United Kingdom Box Office for Land (2021)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $20,689 | Details |
Worldwide Box Office | $3,167,258 | Details |
Home Market Performance | ||
North America DVD Sales | $455,289 | Details |
North America Blu-ray Sales | $57,234 | Details |
Total North America Video Sales | $512,523 | |
Further financial details... |
Synopsis
Land follows the journey of a woman searching for a new way to live in the wake of a life-altering loss. Edee Holzer removes herself from society to embark on a solitary existence in the remote mountain wilderness of Wyoming. Living off the grid without no prior wilderness experience, Edee is buffeted by the elements and unprepared for nature’s formidable realities. She struggles mightily against odds that grow steeper by the day, but a timely encounter with a local man, Miguel Borras, opens the door to deeper understanding of nature as he teaches her the skills she needs to survive. An unexpected friendship develops between two wounded souls, and a bond that confers healing and grace.
Metrics
Movie Details
United Kingdom Releases: | June 4th, 2021 (Limited) |
Video Release: | March 5th, 2021 by Focus Features |
MPAA Rating: | PG-13 for thematic content, brief strong language, and partial nudity. (Rating bulletin 2657 (cert #52886), 11/25/2020) |
Running Time: | 84 minutes |
Keywords: | Set in Wyoming, Life Drama, Off the Grid, Sundance Film Festival 2021, Directing Yourself, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Car Accident, Cancer, Terminal Illness |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Big Beach, Cinetic, Focus Features, Flashlight Films, Nomadic Pictures |
Production Countries: | United States |
Languages: | English |
Weekend estimates: Raya stays top with good second-week hold
March 14th, 2021
A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market.
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Weekend estimates: Raya tops the chart with $8.6 million
March 7th, 2021
Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery.
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Weekend predictions: Raya and the road to recovery
March 5th, 2021
After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.
Weekend predictions: $6 million is the benchmark for Tom and Jerry
February 26th, 2021
Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.
Weekend estimates: Croods pulls clear of the pack
February 21st, 2021
The Croods: A New Age will, as expected, finish top at the box office this weekend. In doing so, it becomes the first film in the 21st century to top the chart in its 13th weekend in release. The last film to achieve the feat was Titanic back in 1998. Titanic went on to win 15 weekends during its incredible first run. If A New Age surpassed that number, we’d have to look back to ET’s run in 1982 for something comparable. That film had 16 weekend wins spread through the second half of the year, including the weekend after Thanksgiving—its 26th in release.
Interesting as these stats may be to the connoisseur of box office records, Croods was down 18% from last weekend, which is a slight disappointment, although there is some potentially good news lurking when we look at the complete set of weekend estimates…
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Weekend estimates: a 3-way tie for number one
February 14th, 2021
The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)
Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news…
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Weekend predictions: Judas and the Black Messiah should win the weekend
February 12th, 2021
The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.
Land trailer
February 1st, 2021
Drama directed by and starring Robin Wright opens in theaters on February 12 ... Full Movie Details.
The story of one woman’s search for meaning in the vast and harsh American wilderness. Edee, in the aftermath of an unfathomable event, finds herself unable to stay connected to the world she once knew and in the face of that uncertainty, retreats to the magnificent, but unforgiving, wilds of the Rockies. After a local hunter brings her back from the brink of death, she must find a way to live again.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/22/2021 | $0 | 0 | 67 | 268 | $214,215 | 10/20/2022 |
Germany | 8/5/2021 | $0 | 0 | 0 | 0 | $0 | |
Netherlands | 6/18/2021 | $23,322 | 30 | 30 | 116 | $118,472 | 10/20/2022 |
New Zealand | 4/29/2021 | $452 | 1 | 59 | 291 | $124,987 | 10/20/2022 |
North America | 2/12/2021 | $899,810 | 1,231 | 1,349 | 6,367 | $2,577,830 | |
South Korea | 3/17/2021 | $9,061 | 24 | 24 | 38 | $20,232 | 3/31/2021 |
Spain | 6/11/2021 | $31,793 | 43 | 46 | 122 | $90,833 | 7/1/2021 |
United Kingdom | 6/4/2021 | $20,689 | 145 | 145 | 145 | $20,689 | 6/11/2021 |
Worldwide Total | $3,167,258 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Robin Wright | Edee |
Supporting Cast
Demián Bichir | Miguel |
Sarah Dawn Pledge | Alawa |
Kim Dickens | Emma |
Warren Christie | Adam |
Finlay Wojtak-Hissong | Drew |
Brad Leland | Colt |
Jordan Bullchild | Store Employee |
Dave Trimble | Store Clerk |
Rikki-Lyn Ward | Kayla Big Bear |
Mia McDonald | Elki |
Barb Mitchell | Diner Waitress |
Valerie Planche | Grumpy Woman |
Laura Yenga | Shoe Store Girl |
Randolph West | Choir Member |
Darin Grisdale | Choir Member |
Darren Poirier | Choir Member |
Thomas Komarniski | Choir Member |
Shawn Loo | Choir Member |
Edmund Gee | Choir Member |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Robin Wright | Director |
Jesse Chatham | Screenwriter |
Elizabeth Hannah | Screenwriter |
Allyn Stewart | Producer |
Lora Kennedy | Producer |
Peter Saraf | Producer |
Leah Holzer | Producer |
Robin Wright | Executive Producer |
Marc Turtletaub | Executive Producer |
Eddie Rubin | Executive Producer |
Chad Oakes | Executive Producer |
Michael Frislev | Executive Producer |
John Sloss | Executive Producer |
Steven Farneth | Executive Producer |
Bobby Bukowski | Director of Photography |
Trevor Smith | Production Designer |
Anne McCabe | Editor |
Mikkel E.G. Nielsen | Editor |
Kemal Harris | Costume Designer |
Susan Jacobs | Music Supervisor |
Yvonne Melville | Unit Production Manager |
Kim H. Winther | First Assistant Director |
Christopher Cinnamon | Second Assistant Director |
Sandi Cameron | Script Supervisor |
Michael Playfair | Sound Mixer |
Mark Stope | Art Director |
Rob Hepburn | Set Decorator |
Tannis Moore | Sets Supervisor |
Jo Dee Thomson | Hairstylist |
Mohammed Qazzaz | Location Manager |
Brian Dunne | Location Manager |
Jason Paradis | Special Effects Supervisor |
Steven McMichael | Stunt Coordinator |
Steven McMichael | Second Unit Director |
Leslie McMichael | Stunt Coordinator |
Josh Cohen | Post-Production Supervisor |
Shari Johanson | Music Editor |
Nancy Allen | Music Editor |
Paul Hsu | Supervising Sound Editor |
Paul Hsu | Re-recording Mixer |
Nick Schenck | Dialogue Editor |
Allan Zaleski | Sound Effects Editor |
William Orrico* | Foley Editor |
Alan Munro | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.