Mexico Box Office for Miracles from Heaven (2016)

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Miracles from Heaven poster
Theatrical Performance (US$)
Mexico Box Office $5,893,625Details
Worldwide Box Office $73,773,317Details
Home Market Performance
North America DVD Sales $17,373,888 Details
North America Blu-ray Sales $3,916,064 Details
Total North America Video Sales $21,289,952
Further financial details...

Synopsis

When Christy discovers her 10-year-old daughter Anna has a rare, incurable disease, she becomes a ferocious advocate for her daughter’s healing as she searches for a solution. After Anna has a freak accident and falls three stories, a miracle unfolds in the wake of her dramatic rescue that leaves medical specialists mystified, her family restored and their community inspired.

Metrics

Movie Details

Production Budget:$13,000,000
Mexico Releases: March 31st, 2016 (Wide)
Video Release: June 21st, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG for thematic material, including accident and medical images.
(Rating bulletin 2407 (Cert #49888), 1/13/2016)
Running Time: 109 minutes
Keywords: Faith-Based Film, Christians, Medical and Hospitals, Near Death Experience, Faith-Based Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Columbia Pictures, Affirm Films, Roth Films, T.D. Jakes, Franklin Entertainment
Production Countries: United States
Languages: English

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Weekend Wrap-Up: Batman v Superman Pulls a Wolverine plummeting 69% to $51.35

April 5th, 2016

Batman v Superman: Dawn of Justice

As anticipated, Batman v Superman: Dawn of Justice earned first place over the weekend. Unfortunately, it had the worst sophomore stint decline of any major super hero movie, plummeting to just $51.34 million. God's Not Dead 2 only managed fourth place over the weekend with $7.62 million,which is a worse opening than the original managed. Overall, the box office fell 48% from last weekend, pulling in $132 million. The decline from last year was almost as big at 41%; however, there was a misalignment in the Easter holiday and Easter 2016 out-grossed Easter 2015 by 13%. I'm going to call that a victory. Year-to-date, 2016 still leads 2015 by a significant margin at $2.85 billion to $2.52 billion. More...

Weekend Predictions: Is the Box Office Dead?

April 1st, 2016

God's Not Dead 2

This is going to be a short prediction column, because a computer crash meant I had to redo the entire monthly preview in one day. Not been a fun day. Fortunately, there's only one new wide release, God's Not Dead 2, so there's not a lot to talk about. Batman v Superman: Dawn of Justice will remain in first place, but all eyes will be on its sophomore stint drop-off. This weekend last year, Furious 7 debuted with $147 million. There's no chance the total box office will top that this year, so 2016 will get pummeled in the year-over-year comparison. More...

Weekend Wrap-Up: Batman v Superman: Boom v Bust at $166.01 million

March 28th, 2016

Batman v Superman: Dawn of Justice

As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May. More...

Weekend Estimates: Batman v Superman hits March record $170 milion

March 27th, 2016

Batman v Superman: Dawn of Justice

Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them. More...

Weekend Predictions: Batman v Superman v Deadpool v Avengers

March 24th, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day. More...

Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses

March 22nd, 2016

Zootopia

At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion. More...

Weekend Estimates: Zootopia tops Allegiant

March 20th, 2016

Zootopia

Zootopia is set to win a third straight race and pass $200 million at the domestic box office in the process, but the real story of this weekend is the weak debut by The Divergent Series: Allegiant. More...

Friday Estimates: Allegiant’s $11.9 million Haul Gives it Top Spot, Barely

March 19th, 2016

Allegiant

As expected, The Divergent Series: Allegiant opened in first place on Friday. However, it only managed $11.9 million, which is barely more than half of what Divergent and Insurgent made during their opening days. That’s bad, but it gets worse. You have to take into account the reviews, which are stuck at a mere 10% positive. Its CinemaScore is better, but even that's only a B, which is a full letter grade below what Divergent and Insurgent earned. $30 million over the weekend is probably out of the question, although it should come close. If the reports are correct and it cost $110 million to make, then there’s very little hope it will break even any time soon. If the final film in the franchise, Ascendant, suffers a similar decline, then the franchise might end up costing Lionsgate money. More...

Weekend Predictions: Is Zootopia Headed for a Threepeat?

March 18th, 2016

Allegiant

There are three wide releases coming out this week. This includes The Divergent Series: Allegiant, which, at the beginning of the month, was widely expected to earn first place during its debut. However, Zootopia's success at the box office combined with Allegiant's failure with critics will likely result in Zootopia in earning first place, again. Miracles from Heaven is the latest faith-based film to hit theaters. It might struggle simply because there is too much recent competition for this still niche-market. Finally there's The Bronze, which is opening in just over 1,000 theaters. If it can avoid the Mendoza Line, or at least come close, then it will reach the top ten. That should be doable, maybe. This weekend last year, Insurgent earned first place with just over $52 million, while Cinderella earned second place with close to $35 million. I think Zootopia will come close to Cinderella, but Allegiant will fall far short of Insurgent and that will result in 2016 losing in the year-over-year comparison. More...

Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race

March 10th, 2016

10 Cloverfield Lane

There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either. More...

2016 Preview: March

March 1st, 2016

Zootopia

It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.

As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/04/01 4 $1,678,242   864 $1,942   $1,955,044 1
2016/04/08 4 $1,028,600 -39% 1,397 $736   $3,767,272 2
2016/04/15 6 $525,398 -49% 1,139 $461   $4,825,229 3
2016/04/22 7 $342,383 -35% 0     $5,442,834 4
2016/04/29 5 $117,809 -66% 0     $5,786,587 5
2016/05/06 8 $68,813 -42% 0     $5,688,111 6
2016/05/13 11 $18,287 -73% 38 $481   $5,885,676 7
2016/05/20 12 $1,340 -93% 4 $335   $5,893,625 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/28/2016 $9,514 10 10 11 $13,272 5/13/2016
Aruba 3/17/2016 $5,330 2 2 3 $28,014 12/31/2018
Australia 3/18/2016 $116,354 37 51 229 $616,213 7/25/2022
Bolivia 4/21/2016 $20,457 15 15 37 $95,731 12/31/2018
Brazil 4/21/2016 $345,973 151 151 399 $752,487 6/8/2016
Bulgaria 4/8/2016 $6,549 28 28 46 $16,715 2/26/2019
Central America 4/21/2016 $307,468 138 138 310 $946,436 6/1/2016
Chile 4/28/2016 $16,548 13 13 16 $22,193 12/31/2018
Colombia 4/28/2016 $126,282 87 87 266 $494,995 12/20/2018
Curacao 3/17/2016 $3,654 2 2 7 $18,604 12/31/2018
Denmark 4/14/2016 $7,563 1 1 4 $19,410 6/9/2016
Dominican Republic 4/21/2016 $17,758 24 24 52 $74,879 12/31/2018
Ecuador 5/6/2016 $97,813 36 36 95 $368,819 12/31/2018
Egypt 3/17/2016 $0 0 3 3 $9,632 12/31/2018
Germany 6/9/2016 $23,543 103 103 229 $105,516 8/2/2016
Ghana 3/18/2016 $264 3 3 5 $2,063 12/31/2018
Hong Kong 4/7/2016 $41,315 22 22 89 $248,461 8/2/2016
Iraq 3/17/2016 $604 1 1 3 $1,538 12/31/2018
Jamaica 3/23/2016 $14,427 4 4 12 $47,665 12/31/2018
Japan 6/18/2016 $22,993 9 10 40 $183,730 7/26/2016
Kenya 4/16/2016 $2,173 1 1 1 $2,173 12/31/2018
Lebanon 3/17/2016 $18,067 9 9 17 $45,149 12/31/2018
Mexico 3/31/2016 $1,678,242 864 1397 3442 $5,893,625 6/9/2016
Nigeria 3/18/2016 $15,573 20 20 62 $60,887 12/31/2018
North America 3/16/2016 $14,812,393 3,047 3,155 17,594 $61,705,123
Norway 9/2/2016 $71,203 65 65 161 $278,715 10/18/2016
Peru 4/21/2016 $130,012 82 82 115 $243,155 12/31/2018
Philippines 3/16/2016 $145,519 102 102 212 $259,836 12/31/2018
Poland 3/27/2016 $65,132 118 118 268 $286,560 12/31/2018
Portugal 5/5/2016 $26,390 22 22 62 $70,423 6/9/2016
Singapore 4/21/2016 $26,637 8 8 25 $78,262 6/9/2016
Slovakia 4/22/2016 $34,777 53 53 128 $85,897 6/9/2016
South Africa 5/6/2016 $26,502 36 36 104 $93,805 7/6/2016
South Korea 5/25/2016 $27,529 92 92 184 $101,708 8/2/2016
Spain 4/22/2016 $118,615 168 168 287 $216,873 6/9/2016
Syria 3/17/2016 $856 1 1 3 $1,921 12/31/2018
Trinidad 3/16/2016 $24,940 12 12 39 $84,853 12/31/2018
Ukraine 4/28/2016 $9,468 84 84 163 $36,349 12/31/2018
United Arab Emirates 3/17/2016 $27,025 10 10 10 $27,025 12/31/2018
United Kingdom 6/10/2016 $29,284 110 110 142 $67,579 7/12/2016
Uruguay 4/21/2016 $10,278 5 5 10 $18,173 12/31/2018
Venezuela 4/22/2016 $10,780 20 20 48 $48,853 6/9/2016
 
Worldwide Total$73,773,317 7/25/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jennifer Garner Christy Beam
Kylie Rogers Anna Beam
Eugenio Derbez Dr. Nurko

Supporting Cast

Martin Henderson Kevin Beam
John Carroll Lynch Pastor Scott
Queen Latifah Angela
Brighton Sharbino Abbie Beam
Kelly Collins Lintz Emmy
Brandon Spink Billy Snyder
Rhoda Griffis Church Lady
Erica Allen McGee Church Lady
Wayne Pére Ben
Bruce Altman Dr. Burgi
Hannah Alligood Haley
Zach Sale ER Doctor
Gwen Waymon School Nurse
Kenny Alfonso Dr. Dorsi
John Crow News Reporter
J.M. Longoria* Airline Attendant
Scott C. Hunter Fireman
Kevin Sizemore Fireman
Preston Scott Baker* Fireman
Paul Andrew O’Connor Fireman
Gregory Alan Williams Doctor
Maia Moss-Fife Pre-Op Nurse
Matt Mercurio Paramedic
Suehyla El-Attar Receptionist
Norma Alvarez Cafeteria Worker
Shea McHugh Girl
Summer Parker Girl
Bryce Daniel Zentkovich Kid
Stephen Matthew Smith Kid
Adam Drescher Manager
Anne Holt News Anchor
Kim Banta Vet Receptionist
Emerald Robinson Woman with Big Hair
Judd Lormand Church Man
Jose Garza CT Technician
Mac Powell Lead Singer
Sunshine Bartell Boston Hospital Nurse
Christina Bach Boston Hospital Nurse
Morgan Burch Woman's Daughter
Tara Lee Waiting Room Nurse
Brian Jordan Bremer Grumpy Waiter
Harvest Parker Singer/Vocalist
John Andrew Impatient Man
Jennifer Finley Impatient Woman
Barbara Lynn Vincent Ticket Line Woman
Neil Redick Travis
Christy Beam Real Christy
Annabel Beam Real Anna
Kevin Beam Real Kevin
Abigail Beam Real Abbie
Adelynn Beam Real Adelynn

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patricia Riggen Director
Randy Brown Screenwriter
Christy Beam Based on the book by
Joe Roth Producer
T.D. Jakes Producer
DeVon Franklin Producer
Matthew Hirsch Executive Producer
Derrick Williams Executive Producer
Zack Roth Executive Producer
Checco Varese Director of Photography
David Sandefur Production Designer
Emma E. Hickox Editor
Carlo Siliotto Composer
Mary Jane Fort Costume Designer
Sheila Jaffe Casting Director
Justine Hempe Casting Director
Garrett Warren Stunt Coordinator
Marc Hammer Unit Production Manager
Benita Allen First Assistant Director
Fred Roth Second Assistant Director
Doug Fick Art Director
Brana Rosenfeld Set Decorator
Alexa Alden Script Supervisor
Angela Nunez Costume Supervisor
Brad Wilder Make up
Zsofia Otvos Make up
Gary J. Tunnicliffe Special Effects Makeup/Prosthetics
Peter Tothpal Hairstylist
Robert Wilson Hairstylist
Chris Bailey Special Effects Coordinator
Kathy Berry Location Manager
John Thigpen Set Designer
John Moredock Set Designer
Chuck Zlotnick Additional Photography-Still Photographer
Kevin O'Connell Re-recording Mixer
Tony Lamberti Re-recording Mixer
Odin Benitez Supervising Sound Editor
Mark P. Stoeckinger Supervising Sound Editor
Ando Johnson Sound Effects Editor
Alan Rankin Sound Effects Editor
Julie Feiner Dialogue Editor
Jessica Pariseu Dialogue Editor
Drew Deascentis Music Editor
Joanie Diener Music Editor
Jorge Velasco Score Mixer
Neishaw Ali Visual Effects Executive Producer
Wesley Sewell Visual Effects Supervisor
George Macri Visual Effects Producer
Peter Giliberti Animation Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.