Miss Bala (2019)

Miss Bala
Theatrical Performance
Domestic Box Office $14,998,027Details
International Box Office $366,605Details
Worldwide Box Office $15,364,632
Home Market Performance
Est. Domestic DVD Sales $958,460 Details
Est. Domestic Blu-ray Sales $833,387 Details
Total Est. Domestic Video Sales $1,791,847
Further financial details...

Synopsis

Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.

Metrics

Opening Weekend:$6,864,744 (45.8% of total gross)
Legs:2.18 (domestic box office/biggest weekend)
Domestic Share:97.6% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,203 opening theaters/2,203 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $17,650,514

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 1st, 2019 (Wide) by Sony Pictures
International Releases: January 30th, 2019 (Wide) (Jamaica)
January 30th, 2019 (Wide) (Trinidad)
January 31st, 2019 (Wide) (Aruba)
January 31st, 2019 (Wide) (Curacao)
March 8th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: April 16th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language.
(Rating bulletin 2540 (Cert #51439), 8/15/2018)
Running Time: 104 minutes
Comparisons: vs. The Man with the Iron Fists
Create your own comparison chart…
Keywords: Set in Mexico, Crime Boss, Undercover, Enemies Forced to Work Together, Smuggler, Remake, Foreign-Language Remake, DEA Agent, Kidnap, Drug Cartels, Organized Crime, Action Thriller
Source:Remake
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Canana, Misher Films
Production Countries: Mexico, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day) 100 $6,864,744 Feb 1, 2019 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 216 $8,269,882 Feb 1, 2019 3
Super Bowl (Opening, 3-Day) 31 $6,864,744 Feb 1, 2019 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 46 $8,269,882 Feb 1, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2019 3 $6,864,744   2,203 $3,116   $6,864,744 1
Feb 8, 2019 10 $2,745,129 -60% 2,203 $1,246   $11,885,225 2
Feb 15, 2019 17 $955,350 -65% 1,172 $815   $13,846,548 3
Feb 22, 2019 27 $355,447 -63% 515 $690   $14,619,517 4
Mar 1, 2019 40 $108,295 -70% 146 $742   $14,870,702 5
Mar 8, 2019 48 $40,418 -63% 64 $632   $14,953,031 6
Mar 15, 2019 59 $19,863 -51% 35 $568   $14,998,027 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 31, 2019 P $650,000     2,050 $317   $650,000  
Feb 1, 2019 2 $2,754,673     2,203 $1,250   $2,754,673 1
Feb 2, 2019 3 $2,880,275 +5%   2,203 $1,307   $5,634,948 2
Feb 3, 2019 3 $1,229,796 -57%   2,203 $558   $6,864,744 3
Feb 4, 2019 3 $538,941 -56%   2,203 $245   $7,403,685 4
Feb 5, 2019 3 $925,512 +72%   2,203 $420   $8,329,197 5
Feb 6, 2019 4 $465,102 -50%   2,203 $211   $8,794,299 6
Feb 7, 2019 5 $345,797 -26%   2,203 $157   $9,140,096 7
Feb 8, 2019 9 $724,964 +110% -74% 2,203 $329   $9,865,060 8
Feb 9, 2019 10 $1,207,078 +67% -58% 2,203 $548   $11,072,138 9
Feb 10, 2019 10 $813,087 -33% -34% 2,203 $369   $11,885,225 10
Feb 11, 2019 9 $224,602 -72% -58% 2,203 $102   $12,109,827 11
Feb 12, 2019 8 $316,158 +41% -66% 2,203 $144   $12,425,985 12
Feb 13, 2019 14 $141,691 -55% -70% 1,744 $81   $12,567,676 13
Feb 14, 2019 12 $323,522 +128% -6% 1,744 $186   $12,891,198 14
Feb 15, 2019 14 $240,095 -26% -67% 1,172 $205   $13,131,293 15
Feb 16, 2019 - $387,217 +61% -68% 1,172 $330   $13,518,510 16
Feb 17, 2019 - $328,038 -15% -60% 1,172 $280   $13,846,548 17
Feb 18, 2019 - $158,456 -52% -29% 1,172 $135   $14,005,004 18
Feb 19, 2019 - $115,571 -27% -63% 1,172 $99   $14,120,575 19
Feb 20, 2019 - $72,019 -38% -49% 1,172 $61   $14,192,594 20
Feb 21, 2019 - $71,476 -1% -78% 1,172 $61   $14,264,070 21
Feb 22, 2019 - $96,781 +35% -60% 515 $188   $14,360,851 22
Feb 23, 2019 - $151,252 +56% -61% 515 $294   $14,512,103 23
Feb 24, 2019 - $107,414 -29% -67% 515 $209   $14,619,517 24
Feb 25, 2019 - $30,510 -72% -81% 515 $59   $14,650,027 25
Feb 26, 2019 - $50,241 +65% -57% 515 $98   $14,700,268 26
Feb 27, 2019 - $34,317 -32% -52% 515 $67   $14,734,585 27
Feb 28, 2019 - $27,822 -19% -61% 515 $54   $14,762,407 28
Mar 1, 2019 - $25,564 -8% -74% 146 $175   $14,787,971 29
Mar 2, 2019 - $46,405 +82% -69% 146 $318   $14,834,376 30
Mar 3, 2019 - $36,326 -22% -66% 146 $249   $14,870,702 31
Mar 4, 2019 - $9,845 -73% -68% 146 $67   $14,880,547 32
Mar 5, 2019 - $15,929 +62% -68% 146 $109   $14,896,476 33
Mar 6, 2019 - $9,289 -42% -73% 146 $64   $14,905,765 34
Mar 7, 2019 - $6,848 -26% -75% 146 $47   $14,912,613 35
Mar 8, 2019 - $9,351 +37% -63% 64 $146   $14,921,964 36
Mar 9, 2019 - $16,660 +78% -64% 64 $260   $14,938,624 37
Mar 10, 2019 - $14,407 -14% -60% 64 $225   $14,953,031 38
Mar 15, 2019 - $6,164   -34% 35 $176   $14,984,328 43
Mar 16, 2019 - $6,822 +11% -59% 35 $195   $14,991,150 44
Mar 17, 2019 - $6,877 +1% -52% 35 $196   $14,998,027 45

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2019 3 $9,140,096   2,203 $4,149   $9,140,096 1
Feb 8, 2019 12 $3,751,102 -59% 1,744 $2,151   $12,891,198 2
Feb 15, 2019 19 $1,372,872 -63% 1,172 $1,171   $14,264,070 3
Feb 22, 2019 25 $498,337 -64% 515 $968   $14,762,407 4
Mar 1, 2019 41 $150,206 -70% 146 $1,029   $14,912,613 5
Mar 8, 2019 49 $65,551 -56% 64 $1,024   $14,978,164 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 1/31/2019 $4,381 4 4 4 $4,381 2/8/2019
Curacao 1/31/2019 $5,616 5 5 16 $19,231 2/28/2019
Ecuador 4/5/2019 $15,107 27 28 70 $42,536 4/24/2019
Jamaica 1/30/2019 $12,825 5 5 7 $24,986 2/20/2019
Mexico 3/29/2019 $18,847 35 35 66 $35,810 5/15/2019
Romania 5/3/2019 $44,273 61 61 164 $106,474 6/12/2019
South Africa 5/3/2019 $11,450 18 18 40 $25,061 5/23/2019
Trinidad 1/30/2019 $25,374 17 17 35 $62,528 3/8/2019
United Kingdom 3/8/2019 $24,502 107 107 126 $43,264 3/19/2019
 
Rest of World $2,334
 
International Total$366,605 6/12/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 5, 2019821,650 21,650$395,546$395,5463
May 12, 2019304,710-78% 26,360$94,012$489,5584

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 5, 2019920,530 20,530$416,961$416,9613

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Ismael Cruz Cordova Lino
Anthony Mackie Jimmy
Thomas Dekker Makeup Supervisor
Vivian Chan Fashion Designer
Barbarella Pardo MX Customes Officer
Cristina Rodlo Suzu
Sebastian Cano Echegollen Chava
Gaby Orihuela Pageant Coordinator
Damian Alcazar Chief Saucedo
Ricardo Abarca Poyo
Erick Rene Delgadillo Urbina Tucán
Mikhail Plata Chivo
Jorge Humberto Millan Mardueno Ortiz
Job Sarmiento Officer at Club
Roberto Sosa Police Officer
Lilian Guadalupe Tapia Robles Doña Rosita
Henry Torres Blanco Pageant Choreographer
Matt Lauria Brian Reich
Omar Israel Ayala DEA Sniper
Oscar Estrada Owl Man
Jimmy Gonzales US Customs Officer
Aislinn Derbez Isabel
Jose Sefami Don Ramon
Aldo Quintero Torres Pageant Announcer
Melina Oronia Pageant Runner Up
Joel Navarro Ponce Saucedo’s Guard
Joe LoCicero Party Guy
Lidia Isabel Quiroz Dorantes News Correspondent
Alan Alzalde Estrella
Carlos Eves Estrella
Andres Garcia Estrella
Irving Lemus Estrella
Roberto Colin Estrella
Eliel Ruiz Estrella
Rosalio Ruiz Estrella
Topsy Ruiz Estrella
Tornado Ruiz Estrella
Abram Serratos Estrella

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Catherine Hardwicke Director
Kevin Misher Producer
Pablo Cruz Producer
Gareth Dunnet-Alcocer Screenwriter
Mauricio Katz Executive Producer
Gerardo Naranjo Executive Producer
Catherine Hardwicke Executive Producer
Gareth Dunnet-Alcocer Executive Producer
Samson Mucke Executive Producer
Arturo Sampson Executive Producer
Andy Berman Executive Producer
Jamie Marshall Executive Producer
Patrick Murguia Director of Photography
Marco Niro Production Designer
Terilyn A. Shropshire Editor
Graciela Mazon Costume Designer
Alex Heffes Composer
Lynn Fainchtein Music Supervisor
Justin Yu Stunt Coordinator
Gerardo Moreno Stunt Coordinator
Samson Mucke Unit Production Manager
Fernando Altschul First Assistant Director
Joe May Second Assistant Director
Frank Gaeta Sound Designer
Frank Gaeta Re-recording Mixer
Shayda Frost Associate Producer
Lauren von Huene Production Supervisor
Tita Lombardo Line Producer
Armando Lopez Art Director
Alisarine Ducolomb Set Decorator
Natalia Moguel Script Supervisor
Jaime Ortiz Costume Supervisor
Sandra Migueli Make up
Zelene Fernandez Make up
Carla Diaz Make up
Pedro Guijarro Hairstylist
Isabel Munoz Sound Mixer
Alejandro Vazquez Special Effects Supervisor
Sergio Jara Special Effects Coordinator
Cristopher Correa Unit Production Manager
Lily Flaschner Location Manager
Jamie Marshall Second Unit Director
Christi Leftwich First Assistant Editor
Debra Tennant First Assistant Editor
Kenny Marsten* First Assistant Editor
Rolf Fleischmann Assistant Editor
Richard Saulnier II Assistant Editor
Deb Adair Re-recording Mixer
Frank Gaeta Supervising Sound Editor
Cody Skully Sound Editor
Chris Battaglia Sound Editor
Charles Maynes Sound Editor
Roland N. Thai Sound Editor
Jo Caron Foley Mixer
Robin Whittaker Music Editor
Sally Boldt Music Editor
Peter Myles Music Editor
Matt Ward Score Mixer
Matt Akey Visual Effects Executive Producer
Benjamin Conner Visual Effects Supervisor
James Fouche Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office

February 5th, 2019

Miss Bala

The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either. More...

Weekend Estimates: Miss Bala hits the Glass Ceiling

February 3rd, 2019

Miss Bala

The weekend estimates have Glass remaining on top of the chart with $9.54 million over the weekend, giving it a running tally of $88.66 million after three weeks of release. It is a lock to get to $100 million domestically, although it will likely be pushed out of the top five before it gets there. Internationally, the film is earning $12.2 million over the weekend for totals of $110.3 million internationally and $199.0 million worldwide. It will soon become the first film released in 2019 to get to $200 million worldwide and it isn’t done yet. More...

Friday Estimates: Friday Falls In Line

February 2nd, 2019

Miss Bala

It looks like it will be a weekend to forget. In fact, if Friday is a reliable omen, then this will be the worst Super Bowl weekend at the box office in more than a decade. The only good news is, this was more or less expected. For example, Glass remained in first place with $2.76 million on Friday, putting it on pace for between $9 million on $10 million. Even if it hits the high end, it will still be within a rounding error of expectations. Get ready to read that phrase again a couple of more times this story. More...

Thursday Night Previews: Miss Bala Misses Expectations

February 1st, 2019

Miss Bala

Miss Bala missed expectations with $650,000 in previews last night. This isn’t that much lower than it needed to earn to be on pace match to predictions, but since it was already expected to struggle, missing expectations by even a little bit is bad news. Furthermore, its reviews have fallen further and its Tomatometer Score is now stuck at 33% positive. Maybe it will rebound over the rest of the weekend. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Weekend Predictions: Super Bowl Looks to Bowl Over the Competition

January 31st, 2019

Miss Bala

It’s Super Bowl weekend, which is historically one of the worst weekends all year long and it doesn’t look like this year will be an exception. Miss Bala is the only true wide release of the week, while They Shall Not Grow Old is expanding wide enough that it could grab a spot in the top five. Glass should remain in top spot, likely with less than $10 million. It’s not going to be a good weekend at the box office. Meanwhile, this weekend last year, Winchester opened with just over $9 million and two holdovers earned $10 million. 2019 is going to lose in the year-over-year comparison, but because both weekends were so soft, the gap shouldn’t be too large. More...

Miss Bala Trailer

December 17th, 2018

Action movie starring Gina Rodriguez opens February 1 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.

Metrics

Opening Weekend:$6,864,744 (45.8% of total gross)
Legs:2.18 (domestic box office/biggest weekend)
Domestic Share:97.6% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,203 opening theaters/2,203 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $17,650,514

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 1st, 2019 (Wide) by Sony Pictures
International Releases: January 30th, 2019 (Wide) (Jamaica)
January 30th, 2019 (Wide) (Trinidad)
January 31st, 2019 (Wide) (Aruba)
January 31st, 2019 (Wide) (Curacao)
March 8th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: April 16th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language.
(Rating bulletin 2540 (Cert #51439), 8/15/2018)
Running Time: 104 minutes
Comparisons: vs. The Man with the Iron Fists
Create your own comparison chart…
Keywords: Set in Mexico, Crime Boss, Undercover, Enemies Forced to Work Together, Smuggler, Remake, Foreign-Language Remake, DEA Agent, Kidnap, Drug Cartels, Organized Crime, Action Thriller
Source:Remake
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Canana, Misher Films
Production Countries: Mexico, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Super Bowl (All Movies, 3-Day) 100 $6,864,744 Feb 1, 2019 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 216 $8,269,882 Feb 1, 2019 3
Super Bowl (Opening, 3-Day) 31 $6,864,744 Feb 1, 2019 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 46 $8,269,882 Feb 1, 2019 3

Leading Cast

Supporting Cast

Ismael Cruz Cordova Lino
Anthony Mackie Jimmy
Thomas Dekker Makeup Supervisor
Vivian Chan Fashion Designer
Barbarella Pardo MX Customes Officer
Cristina Rodlo Suzu
Sebastian Cano Echegollen Chava
Gaby Orihuela Pageant Coordinator
Damian Alcazar Chief Saucedo
Ricardo Abarca Poyo
Erick Rene Delgadillo Urbina Tucán
Mikhail Plata Chivo
Jorge Humberto Millan Mardueno Ortiz
Job Sarmiento Officer at Club
Roberto Sosa Police Officer
Lilian Guadalupe Tapia Robles Doña Rosita
Henry Torres Blanco Pageant Choreographer
Matt Lauria Brian Reich
Omar Israel Ayala DEA Sniper
Oscar Estrada Owl Man
Jimmy Gonzales US Customs Officer
Aislinn Derbez Isabel
Jose Sefami Don Ramon
Aldo Quintero Torres Pageant Announcer
Melina Oronia Pageant Runner Up
Joel Navarro Ponce Saucedo’s Guard
Joe LoCicero Party Guy
Lidia Isabel Quiroz Dorantes News Correspondent
Alan Alzalde Estrella
Carlos Eves Estrella
Andres Garcia Estrella
Irving Lemus Estrella
Roberto Colin Estrella
Eliel Ruiz Estrella
Rosalio Ruiz Estrella
Topsy Ruiz Estrella
Tornado Ruiz Estrella
Abram Serratos Estrella

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Catherine Hardwicke Director
Kevin Misher Producer
Pablo Cruz Producer
Gareth Dunnet-Alcocer Screenwriter
Mauricio Katz Executive Producer
Gerardo Naranjo Executive Producer
Catherine Hardwicke Executive Producer
Gareth Dunnet-Alcocer Executive Producer
Samson Mucke Executive Producer
Arturo Sampson Executive Producer
Andy Berman Executive Producer
Jamie Marshall Executive Producer
Patrick Murguia Director of Photography
Marco Niro Production Designer
Terilyn A. Shropshire Editor
Graciela Mazon Costume Designer
Alex Heffes Composer
Lynn Fainchtein Music Supervisor
Justin Yu Stunt Coordinator
Gerardo Moreno Stunt Coordinator
Samson Mucke Unit Production Manager
Fernando Altschul First Assistant Director
Joe May Second Assistant Director
Frank Gaeta Sound Designer
Frank Gaeta Re-recording Mixer
Shayda Frost Associate Producer
Lauren von Huene Production Supervisor
Tita Lombardo Line Producer
Armando Lopez Art Director
Alisarine Ducolomb Set Decorator
Natalia Moguel Script Supervisor
Jaime Ortiz Costume Supervisor
Sandra Migueli Make up
Zelene Fernandez Make up
Carla Diaz Make up
Pedro Guijarro Hairstylist
Isabel Munoz Sound Mixer
Alejandro Vazquez Special Effects Supervisor
Sergio Jara Special Effects Coordinator
Cristopher Correa Unit Production Manager
Lily Flaschner Location Manager
Jamie Marshall Second Unit Director
Christi Leftwich First Assistant Editor
Debra Tennant First Assistant Editor
Kenny Marsten* First Assistant Editor
Rolf Fleischmann Assistant Editor
Richard Saulnier II Assistant Editor
Deb Adair Re-recording Mixer
Frank Gaeta Supervising Sound Editor
Cody Skully Sound Editor
Chris Battaglia Sound Editor
Charles Maynes Sound Editor
Roland N. Thai Sound Editor
Jo Caron Foley Mixer
Robin Whittaker Music Editor
Sally Boldt Music Editor
Peter Myles Music Editor
Matt Ward Score Mixer
Matt Akey Visual Effects Executive Producer
Benjamin Conner Visual Effects Supervisor
James Fouche Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office

February 5th, 2019

Miss Bala

The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either. More...

Weekend Estimates: Miss Bala hits the Glass Ceiling

February 3rd, 2019

Miss Bala

The weekend estimates have Glass remaining on top of the chart with $9.54 million over the weekend, giving it a running tally of $88.66 million after three weeks of release. It is a lock to get to $100 million domestically, although it will likely be pushed out of the top five before it gets there. Internationally, the film is earning $12.2 million over the weekend for totals of $110.3 million internationally and $199.0 million worldwide. It will soon become the first film released in 2019 to get to $200 million worldwide and it isn’t done yet. More...

Friday Estimates: Friday Falls In Line

February 2nd, 2019

Miss Bala

It looks like it will be a weekend to forget. In fact, if Friday is a reliable omen, then this will be the worst Super Bowl weekend at the box office in more than a decade. The only good news is, this was more or less expected. For example, Glass remained in first place with $2.76 million on Friday, putting it on pace for between $9 million on $10 million. Even if it hits the high end, it will still be within a rounding error of expectations. Get ready to read that phrase again a couple of more times this story. More...

Thursday Night Previews: Miss Bala Misses Expectations

February 1st, 2019

Miss Bala

Miss Bala missed expectations with $650,000 in previews last night. This isn’t that much lower than it needed to earn to be on pace match to predictions, but since it was already expected to struggle, missing expectations by even a little bit is bad news. Furthermore, its reviews have fallen further and its Tomatometer Score is now stuck at 33% positive. Maybe it will rebound over the rest of the weekend. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Weekend Predictions: Super Bowl Looks to Bowl Over the Competition

January 31st, 2019

Miss Bala

It’s Super Bowl weekend, which is historically one of the worst weekends all year long and it doesn’t look like this year will be an exception. Miss Bala is the only true wide release of the week, while They Shall Not Grow Old is expanding wide enough that it could grab a spot in the top five. Glass should remain in top spot, likely with less than $10 million. It’s not going to be a good weekend at the box office. Meanwhile, this weekend last year, Winchester opened with just over $9 million and two holdovers earned $10 million. 2019 is going to lose in the year-over-year comparison, but because both weekends were so soft, the gap shouldn’t be too large. More...

Miss Bala Trailer

December 17th, 2018

Action movie starring Gina Rodriguez opens February 1 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2019 3 $6,864,744   2,203 $3,116   $6,864,744 1
Feb 8, 2019 10 $2,745,129 -60% 2,203 $1,246   $11,885,225 2
Feb 15, 2019 17 $955,350 -65% 1,172 $815   $13,846,548 3
Feb 22, 2019 27 $355,447 -63% 515 $690   $14,619,517 4
Mar 1, 2019 40 $108,295 -70% 146 $742   $14,870,702 5
Mar 8, 2019 48 $40,418 -63% 64 $632   $14,953,031 6
Mar 15, 2019 59 $19,863 -51% 35 $568   $14,998,027 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 31, 2019 P $650,000     2,050 $317   $650,000  
Feb 1, 2019 2 $2,754,673     2,203 $1,250   $2,754,673 1
Feb 2, 2019 3 $2,880,275 +5%   2,203 $1,307   $5,634,948 2
Feb 3, 2019 3 $1,229,796 -57%   2,203 $558   $6,864,744 3
Feb 4, 2019 3 $538,941 -56%   2,203 $245   $7,403,685 4
Feb 5, 2019 3 $925,512 +72%   2,203 $420   $8,329,197 5
Feb 6, 2019 4 $465,102 -50%   2,203 $211   $8,794,299 6
Feb 7, 2019 5 $345,797 -26%   2,203 $157   $9,140,096 7
Feb 8, 2019 9 $724,964 +110% -74% 2,203 $329   $9,865,060 8
Feb 9, 2019 10 $1,207,078 +67% -58% 2,203 $548   $11,072,138 9
Feb 10, 2019 10 $813,087 -33% -34% 2,203 $369   $11,885,225 10
Feb 11, 2019 9 $224,602 -72% -58% 2,203 $102   $12,109,827 11
Feb 12, 2019 8 $316,158 +41% -66% 2,203 $144   $12,425,985 12
Feb 13, 2019 14 $141,691 -55% -70% 1,744 $81   $12,567,676 13
Feb 14, 2019 12 $323,522 +128% -6% 1,744 $186   $12,891,198 14
Feb 15, 2019 14 $240,095 -26% -67% 1,172 $205   $13,131,293 15
Feb 16, 2019 - $387,217 +61% -68% 1,172 $330   $13,518,510 16
Feb 17, 2019 - $328,038 -15% -60% 1,172 $280   $13,846,548 17
Feb 18, 2019 - $158,456 -52% -29% 1,172 $135   $14,005,004 18
Feb 19, 2019 - $115,571 -27% -63% 1,172 $99   $14,120,575 19
Feb 20, 2019 - $72,019 -38% -49% 1,172 $61   $14,192,594 20
Feb 21, 2019 - $71,476 -1% -78% 1,172 $61   $14,264,070 21
Feb 22, 2019 - $96,781 +35% -60% 515 $188   $14,360,851 22
Feb 23, 2019 - $151,252 +56% -61% 515 $294   $14,512,103 23
Feb 24, 2019 - $107,414 -29% -67% 515 $209   $14,619,517 24
Feb 25, 2019 - $30,510 -72% -81% 515 $59   $14,650,027 25
Feb 26, 2019 - $50,241 +65% -57% 515 $98   $14,700,268 26
Feb 27, 2019 - $34,317 -32% -52% 515 $67   $14,734,585 27
Feb 28, 2019 - $27,822 -19% -61% 515 $54   $14,762,407 28
Mar 1, 2019 - $25,564 -8% -74% 146 $175   $14,787,971 29
Mar 2, 2019 - $46,405 +82% -69% 146 $318   $14,834,376 30
Mar 3, 2019 - $36,326 -22% -66% 146 $249   $14,870,702 31
Mar 4, 2019 - $9,845 -73% -68% 146 $67   $14,880,547 32
Mar 5, 2019 - $15,929 +62% -68% 146 $109   $14,896,476 33
Mar 6, 2019 - $9,289 -42% -73% 146 $64   $14,905,765 34
Mar 7, 2019 - $6,848 -26% -75% 146 $47   $14,912,613 35
Mar 8, 2019 - $9,351 +37% -63% 64 $146   $14,921,964 36
Mar 9, 2019 - $16,660 +78% -64% 64 $260   $14,938,624 37
Mar 10, 2019 - $14,407 -14% -60% 64 $225   $14,953,031 38
Mar 15, 2019 - $6,164   -34% 35 $176   $14,984,328 43
Mar 16, 2019 - $6,822 +11% -59% 35 $195   $14,991,150 44
Mar 17, 2019 - $6,877 +1% -52% 35 $196   $14,998,027 45

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 1, 2019 3 $9,140,096   2,203 $4,149   $9,140,096 1
Feb 8, 2019 12 $3,751,102 -59% 1,744 $2,151   $12,891,198 2
Feb 15, 2019 19 $1,372,872 -63% 1,172 $1,171   $14,264,070 3
Feb 22, 2019 25 $498,337 -64% 515 $968   $14,762,407 4
Mar 1, 2019 41 $150,206 -70% 146 $1,029   $14,912,613 5
Mar 8, 2019 49 $65,551 -56% 64 $1,024   $14,978,164 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 1/31/2019 $4,381 4 4 4 $4,381 2/8/2019
Curacao 1/31/2019 $5,616 5 5 16 $19,231 2/28/2019
Ecuador 4/5/2019 $15,107 27 28 70 $42,536 4/24/2019
Jamaica 1/30/2019 $12,825 5 5 7 $24,986 2/20/2019
Mexico 3/29/2019 $18,847 35 35 66 $35,810 5/15/2019
Romania 5/3/2019 $44,273 61 61 164 $106,474 6/12/2019
South Africa 5/3/2019 $11,450 18 18 40 $25,061 5/23/2019
Trinidad 1/30/2019 $25,374 17 17 35 $62,528 3/8/2019
United Kingdom 3/8/2019 $24,502 107 107 126 $43,264 3/19/2019
 
Rest of World $2,334
 
International Total$366,605 6/12/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 5, 2019821,650 21,650$395,546$395,5463
May 12, 2019304,710-78% 26,360$94,012$489,5584

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 5, 2019920,530 20,530$416,961$416,9613

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.