Mexico Box Office for Miracles from Heaven (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $5,893,625 | Details |
Worldwide Box Office | $73,773,317 | Details |
Home Market Performance | ||
North America DVD Sales | $17,373,888 | Details |
North America Blu-ray Sales | $3,916,064 | Details |
Total North America Video Sales | $21,289,952 | |
Further financial details... |
Synopsis
When Christy discovers her 10-year-old daughter Anna has a rare, incurable disease, she becomes a ferocious advocate for her daughter’s healing as she searches for a solution. After Anna has a freak accident and falls three stories, a miracle unfolds in the wake of her dramatic rescue that leaves medical specialists mystified, her family restored and their community inspired.
Metrics
Movie Details
Production Budget: | $13,000,000 |
Mexico Releases: | March 31st, 2016 (Wide) |
Video Release: | June 21st, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG for thematic material, including accident and medical images. (Rating bulletin 2407 (Cert #49888), 1/13/2016) |
Running Time: | 109 minutes |
Keywords: | Faith-Based Film, Christians, Medical and Hospitals, Near Death Experience, Faith-Based Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Columbia Pictures, Affirm Films, Roth Films, T.D. Jakes, Franklin Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 12th, 2016
July 12th, 2016
It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack.
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Home Market Releases for June 21st, 2016
June 20th, 2016
There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience.
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Weekend Wrap-Up: Batman v Superman Pulls a Wolverine plummeting 69% to $51.35
April 5th, 2016
As anticipated, Batman v Superman: Dawn of Justice earned first place over the weekend. Unfortunately, it had the worst sophomore stint decline of any major super hero movie, plummeting to just $51.34 million. God's Not Dead 2 only managed fourth place over the weekend with $7.62 million,which is a worse opening than the original managed. Overall, the box office fell 48% from last weekend, pulling in $132 million. The decline from last year was almost as big at 41%; however, there was a misalignment in the Easter holiday and Easter 2016 out-grossed Easter 2015 by 13%. I'm going to call that a victory. Year-to-date, 2016 still leads 2015 by a significant margin at $2.85 billion to $2.52 billion.
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Weekend Predictions: Is the Box Office Dead?
April 1st, 2016
This is going to be a short prediction column, because a computer crash meant I had to redo the entire monthly preview in one day. Not been a fun day. Fortunately, there's only one new wide release, God's Not Dead 2, so there's not a lot to talk about. Batman v Superman: Dawn of Justice will remain in first place, but all eyes will be on its sophomore stint drop-off. This weekend last year, Furious 7 debuted with $147 million. There's no chance the total box office will top that this year, so 2016 will get pummeled in the year-over-year comparison.
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Weekend Wrap-Up: Batman v Superman: Boom v Bust at $166.01 million
March 28th, 2016
As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May.
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Weekend Estimates: Batman v Superman hits March record $170 milion
March 27th, 2016
Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them.
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Weekend Predictions: Batman v Superman v Deadpool v Avengers
March 24th, 2016
Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day.
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Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses
March 22nd, 2016
At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion.
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Weekend Estimates: Zootopia tops Allegiant
March 20th, 2016
Zootopia is set to win a third straight race and pass $200 million at the domestic box office in the process, but the real story of this weekend is the weak debut by The Divergent Series: Allegiant.
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Friday Estimates: Allegiant’s $11.9 million Haul Gives it Top Spot, Barely
March 19th, 2016
As expected, The Divergent Series: Allegiant opened in first place on Friday. However, it only managed $11.9 million, which is barely more than half of what Divergent and Insurgent made during their opening days. That’s bad, but it gets worse. You have to take into account the reviews, which are stuck at a mere 10% positive. Its CinemaScore is better, but even that's only a B, which is a full letter grade below what Divergent and Insurgent earned. $30 million over the weekend is probably out of the question, although it should come close. If the reports are correct and it cost $110 million to make, then there’s very little hope it will break even any time soon. If the final film in the franchise, Ascendant, suffers a similar decline, then the franchise might end up costing Lionsgate money.
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Weekend Predictions: Is Zootopia Headed for a Threepeat?
March 18th, 2016
There are three wide releases coming out this week. This includes The Divergent Series: Allegiant, which, at the beginning of the month, was widely expected to earn first place during its debut. However, Zootopia's success at the box office combined with Allegiant's failure with critics will likely result in Zootopia in earning first place, again. Miracles from Heaven is the latest faith-based film to hit theaters. It might struggle simply because there is too much recent competition for this still niche-market. Finally there's The Bronze, which is opening in just over 1,000 theaters. If it can avoid the Mendoza Line, or at least come close, then it will reach the top ten. That should be doable, maybe. This weekend last year, Insurgent earned first place with just over $52 million, while Cinderella earned second place with close to $35 million. I think Zootopia will come close to Cinderella, but Allegiant will fall far short of Insurgent and that will result in 2016 losing in the year-over-year comparison.
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Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race
March 10th, 2016
There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either.
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/01 | 4 | $1,678,242 | 864 | $1,942 | $1,955,044 | 1 | |
2016/04/08 | 4 | $1,028,600 | -39% | 1,397 | $736 | $3,767,272 | 2 |
2016/04/15 | 6 | $525,398 | -49% | 1,139 | $461 | $4,825,229 | 3 |
2016/04/22 | 7 | $342,383 | -35% | 0 | $5,442,834 | 4 | |
2016/04/29 | 5 | $117,809 | -66% | 0 | $5,786,587 | 5 | |
2016/05/06 | 8 | $68,813 | -42% | 0 | $5,688,111 | 6 | |
2016/05/13 | 11 | $18,287 | -73% | 38 | $481 | $5,885,676 | 7 |
2016/05/20 | 12 | $1,340 | -93% | 4 | $335 | $5,893,625 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/28/2016 | $9,514 | 10 | 10 | 11 | $13,272 | 5/13/2016 |
Aruba | 3/17/2016 | $5,330 | 2 | 2 | 3 | $28,014 | 12/31/2018 |
Australia | 3/18/2016 | $116,354 | 37 | 51 | 229 | $616,213 | 7/25/2022 |
Bolivia | 4/21/2016 | $20,457 | 15 | 15 | 37 | $95,731 | 12/31/2018 |
Brazil | 4/21/2016 | $345,973 | 151 | 151 | 399 | $752,487 | 6/8/2016 |
Bulgaria | 4/8/2016 | $6,549 | 28 | 28 | 46 | $16,715 | 2/26/2019 |
Central America | 4/21/2016 | $307,468 | 138 | 138 | 310 | $946,436 | 6/1/2016 |
Chile | 4/28/2016 | $16,548 | 13 | 13 | 16 | $22,193 | 12/31/2018 |
Colombia | 4/28/2016 | $126,282 | 87 | 87 | 266 | $494,995 | 12/20/2018 |
Curacao | 3/17/2016 | $3,654 | 2 | 2 | 7 | $18,604 | 12/31/2018 |
Denmark | 4/14/2016 | $7,563 | 1 | 1 | 4 | $19,410 | 6/9/2016 |
Dominican Republic | 4/21/2016 | $17,758 | 24 | 24 | 52 | $74,879 | 12/31/2018 |
Ecuador | 5/6/2016 | $97,813 | 36 | 36 | 95 | $368,819 | 12/31/2018 |
Egypt | 3/17/2016 | $0 | 0 | 3 | 3 | $9,632 | 12/31/2018 |
Germany | 6/9/2016 | $23,543 | 103 | 103 | 229 | $105,516 | 8/2/2016 |
Ghana | 3/18/2016 | $264 | 3 | 3 | 5 | $2,063 | 12/31/2018 |
Hong Kong | 4/7/2016 | $41,315 | 22 | 22 | 89 | $248,461 | 8/2/2016 |
Iraq | 3/17/2016 | $604 | 1 | 1 | 3 | $1,538 | 12/31/2018 |
Jamaica | 3/23/2016 | $14,427 | 4 | 4 | 12 | $47,665 | 12/31/2018 |
Japan | 6/18/2016 | $22,993 | 9 | 10 | 40 | $183,730 | 7/26/2016 |
Kenya | 4/16/2016 | $2,173 | 1 | 1 | 1 | $2,173 | 12/31/2018 |
Lebanon | 3/17/2016 | $18,067 | 9 | 9 | 17 | $45,149 | 12/31/2018 |
Mexico | 3/31/2016 | $1,678,242 | 864 | 1397 | 3442 | $5,893,625 | 6/9/2016 |
Nigeria | 3/18/2016 | $15,573 | 20 | 20 | 62 | $60,887 | 12/31/2018 |
North America | 3/16/2016 | $14,812,393 | 3,047 | 3,155 | 17,594 | $61,705,123 | |
Norway | 9/2/2016 | $71,203 | 65 | 65 | 161 | $278,715 | 10/18/2016 |
Peru | 4/21/2016 | $130,012 | 82 | 82 | 115 | $243,155 | 12/31/2018 |
Philippines | 3/16/2016 | $145,519 | 102 | 102 | 212 | $259,836 | 12/31/2018 |
Poland | 3/27/2016 | $65,132 | 118 | 118 | 268 | $286,560 | 12/31/2018 |
Portugal | 5/5/2016 | $26,390 | 22 | 22 | 62 | $70,423 | 6/9/2016 |
Singapore | 4/21/2016 | $26,637 | 8 | 8 | 25 | $78,262 | 6/9/2016 |
Slovakia | 4/22/2016 | $34,777 | 53 | 53 | 128 | $85,897 | 6/9/2016 |
South Africa | 5/6/2016 | $26,502 | 36 | 36 | 104 | $93,805 | 7/6/2016 |
South Korea | 5/25/2016 | $27,529 | 92 | 92 | 184 | $101,708 | 8/2/2016 |
Spain | 4/22/2016 | $118,615 | 168 | 168 | 287 | $216,873 | 6/9/2016 |
Syria | 3/17/2016 | $856 | 1 | 1 | 3 | $1,921 | 12/31/2018 |
Trinidad | 3/16/2016 | $24,940 | 12 | 12 | 39 | $84,853 | 12/31/2018 |
Ukraine | 4/28/2016 | $9,468 | 84 | 84 | 163 | $36,349 | 12/31/2018 |
United Arab Emirates | 3/17/2016 | $27,025 | 10 | 10 | 10 | $27,025 | 12/31/2018 |
United Kingdom | 6/10/2016 | $29,284 | 110 | 110 | 142 | $67,579 | 7/12/2016 |
Uruguay | 4/21/2016 | $10,278 | 5 | 5 | 10 | $18,173 | 12/31/2018 |
Venezuela | 4/22/2016 | $10,780 | 20 | 20 | 48 | $48,853 | 6/9/2016 |
Worldwide Total | $73,773,317 | 7/25/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jennifer Garner | Christy Beam |
Kylie Rogers | Anna Beam |
Eugenio Derbez | Dr. Nurko |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Patricia Riggen | Director |
Randy Brown | Screenwriter |
Christy Beam | Based on the book by |
Joe Roth | Producer |
T.D. Jakes | Producer |
DeVon Franklin | Producer |
Matthew Hirsch | Executive Producer |
Derrick Williams | Executive Producer |
Zack Roth | Executive Producer |
Checco Varese | Director of Photography |
David Sandefur | Production Designer |
Emma E. Hickox | Editor |
Carlo Siliotto | Composer |
Mary Jane Fort | Costume Designer |
Sheila Jaffe | Casting Director |
Justine Hempe | Casting Director |
Garrett Warren | Stunt Coordinator |
Marc Hammer | Unit Production Manager |
Benita Allen | First Assistant Director |
Fred Roth | Second Assistant Director |
Doug Fick | Art Director |
Brana Rosenfeld | Set Decorator |
Alexa Alden | Script Supervisor |
Angela Nunez | Costume Supervisor |
Brad Wilder | Make up |
Zsofia Otvos | Make up |
Gary J. Tunnicliffe | Special Effects Makeup/Prosthetics |
Peter Tothpal | Hairstylist |
Robert Wilson | Hairstylist |
Chris Bailey | Special Effects Coordinator |
Kathy Berry | Location Manager |
John Thigpen | Set Designer |
John Moredock | Set Designer |
Chuck Zlotnick | Additional Photography-Still Photographer |
Kevin O'Connell | Re-recording Mixer |
Tony Lamberti | Re-recording Mixer |
Odin Benitez | Supervising Sound Editor |
Mark P. Stoeckinger | Supervising Sound Editor |
Ando Johnson | Sound Effects Editor |
Alan Rankin | Sound Effects Editor |
Julie Feiner | Dialogue Editor |
Jessica Pariseu | Dialogue Editor |
Drew Deascentis | Music Editor |
Joanie Diener | Music Editor |
Jorge Velasco | Score Mixer |
Neishaw Ali | Visual Effects Executive Producer |
Wesley Sewell | Visual Effects Supervisor |
George Macri | Visual Effects Producer |
Peter Giliberti | Animation Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.