Mexico Box Office for Miss Bala (2019)
Theatrical Performance (US$) | ||
Mexico Box Office | $35,810 | Details |
Worldwide Box Office | $15,364,632 | Details |
Home Market Performance | ||
North America DVD Sales | $958,460 | Details |
North America Blu-ray Sales | $833,387 | Details |
Total North America Video Sales | $1,791,847 | |
Further financial details... |
Synopsis
Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Mexico Releases: | March 29th, 2019 (Wide) |
Video Release: | April 16th, 2019 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language. (Rating bulletin 2540 (Cert #51439), 8/15/2018) |
Running Time: | 104 minutes |
Keywords: | Set in Mexico, Crime Boss, Undercover, Enemies Forced to Work Together, Smuggler, Remake, Foreign-Language Remake, DEA Agent, Kidnap, Drug Cartels, Organized Crime, Action Thriller |
Source: | Remake |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, Canana, Misher Films |
Production Countries: | Mexico, United States |
Languages: | English |
Home Market Releases for April 30, 2019
April 30th, 2019
The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week.
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Weekend Wrap-up: 2019 Continues its Slump
February 12th, 2019
The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year.
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Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office
February 5th, 2019
The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either.
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Weekend Estimates: Miss Bala hits the Glass Ceiling
February 3rd, 2019
The weekend estimates have Glass remaining on top of the chart with $9.54 million over the weekend, giving it a running tally of $88.66 million after three weeks of release. It is a lock to get to $100 million domestically, although it will likely be pushed out of the top five before it gets there. Internationally, the film is earning $12.2 million over the weekend for totals of $110.3 million internationally and $199.0 million worldwide. It will soon become the first film released in 2019 to get to $200 million worldwide and it isn’t done yet.
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Friday Estimates: Friday Falls In Line
February 2nd, 2019
It looks like it will be a weekend to forget. In fact, if Friday is a reliable omen, then this will be the worst Super Bowl weekend at the box office in more than a decade. The only good news is, this was more or less expected. For example, Glass remained in first place with $2.76 million on Friday, putting it on pace for between $9 million on $10 million. Even if it hits the high end, it will still be within a rounding error of expectations. Get ready to read that phrase again a couple of more times this story.
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Thursday Night Previews: Miss Bala Misses Expectations
February 1st, 2019
Miss Bala missed expectations with $650,000 in previews last night. This isn’t that much lower than it needed to earn to be on pace match to predictions, but since it was already expected to struggle, missing expectations by even a little bit is bad news. Furthermore, its reviews have fallen further and its Tomatometer Score is now stuck at 33% positive. Maybe it will rebound over the rest of the weekend.
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Preview: February
February 1st, 2019
2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year.
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Weekend Predictions: Super Bowl Looks to Bowl Over the Competition
January 31st, 2019
It’s Super Bowl weekend, which is historically one of the worst weekends all year long and it doesn’t look like this year will be an exception. Miss Bala is the only true wide release of the week, while They Shall Not Grow Old is expanding wide enough that it could grab a spot in the top five. Glass should remain in top spot, likely with less than $10 million. It’s not going to be a good weekend at the box office. Meanwhile, this weekend last year, Winchester opened with just over $9 million and two holdovers earned $10 million. 2019 is going to lose in the year-over-year comparison, but because both weekends were so soft, the gap shouldn’t be too large.
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Miss Bala Trailer
December 17th, 2018
Action movie starring Gina Rodriguez opens February 1 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/03/29 | - | $18,847 | 35 | $538 | $18,847 | 1 | |
2019/04/05 | - | $2,096 | -89% | 12 | $175 | $32,192 | 2 |
2019/05/10 | - | $2,172 | 19 | $114 | $35,810 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 1/31/2019 | $4,381 | 4 | 4 | 4 | $4,381 | 2/8/2019 |
Curacao | 1/31/2019 | $5,616 | 5 | 5 | 16 | $19,231 | 2/28/2019 |
Ecuador | 4/5/2019 | $15,107 | 27 | 28 | 70 | $42,536 | 4/24/2019 |
Jamaica | 1/30/2019 | $12,825 | 5 | 5 | 7 | $24,986 | 2/20/2019 |
Mexico | 3/29/2019 | $18,847 | 35 | 35 | 66 | $35,810 | 5/15/2019 |
North America | 2/1/2019 | $6,864,744 | 2,203 | 2,203 | 6,338 | $14,998,027 | 8/15/2019 |
Romania | 5/3/2019 | $44,273 | 61 | 61 | 164 | $106,474 | 6/12/2019 |
South Africa | 5/3/2019 | $11,450 | 18 | 18 | 40 | $25,061 | 5/23/2019 |
Trinidad | 1/30/2019 | $25,374 | 17 | 17 | 35 | $62,528 | 3/8/2019 |
United Kingdom | 3/8/2019 | $24,502 | 107 | 107 | 126 | $43,264 | 3/19/2019 |
Rest of World | $2,334 | ||||||
Worldwide Total | $15,364,632 | 8/15/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gina Rodriguez | Gloria |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Catherine Hardwicke | Director |
Kevin Misher | Producer |
Pablo Cruz | Producer |
Gareth Dunnet-Alcocer | Screenwriter |
Mauricio Katz | Executive Producer |
Gerardo Naranjo | Executive Producer |
Catherine Hardwicke | Executive Producer |
Gareth Dunnet-Alcocer | Executive Producer |
Samson Mucke | Executive Producer |
Arturo Sampson | Executive Producer |
Andy Berman | Executive Producer |
Jamie Marshall | Executive Producer |
Patrick Murguia | Director of Photography |
Marco Niro | Production Designer |
Terilyn A. Shropshire | Editor |
Graciela Mazon | Costume Designer |
Alex Heffes | Composer |
Lynn Fainchtein | Music Supervisor |
Justin Yu | Stunt Coordinator |
Gerardo Moreno | Stunt Coordinator |
Samson Mucke | Unit Production Manager |
Fernando Altschul | First Assistant Director |
Joe May | Second Assistant Director |
Frank Gaeta | Sound Designer |
Frank Gaeta | Re-recording Mixer |
Shayda Frost | Associate Producer |
Lauren von Huene | Production Supervisor |
Tita Lombardo | Line Producer |
Armando Lopez | Art Director |
Alisarine Ducolomb | Set Decorator |
Natalia Moguel | Script Supervisor |
Jaime Ortiz | Costume Supervisor |
Sandra Migueli | Make up |
Zelene Fernandez | Make up |
Carla Diaz | Make up |
Pedro Guijarro | Hairstylist |
Isabel Munoz | Sound Mixer |
Alejandro Vazquez | Special Effects Supervisor |
Sergio Jara | Special Effects Coordinator |
Cristopher Correa | Unit Production Manager |
Lily Flaschner | Location Manager |
Jamie Marshall | Second Unit Director |
Christi Leftwich | First Assistant Editor |
Debra Tennant | First Assistant Editor |
Kenny Marsten* | First Assistant Editor |
Rolf Fleischmann | Assistant Editor |
Richard Saulnier II | Assistant Editor |
Deb Adair | Re-recording Mixer |
Frank Gaeta | Supervising Sound Editor |
Cody Skully | Sound Editor |
Chris Battaglia | Sound Editor |
Charles Maynes | Sound Editor |
Roland N. Thai | Sound Editor |
Jo Caron | Foley Mixer |
Robin Whittaker | Music Editor |
Sally Boldt | Music Editor |
Peter Myles | Music Editor |
Matt Ward | Score Mixer |
Matt Akey | Visual Effects Executive Producer |
Benjamin Conner | Visual Effects Supervisor |
James Fouche | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.