Matt Chesse
| Best known as an Editor based on credits in that role in 9 films, with $1,058,250,670 worldwide aggregate box office (rank #203) |
| Best-known technical roles: World War Z (Editor), Christopher Robin (Editor), A Man Called Otto (Editor), Money Monster (Editor), Finding Neverland (Cinematographer) |
| Most productive collaborators: Marc Forster, Brad Pitt, Matthew Michael Carnahan, Mireille Enos, Jennifer Williams |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 9 | $492,380,982 | $565,869,688 | $1,058,250,670 |
| Cinematographer | 1 | $51,676,606 | $63,359,502 | $115,036,108 | |
| Executive Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 479 | $51,676,606 |
| Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 193 | $492,380,982 |
| Top Grossing Cinematographer at the International Box Office (Rank 401-500) | 452 | $63,359,502 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 200 | $565,869,688 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 459 | $115,036,108 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 203 | $1,058,250,670 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 4, 2024 | White Bird | Editor | $4,320,979 | $3,368,796 | $7,689,775 |
| Jan 6, 2023 | A Man Called Otto | Editor | $64,267,657 | $44,373,491 | $108,641,148 |
| Aug 3, 2018 | Christopher Robin | Editor | $99,215,042 | $98,529,335 | $197,744,377 |
| May 13, 2016 | Money Monster | Editor | $41,012,075 | $52,454,020 | $93,466,095 |
| Oct 17, 2014 | The Best of Me | Editor | $26,766,213 | $14,293,205 | $41,059,418 |
| Sep 19, 2014 | Fort Bliss | Executive Producer Editor |
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| Jun 21, 2013 | World War Z | Editor | $202,706,711 | $329,154,939 | $531,861,650 |
| Sep 9, 2011 | Warrior | Editor | $13,657,115 | $10,558,270 | $24,215,385 |
| Nov 10, 2006 | Stranger Than Fiction | Editor | $40,435,190 | $13,137,632 | $53,572,822 |
| Nov 12, 2004 | Finding Neverland | Cinematographer | $51,676,606 | $63,359,502 | $115,036,108 |
| Averages | $60,450,843 | $69,914,354 | $130,365,198 | ||
| Totals | 10 | $544,057,588 | $629,229,190 | $1,173,286,778 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 479 | $51,676,606 |
| Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 193 | $492,380,982 |
| Top Grossing Cinematographer at the International Box Office (Rank 401-500) | 452 | $63,359,502 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 200 | $565,869,688 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 459 | $115,036,108 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 203 | $1,058,250,670 |