Germany Box Office for Money Monster (2016)
| Theatrical Performance (US$) | ||
| Germany Box Office | $4,229,441 | Details |
| Worldwide Box Office | $93,466,095 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,171,606 | Details |
| North America Blu-ray Sales | $1,294,715 | Details |
| Total North America Video Sales | $3,466,321 | |
| Further financial details... | ||
Synopsis
TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor who has lost everything forcefully takes over their studio. During a tense standoff broadcast to millions on live TV, Lee and Patty must work furiously against the clock to unravel the mystery behind a conspiracy at the heart of today's fast-paced, high-tech global markets.
Metrics
Movie Details
| Production Budget: | $27,000,000 |
| Germany Releases: | May 26th, 2016 (Wide) |
| Video Release: | August 16th, 2016 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for language throughout, some sexuality and brief violence. (Rating bulletin 2420 (Cert #49735), 4/13/2016) |
| Running Time: | 98 minutes |
| Keywords: | TV Industry, White Collar Crime, Corporate Malfeasance, Hostage, Media Circus, Crime Thriller, Strike |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tri-Star Pictures, LStar Capital, Smokehouse Pictures, Allegiance Theater |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for September 6th, 2016
September 6th, 2016
It is a big week with a ton of home market releases, including several that were contenders for Pick of the Week. There were two limited releases in that group, Love and Friendship and Tale of Tales. Love and Friendship got better reviews, but Tale of Tales’ Blu-ray is more interesting in my mind. Star Trek 50th Anniversary TV and Movie Collection is a great Blu-ray box set and would make an amazing gift. As for the Pick of the Week, that was an easy choice: The Iron Giant: Signature Edition on Blu-ray. Although if you are a hardcore fan, then the Ultimate Collector’s Edition might be worth the $75.
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Home Market Releases for August 16th, 2016
August 16th, 2016
There are a lot of releases on this week’s list, but most of them are like The Angry Birds Movie on DVD, Blu-ray Combo Pack, or 4K Combo Pack. They are good, but not good enough to be a Pick of the Week contender. The best new release is The Fits, but it is only coming out on Video on Demand.
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Thursday Night Previews: Independence Day Doesn't Really Surge
June 24th, 2016
Independence Day: Resurgence started its box office run with $4 million during Thursday previews. That's not good. That's twice as much as the $2 million Teenage Mutant Ninja Turtles: Out of the Shadows earned a few weeks ago, but half as much as the $8.2 million X-Men: Apocalypse earned the week before that. It is identical to Mission: Impossible - Rogue Nation, which opened last summer. If you compare its opening to all three films, taking into account Out of the Shadows' younger target audience and Apocalypse's Fanboy nature, then Resurgence will likely opened with between $50 million and $60 million. Hopefully it is performing better internationally.
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Weekend Wrap-Up: Birds should be Happy with a $38.16 million
May 24th, 2016
While each film in the top five on this weekend's box office chart finished in the right place, none of them matched expectations, save for The Jungle Book, which earned fifth place. The Angry Birds Movie debuted on top of the chart with $38.16 million, which is an okay opening for a family film at this time of year and nothing more. Likewise, Neighbors 2: Sorority Rising struggled compared to its predecessor, but did well compared to its budget. The Nice Guys will need long legs to break even. The overall box office rose 4.5% from last weekend, reaching $137 million, but fell 11% from the same weekend last year. 2016's lead over 2015 shrank to 5.1% or $200 million at $4.14 billion to $3.94 billion. This is a very impressive figure, but might not be enough to keep 2016 in the lead throughout the rest of the year. Jurassic World came out last June and there's little hope any film this June will match it.
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Contest: Money, Money, Money: Winning Announcement
May 18th, 2016
The winners of our Money, Money, Money contest were determined and the entrants with the closest predictions for Money Monster opening weekend were...
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Weekend Wrap-Up: Civil War Dominates, buy Money Monster has Moderate Debut
May 17th, 2016
The weekend box office was weaker than predicted at the top, but stronger in the second and third spots. Captain America: Civil War led the way with $72.64 million. This was lower than expected, but still more than the rest of the films combined earned. Money Monster was better than expected with $14.79 million. Overall, the box office was down 45% from last weekend to $130 million, while it was down 29% from this weekend last year. 2016 is still ahead of 2015 by a massive $230 million or 6.2% at $3.97 billion to $3.73 billion. I was worried 2016 and 2015 would be in a virtual tie by now, so this is great news.
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Weekend Estimates: Disney still dominant, but Money Monster solid on debut
May 15th, 2016
After recording the 5th-biggest opening weekend of all time last weekend, Captain America: Civil War will decline 59% this time around to $72.56 million, according to Disney’s Sunday projection. If that number holds, it will put Civil War 8th on the list of best second weekends, almost exactly tied with Iron Man 3. That comparative slip in the rankings isn’t of huge consequence, given that the film will sail past $300 million domestically on either Monday or Tuesday, and has already racked up $645 million worldwide, putting it on the brink of $1 billion worldwide a little over two weeks after its international rollout. The Marvel juggernaut continues to roll on.
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Friday Estimates: Civil War Falling Fast, But Monster Makes Good Money
May 14th, 2016
As expected, Captain America: Civil War dominated the box office chart on Friday, earning $19.44 million. However, this is down 74% from its opening Friday, which is a sharper-than-expected drop. It will bounce back over the weekend to earn $70 million, but that’s a loss of over $100 million from its opening weekend. It is also not enough to get it to $300 million this weekend. It will get there on Monday, on the other hand. Again, I must emphasize that this is only bad when compared to monstrous expectations. Its sophomore decline will be about 60%, which is in line with Age of Ultron. Additionally, Civil War is already the biggest hit for the Captain America franchise at the worldwide box office and will be the first of the three films to reach the $1 billion mark. There’s no reason to be upset at its box office run so far.
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Thursday Night Previews: Money Monster Has Timid Previews
May 13th, 2016
Money Monster earned $600,000 during its Thursday night previews. That's better than Hail, Caesar! ($543,000) or Mother's Day ($250,000). However, it is still nothing to truly celebrate. It still has a chance to match our predictions, but $10 million seems more likely.
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Contest: Anger Management
May 13th, 2016
It is actually challenging to decide which film should be the target film in this week's box office prediction contest. The Angry Birds Movie is expected to be the biggest hit opening next weekend, but Neighbors 2: Sorority Rising could open faster, but not have as strong legs. (The Nice Guys will be a midlevel hit, at the most.) Sorority Rising's international numbers are weaker than expected, so I'm going with The Angry Birds Movie as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are; two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Weekend Predictions: Civil War will Win Weekend, but will New Releases Earn any Money?
May 12th, 2016
There's not much mystery over what movie will come out on top of the box office this weekend. Captain America: Civil War will repeat as champion, as neither Money Monster nor The Darkness are expected to be box office hits. In fact, both of them combined will earn less in total than Civil War will make over the weekend. Unfortunately, this weekend last year had a one-two punch with Pitch Perfect 2 and Mad Max: Fury Road. Civil War will beat those two individually, but 2015's depth is going to be really hard to top. Fortunately, 2016 has such a lead so far that it can weather this storm.
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Contest: Boy Oh Boy: Winning Announcement
May 11th, 2016
The winners of our Boy Oh Boy contest were determined and the entrants with the closest predictions for Captain America: Civil War opening weekend were...
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Contest: Money, Money, Money
May 5th, 2016
Next weekend there is only one movie opening truly wide: Money Monster. (It appears The Darkness is opening in less than 2,000 theaters.) Because of this, it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are, two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: May
May 1st, 2016
April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.)
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/05/27 | 3 | $1,056,047 | 462 | $2,286 | $1,123,849 | 1 | |
| 2016/06/03 | 3 | $755,299 | -28% | 475 | $1,590 | $2,199,863 | 2 |
| 2016/06/10 | 3 | $456,522 | -40% | 531 | $860 | $2,834,780 | 3 |
| 2016/06/17 | 6 | $449,107 | -2% | 506 | $888 | $3,460,602 | 4 |
| 2016/06/24 | 8 | $154,748 | -66% | 401 | $386 | $3,684,849 | 5 |
| 2016/07/01 | 7 | $89,666 | -42% | 224 | $400 | $3,843,998 | 6 |
| 2016/07/08 | 7 | $61,698 | -31% | 151 | $409 | $3,952,629 | 7 |
| 2016/07/15 | 7 | $60,573 | -2% | 45 | $1,346 | $4,058,091 | 8 |
| 2016/07/22 | 10 | $29,875 | -51% | 68 | $439 | $4,104,942 | 9 |
| 2016/07/29 | 13 | $27,103 | -9% | 24 | $1,129 | $4,148,991 | 10 |
| 2016/08/05 | 17 | $12,135 | -55% | 24 | $506 | $4,165,606 | 11 |
| 2016/08/12 | - | $6,397 | -47% | 20 | $320 | $4,177,747 | 12 |
| 2016/08/19 | - | $36,472 | +470% | 20 | $1,824 | $4,221,022 | 13 |
| 2016/08/26 | - | $4,634 | -87% | 11 | $421 | $4,229,441 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/2/2016 | $449,296 | 100 | 100 | 267 | $1,224,282 | 11/30/2018 |
| Aruba | 5/13/2016 | $0 | 0 | 3 | 6 | $24,658 | 12/31/2018 |
| Australia | 6/3/2016 | $1,624,202 | 306 | 306 | 1150 | $5,259,636 | 7/11/2016 |
| Austria | 5/26/2016 | $80,874 | 56 | 64 | 357 | $441,728 | 8/23/2016 |
| Bahrain | 5/26/2016 | $95,926 | 6 | 6 | 27 | $312,017 | 12/31/2018 |
| Belgium | 6/1/2016 | $199,401 | 50 | 50 | 350 | $799,799 | 8/30/2016 |
| Bolivia | 6/2/2016 | $21,529 | 6 | 12 | 21 | $57,808 | 12/31/2018 |
| Brazil | 5/26/2016 | $830,954 | 173 | 173 | 439 | $1,850,483 | 7/26/2016 |
| Bulgaria | 5/27/2016 | $18,380 | 38 | 38 | 132 | $78,491 | 2/26/2019 |
| Cambodia | 5/24/2016 | $1,649 | 17 | 17 | 17 | $4,147 | 12/31/2018 |
| Central America | 6/2/2016 | $118,729 | 47 | 47 | 94 | $268,923 | 6/21/2016 |
| Chile | 6/2/2016 | $74,886 | 17 | 18 | 50 | $176,265 | 12/31/2018 |
| Colombia | 5/26/2016 | $136,126 | 84 | 84 | 174 | $361,155 | 12/20/2018 |
| Croatia | 6/2/2016 | $28,027 | 41 | 41 | 101 | $77,406 | 12/31/2018 |
| Curacao | 5/13/2016 | $7,181 | 3 | 3 | 9 | $25,808 | 12/31/2018 |
| Czech Republic | 6/30/2016 | $35,800 | 76 | 76 | 181 | $124,571 | 12/31/2018 |
| Denmark | 6/2/2016 | $47,980 | 59 | 61 | 188 | $247,007 | 7/26/2016 |
| Dominican Republic | 6/2/2016 | $36,257 | 25 | 25 | 53 | $84,579 | 12/31/2018 |
| East Africa | 5/27/2016 | $2,025 | 1 | 1 | 2 | $4,332 | 6/7/2016 |
| Ecuador | 6/3/2016 | $42,230 | 32 | 32 | 99 | $134,515 | 12/31/2018 |
| Egypt | 5/26/2016 | $41,043 | 11 | 11 | 49 | $125,206 | 12/31/2018 |
| Estonia | 6/3/2016 | $12,013 | 18 | 18 | 38 | $43,560 | 7/12/2016 |
| Finland | 6/3/2016 | $44,880 | 38 | 38 | 132 | $189,498 | 8/2/2016 |
| France | 5/12/2016 | $1,748,370 | 421 | 438 | 2779 | $6,660,018 | 7/26/2016 |
| Germany | 5/26/2016 | $1,056,047 | 462 | 531 | 2962 | $4,229,441 | 8/30/2016 |
| Ghana | 6/3/2016 | $583 | 3 | 3 | 11 | $3,623 | 12/31/2018 |
| Greece | 6/30/2016 | $165,502 | 89 | 89 | 209 | $489,031 | 8/23/2016 |
| Hong Kong | 5/13/2016 | $389,905 | 91 | 91 | 278 | $1,067,130 | 7/12/2016 |
| Hungary | 6/2/2016 | $72,853 | 46 | 66 | 182 | $192,318 | 12/31/2018 |
| Iceland | 6/1/2016 | $8,754 | 6 | 6 | 14 | $27,414 | 12/31/2018 |
| India | 5/13/2016 | $192,978 | 194 | 194 | 257 | $368,223 | 6/14/2016 |
| Indonesia | 5/27/2016 | $117,661 | 92 | 92 | 177 | $315,313 | 12/31/2018 |
| Iraq | 5/26/2016 | $10,909 | 5 | 5 | 23 | $38,227 | 12/31/2018 |
| Israel | 5/19/2016 | $209,748 | 24 | 25 | 141 | $911,744 | 12/31/2018 |
| Italy | 5/12/2016 | $1,214,371 | 346 | 390 | 826 | $2,432,639 | 7/20/2016 |
| Jamaica | 5/13/2016 | $7,749 | 3 | 3 | 8 | $20,811 | 12/31/2018 |
| Japan | 6/10/2016 | $559,901 | 182 | 182 | 834 | $3,000,465 | 7/20/2016 |
| Jordan | 5/26/2016 | $31,988 | 5 | 5 | 30 | $110,961 | 12/31/2018 |
| Kenya | 6/3/2016 | $8,536 | 13 | 13 | 16 | $19,483 | 12/31/2018 |
| Kuwait | 5/26/2016 | $116,997 | 12 | 12 | 28 | $284,834 | 12/31/2018 |
| Latvia | 6/3/2016 | $7,250 | 10 | 10 | 14 | $23,335 | 12/31/2018 |
| Lebanon | 5/26/2016 | $69,442 | 15 | 15 | 70 | $252,980 | 12/31/2018 |
| Lithuania | 6/3/2016 | $6,849 | 80 | 80 | 105 | $17,555 | 6/15/2016 |
| Malaysia | 6/2/2016 | $93,920 | 60 | 61 | 166 | $186,325 | 6/28/2016 |
| Mexico | 6/16/2016 | $643,821 | 298 | 298 | 609 | $1,794,338 | 8/16/2016 |
| Netherlands | 5/12/2016 | $328,851 | 73 | 79 | 502 | $1,255,468 | 7/22/2016 |
| New Zealand | 6/3/2016 | $162,199 | 57 | 58 | 279 | $475,537 | 7/26/2016 |
| Nigeria | 6/3/2016 | $28,297 | 23 | 23 | 69 | $77,064 | 12/31/2018 |
| North America | 5/13/2016 | $14,788,157 | 3,104 | 3,104 | 11,438 | $41,012,075 | 5/9/2020 |
| Norway | 6/3/2016 | $34,585 | 105 | 105 | 210 | $166,137 | 8/16/2016 |
| Oman | 5/26/2016 | $29,186 | 6 | 6 | 15 | $71,000 | 12/31/2018 |
| Peru | 5/26/2016 | $108,907 | 28 | 28 | 74 | $294,793 | 12/31/2018 |
| Philippines | 5/25/2016 | $109,298 | 64 | 64 | 67 | $142,872 | 12/31/2018 |
| Poland | 5/20/2016 | $103,834 | 119 | 121 | 492 | $520,270 | 11/17/2018 |
| Portugal | 5/12/2016 | $122,087 | 46 | 47 | 227 | $587,186 | 7/7/2016 |
| Qatar | 5/26/2016 | $65,740 | 8 | 8 | 27 | $182,353 | 12/31/2018 |
| Romania | 6/1/2016 | $67,209 | 60 | 60 | 220 | $216,913 | 12/31/2018 |
| Russia (CIS) | 6/2/2016 | $699,685 | 603 | 603 | 1326 | $1,251,875 | 12/31/2018 |
| Serbia and Montenegro | 6/2/2016 | $9,104 | 17 | 17 | 42 | $34,808 | 12/31/2018 |
| Singapore | 5/13/2016 | $246,264 | 33 | 33 | 92 | $457,175 | 6/21/2016 |
| Slovakia | 6/2/2016 | $21,983 | 61 | 61 | 105 | $43,123 | 6/28/2016 |
| Slovenia | 6/2/2016 | $6,748 | 15 | 15 | 39 | $21,063 | 7/8/2016 |
| South Africa | 6/3/2016 | $70,009 | 47 | 52 | 153 | $216,436 | 7/6/2016 |
| South Korea | 8/31/2016 | $183,851 | 151 | 151 | 239 | $331,768 | 10/3/2016 |
| Spain | 7/6/2016 | $760,146 | 390 | 396 | 1491 | $3,026,970 | 9/27/2016 |
| Suriname | 5/26/2016 | $0 | 0 | 1 | 1 | $1,840 | 12/31/2018 |
| Sweden | 6/3/2016 | $0 | 0 | 51 | 115 | $329,101 | 8/2/2016 |
| Switzerland | 5/12/2016 | $130,857 | 27 | 69 | 372 | $1,092,637 | 7/12/2016 |
| Syria | 5/26/2016 | $1,741 | 1 | 2 | 7 | $4,507 | 12/31/2018 |
| Taiwan | 5/13/2016 | $369,526 | 95 | 95 | 278 | $940,002 | 6/28/2016 |
| Thailand | 5/26/2016 | $78,502 | 44 | 44 | 79 | $149,459 | 6/14/2016 |
| Trinidad | 5/13/2016 | $26,122 | 11 | 11 | 35 | $87,035 | 12/31/2018 |
| Turkey | 5/27/2016 | $118,341 | 132 | 132 | 369 | $381,281 | 2/26/2019 |
| Ukraine | 6/2/2016 | $65,830 | 101 | 101 | 162 | $110,837 | 12/31/2018 |
| United Arab Emirates | 5/26/2016 | $476,479 | 52 | 52 | 139 | $1,320,781 | 12/31/2018 |
| United Kingdom | 5/27/2016 | $1,201,975 | 412 | 412 | 1399 | $3,930,445 | 8/16/2016 |
| Uruguay | 6/2/2016 | $31,313 | 11 | 12 | 49 | $122,479 | 12/31/2018 |
| Venezuela | 6/3/2016 | $45,352 | 31 | 31 | 99 | $207,102 | 7/12/2016 |
| Vietnam | 6/17/2016 | $20,234 | 62 | 62 | 91 | $41,621 | 12/31/2018 |
| Worldwide Total | $93,466,095 | 5/9/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| George Clooney | Lee Gates |
| Julia Roberts | Patty Fenn |
| Jack O'Connell | Kyle Budwell |
Supporting Cast
| Dominic West | Walt Camby |
| Caitriona Balfe | Diane Lester |
| Giancarlo Esposito | Captain Powell |
| Christopher Denham | Ron Sprecher |
| Lenny Venito | Lenny (The Cameraman) |
| Chris Bauer | Lt. Nelson |
| Dennis Boutsikaris | Avery Goodloe CFO |
| Emily Meade | Molly |
| Condola Rashad | Bree (The Assistant) |
| Aaron Yoo | Won Joon |
| Carsey Walker Jr | Tech Sam |
| Grant Rosenmeyer | Tech Dave |
| James Warden | Tech Director Jim |
| Joseph D. Reitman | Matty (Floor Manager) |
| Olivia Luccardi | Arlene |
| Grizz Chapman | Network Security Guard |
| Robert C. Kirk | Security Officer Nolan |
| Genevieve Adams | Production Assistant |
| Daoud Heidami | Freddy (Previous Host) |
| Anthony De Sando | Officer Benson |
| Ivan Martin | Lt. Vasquez |
| John Ventimiglia | A Team Leader |
| Dominic Colon | NYPD Detective |
| Chad Jennings | ESU Officer |
| Cliff Moylan | Sgt. O'Donnell |
| Brian Edwards | Police Officer |
| Jimmy Gary Jr | NYPD Officer |
| Frantzy Orisma | NYPD Officer |
| Greta Lee | Amy Lee |
| Charlie Thurston | Ryan (Diane's Assistant) |
| Patricia Dunnock | Marta (Secretary) |
| Sahr Ngaujah | Yao Appiah COO |
| Vernon Campbell | Andre (IBIS Security Guard) |
| Hye Jin Jang | Female Raver |
| Daniel K. Isaac | Male Raver |
| Darri Ingolfsson | Joji |
| Svavar James Kristjansson | Icelandic Guy |
| Makhaola Ndebele | Moshe Mambo |
| Jamar Greene | Blue Collar Customer |
| Rob Falcone | Blue Collar Mechanic |
| Jenny Joslin | Wall Street Bartender |
| Bobby Kruger | Stockbroker |
| Tyalaxandar* | Coffee Shop Employee |
| Diomargy Nunez | College Student |
| David Healy | News Anchor |
| Matt Walton | An Anchorman |
| Katie McGee | Another Anchorman |
| Pun Bandhu | Yet Another Anchorman |
| Jake Choi | Korean News Anchor |
| Nick Boraine | British Reporter |
| Jeff Witzke | TV Reporter |
| Mizel Faison | Teenage Boy |
| Bryan Burton | Teenage Boy |
| Frank Pando | Guy on Street |
| Rina Mejia | Lady in Crowd |
| Katy Grenfell | Lady Passing By |
| Tanisha Scott | Dancer |
| Shauna Mitchell | Dancer |
| Pedro Morillo Jr | Dancer |
| Tamara Treadwell | Dancer |
| Kaeche Liburd | Dancer |
| Wahnita King | Dancer |
| Andrew James | Dancer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jodie Foster | Director |
| Jamie Linden | Screenwriter |
| Alan Di Fiore | Screenwriter |
| Jim Kouf | Screenwriter |
| Alan Di Fiore | Story by |
| Jim Kouf | Story by |
| Daniel Dubiecki | Producer |
| Lara Alameddine | Producer |
| George Clooney | Producer |
| Grant Heslov | Producer |
| Kerry Orent | Executive Producer |
| Tim Crane | Executive Producer |
| Regina K. Scully | Executive Producer |
| Ben Waisbren | Executive Producer |
| Matthew Libatique | Director of Photography |
| Kevin Thompson | Production Designer |
| Matt Chesse | Editor |
| Susan Lyall | Costume Designer |
| Dominic Lewis | Composer |
| Henry Jackman | Music Producer |
| Avy Kaufman | Casting Director |
| Christopher Goode | Co-Producer |
| Joseph Reidy | Co-Producer |
| Geralyn Dreyfous | Associate Producer |
| Jery Hewitt | Stunt Coordinator |
| Christopher Goode | Unit Production Manager |
| Meredith Mills Cavalluzzo | Unit Production Manager |
| Joseph Reidy | First Assistant Director |
| John Silvestri | Second Assistant Director |
| Dianne Dreyer | Script Supervisor |
| Deb Jensen | Art Director |
| Lydia Marks | Set Decorator |
| Judy Chin | Make up |
| Kyra Panchenko | Make up |
| Kerrie Smith | Hairstylist |
| Johann Kunz | Special Effects Coordinator |
| Joe Guest | Location Manager |
| Alex Chrysikos | Assistant Art Director |
| Hinju Kim | Assistant Art Director |
| Matt Sweat | First Assistant Editor |
| Kent Blocher | Assistant Editor |
| Carrie Puchkoff | Assistant Editor |
| Lora Hirschberg | Re-recording Mixer |
| Brandon Proctor | Re-recording Mixer |
| Chris Gridley | Supervising Sound Editor |
| Steve Slanec | Supervising Sound Editor |
| Christopher Scarabosio | Sound Designer |
| Brandon Proctor | Sound Designer |
| Christopher Scarabosio | Additional Sound Re-recording Mixer |
| Pascal Garneau | Sound Effects Editor |
| Luke Dunn Gielmuda | Sound Effects Editor |
| Roy Waldspurger | Sound Effects Editor |
| Chris Gridley | Dialogue Editor |
| Marilyn McCoppen | Dialogue Editor |
| Danielle Dupre | Assistant Re-Recording Mixer |
| Richard Ford | Music Editor |
| Jack Dolman | Music Editor |
| Daniel Waldman | Music Editor |
| Al Clay | Score Mixer |
| Alan Meyerson | Score Recordist |
| Chris Fogel | Score Recordist |
| Milton Gutierrez | Score Recordist |
| Luke DiTommaso | Visual Effects Supervisor |
| Chris Healer | Visual Effects Executive Producer |
| Andrew Bly | Visual Effects Executive Producer |
| Ezra Christian | Visual Effects Producer |
| Michael Fernandes | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.