Australia Box Office for Maiden (2019)

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Maiden
Theatrical Performance (US$)
Australia Box Office $33,820Details
Worldwide Box Office $3,459,906Details
Home Market Performance
North America DVD Sales $75,577 Details
Total North America Video Sales $75,577
Further financial details...

Synopsis

In 1989, the very idea of a competitive all-female sailboat crew was nearly inconceivable to the manly world of open-ocean yacht racing. They’d never make it to the start of the Whitbread Round the World Race, much less survive to the finish. They’d never find funding. They didn’t have the strength or skill. They’d die at sea. Did that many professional female sailors even exist?

Metrics

Movie Details

Australia Releases: August 30th, 2019 (Wide)
Video Release: October 1st, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for language, thematic elements, some suggestive content and brief smoking images.
(Rating bulletin 2571 (Cert #52126), 3/27/2019)
Running Time: 93 minutes
Keywords: Sports Documentary, Miscellaneous Racing, On a Boat, Female Athlete in a Male Dominated Sport, 1980s, 1990s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: New Black Films
Production Countries: United Kingdom
Languages: English

2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports

December 16th, 2019

The Last Black Man in San Francisco

The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season. More...

Home Market Releases for October 1st, 2019

October 3rd, 2019

That Time I Got Reincarnated as a Slime: Season One, Part 1

It’s a great week for home market releases with a couple of monster hits coming out. Spider-Man: Far From Home was already named Pick of the Week when it came out on VOD and the DVD / Blu-ray / 4K lives up to that title. Meanwhile, Toy Story 4 is the best release of the week, but it is only coming out on VOD and I don’t like giving the Pick of the Week title to VOD releases. This leaves Maiden and That Time I Got Reincarnated as a Slime: Season One, Part 1 as the Pick of the Week contenders. It is a close race, but the latter has better extras on its Blu-ray and that was the tiebreaker. More...

Theater Averages: They Call Me Mr. Klein

September 19th, 2019

Hustlers

Mr. Klein, a 40-year old re-release, earned first place on the theater average chart during its second weekend of release with $18,546 in one theater. Up next was The Bad Guys: Reign of Chaos with an average of $14,418 in two theaters. The final film in the $10,000 club was Hustlers, which barely got there earning an average of $10,210 in 3,250 theaters. More...

Theater Averages: The End Begins on Top

August 22nd, 2019

The End of the Century

The End of the Century was the only film in the $10,000 club and it barely got there with $10,398 in one theater. More...

Theater Averages: Lion King Can’t Be Dethroned

July 31st, 2019

The Lion King

The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228. More...

Theater Averages: Chambermaid Cleans Up the Competition

July 3rd, 2019

The Chambermaid

The Chambermaid topped the theater average chart with $28,490 in one theater, which is double The Other Story’s opening of $14,163, also in one theater. The only other film in the $10,000 club was Toy Story 4, which remained in first place on the overall chart, while earning an average of $13,049. More...

Limited and VOD Releases: Get to Nomi these Limited Releases

June 28th, 2019

The Chambermaid

It is not a particularly busy week for limited releases, but there are a few that are worth checking out. This includes The Chambermaid, but it is two documentaries, Maiden and You Don’t Nomi, that are the most interesting to me. More...

Maiden Trailer

June 7th, 2019

Sailing documentary opens June 28 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/30 - $1,014   1 $1,014   $2,951 1
2019/10/18 31 $10,220   31 $330   $18,568 8
2019/10/25 - $3,811 -63% 9 $423   $24,825 9
2019/11/01 - $3,515 -8% 6 $586   $30,303 10
2019/11/08 - $2,156 -39% 5 $431   $33,820 11

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/30/2019 $1,014 1 31 52 $33,820 11/13/2019
Mexico 3/13/2020 00$0
New Zealand 7/20/2019 $1,140 1 32 198 $142,811 10/19/2022
North America 6/28/2019 $46,931 6 180 1,397 $3,162,490
United Kingdom 3/8/2019 $58,908 16 18 57 $120,785 6/5/2019
 
Worldwide Total$3,459,906 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Alex Holmes Director
Alex Holmes Screenwriter
Victoria Gregory Producer
James Erskine Executive Producer