Australia Box Office for A Most Violent Year (2014)
Theatrical Performance (US$) | ||
Australia Box Office | $191,786 | Details |
Worldwide Box Office | $8,869,722 | Details |
Home Market Performance | ||
North America DVD Sales | $864,063 | Details |
North America Blu-ray Sales | $572,787 | Details |
Total North America Video Sales | $1,436,850 | |
Further financial details... |
Synopsis
A crime drama set in New York City during the winter of 1981, statistically the most dangerous year in the city’s history. The film examines one immigrant’s determined climb up a morally crooked ladder, where simmering rivalries and unprovoked attacks threaten his business, family, and—above all—his own unwavering belief in the righteousness of his path.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Australia Releases: | February 26th, 2015 (Wide) |
Video Release: | March 10th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | R for language and some violence. (Rating bulletin 2344, 10/15/2014) |
Running Time: | 125 minutes |
Keywords: | Set in New York, 1980s, Immigration, Crime Thriller, Money Troubles, Corporate Malfeasance, Intertitle, Organized Crime, Loan Shark, Suicide, Digital Cinematography |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Before The Door, Washington Square Films, Participant Media, Image Abu Dhabi, FilmNation Entertainment |
Production Countries: | United States |
Languages: | English |
Featured DVD Review: Miss Julie
May 5th, 2015
Miss Julie is the fourth adaptation of the play of the same name by August Strindberg, the most recent adaptation coming in 1999. It is also the second film starring Jessica Chastain that I've reviewed in the past few weeks. A Most Violent Year didn't live up to expectations. This film's reviews were only mixed, so my expectations are lower. I expect Jessica Chastain's performance to be great, but will the rest of the movie be the same?
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Blu-ray Sales: A Most Lonely Week
April 27th, 2015
There was only one new release to chart this week and it didn't reach the top five. It barely reached the top 20. This means the top of the Blu-ray sales chart is mostly the same as it was last week. Interstellar remained in first place with 120,000 units / $2.46 million for the week and 839,000 units / $16.68 million after two.
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DVD and Blu-ray Releases for April 21st, 2015
April 20th, 2015
It is another terrible week on the home market. There is only one big movie coming out this week, Taken 3, but its Tomatometer Score is in single digits. It is infinitely skippable. As for contenders for Pick of the Week, there are not a lot. A Girl Walks Home Alone at Night (DVD or Blu-ray) is the only real contender, while A Most Violent Year is on the list because the screener arrived late and it is the only other release that is an easy recommendation.
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Home Market Numbers: Interstellar Helps Home Market Reach for the Stars
April 20th, 2015
The home market was good, for the most part, thanks in large part to Interstellar. The Blu-ray sales chart was mixed when compared to last week up 13% in terms of units, but down 9.7% in terms of revenue. It was much stronger when compared to last year with 21% more units sold and 16% higher revenue. DVDs were even stronger, on the other hand, so the overall Blu-ray share slipped to 42%.
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Featured Blu-ray / DVD Review: A Most Violent Year
April 19th, 2015
A Most Violent Year came out last Awards Season and earned some serious pre-release buzz. After all, it stars Jessica Chastain. She's only been acting four roughly five years since she made Jolene, but since then, five of her previous films have earned some measure of Awards Season Buzz. Unfortunately, nothing really came from that buzz and the film wasn't able to expand truly wide. Did it deserve better? Or is the term "Busted Oscar-bait" applicable?
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DVD and Blu-ray Releases for April 7th, 2015
April 6th, 2015
It is a slow week on the home market, because it is the Tuesday after Easter. Easter tends to be a busy weekend for DVDs and Blu-rays, mostly family-friendly films. It is also post-Christmas on the home market. The final big releases from the holiday season have mostly come out and there are only a few limited release stragglers to deal with, but for the most part we are entering the summer dead zone on the home market. That doesn't mean there are no releases worth picking up. In fact, there are a few contenders for Pick of the Week, led by A Most Violent Year (Buy from Amazon: DVD or Blu-ray Combo Pack). Meanwhile, we have a Puck of the Week, The Book of Negroes on DVD, for the best Canadian release of the week.
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Per Theater Chart: Shadow Steals Spotlight in Its Debut
February 18th, 2015
What We Do in the Shadows dominated the per theater chart earning an average of $41,778 in two theaters. This is high enough to suggest the film will be able to expand significantly. Additionally, its reviews are stunning, so its chances at box office success are even better. However, the comedy stylings of Jemaine Clement and Taika Waititi are not really mainstream and that might hurt its chances. The second place film on the per theater chart was the overall number one film, Fifty Shades of Grey, which earned an average of $23,360. The Last 5 Years was next with an average of $17,158 in three theaters. Gett: The Trial of Viviane Amsalem opened with an average of $12,105 in two theaters. Meanwhile, the second wide release of the week, Kingsman: The Secret Service, was the final film in the $10,000 club with an average of $11,300.
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Per Theater Chart: Hip to be Square(Pants)
February 11th, 2015
Just like it did on the overall box office chart, The SpongeBob Movie: Sponge Out of Water led the way on the per theater chart with an average of $15,206. This is surprisingly high compared to weekend predictions. There were two other films in the $10,000 club. Ballet 422 earned an average of $13,827 in two theaters and Old Fashioned was right behind with $12,988 in three.
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Per Theater Chart: Future for Timbuktu Is Bright
February 3rd, 2015
Timbuktu was the only film in the $10,000 club this weekend earning an estimated average of $12,500 in four theaters. Running Man came close with an average of $9,246 in 20 theaters. Impressively, Game Of Thrones: The IMAX Experience earned 15th place on the overall chart with $1.46 million in just over 200 theaters for an average of $7,142. This is enough to expect this to happen again, but I don't know if it will be a regular thing.
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Per Theater Chart: Sniper Stuck at the Top
January 27th, 2015
For the fifth week in a row, American Sniper led the way on the per theater chart, this week earning an average of $17,444. The only other film in the $10,000 club was Still Alice with an average of $10,816 in 38 theaters.
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Weekend Estimates: American Sniper Shatters January Record
January 18th, 2015
American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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Per Theater Chart: Sniper Still Calling the Shots
January 13th, 2015
There was only one new release in the $10,000 club, which left American Sniper with an easy victory. It pulled in an average of $144,880 in four theaters, making it the first film ever to earn an per theater average of $100,000 or more for three weeks. Second place went to A Most Violent Year with an average of $29,135, also in four theaters. Taken 3 was the best of the new releases with an average of $10,908, just ahead of Song of the Sea with an average of $10,470.
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Per Theater Chart: 2015 Starts as 2014 Ended
January 6th, 2015
There were very few new films that came out during the first weekend of 2015, so it should come as no surprise that the per theater chart looked mostly the same as it did last weekend. This includes the top of the chart, American Sniper, which earned an average of $169,227 in four theaters, which is 7% higher than last weekend. That bodes well for its planned wide release later in the month. The best new release was A Most Violent Year, which opened with an average of $43,197, also in four theaters. This film should also expand significantly over the coming weeks. Selma was next with an average of $28,781 in 22 theaters. Inherent Vice earned an average of $15,712 in 16 theaters. It is expanding wide in just a few days, so this is a great result. Two Days, One Night was right behind with an average of $15,628 in two theaters. The Imitation Game was roughly even with last week with an average of $10,308. Leviathan rose earning an average of $10,300 in three theaters.
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Limited Release: A Most Violent Weekend
January 2nd, 2015
Wednesday was the last day a film could open to qualify for this year's Oscars and A Most Violent Year just got in under the wire. It isn't the only film opening in limited release this week, but it has by far the most box office potential.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
2014 - Awards Season: Independent Spirit Awards - Nominations
December 6th, 2014
The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/02/27 | 14 | $72,968 | 33 | $2,211 | $72,968 | 1 | |
2015/03/06 | 22 | $40,202 | -45% | 33 | $1,218 | $143,771 | 2 |
2015/03/13 | 29 | $14,645 | -64% | 22 | $666 | $176,070 | 3 |
2015/03/20 | 44 | $5,053 | -65% | 7 | $722 | $189,753 | 4 |
2015/04/03 | 49 | $933 | 4 | $233 | $191,786 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/26/2015 | $72,968 | 33 | 33 | 99 | $191,786 | 7/1/2015 |
France | 1/2/2015 | $1,049,054 | 0 | 0 | 0 | $2,295,240 | 8/20/2018 |
Hong Kong | 3/20/2015 | $9,226 | 3 | 3 | 5 | $15,426 | 11/25/2018 |
Mexico | 5/8/2015 | $45,620 | 0 | 0 | 0 | $136,838 | 8/30/2018 |
Netherlands | 2/13/2015 | $39,527 | 25 | 25 | 25 | $48,589 | 11/21/2018 |
North America | 12/31/2014 | $172,788 | 4 | 818 | 1,968 | $5,749,134 | 6/23/2015 |
Russia (CIS) | 9/17/2020 | $12,945 | 83 | 83 | 111 | $22,847 | 10/19/2022 |
Spain | 3/19/2015 | $134,568 | 59 | 61 | 220 | $394,295 | 11/28/2018 |
Taiwan | 10/2/2015 | $0 | 0 | 1 | 1 | $11,243 | 10/20/2015 |
Turkey | 7/10/2015 | $1,446 | 5 | 6 | 16 | $4,324 | 12/30/2018 |
Worldwide Total | $8,869,722 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Oscar Isaac | Abel Morales |
Jessica Chastain | Anna Morales |
Supporting Cast
David Oyelowo | A.D.A. Lawrence |
Alessandro Nivola | Peter Forente |
Albert Brooks | Andrew Walsh |
Elyes Gabel | Driver |
Catalina Sandino Moreno | Luisa |
Peter Gerety | Bill O'Leary |
Christopher Abbott | Louis Servidio |
Glenn Fleshler | Arnold Klein |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
J.C. Chandor | Director |
J.C. Chandor | Screenwriter |
Neal Dodson | Producer |
Anna Gerb | Producer |
J.C. Chandor | Producer |
Jeff Skoll | Executive Producer |
Jonathan King | Executive Producer |
Joshua Blum | Executive Producer |
Kerry Orent | Executive Producer |
Glen Basner | Executive Producer |