Italy Box Office for Masterminds - I geni della truffa (2016)
Theatrical Performance (US$) | ||
Italy Box Office | $2,642,848 | Details |
Worldwide Box Office | $30,850,666 | Details |
Home Market Performance | ||
North America DVD Sales | $1,737,601 | Details |
North America Blu-ray Sales | $786,189 | Details |
Total North America Video Sales | $2,523,790 | |
Further financial details... |
Synopsis
David Ghantt is an uncomplicated man stuck in a monotonous life. Day in and day out he drives an armored vehicle, transporting millions of other people’s money with no escape in sight. The only glimmer of excitement is his flirtatious work crush Kelly Campbell who soon lures him into the scheme of a lifetime. Along with a group of half-brained criminals and an absurdly faulted heist plan, David manages the impossible and makes off with $17 million in cash… only problem is he foolishly hands the money over to this wild group of double crossers and has been set up to take the fall. With the bandits blowing the millions on lavish and ridiculous luxuries, they leave behind a glaring trail of evidence. Now on the lam and in over his head, David must dodge the authorities, evade a hit man, and try to turn the tables on the ones he trusted most.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Italy Releases: | November 9th, 2016 (Wide), released as Masterminds - I geni della truffa |
Video Release: | January 17th, 2017 by Fox Home Entertainment |
MPAA Rating: | PG-13 for crude and sexual humor, some language and violence. (Rating bulletin 2443 (Cert #49883), 9/21/2016) |
Running Time: | 95 minutes |
Keywords: | Heist, No Honor Among Thieves, Crime Comedy, 1990s, Hitmen, Set in Mexico, Set in North Carolina, FBI |
Source: | Based on Real Life Events |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Relativity Media, Surefire Entertianment Capital, Michaels/Goldwyn |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 31st, 2017
January 31st, 2017
It’s a slow week at the top, as there are no new releases that were hits in theaters. That doesn’t mean we have no contenders for Pick of the Week, just that they are smaller films or ones that struggled in theaters. Queen of Katwe is the best of this list and the Blu-ray is the Pick of the Week.
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Home Market Releases for January 17th, 2017
January 17th, 2017
The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning.
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Weekend Estimates: Jack Reacher No Match for Madea
October 23rd, 2016
Hollywood has a habit of underestimating Tyler Perry. When Diary of a Mad Black Woman opened back in 2005, it was expected to struggle to make the top 10, and yet finished top of the chart with a $21.9 million weekend. More than eleven years later, he, or perhaps more accurately, Madea, continues to defy tracking models and rack up wins at the box office, with Boo! A Madea Halloween set to top this weekend’s chart with a projected $27.6 million. That’s nearly $5 million better than the debut of Jack Reacher: Never Go Back, which Paramount has coming in at $23 million.
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Weekend Predictions: Will Reacher Reach the Top?
October 20th, 2016
It is a busy week as far as wide releases are concerned, although not as busy as we thought it would be at the beginning of the month, as I’m Not Ashamed has dropped to “select cities”. It still has a shot at the top ten, but a slim shot. The biggest release of the week is Jack Reacher: Never Go Back, as it is opening in an estimated 3,800 theaters. However, the buzz is weak and its reviews won’t help either. It will likely struggle to top $20 million. This gives Tyler Perry’s Boo! A Madea Halloween a shot at first place. The best new release of the week is Ouija: Origin of Evil. One would hope a horror film earning 80% positive reviews ten days before Halloween would at least have a shot at first place. We’ll see. Finally there’s Keeping Up with the Joneses. It’s bad and that’s all I need to say about that. There is good news. This weekend last year was a disaster. The biggest wide release was The Last Witch Hunter and it earned less than $11 million. The biggest film was The Martian, which earned under $16 million. We could have two films top $20 million, so 2016 should end the slump it has been in.
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Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million
October 11th, 2016
Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button.
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Friday Estimates: The Girl on the Train Schools the Competition with $9.35 million
October 8th, 2016
As expected, The Girl on the Train led the way on Friday, albeit with a slightly smaller-than-expected figure of $9.35 million. This is a little more disappointing after the film’s previews, especially since films aimed at more mature women tend to have longer than average legs. We knew the reviews were not good and that wouldn’t help the film; however, the audience reaction was even worse, as the film earned a B- from CinemaScore. Anything below a B+ usually results in weak legs, and we are already seeing The Girl on the Train struggle in that regard. We originally predicted $27 million, but I think $26 million is now more likely. That’s not a bad opening weekend for a movie that cost $45 million to make, so Universal should still be happy. We also can’t be sure how much effect Hurricane Matthew had on the opening day, so business could yet pick up as the storm passes.
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Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million
October 4th, 2016
The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former.
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Friday Estimates: Peregrine Soars on Friday with $9.0 million
October 1st, 2016
Miss Peregrine’s Home for Peculiar Children took first place on Friday with $9.0 million. This is a little better than predicted and fine for a September release. The film’s reviews ticked up a couple of percentage points and now sit at 64% positive, while it earned a CinemaScore of B+. This is about on par with The Maze Runner. If the two films have the same internal multiplier, then Miss Peregrine’s Home for Peculiar Children will open with about $26 million over the weekend.
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Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews
September 30th, 2016
Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before.
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Weekend Predictions: Will September end on a Disastrous Note?
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
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Contest: Dark Urges
September 23rd, 2016
Three wide releases are coming out next week. Of the three, Masterminds is by far the weakest and has no real shot at first place. In fact, if it opens above fifth place, I will be surprised. Miss Peregrine’s Home for Peculiar Children is the widest, but the early reviews for Deepwater Horizon are excellent and I think that will give it the edge at the box office. Because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Deepwater Horizon.
We have copies of The Purge: The Election as prizes. While the film hit VOD this past Tuesday, we have copies on Blu-ray Combo Pack as prizes.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Purge: The Election on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win win a copy of The Purge: The Election on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win The Purge: The Election on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/11/11 | 2 | $1,076,576 | 0 | $1,197,735 | 1 | ||
2016/11/18 | 5 | $642,675 | -40% | 0 | $2,096,601 | 2 | |
2016/11/25 | 10 | $255,460 | -60% | 0 | $2,494,434 | 3 | |
2016/12/02 | 14 | $85,068 | -67% | 0 | $2,642,848 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/4/2016 | $134,164 | 117 | 117 | 274 | $357,766 | 11/30/2018 |
Australia | 10/14/2016 | $466,227 | 177 | 177 | 444 | $905,816 | 11/3/2016 |
Brazil | 9/23/2016 | $0 | 0 | 462 | 1079 | $2,388,920 | 11/16/2018 |
Bulgaria | 10/14/2016 | $22,969 | 0 | 0 | 0 | $115,207 | 2/26/2019 |
Czech Republic | 10/14/2016 | $25,732 | 43 | 43 | 71 | $41,544 | 12/31/2018 |
France | 11/25/2016 | $321,778 | 0 | 0 | 0 | $511,335 | 8/17/2018 |
Italy | 11/9/2016 | $1,076,576 | 0 | 0 | 0 | $2,642,848 | 12/7/2016 |
Lithuania | 10/14/2016 | $21,545 | 76 | 76 | 84 | $38,674 | 11/3/2016 |
Mexico | 10/13/2016 | $388,034 | 0 | 0 | 0 | $769,916 | 9/8/2018 |
North America | 9/30/2016 | $6,541,205 | 3,042 | 3,042 | 8,906 | $17,356,894 | 7/28/2017 |
Poland | 10/21/2016 | $110,342 | 0 | 0 | 0 | $110,342 | 12/31/2018 |
Portugal | 10/6/2016 | $72,864 | 50 | 50 | 165 | $271,702 | 11/17/2016 |
Russia (CIS) | 9/30/2016 | $600,219 | 713 | 713 | 1512 | $1,165,422 | 12/31/2018 |
Slovakia | 10/14/2016 | $44,559 | 48 | 48 | 143 | $147,017 | 11/17/2016 |
Slovenia | 10/14/2016 | $13,508 | 16 | 16 | 38 | $38,642 | 11/23/2016 |
Spain | 1/6/2017 | $242,323 | 199 | 199 | 399 | $454,050 | 1/27/2017 |
Turkey | 12/16/2016 | $25,139 | 26 | 26 | 42 | $47,277 | 2/26/2019 |
Rest of World | $3,487,294 | ||||||
Worldwide Total | $30,850,666 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Zach Galifianakis | David Ghantt |
Owen Wilson | Steve Chambers |
Kristen Wiig | Kelly Campbell |
Jason Sudeikis | Mike McKinney |
Supporting Cast
Ken Marino | Doug Jeffcoat |
Devin Ratray | Runny |
Jon Daly | Plewe |
Mary Elizabeth Ellis | Michelle Chambers |
Kate McKinnon | Jandice |
Leslie Jones | Scanlon |
Ross Kimball | Eric Payne |
Daniel Zacapa | Quintero |
Tom Werme | Anchorman |
Njema Williams | Ty |
Nils Cruz | Carlo's Uncle |
Michael Angel Fraguada | Desk Clerk |
Christian Gonzalez | Banco Lujo Teller |
Candace Blanchard | Cathy Jeffcoat |
Karsten Friske | Cort Chambers |
Dallas J. Edwards | Ken Chambers |
Barry Ratcliffe | Corrections Officer |
Shelton Grant | Prisoner |
Laura Palka | Reporter |
Reegus Flenory | Bailiff |
Wynn Reichert | Matthew (Photographer) |
Jill Jane Clements | Beryl |
Joseph S. Wilson | Airport Security Agent |
Jee An | Female Cashier at Airport |
Rhoda Griffis | Real Estate Agent |
Nicole Michele Sobchack | Reporter #2 |
Vincent Garcia | Pool Guy |
Eizzil Cintron Valenzuela | Lingerie Street Market Woman |
Matt Corboy | Boss |
Anne Johnson | Female Shopper |
Timothy Timms | Hobo |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jared Hess | Director |
Emily Spivey | Screenwriter |
Jody Hill | Screenwriter |
Danny McBride | Screenwriter |
Chris Bowman | Screenwriter |
Hubbel Palmer | Screenwriter |
Emily Spivey | Story by |
Chris Bowman | Story by |
Hubbel Palmer | Story by |
Lorne Michaels | Producer |
John Goldwyn | Producer |
Kevin Messick | Executive Producer |
Danny McBride | Executive Producer |
Jody Hill | Executive Producer |
Erin David | Executive Producer |
Ryan Kavanaugh | Executive Producer |
Tucker Tooley | Executive Producer |
Ron Burkle | Executive Producer |
Jason Colbeck | Executive Producer |
Andrew Panay | Executive Producer |
Jill Messick | Executive Producer |
Adam Fields | Executive Producer |
Brent Almond | Executive Producer |
Brett Dahl | Executive Producer |
Jerry Lasky | Executive Producer |
Joseph Nicholas | Executive Producer |
Dana Brunetti | Executive Producer |
D. Scott Lumpkin | Co-Producer |
Kenneth Halsband | Co-Producer |
Erik Wilson | Director of Photography |
Clayton Hartley | Production Designer |
David Rennie | Editor |
Keith Brachmann | Editor |
Geoff Zanelli | Composer |
Bob Bowen | Music Supervisor |
Sarah Edwards | Costume Designer |
Juel Bestrop | Casting Director |
Damien Lubiak | Unit Production Manager |
D. Scott Lumpkin | Unit Production Manager |
Richard L. Fox | First Assistant Director |
Scott August | Key Second Assistant Director |
Jared D. Underwood | Executive Producer |
Andrew C. Robinson | Executive Producer |
Paige Williams | Associate Producer |
Kenneth Halsband | Executive in Charge of Production |
Steven Ritzi | Stunt Coordinator |
Bass Hampton | Production Supervisor |
Carmen Soriano | Script Supervisor |
Elliott Glick | Art Director |
Barbara Mesney | Set Designer |
David Smith | Set Decorator |
Michael B. Koff* | Sound Mixer |
Ben Cox | First Assistant Editor |
David Raymond | First Assistant Editor |
Bryan Torres | Assistant Editor |
Kate Edwards | Costume Supervisor |
Donald Kozma | Make up |
Ashleigh Chavis | Make up |
Barbara Olvera | Hairstylist |
Melissa Yonkey | Hairstylist |
Thomas G. Parris | Location Manager |
Ken Gorrell | Special Effects Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.