Australia Box Office for Little Women (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $83,480 | Details |
Worldwide Box Office | $1,462,977 | Details |
Home Market Performance | ||
North America DVD Sales | $176,426 | Details |
Total North America Video Sales | $176,426 | |
Further financial details... |
Synopsis
From girls playing in the attic to women living with purpose, the March sisters—Meg, Jo, Beth and Amy—are committed to always supporting each other. Yet, growing up sometimes means growing apart. An aspiring writer, Jo leaves for New York determined to publish a novel. In the wake of rejected draft upon draft, her editor challenges Jo to write about something more interesting—her family. When tragedy brings the sisters back home, sticking together takes on new meaning. As Jo comforts her sick sister, Beth asks for one thing: a story. Jo knows the perfect one … by heart.
Metrics
Movie Details
Australia Releases: | September 5th, 2019 (Wide) |
Video Release: | December 18th, 2018 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some thematic elements and teen drinking. (Rating bulletin 2530 (Cert #51625), 6/6/2018) |
Running Time: | 112 minutes |
Keywords: | Modern Adaptation, Faith-Based Film, Twins, Death of a Sibling, Christmas, New Year's Day |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Main Dog Productions, Pinnacle Films, Paulist Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 18th, 2018
December 18th, 2018
It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey.
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Theater Averages: Venom is the Toast of the Town
October 10th, 2018
The overall box office leader, Venom, was also the top film on the theater average chart earning an average of $18,884. Studio 54 was yet another documentary success story opening with $14,909 in its lone theater. The only holdover in the $10,000 club was Free Solo with an average of $13,726 in 41 theaters and by the end of Sunday, it was nearly at $1 million. The Hate U Give was close behind with an average of $13,336 in 36 theaters. Finally, A Star is Born was the last film in the $10,000 club, earning an average of $12,373 in wide release.
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Theater Averages: Free Doesn’t Go Solo
October 3rd, 2018
Free Solo didn’t quite live up to weekend estimates, but it still overtook Eighth Grade for the best theater average of the year with $72,551. It also surpassed An Inconvenient Truth as the documentary with the best theater average of all time. The Old Man and the Gun was in a distant second place with an average of $28,426 in five theaters, while Matangi/Maya/M.I.A. was close behind with an average of $21,787 in two. The only holdover in the $10,000 club was Colette with an average of $10,172 in 38 theaters. It will continue to expand.
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Limited and VOD Releases: Old Man and the Limited Release
September 27th, 2018
Robert Redford’s swan song, The Old Man and the Gun, leads a group of limited releases this week. It should be the biggest hit on this week’s list and could even become an Awards Season contender. Bad Reputation could also open really well, for a documentary.
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2018 Preview: September
September 1st, 2018
Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/09/06 | 18 | $47,029 | 56 | $840 | $48,682 | 1 | |
2019/09/13 | 23 | $13,138 | -72% | 55 | $239 | $77,015 | 2 |
2019/09/20 | - | $303 | -98% | 2 | $152 | $83,480 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/5/2019 | $47,029 | 56 | 313 | 426 | $83,480 | 1/7/2020 |
North America | 9/28/2018 | $705,063 | 643 | 643 | 1,198 | $1,379,497 | |
Worldwide Total | $1,462,977 | 1/7/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Sarah Davenport | Jo |
Allie Jennings | Beth |
Lea Thompson | Marmee |
Melanie Stone | Meg |
Elise Jones | Amy (Younger) |
Supporting Cast
Lucas Grabeel | Laurie |
Ian Bohen | Freddy |
Taylor Murphy | Amy (Older) |
Bart Johnson | Papa March |
Stuart Edge | Brooke |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Clare Niederpruem | Director |
Clare Niederpruem | Screenwriter |
Kristi Shimek | Screenwriter |
Louisa May Alcott | Based on the novel by |
Maclain Nelson | Producer |
Kristi Shimek | Producer |
Stephen Shimek | Producer |
David Wulf | Producer |
Marybeth Sprows | Executive Producer |
Chris Donahue | Executive Producer |
Maclain Nelson | Executive Producer |
Melissa Cannon | Co-Executive Producer |
Inger Labrum | Co-Executive Producer |
Anka Malatynska | Director of Photography |
Kristi Shimek | Editor |
Lauren Spalding | Production Designer |
Robert Allen Elliott | Composer |
Seth Yanklewitz | Casting Director |