Peter Sohn
Best known as a Supporting Actor based on credits in that role in 4 films, with $1,922,544,841 worldwide aggregate box office (rank #1,018) |
Best-known acting roles: Squishy (Monsters University), Sox (Lightyear), Emile (Ratatouille), Pet Collector (The Good Dinosaur) |
Best-known technical roles: Elemental (Director), Elemental (Story Creator), The Good Dinosaur (Director), The Good Dinosaur (Story Creator), Ponyo (崖の上のポニョ) (Director) |
Most productive collaborators: Leah Lewis, Denise Ream, Mamoudou Athie, Pete Docter, Ronnie del Carmen |
Born: October 18, 1977 (46 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 4 | $716,328,291 | $1,206,216,550 | $1,922,544,841 |
In Technical Roles | Director | 3 | $292,604,216 | $731,196,211 | $1,023,800,427 |
Story Creator | 2 | $277,513,817 | $541,123,944 | $818,637,761 | |
Executive Producer | 1 | $1,324,302 | $49,788,012 | $51,112,314 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Theater counts: The Flash and Elemental each debut in over 4,000 theaters
June 15th, 2023
Three new wide releases grace cinemas all across North America this weekend, while a flurry of big franchise hits are still widely available on the big screen. Newcomer Transformers: Rise of the Beasts won the domestic weekend last time around, but Spider-Man: Across the Spider-Verse retook its position at number one at the box office throughout the week. This week they fall from their respective places as widest release as The Flash and Elemental make their cinematic arrival.
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Featured Blu-ray / DVD Review: The Good Dinosaur
February 22nd, 2016
The Good Dinosaur looks like it will be the first Pixar film to lose money. It cost nearly $200 million to make, while there were reports that the advertising budget was $150 million worldwide. It needed to make over $500 million worldwide to have a shot at breaking even any time soon. It made barely more than $300 million, which wasn't enough to pay for its reported advertising budget. Is it as bad as its box office numbers would suggest? Or is there a reason this film failed to connect with audiences besides quality?
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2015 Preview: November
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
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Featured Blu-ray / DVD Review: Pixar Short Films Collection: Volume 2
November 13th, 2012
When the Pixar Short Film Collection, Volume 1 came out five years ago, I was super excited. Not only do I love Pixar's theatrical release, but I like short films in general and there are so few places to get them. I'm less excited about volume 2, because Pixar has been releasing its short films on DVD and Blu-ray, so if you have been keeping up with their releases, you have this already. But, is there more to this release than just the short films?
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 17, 2022 | Lightyear | Sox | $118,307,188 | $100,461,111 | $218,768,299 |
Nov 25, 2015 | The Good Dinosaur | Pet Collector | $123,087,120 | $210,683,917 | $333,771,037 |
Jun 21, 2013 | Monsters University | Squishy | $268,488,329 | $474,967,481 | $743,455,810 |
Jun 29, 2007 | Ratatouille | Emile | $206,445,654 | $420,104,041 | $626,549,695 |
Averages | $179,082,073 | $301,554,138 | $480,636,210 | ||
Totals | 4 | $716,328,291 | $1,206,216,550 | $1,922,544,841 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 17, 2022 | Lightyear | $50,577,961 | 4,255 | $118,307,188 | $218,768,299 | 54.1% |
Nov 25, 2015 | The Good Dinosaur | $39,155,217 | 3,749 | $123,087,120 | $333,771,037 | 36.9% |
Jun 21, 2013 | Monsters University | $82,429,469 | 4,004 | $268,488,329 | $743,455,810 | 36.1% |
Jun 29, 2007 | Ratatouille | $47,027,395 | 3,940 | $206,445,654 | $626,549,695 | 32.9% |
Averages | $54,797,511 | 3,987 | $179,082,073 | $480,636,210 | 40.0% | |
Totals | 4 | $716,328,291 | $1,922,544,841 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 16, 2023 | Elemental | Director Story by |
$154,426,697 | $330,440,027 | $484,866,724 |
Jun 18, 2021 | Luca | Executive Producer | $1,324,302 | $49,788,012 | $51,112,314 |
Nov 25, 2015 | The Good Dinosaur | Director Story by |
$123,087,120 | $210,683,917 | $333,771,037 |
Aug 14, 2009 | Ponyo (崖の上のポニョ) | Director - English Dub | $15,090,399 | $190,072,267 | $205,162,666 |
Averages | $73,482,130 | $195,246,056 | $268,728,185 | ||
Totals | 4 | $293,928,518 | $780,984,223 | $1,074,912,741 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 16, 2023 | Elemental | $29,602,429 | 4,080 | $154,426,697 | $484,866,724 | 31.8% |
Nov 25, 2015 | The Good Dinosaur | $39,155,217 | 3,749 | $123,087,120 | $333,771,037 | 36.9% |
Aug 14, 2009 | Ponyo (崖の上のポニョ)… | $3,585,852 | 927 | $15,090,399 | $205,162,666 | 7.4% |
Averages | $24,114,499 | 2,919 | $97,534,739 | $341,266,809 | 25.4% | |
Totals | 3 | $292,604,216 | $1,023,800,427 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 16, 2023 | Elemental | $29,602,429 | 4,080 | $154,426,697 | $484,866,724 | 31.8% |
Nov 25, 2015 | The Good Dinosaur | $39,155,217 | 3,749 | $123,087,120 | $333,771,037 | 36.9% |
Averages | $34,378,823 | 3,915 | $138,756,909 | $409,318,881 | 34.4% | |
Totals | 2 | $277,513,817 | $818,637,761 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 301-400) | 308 | $292,604,216 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 5,601-5,700) | 5,671 | $1,324,302 |
Top Grossing Story Creator at the Domestic Box Office (Rank 101-200) | 178 | $277,513,817 |
Top Grossing Director at the International Box Office (Rank 101-200) | 150 | $731,196,211 |
Top Grossing Executive Producer at the International Box Office (Rank 2,201-2,300) | 2,240 | $49,788,012 |
Top Grossing Story Creator at the International Box Office (Rank 101-200) | 143 | $541,123,944 |
Top Grossing Director at the Worldwide Box Office (Rank 101-200) | 193 | $1,023,800,427 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,017 | $51,112,314 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 101-200) | 149 | $818,637,761 |