Spain Box Office for Como la vida misma (2018)

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Life Itself
Theatrical Performance (US$)
Spain Box Office $229,874Details
Worldwide Box Office $7,960,474Details
Further financial details...

Synopsis

A couple leads a multigenerational love story spanning both decades and continents, from the streets of New York to the Spanish countryside, and are all connected by a single event.

Metrics

Movie Details

Production Budget:$10,000,000
Spain Releases: January 4th, 2019 (Wide), released as Como la vida misma
Video Release: December 21st, 2018 by Prime Video
MPAA Rating: R for language including sexual references, some violent images and brief drug use.
(Rating bulletin 2513 (Cert #51277), 2/7/2018)
Running Time: 117 minutes
Keywords: Romance, Set in New York, College, Car Accident, Dysfunctional Family, Non-Chronological, Ensemble, Romantic Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: FilmNation Entertainment, Nostromo Pictures, Temple Hill Entertainment
Production Countries: Spain, United States
Languages: English

Home Market Releases for December 18th, 2018

December 18th, 2018

A Simple Favor

It’s an odd week on the home market, as there are four major first run releases coming out this week, but almost nothing else. Fun fact, I got screeners for all four of these films, although one of them arrived too late to review. Of these four, A Simple Favor is clearly the best and the DVD / Blu-ray / 4K is a contender for Pick of the Week. Its only competition is the 4K release for 2001: A Space Odyssey. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Wrap-Up: Clocking the Opposition

September 24th, 2018

The House with a Clock in its Walls

As expected, The House with a Clock in its Walls topped the chart over the weekend. It was able to open faster than expected with $26.61 million. The other three films combined earned a fraction of that and A Simple Favor was the only other film to earn more than $10 million over the weekend. This caused the overall box office to fall 16% from last weekend to just $90 million. Worse still, this is 23% lower than the same weekend last year, which is a terrible margin. 2018 still has a massive 9.1% / $720 million lead over 2017 at $8.63 billion to $7.91 billion, so there’s no need to panic just yet. More...

Weekend Estimates: Clock Runs Fast, Other Openings Stumble

September 23rd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls was the only new release to top expectations this weekend, and it is doing so with ease. The film will pull in a projected $26.85 million over the weekend, which is close to Goosebumps’s $28.87 million debut and is much better than predicted. Its reviews and its B plus from CinemaScore suggest merely average legs, but this is still a great start for a film that cost $42 million to make. It is way too early to make a call on its international numbers, so I’m a little wary of calling this a financial hit just yet. It did open in first place in the Philippines with 602,000 in 195 theaters, but it only managed third place in Germany with $789,000 in 465. More...

Friday Estimates: Beating the Clock

September 22nd, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls is the only new release that opened well on Friday, with $7.82 million during its opening day. Its reviews are in the overall positive level and it earned a B plus from CinemaScore. This is nearly identical to Miss Peregrine’s Home for Peculiar Children and weaker than Goosebumps’ result. If this film has the same legs as Miss Peregrine, then it will earn $25 million during its opening weekend. That would be an amazing start for a film that cost $42 million to make and significantly better than we predicted. More...

Thursday Night Previews: House Wins Previews with $840,000

September 21st, 2018

The House with a Clock in its Walls

The House with a Clock in its Walls opened with $840,000 in previews on Thursday, which sounds terrible for a wide release, but it is actually quite good, all things considered. It is a family film that had previews on a school night, so it is no surprise it couldn’t crack $1 million. By comparison, Goosebumps opened with $600,000, before earning $23.62 million during its opening weekend and if this film has similar legs, it will open with more than $30 million. On the other hand, Miss Peregrine’s Home for Peculiar Children opened with $1.2 million before earning $28.87 million, which would give this film barely more than $20 million. House’s reviews are closer to Miss Peregrine’s reviews than Goosebumpsreviews, so its legs will likely be similar. That said, I’m happy with our $20 million prediction for now, but I could have to adjust it tomorrow when Friday’s numbers show up. More...

Weekend Prediction: Countdown to the Weekend

September 20th, 2018

The House with a Clock in its Walls

It’s a busier week than expected, as there are four films opening wide or semi-wide. The House with a Clock in its Walls is the only one with a shot at first place. In fact, it might be the only new release in the top five. Fahrenheit 11/9 could earn as much as $10 million, but it could also fail to reach the top five with $5 million. Life Itself is aiming even lower, but there’s an outside chance all things line up correctly and it earns a spot in the top five. On the other hand, Assassination Nation is opening semi-wide and it could miss the Mendoza Line. This weekend last year, Kingsman: The Golden Circle opened with nearly $40 million and two other films earned more than $20 million. This weekend, there might not be a single film with $20 million at the box office. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

Life Itself Trailer

July 10th, 2018

Drama starring Olivia Wilde and Oscar Isaac, written and directed by Dan Fogelman, opens September 21 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/04 12 $94,599   91 $1,040   $94,599 1
2019/01/11 20 $50,111 -47% 98 $511   $198,563 2
2019/01/18 - $6,290 -87% 33 $191   $221,249 3
2019/01/25 - $281 -96% 5 $56   $225,237 4
2019/02/01 - $205 -27% 1 $205   $227,114 5
2019/02/08 - $168 -18% 1 $168   $227,935 6
2019/02/15 - $66 -61% 1 $66   $227,066 7
2019/02/22 - $282 +327% 1 $282   $228,844 8
2019/03/01 - $200 -29% 1 $200   $229,874 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/7/2018 $19,480 53 53 57 $28,472 1/4/2019
Australia 2/15/2019 $0 0 10 10 $7,110 3/5/2019
Brazil 12/7/2018 $204,038 172 172 286 $427,194 1/26/2019
Estonia 9/28/2018 $7,356 10 10 16 $15,895 10/16/2018
France 11/2/2018 $34,596 67 67 144 $48,581 12/6/2018
Italy 2/14/2019 $63,251 0 12 12 $81,509 3/5/2019
Japan 11/22/2019 $31,916 7 8 20 $207,300 1/29/2020
Mexico 12/19/2018 $339,977 0 199 224 $1,075,061 3/5/2019
Netherlands 10/26/2018 $36,139 36 36 126 $136,539 12/23/2018
North America 9/21/2018 $2,123,463 2,609 2,609 5,206 $4,095,431 9/12/2022
Poland 3/8/2019 $23,069 30 30 65 $48,564 3/28/2019
Portugal 11/22/2018 $19,884 17 17 39 $51,281 12/27/2018
Romania 11/16/2018 $12,681 40 40 85 $30,330 12/11/2018
Spain 1/4/2019 $94,599 91 98 232 $229,874 3/8/2019
Taiwan 11/2/2018 $0 0 30 40 $108,773 11/23/2018
Thailand 12/5/2018 $7,129 35 35 37 $22,583 12/27/2018
Ukraine 10/18/2018 $29,265 135 135 219 $57,285 12/4/2018
United Kingdom 1/4/2019 $68,965 35 35 35 $68,965 1/9/2019
 
Rest of World $1,219,727
 
Worldwide Total$7,960,474 9/12/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Laia Costa Isabel
Annette Bening Dr. Kate Morris
Antonio Banderas Mr. Saccione
Alex Monner Rodrigo
Sergio Peris-Mencheta Javier
Jake Robinson Henry
Jean Smart Linda
Yeray Alba Leon 14 Year Old Rodrigo
Pablo Lagüens Abad 13 Year Old Rodrigo
Javier Verdugo Luque 10 Year Old Rodrigo
Adrian Marrero 7-10 Year Old Rodrigo
Lorenza Izzo Elena
Kya Kruse Young Dylan
Alisa Sushkova Baby Dylan

Cameos

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dan Fogelman Director
Dan Fogelman Screenwriter
Marty Bowen Producer
Wyck Godfrey Producer
Julie Monroe Editor
Federico Jusid Composer
Brett Pawlak Director of Photography
Season Kent Music Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.