Russia (CIS) Box Office for Человек, который изобрёл Рождество (2017)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $21,298 | Details |
Worldwide Box Office | $8,558,693 | Details |
Home Market Performance | ||
North America DVD Sales | $4,312,707 | Details |
North America Blu-ray Sales | $2,114,805 | Details |
Total North America Video Sales | $6,427,512 | |
Further financial details... |
Synopsis
The journey that led to the creation of Ebenezer Scrooge, Tiny Tim and other classic characters from A Christmas Carol. The film shows how Charles Dickens mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today.
Metrics
Movie Details
Russia (CIS) Releases: | November 26th, 2020 (Wide), released as Человек, который изобрёл Рождество |
Video Release: | February 20th, 2018 by Universal Home Entertainment |
MPAA Rating: | PG for thematic elements and some mild language. (Rating bulletin 2494 (Cert #51183), 9/20/2017) |
Running Time: | 104 minutes |
Keywords: | Biography, Christmas in November, Christmas, Writing and Writers, Writer's Block, Publishing Industry, 1800s, Comedy Drama, Non-Drama Biographies |
Source: | Based on Real Life Events |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Parallel Films, Rhombus Media, Telefilm Canada, Bord Scannan na hEireann, Irish Film Board, Ontario Media Development Corporation, Mazur/Kaplan Company, Mystic Point Productions, The Mob Film Company, Nelly Films Limited |
Production Countries: | Canada, Ireland, United Kingdom |
Languages: | English |
Home Market Releases for March 6th, 2018
March 6th, 2018
Thor: Ragnarok is by far the biggest Blu-ray release of the week and one of the best blockbusters of 2017. However, it was already named Pick of the Week last week, so we will have to pick a different film this week. There are a few contenders: The Breadwinner, Faces Places, and Lady Bird. All three of them are Oscars nominated films, none of them won. It was a close call, but in the end, Lady Bird won.
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Theater Averages: Tonya Skates its Way to $66,039
December 12th, 2017
There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters.
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Theater Averages: Awards Season is Shaping Up
December 6th, 2017
It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release.
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Theater Averages: Name Finds its Calling with $103,233
November 28th, 2017
Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143.
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Weekend Estimates: Coco Gives Disney Another Thanksgiving Win
November 26th, 2017
Coco will easily top the box office chart this Thanksgiving weekend, with Disney projecting a $71 million 5-day opening, including $49 million from Friday to Sunday. That’s the fourth-best Thanksgiving opening of all time, behind Frozen ($94 million), Moana ($82 million), and Toy Story 2 ($80 million). In all, Disney lays claim to 10 of the top 11 opening weekend’s over this holiday period, although, to be fair, the Hunger Games and Harry Potter franchises both claim several spots in the higher reaches of the Thanksgiving weekend record chart, but were just playing in their second weekend, rather than opening.
Nit-picking aside, it’s a great weekend for Coco.
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Limited and VOD Releases: Call Me Anytime
November 24th, 2017
It is Thanksgiving weekend, but while that’s a great week for wide releases, it’s a terrible one for limited releases. Normally, we only mention films that have ten or more reviews on Rotten Tomatoes. However, this week there are only seven films in total, so we might as well talk about them all. To be fair, just because it is a slow week, doesn’t mean there’s nothing worth checking out. In fact, there are several films worth checking out. The Man Who Invented Christmas is the widest release, opening in over 600 theaters. Call Me by Your Name is clearly the best and it is already making waves during Awards Seasons. Finally, Bombshell: The Hedy Lamarr Story is the one I’m most interested in seeing.
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2017 Preview: November
November 1st, 2017
October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
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The Man Who Invented Christmas Trailer
October 26th, 2017
Comedy starring Dan Stevens, Christopher Plummer, and Jonathan Pryce opens November 22 ... Full Movie Details.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/17/2017 | $852 | 4 | 188 | 666 | $454,863 | 12/29/2020 |
Italy | 12/21/2017 | $302,518 | 0 | 0 | 0 | $1,127,065 | 1/8/2018 |
New Zealand | 12/1/2017 | $22,170 | 65 | 65 | 211 | $108,053 | 1/3/2018 |
North America | 11/22/2017 | $1,357,129 | 626 | 720 | 2,740 | $5,676,110 | 10/12/2021 |
Portugal | 12/15/2017 | $6,653 | 16 | 16 | 34 | $23,109 | 1/3/2018 |
Russia (CIS) | 11/26/2020 | $10,406 | 92 | 92 | 162 | $21,298 | 10/19/2022 |
South Korea | 1/4/2018 | $0 | 0 | 103 | 111 | $54,965 | 2/7/2018 |
United Kingdom | 12/1/2017 | $227,059 | 378 | 378 | 830 | $644,787 | 12/20/2017 |
Rest of World | $448,443 | ||||||
Worldwide Total | $8,558,693 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Dan Stevens | Charles Dickens |
Christopher Plummer | Ebenezer Scrooge |
Jonathan Pryce | Mr John Dickens |
Justin Edwards | John Forster/Ghost of Christmas Present |
Morfydd Clark | Kate Dickens |
Anna Murphy | Tara/Ghost of Christmas Past |
Ely Solan | Young Charles |
Supporting Cast
Donald Sumpter | Haddock/Ghost of Marley |
Miles Jupp | Thackeray |
Simon Callow | Leech |
Miriam Margolyes | Mrs. Fisk |
Ian McNeice | Chapman |
Bill Paterson | Mr. Grimsby |
Mark Shcrier | Presenter |
Patrick Joseph Byrnes | Stage Manager |
Cosimo Fusco | Signor Mazzini |
Jasper Hughes-Cotter | Walter Dickens |
James Heffernan | Charley Dickens |
Aleah Lennon | Mamie Dickens |
Ella Mai Delaney | Katey Dickens |
Donna Marie Sludds | Maid |
David McSavage | Hall |
Pat Mooney | Garrick Club Waiter |
Ger Ryan | Mrs Dickens |
Sam McGuillicuddy | Young Charles' Brother |
Rory O'Neill | Young Charles' Brother |
Nancy Quinney | Young Charles' Sister |
Glynnis Casson | Society Lady |
Amelia Crowley | Mrs Grimsby |
Allanah | Young Charles' Sister |
Derek Hannay | Toothless Man |
Derek O'Sullivan | Grave Digger |
John Delaney | Grave Digger |
Gerard Lee | Cleric |
Patrick Ball | Clerk |
Martin Philips | Pawn Broker |
Kevin McCormack | Bailiff |
Aideen Wylde | Charlotte Wigmore |
Katie McGuinness | Fanny Dickens / Mrs. Cratchit |
Marcus Lamb | Rev Henry Burnett / Bob Cratchit |
Pearse Kearney | Henry Jr. / Tiny Tim |
Paul Kealyn | Warren’s Foreman |
Richard Coombs | Punch & Judy Voices |
Michael Judd | Pie Man |
Eddie Jackson | Scam Artist |
Anthony Morris | Newsagent |
John Henshaw | Butcher / Mr. Fezziwig |
Annette Badland | Butcher’s wife / Mrs. Fezziwig |
Lynda Gough | Charwoman |
Jack Gunning | Cratchit Child |
Christina Martina | Cratchit Child |
Ava May Taylor | Cratchit Child |
Adam Dolan | Warren’s Factory Boy |
Cameron Simpson | Poll |
Degnan Geraghty | Christmas Tree Vendor |
John Colleary | Constable Copperfield |
Sean Duggan | Mr Grub |
James Daniel Wilson | Voice of Grip |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Bharat Nalluri | Director |
Susan Coyne | Screenwriter |
Robert Mickelson | Producer |
Ian Sharples | Producer |
Susan Mullen | Producer |
Niv Fichman | Producer |
Vadim Jean | Producer |
Paula Mazur | Executive Producer |
Mitchell Kaplan | Executive Producer |
Andrew Karpen | Executive Producer |
Laurie May | Executive Producer |
Les Standiford | Story Creator |
Ben Smithard | Director of Photography |
Paki Smith | Production Designer |
Jamie Pearson | Editor |
Stephen O'Connell | Editor |
Mychael Danna | Composer |
Leonie Prendergast | Costume Designer |
Lorraine Glynn | Hairstylist |
Sonia Dolan | Makeup |
Amy Hubbard | Casting Director |
Patrick O'Donoghue | Line Producer |
Lisa Wilson | Executive Producer |
Johanna Hogan | Executive Producer |
Alan Moloney | Executive Producer |
Susan Coyne | Executive Producer |
David Leiwant | Executive Producer |
Wayne Marc Godfrey | Executive Producer |
Robert Jones | Executive Producer |
Kevin Krikst | Associate Producer |
Fraser Ash | Associate Producer |
Andrew Hegarty | 1st Assistant Director |
Nessa Linnane | 2nd Assistant Director |
Nicola Jackson | 3rd Assistant Director |
Ange Senior | Script Supervisor |
Colm Nolan | Location Manager |
Nigel Pollock | Supervising Art Director |
Julie Ochipinti | Set Decorator |
Danny Crowley | Sound Mixer |
Derbhla McClelland | Costume Supervisor |
Steven Templeton | Special Effects Supervisor |
Joe Condren | Stunt Coordinator |
Belinda Murphy | Choreographer |
Niamh Burke-Kennedy | Assistant Editor |
Greg Behrens | Visual Effects Supervisor |
Brendan Taylor | Visual Effects Executive Producer |
Martin O'Brien | Visual Effects Producer |
David McCallum | Supervising Dialogue Editor |
Jane Tattersall | Supervising Sound Effects Editor |
Brent Pickett | Dialogue Editor |
Lou Solakofski | Re-recording Mixer |
Joe Morrow | Re-recording Mixer |
Andrea Rusch | Assistant Re-Recording Mixer |
John Whynot | Music Editor |
Mitch Bederman | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.