Lithuania Box Office for Paskutinė naktis Soho rajone (2021)
Theatrical Performance (US$) | ||
Lithuania Box Office | $0 | Details |
Worldwide Box Office | $22,567,607 | Details |
Home Market Performance | ||
North America DVD Sales | $235,233 | Details |
North America Blu-ray Sales | $1,079,426 | Details |
Total North America Video Sales | $1,314,659 | |
Further financial details... |
Synopsis
A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…
Metrics
Movie Details
Production Budget: | $43,000,000 |
Lithuania Releases: | October 29th, 2021 (Wide), released as Paskutinė naktis Soho rajone |
Video Release: | January 4th, 2022 by Universal Home Entertainment |
MPAA Rating: | R for bloody violence, sexual content, language, brief drug material and brief graphic nudity. (Rating bulletin 2700 (cert #52238), 9/29/2021) |
Running Time: | 116 minutes |
Keywords: | Psychological Thriller, Set in London, 1960s, Time Travel, Body Swap, Posthumous Release |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Focus Features, Film4, Working Title Films |
Production Countries: | United Kingdom, United States |
Languages: | English |
Weekend estimates: top three stay the same as bevy of new releases fight over the scraps
October 31st, 2021
There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far.
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Weekend predictions: moviegoers spoilt for choice this weekend
October 29th, 2021
After four straight weekends with a movie opening to over $40 million, the market is taking a bit of a breather this weekend, at least in the sense of there being a “must see” film for general audiences. However, with no less than six films either opening or expanding wide, the number of options available to moviegoers is the largest its been in a long while. Our model thinks three new releases and the one wide expansion will land in the top ten, but Dune is the overwhelming favorite to win the weekend, even if it does fall fairly sharply from its $41-million opening.
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Last Night in Soho trailer
October 7th, 2021
Edgar Wright’s psychological thriller, starring Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Michael Ajao opens in theaters on October 29 ... Full Movie Details.
A young girl, passionate in fashion design, is mysteriously able to enter the 1960s, where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…
More...
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/18/2021 | $40,000 | 80 | 80 | 80 | $40,000 | 10/20/2022 |
Australia | 11/18/2021 | $309,665 | 249 | 249 | 668 | $844,980 | 10/20/2022 |
Brazil | 11/18/2021 | $78,000 | 258 | 258 | 258 | $78,000 | 10/20/2022 |
Croatia | 11/4/2021 | $0 | 0 | 1 | 2 | $21,315 | 8/10/2022 |
Czech Republic | 11/12/2021 | $28,955 | 108 | 108 | 200 | $68,649 | 10/20/2022 |
Denmark | 11/25/2021 | $21,000 | 49 | 49 | 49 | $21,000 | 10/20/2022 |
Finland | 11/12/2021 | $29,336 | 54 | 54 | 128 | $81,468 | 10/20/2022 |
France | 10/27/2021 | $309,000 | 189 | 189 | 390 | $614,000 | 11/15/2021 |
Germany | 11/11/2021 | $376,000 | 273 | 273 | 545 | $628,000 | 10/20/2022 |
Hong Kong | 10/28/2021 | $109,000 | 45 | 45 | 45 | $109,000 | 10/20/2022 |
Indonesia | 11/5/2021 | $128,000 | 346 | 346 | 346 | $128,000 | 10/20/2022 |
Italy | 11/4/2021 | $218,217 | 0 | 1 | 2 | $392,427 | 10/20/2022 |
Japan | 12/10/2021 | $530,000 | 204 | 204 | 204 | $530,000 | 10/20/2022 |
Lithuania | 10/29/2021 | $0 | 0 | 0 | 0 | $0 | |
Mexico | 10/28/2021 | $248,163 | 0 | 140 | 140 | $793,870 | 10/20/2022 |
Netherlands | 11/4/2021 | $88,700 | 74 | 74 | 289 | $338,704 | 12/6/2021 |
New Zealand | 11/11/2021 | $37,086 | 59 | 59 | 219 | $118,285 | 10/20/2022 |
North America | 10/29/2021 | $4,178,460 | 3,016 | 3,016 | 7,872 | $10,127,625 | |
Portugal | 10/28/2021 | $28,556 | 34 | 34 | 63 | $49,749 | 10/20/2022 |
Romania | 10/29/2021 | $16,064 | 75 | 75 | 231 | $59,514 | 10/20/2022 |
Russia (CIS) | 11/25/2021 | $269,231 | 919 | 919 | 1758 | $681,217 | 10/22/2022 |
Saudi Arabia | 10/28/2021 | $176,000 | 43 | 43 | 108 | $453,000 | 10/20/2022 |
Singapore | 11/25/2021 | $34,000 | 30 | 30 | 30 | $34,000 | 10/20/2022 |
Slovakia | 11/11/2021 | $11,927 | 47 | 47 | 85 | $25,408 | 1/21/2022 |
South Africa | 11/25/2021 | $7,000 | 35 | 35 | 35 | $7,000 | 10/20/2022 |
South Korea | 12/1/2021 | $145,383 | 498 | 498 | 711 | $382,248 | 2/16/2022 |
Spain | 11/19/2021 | $232,851 | 295 | 300 | 688 | $487,601 | 12/9/2021 |
Sweden | 11/12/2021 | $49,000 | 121 | 121 | 121 | $49,000 | 10/20/2022 |
Taiwan | 11/12/2021 | $75,000 | 86 | 86 | 86 | $75,000 | 10/20/2022 |
Thailand | 12/9/2021 | $36,000 | 57 | 57 | 57 | $36,000 | 10/20/2022 |
Trinidad | 11/19/2021 | $2,000 | 9 | 9 | 9 | $2,000 | 10/20/2022 |
Turkey | 11/12/2021 | $19,108 | 76 | 94 | 289 | $123,090 | 10/20/2022 |
United Kingdom | 10/29/2021 | $1,001,711 | 513 | 513 | 1736 | $2,856,176 | 11/1/2023 |
Rest of World | $2,311,281 | ||||||
Worldwide Total | $22,567,607 | 11/1/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Thomasin McKenzie | Eloise Turner |
Anya Taylor-Joy | Sandie |
Matt Smith | Jack |
Michael Ajao | John |
Supporting Cast
Dame Diana Rigg* | Miss Collins |
Terence Stamp | Silver Haired Gentleman |
Rita Tushingham | Peggy Turner |
Synnøve Karlsen | Jocasta |
Jessie Mei Li | Lara |
Kassius Nelson | Cami |
Rebecca Harrod | Ashley |
Margaret Nolan | Sage Barmaid |
Lisa McGrillis | Female Detective |
James Phelps | Charles |
Oliver Phelps | Ben |
Amieé Cassettari | Eloise’s Mother |
Colin Mace | Taxi Driver #1 |
Alan Mahon | Toucan Bartender |
Connor Calland | Drunk Student |
Pauline McLynn | Carol |
Josh Zaré | Student at Party |
Jacqui-Lee Pryce | College Administrator |
Elizabeth Berrington | Ms Tobin |
Beth Singh | Cilla Black |
Paul Brightwell | Cubby |
Will Rogers | Café de Paris Bartender |
Terence Frisch | Rialto Club Owner |
Celeste Dring | Shop Assistant |
Jeanie Wishes | Marionetta |
Andrew Bicknell | Mr Pointer |
Adam Sopp | Toucan Drunk |
Richard Corgan | Toucan Drunk’s Mate |
Michael Mears | Punter #1 |
Tom Hartwell | Punter #2 |
Paul Hamilton | Punter #3 |
Wayne Cater | Punter #4 |
Sam Parks | Punter #6 |
Alan Ruscoe | Punter #7 |
Christopher Carrico | Additional Punters |
Ian Harrod | Additional Punters |
Ian Hartley | Additional Punters |
Luke Hope | Additional Punters |
Kent Goldfinch | Additional Punters |
Maggott Richard* | Additional Punters |
O'Sullivan* | Additional Punters |
Michael Jibson | Male Detective |
Al Roberts | Librarian |
Derek Lea | Taxi Driver #2 |
Jennifer White | Choreographer |
Melissa Fox | Rialto Dancers |
Jodie Hassell | Rialto Dancers |
Stephanie Lamey | Rialto Dancers |
Amy Andrea Murray | Rialto Dancers |
Alison Parsons | Rialto Dancers |
Ashley Shaw | Rialto Dancers |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Edgar Wright | Director |
Edgar Wright | Story by |
Edgar Wright | Screenwriter |
Krysty Wilson-Cairns | Screenwriter |
Nira Park | Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Edgar Wright | Producer |
James Biddle | Executive Producer |
Rachael Prior | Executive Producer |
Daniel Battsek | Executive Producer |
Ollie Madden | Executive Producer |
Chung Chung-hoon | Director of Photography |
Marcus Rowland | Production Designer |
Paul Machliss | Editor |
Odile Dicks-Mireaux | Costume Designer |
Lizzie Yianni Georgiou | Make-up and Hair Designer |
Steven Price | Music |
Tom Proctor | Visual Effects Supervisor |
Nina Gold | Casting |
Martin Ware | Casting |
Jeremy Burnage | Unit Production Manager |
Richard Graysmark | First Assistant Director |
David Forman | Stunt Coordinator |
Leo Thompson | Associate Producer |
Miranda Jones | Post-Production Supervisor |
Jeremy Lovering | Second Unit Director |
Oliver Curtis | Second Unit Director of Phot |
Camilla Stephenson | Supervising Location Manager |
Jude Farr | Set Decorator |
Jerry Ramsbottom | First Assistant Editor |
Paula Casarin | Script Supervisor |
Laura Richardson | Associate Producer |
Colin Nicolson | Production Sound Mixer |
Julian Slater | Supervising Sound Editor |
Dan Morgan | Supervising Sound Editor |
Kirsten Lane | Music Supervisor |
Stephen Hutchinson | Special Effects Supervisor |
Tim Blake | Supervising Art Director |
Victoria Allwood | Art Director |
Katie Money | Art Director |
Emily Norris | Art Director |
Alex Watherston | Costume Supervisor |
Barrie Gower | Prosthetics Designer |
Bradley Farmer | Music Editor |
Lisa Curry | Production Supervisor |
Jeremy Price | Sound Designer |
Ben Meechan | Sound Designer |
Samir Foco | Sound Effects Editor |
Arthur Graley | Sound Effects Editor |
Paul Pirola | Foley Supervisor |
Brendan Croxon | Foley Editor |
Duncan Campbell | Foley Recordist |
Danny Huerta | VFX Producer |
Kate Warburton | VFX Executive Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.