796 3
2015/02/13 29 $22,198 -76% 30 $740   $1,348,796 4
2015/02/20 32 $19,009 -14% 26 $731   $1,392,414 5
2015/02/27 38 $5,612 -70% 9 $624   $1,407,985 6
2015/03/06 44 $1,868 -67% 4 $467   $1,397,554 7
2015/03/13 36 $3,980 +113% 6 $663   $1,388,478 8
2015/03/20 49 $3,320 -17% 6 $553   $1,418,160 9
2015/05/01 61 $1,377   1 $1,377   $1,433,031 15

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/22/2015 $14,276 1 53 344 $1,433,031 7/1/2015
Germany 11/6/2014 $0 0 1 1 $1,715,494 10/13/2015
Italy 1/29/2015 $388,405 0 4 4 $5,598 11/6/2018
Netherlands 12/11/2014 $0 0 27 83 $734,936 11/3/2015
North America 12/19/2014 $108,638 5 217 1,090 $3,958,546 2/23/2016
Spain 12/19/2014 $0 0 38 104 $418,927 11/27/2018
United Kingdom 10/31/2014 $0 0 1 1 $9,439,458 11/25/2021
 
Rest of World $7,481,036
 
Worldwide Total$25,187,026 11/25/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Timothy Spall J.M.W. Turner

Supporting Cast

Dorothy Atkinson Hannah Danby
Marion Bailey Sophia Booth
Paul Jesson William Turner, Sr.
Lesley Manville Mary Somerville
Martin Savage Benjamin Robert Haydon
Ruth Sheen Sarah Danby
Joshua McGuire John Ruskin
David Horovitch Dr. Price
Karl Johnson Mr. Booth
Sandy Foster Evelina Dupuis
Amy Dawson Georgiana Thompson
Richard Bremmer George Jones
Fred Pearson Sir William Beechey
Tom Edden C.R. Leslie
Jamie Thomas King David Roberts
Mark Stanley Clarkson Stanfield
Nicholas Jones Sir John Soane
Clive Francis Sir Martin Archer Shee
Robert Portal Sir Charles Eastlake
Simon Chandler Sir Augustus Wall Callcott
Edward de Souza Thomas Stothard
James Fleet John Constable
Patrick Godfrey Lord Egremont
Leo Bill J.J.E. Mayall
Sinead Matthews Queen Victoria
Peter Wight Joseph Gillott

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mike Leigh Director
Mike Leigh Screenwriter
Georgina Lowe Producer
Tessa Ross Executive Producer
Norman Merry Executive Producer
Gail Egan Executive Producer
Michel Saint-Jean Co-Producer
Malte Grunert Co-Producer
Suzie Davies Production Designer
Jon Gregory Editor
Gary Yershon Composer
Dick Pope Cinematographer
Jacqueline Durran Costume Designer
Christine Blundell Make-up and Hair Designer
Nina Gold Casting Director
Charlotte Watts Set Decorator
Ben Howard Second Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.