Denmark Box Office for Lightyear (2022)
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| Theatrical Performance (US$) | ||
| Denmark Box Office | $353,068 | Details |
| Worldwide Box Office | $218,768,299 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,537,539 | Details |
| North America Blu-ray Sales | $2,039,118 | Details |
| Total North America Video Sales | $3,576,657 | |
| Further financial details... | ||
Synopsis
A sci-fi action adventure and the definitive origin story of Buzz Lightyear, the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger after he’s marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew. As Buzz tries to find a way back home through space and time, he’s joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda.
Metrics
Movie Details
| Production Budget: | $200,000,000 |
| Denmark Releases: | June 16th, 2022 (Wide) |
| Video Release: | August 3rd, 2022 by Disney+ |
| MPAA Rating: | PG for action/peril. (Rating bulletin 2731 (cert #53706), 5/11/2022) |
| Running Time: | 110 minutes |
| Franchise: | Toy Story |
| Keywords: | Family Adventure, Set in Outer Space, Prequel, Origin Story |
| Source: | Spin-Off |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Walt Disney Pictures, Disney-Pixar |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Three new entries predicted in top ten, but Thor won’t be challenged at the top
July 15th, 2022
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This is another busy week at the box office, with four new movies opening nationwide and two films that each topped $100 million on opening weekend going into their second and third weeks in theaters. There’s not much doubt which film will top the chart (spoiler alert: it’s Thor: Love and Thunder), but our model has been working overtime to compile a predicted top ten.
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Weekend predictions: three-way race to top the chart
June 24th, 2022
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A remarkable pile-up of films will top the box office chart this weekend, with five of them likely to earn more than $20 million over three days, and three in with a shot at coming out top. If it does happen, this would be the seventh time five films have earned over $20 million in a weekend. Life of Pi holds the record for the high-grossing fifth-placed film with $22.45 million over the weekend of November 23, 2012. That record looks in danger this weekend. But which of Elvis, Jurassic World: Dominion and Top Gun: Maverick does our model think will win the weekend? Read on to find out.
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Weekend predictions: Lightyear sets off for chart-topping weekend
June 17th, 2022
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After a painful hiatus from theaters since Onward debuted in March, 2020, Pixar returns in full force this weekend with an exclusive theatrical release for Lightyear. Although its $5,200,000 in previews spread between Wednesday and Thursday nights is well short of infinity and beyond, the animated adventure should top the chart this weekend, in spite of strong competition from Jurassic World: Dominion and Top Gun: Maverick.
More...
Lightyear trailer
June 15th, 2022
Pixar’s animated adventure, with the voice of Chris Evans opens exclusively in theaters on Friday, June 17 ... Full Movie Details.
A sci-fi action adventure and the definitive origin story of Buzz Lightyear, the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger after he’s marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew. As Buzz tries to find a way back home through space and time, he’s joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/06/17 | - | $134,036 | 0 | $134,036 | 1 | ||
| 2022/06/24 | - | $42,847 | -68% | 0 | $208,334 | 2 | |
| 2022/07/01 | - | $27,588 | -36% | 0 | $272,865 | 3 | |
| 2022/07/08 | - | $16,318 | -41% | 0 | $299,458 | 4 | |
| 2022/07/15 | - | $12,356 | -24% | 0 | $318,117 | 5 | |
| 2022/07/22 | - | $8,697 | -30% | 0 | $332,201 | 6 | |
| 2022/07/29 | - | $4,296 | -51% | 0 | $347,344 | 7 | |
| 2022/08/05 | - | $2,086 | -51% | 0 | $352,207 | 8 | |
| 2022/08/12 | - | $144 | -93% | 0 | $352,579 | 9 | |
| 2022/08/19 | - | $120 | -17% | 0 | $352,743 | 10 | |
| 2022/09/02 | - | $119 | 0 | $352,947 | 12 | ||
| 2022/09/09 | - | $122 | +3% | 0 | $353,068 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/16/2022 | $2,450,925 | 0 | 0 | 0 | $7,580,834 | 9/19/2022 |
| Australia | 6/16/2022 | $2,075,611 | 543 | 543 | 2848 | $7,488,508 | 1/2/2023 |
| Austria | 6/16/2022 | $75,860 | 0 | 0 | 0 | $213,644 | 8/22/2022 |
| Belgium | 6/15/2022 | $257,901 | 0 | 0 | 0 | $1,136,479 | 9/19/2022 |
| Brazil | 6/16/2022 | $2,435,944 | 0 | 0 | 0 | $4,821,331 | 9/19/2022 |
| Chile | 6/16/2022 | $695,307 | 0 | 0 | 0 | $2,554,417 | 8/22/2022 |
| Colombia | 6/16/2022 | $1,371,308 | 0 | 0 | 0 | $3,933,265 | 9/13/2022 |
| Croatia | 6/16/2022 | $0 | 0 | 15 | 58 | $76,324 | 8/26/2022 |
| Czech Republic | 6/16/2022 | $69,703 | 210 | 210 | 630 | $246,098 | 7/26/2022 |
| Denmark | 6/16/2022 | $134,036 | 0 | 0 | 0 | $353,068 | 9/13/2022 |
| Finland | 6/15/2022 | $94,830 | 102 | 102 | 357 | $311,550 | 9/13/2022 |
| France | 6/22/2022 | $2,542,368 | 0 | 0 | 0 | $9,820,777 | 9/19/2022 |
| Germany | 6/16/2022 | $483,872 | 0 | 0 | 0 | $1,380,219 | 9/19/2022 |
| Hong Kong | 6/16/2022 | $711,138 | 0 | 0 | 0 | $1,619,172 | 8/30/2022 |
| India | 6/17/2022 | $81,295 | 0 | 0 | 0 | $109,677 | 7/5/2022 |
| Italy | 6/15/2022 | $823,203 | 0 | 0 | 0 | $2,721,114 | 9/19/2022 |
| Japan | 7/1/2022 | $2,874,012 | 0 | 0 | 0 | $8,956,924 | 9/19/2022 |
| Mexico | 6/16/2022 | $7,813,598 | 0 | 0 | 0 | $17,291,903 | 8/15/2022 |
| Netherlands | 6/15/2022 | $192,584 | 149 | 390 | 1485 | $654,336 | 8/30/2022 |
| New Zealand | 6/16/2022 | $247,134 | 99 | 104 | 842 | $745,752 | 10/22/2022 |
| North America | 6/17/2022 | $50,577,961 | 4,255 | 4,255 | 17,580 | $118,307,188 | |
| Norway | 6/15/2022 | $130,343 | 0 | 0 | 0 | $331,020 | 9/7/2022 |
| Philippines | 6/15/2022 | $399,026 | 0 | 0 | 0 | $783,656 | 7/12/2022 |
| Poland | 6/17/2022 | $236,684 | 0 | 0 | 0 | $1,051,607 | 9/19/2022 |
| Portugal | 6/16/2022 | $189,663 | 114 | 114 | 541 | $562,185 | 8/30/2022 |
| Romania | 6/17/2022 | $54,321 | 171 | 171 | 790 | $240,210 | 12/14/2022 |
| Singapore | 6/16/2022 | $107,956 | 0 | 0 | 0 | $239,311 | 8/1/2022 |
| Slovakia | 6/16/2022 | $40,393 | 81 | 81 | 240 | $99,877 | 8/15/2022 |
| South Korea | 6/15/2022 | $1,307,323 | 844 | 844 | 1663 | $2,719,694 | 9/19/2022 |
| Spain | 6/17/2022 | $1,299,504 | 402 | 402 | 2041 | $4,915,784 | 9/19/2022 |
| Sweden | 6/15/2022 | $165,852 | 0 | 0 | 0 | $397,934 | 9/19/2022 |
| Switzerland | 6/15/2022 | $48,571 | 0 | 0 | 0 | $341,126 | 9/7/2022 |
| Taiwan | 6/17/2022 | $419,291 | 0 | 0 | 0 | $1,410,650 | 9/19/2022 |
| Thailand | 6/16/2022 | $317,494 | 0 | 0 | 0 | $621,714 | 7/12/2022 |
| United Kingdom | 6/17/2022 | $4,536,362 | 653 | 666 | 4416 | $14,730,951 | 9/19/2022 |
| Worldwide Total | $218,768,299 | 1/2/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Chris Evans | Buzz Lightyear |
Supporting Cast
| Keke Palmer | Izzy Hawthorne |
| Peter Sohn | Sox |
| Taika Waititi | Mo Morrison |
| Dale Soules | Darby Steel |
| James Brolin | Emperor Zurg |
| Uzo Aduba | Alisha Hawthorne |
| Mary McDonald-Lewis | I.V.A.N. |
| Isiah Whitlock, Jr. | Commander Burnside |
| Efren Ramirez | Airman Diaz |
| Keira Hairston | young Izzy |
| Angus Maclane | Eric/Deric/Zyclops |
| Bill Hader | Featheringhamstan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Angus Maclane | Director |
| Angus Maclane | Screenwriter |
| Jason Headley | Screenwriter |
| Angus Maclane | Story by |
| Matthew Aldrich | Story by |
| Jason Headley | Story by |
| Galyn Susman | Producer |
| Andrew Stanton | Executive Producer |
| Pete Docter | Executive Producer |
| Michael Giacchino | Composer |
| Jeremy Lasky | Director of Photography |
| Ian Megibben | Director of Photography |
| Jane Yen | Visual Effects Supervisor |
| Tim Evatt | Production Designer |
| Dean Kelly | Story Supervisor |
| David DeVan | Animation Supervisor |
| Anthony J. Greenberg | Editor |
| Michael Warch | Associate Producer |
| Sara Wilson | Production Manager |
| Nathan Fariss | Sets Supervisor |
| Laura Holshouser | Script Supervisor |
| Bobby Alcid Rubio | Story Artist |
| Michael Fong | Story Artist |
| Derek Thompson | Story Artist |
| Margaret Spencer | Story Artist |
| Charles Choo Jr. | Story Artist |
| Ted Mathot | Story Artist |
| Melody Cisinski | Story Artist |
| Sunmee Joh | Story Artist |
| Jeff Call | Story Artist |
| Nicolle Castro | Story Artist |
| Tony Rosenast | Story Artist |
| Koko Chou | Story Artist |
| Jeff Stone | First Assistant Editor |
| Michelle Sahlin | Assistant Editor |
| Nicole Vanderneut | Assistant Editor |
| Jeanette McNeil | Assistant Editor |
| Ayesha Johannes | Assistant Editor |
| Rachael Bigelow | Music Editor |
| Samuel Lehmer | Sound Editor |
| Randy Berrett | Set Designer |
| Nelson Bohol | Set Designer |
| Jay Shuster | Set Designer |
| Travis Hathaway | Animation Director |
| Tsung-Yin Hsieh | Animation Director |
| Tim Pixton | Animation Director |
| Paul McGrath | Sound Mixer |
| Vince Caro | Sound Mixer |
| Ren Klyce | Supervising Sound Editor |
| Coya Elliott | Supervising Sound Editor |
| Ren Klyce | Re-recording Mixer |
| Stephen Urata | Re-recording Mixer |
| Cheryl Nardi | Dialogue Editor |
| Patrick Kim | Sound Effects Editor |
| Jonathon Stevens | Sound Effects Editor |
| Ben Burtt | Sound Effects Editor |
| James Spencer | Foley Editor |
| Dee Selby | Foley Editor |
| Scott Curtis | Foley Mixer |
| Michael Giacchino | Music Producer |
| Stephen M. Davis | Music Editor |
| Matt Walker | Executive Music Producer |
| Warren Brown | Score Recordist |
| Warren Brown | Score Mixer |
| Curtis Green | Additional Music |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.