Pakistan Box Office for Mary Queen of Scots (2018)
-(2018).jpg)
| Theatrical Performance (US$) | ||
| Pakistan Box Office | $0 | Details |
| Worldwide Box Office | $48,481,754 | Details |
| Home Market Performance | ||
| North America DVD Sales | $781,848 | Details |
| North America Blu-ray Sales | $1,025,430 | Details |
| Total North America Video Sales | $1,807,278 | |
| Further financial details... | ||
Synopsis
A film that explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth 1. Each young Queen beholds her “sister” in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones—and change the course of history.
Metrics
Movie Details
| Production Budget: | $25,000,000 |
| Pakistan Releases: | July 1st, 2022 (Wide) |
| Video Release: | February 19th, 2019 by Universal Home Entertainment |
| MPAA Rating: | R for some violence and sexuality. (Rating bulletin 2552 (Cert #51396), 11/7/2018) |
| Running Time: | 125 minutes |
| Keywords: | Royalty, Dysfunctional Family, Sibling Rivalry, 1500s, Set in Scotland, Set in England, Intentionally Anachronistic, Historical Drama, Treason, Rebellion |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Working Title Films, Focus Features, Perfect World Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/28/2019 | $35,362 | 23 | 134 | 173 | $66,266 | 8/17/2022 |
| Australia | 1/18/2019 | $881,225 | 256 | 262 | 1464 | $2,997,607 | 8/17/2022 |
| Austria | 1/18/2019 | $0 | 0 | 92 | 254 | $220,452 | 8/17/2022 |
| Azerbaijan | 6/30/2022 | $0 | 0 | 0 | 0 | $8,754 | 8/17/2022 |
| Belgium | 2/27/2019 | $66,613 | 27 | 94 | 161 | $168,445 | 8/17/2022 |
| Bolivia | 6/30/2022 | $0 | 0 | 0 | 0 | $0 | |
| Bosnia and Herzegovina | 6/30/2022 | $0 | 0 | 14 | 14 | $117,789 | 8/17/2022 |
| Brazil | 4/4/2019 | $166,625 | 51 | 637 | 848 | $455,171 | 8/17/2022 |
| Bulgaria | 1/25/2019 | $15,134 | 0 | 52 | 70 | $57,062 | 8/17/2022 |
| Central America | 2/28/2019 | $0 | 0 | 129 | 132 | $13,117 | 8/17/2022 |
| Chile | 3/28/2019 | $19,298 | 10 | 75 | 97 | $39,563 | 8/17/2022 |
| Colombia | 3/28/2019 | $39,644 | 34 | 138 | 206 | $105,732 | 8/17/2022 |
| Croatia | 1/24/2019 | $9,284 | 26 | 26 | 78 | $21,661 | 8/17/2022 |
| Cyprus | 1/24/2019 | $6,389 | 6 | 8 | 26 | $18,825 | 8/17/2022 |
| Czech Republic | 2/8/2019 | $27,138 | 89 | 89 | 205 | $68,138 | 8/17/2022 |
| Denmark | 3/14/2019 | $82,505 | 67 | 88 | 255 | $169,837 | 8/17/2022 |
| Ecuador | 3/1/2019 | $0 | 0 | 49 | 68 | $47,902 | 8/17/2022 |
| Egypt | 1/30/2019 | $9,777 | 13 | 16 | 34 | $13,418 | 8/17/2022 |
| Estonia | 2/1/2019 | $15,160 | 18 | 18 | 49 | $46,385 | 8/17/2022 |
| Finland | 2/1/2019 | $49,124 | 61 | 75 | 251 | $160,087 | 8/17/2022 |
| France | 2/27/2019 | $546,004 | 174 | 644 | 1484 | $1,533,932 | 8/17/2022 |
| Germany | 1/18/2019 | $465,281 | 184 | 740 | 2027 | $2,177,209 | 8/17/2022 |
| Greece | 1/24/2019 | $55,305 | 35 | 35 | 96 | $127,315 | 2/20/2019 |
| Hong Kong | 3/14/2019 | $0 | 0 | 29 | 47 | $74,757 | 8/17/2022 |
| Hungary | 1/31/2019 | $52,808 | 39 | 51 | 172 | $129,888 | 8/17/2022 |
| Iceland | 1/25/2019 | $2,534 | 3 | 10 | 15 | $8,525 | 8/17/2022 |
| India | 2/1/2019 | $21,106 | 54 | 57 | 148 | $37,100 | 8/17/2022 |
| Indonesia | 6/29/2022 | $0 | 0 | 0 | 0 | $0 | |
| Israel | 1/17/2019 | $0 | 0 | 33 | 78 | $111,534 | 8/17/2022 |
| Italy | 1/17/2019 | $880,543 | 0 | 9 | 9 | $1,843,433 | 3/1/2019 |
| Japan | 3/15/2019 | $115,666 | 35 | 374 | 624 | $741,965 | 8/17/2022 |
| Kazakhstan | 6/30/2022 | $0 | 0 | 37 | 37 | $43,916 | 8/17/2022 |
| Kenya | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Latvia | 2/1/2019 | $9,565 | 12 | 13 | 40 | $25,822 | 8/17/2022 |
| Lebanon | 1/24/2019 | $12,828 | 13 | 13 | 18 | $28,923 | 2/20/2019 |
| Lithuania | 2/1/2019 | $14,702 | 83 | 83 | 134 | $31,660 | 8/17/2022 |
| Malaysia | 6/30/2022 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 3/29/2019 | $213,943 | 0 | 743 | 899 | $743,661 | 8/17/2022 |
| Middle East Region | 1/24/2019 | $0 | 0 | 0 | 0 | $0 | |
| Mongolia | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 1/18/2019 | $216,237 | 79 | 138 | 610 | $1,018,681 | 8/17/2022 |
| New Zealand | 1/17/2019 | $0 | 0 | 96 | 546 | $651,645 | 8/17/2022 |
| Nigeria | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| North America | 12/7/2018 | $194,777 | 4 | 1,052 | 4,119 | $16,648,499 | |
| Norway | 5/3/2019 | $48,463 | 24 | 95 | 222 | $187,382 | 8/17/2022 |
| Pakistan | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Paraguay | 2/28/2019 | $0 | 0 | 16 | 19 | $6,625 | 8/17/2022 |
| Peru | 2/28/2019 | $23,575 | 14 | 98 | 112 | $43,342 | 8/17/2022 |
| Philippines | 6/29/2022 | $0 | 0 | 0 | 0 | $0 | |
| Poland | 1/25/2019 | $880 | 2 | 192 | 358 | $258,026 | 8/17/2022 |
| Portugal | 1/18/2019 | $114,255 | 42 | 72 | 230 | $333,954 | 8/17/2022 |
| Romania | 1/25/2019 | $51,710 | 67 | 67 | 231 | $139,538 | 8/17/2022 |
| Russia (CIS) | 1/17/2019 | $487,276 | 616 | 616 | 1350 | $908,798 | 8/17/2022 |
| Serbia and Montenegro | 1/31/2019 | $9,889 | 35 | 63 | 127 | $22,930 | 8/17/2022 |
| Singapore | 2/28/2019 | $33,033 | 12 | 28 | 45 | $58,562 | 8/17/2022 |
| Slovakia | 2/8/2019 | $17,785 | 47 | 47 | 102 | $1,433,432 | 8/17/2022 |
| Slovenia | 1/17/2019 | $0 | 0 | 24 | 53 | $37,916 | 8/17/2022 |
| South Africa | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 2/14/2019 | $15,309 | 12 | 387 | 421 | $51,474 | 8/17/2022 |
| Spain | 2/8/2019 | $514,998 | 214 | 318 | 1152 | $1,476,666 | 8/17/2022 |
| Sri Lanka | 7/1/2022 | $0 | 0 | 7 | 7 | $11,702 | 8/17/2022 |
| Sweden | 2/8/2019 | $0 | 0 | 91 | 104 | $145,085 | 8/17/2022 |
| Switzerland | 1/17/2019 | $0 | 0 | 97 | 212 | $290,994 | 8/17/2022 |
| Taiwan | 7/22/2022 | $0 | 0 | 0 | 0 | $0 | |
| Thailand | 6/30/2022 | $0 | 0 | 0 | 0 | $0 | |
| Trinidad | 1/23/2019 | $11,100 | 10 | 12 | 31 | $26,079 | 8/17/2022 |
| Turkey | 2/1/2019 | $22,107 | 35 | 256 | 338 | $61,159 | 8/17/2022 |
| Ukraine | 1/17/2019 | $0 | 0 | 129 | 299 | $265,157 | 8/17/2022 |
| United Arab Emirates | 1/24/2019 | $55,382 | 27 | 32 | 68 | $92,052 | 8/17/2022 |
| United Kingdom | 1/18/2019 | $2,685,618 | 499 | 656 | 3506 | $11,830,968 | 8/17/2022 |
| Uruguay | 2/28/2019 | $9,694 | 9 | 20 | 36 | $25,237 | 8/17/2022 |
| Vietnam | 7/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $48,481,754 | 8/17/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Saoirse Ronan | Mary Stuart |
| Margot Robbie | Queen Elizabeth I |
Supporting Cast
| Jack Lowden | Lord Darnley |
| Joe Alwyn | Robert Dudley |
| David Tennant | John Knox |
| Guy Pearce | Sir William Cecil |
| Gemma Chan | Bess of Hardwick |
| Martin Compston | Earl of Bothwell |
| Ismael Cruz Cordova | David Rizzio |
| Brendan Coyle | Earl of Lennox |
| Ian Hart | Lord Maitland |
| Adrian Lester | Lord Randolph |
| James McArdle | Earl of Moray |
| Maria-Victoria Dragus* | Mary Fleming |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Josie Rourke | Director |
| Beau Willinon | Adapted Screenplay by |
| John Guy | Story based on the book “Queen of Scots: The True Life of Mary Stuart” by |
| Tim Bevan | Producer |
| Eric Fellner | Producer |
| Debra Hayward | Producer |
| John Mathieson | Director of Photography |
| James Merifield | Production Designer |
| Alexandra Byrne | Costume Designer |
| Chris Dickens | Editor |
| Max Richter | Composer |
| Amelia Granger | Executive Producer |
| Liza Chasin | Executive Producer |
| Kate Pakenham | Executive Producer |
| Jane Robertson | Co-Producer |
| Alastair Coomer | Casting Director |
| Jenny Shircore | Make-up and Hair Designer |
| Marc Pilcher | Make-up and Hair Designer |
| Jessica Brooks | Make-up and Hair Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.