Sweden Box Office for Kubo and the Two Strings (2016)

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Kubo and the Two Strings
Theatrical Performance (US$)
Sweden Box Office $266,799Details
Worldwide Box Office $77,548,122Details
Home Market Performance
North America DVD Sales $4,592,032 Details
North America Blu-ray Sales $5,874,021 Details
Total North America Video Sales $10,466,053
Further financial details...

Synopsis

Clever, kindhearted Kubo ekes out a humble living, telling stories to the people of his seaside town including Hosato, Akihiro, and Kameyo. But his relatively quiet existence is shattered when he accidentally summons a spirit from his past which storms down from the heavens to enforce an age-old vendetta. Now on the run, Kubo joins forces with Monkey and Beetle, and sets out on a thrilling quest to save his family and solve the mystery of his fallen father, the greatest samurai warrior the world has ever known. With the help of his shamisen — a magical musical instrument — Kubo must battle gods and monsters, including the vengeful Moon King and the evil twin Sisters, to unlock the secret of his legacy, reunite his family, and fulfill his heroic destiny.

Metrics

Movie Details

Production Budget:$55,000,000
Sweden Releases: September 23rd, 2016 (Wide)
Video Release: November 8th, 2016 by Focus Features
MPAA Rating: PG for thematic elements, scary images, action and peril.
(Rating bulletin 2428 (Cert #49911), 6/8/2016)
Running Time: 102 minutes
Keywords: Set in Japan, Feudal Japan, Coming of Age, Dysfunctional Family, Animated Inanimate Objects, Young Child Dealing with the Death of a Parent, Mental Illness, Faulty Memory, Curses, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Stop-Motion Animation
Creative Type:Fantasy
Production/Financing Companies: Focus Features, Laika
Production Countries: United States
Languages: English

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Home Market Releases for November 22nd, 2016

November 21st, 2016

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This is the Tuesday before Black Friday / Cyber Monday. It is the last chance for a home market release to come out before one of the most important shopping weekends of the year. However, it also means the new releases coming out have to compete with massive sales and they will tend to get lost in the crowd. Overall, this is a negative for the new releases, which explains why there are not many big titles. The biggest release of the week is Kubo and the Two Strings, which is also one of the best. If you don’t have any of the Laika films, then the Box Set is easily worth picking up. However, I’m giving the Pick of the Week title to Mystery Science Theater 3000: XXXVII, because I’m a huge fanboy.

More...

Featured Blu-ray and DVD Review: Kubo and the Two Strings

November 21st, 2016

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Kubo and the Two Strings came out in the late summer and struggled at the box office, despite its nearly unanimously positive reviews. It wasn’t a bomb and was better than most Stop-Motion animated films at the box office, but that still meant it wasn’t seen by many moviegoers. Should it be seen by more? Or will it only appeal to the niche market fans of this animation style? More...

Contest: Fantastic Prizes

November 10th, 2016

Kubo and the Two Strings

There are four films opening or expanding wide next week, at least that’s what we thought would happen at the beginning of the month. Now we learn The Edge of Seventeen is opening semi-wide, Billy Lynn’s Long Halftime Walk is only expanding semi-wide, while we still don’t know what is happening with Bleed for This. This is great news for Fantastic Beasts and Where to Find Them, as it will have even less competition that anticipated. It is also the only reasonable choice for the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Fantastic Beasts and Where to Find Them.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Kubo and the Two Strings on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a previously reviewed movie. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed movie.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Contest: Be Presidential: Winning Announcement

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Home Market Releases for November 8th, 2016

November 8th, 2016

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September 13th, 2016

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September 7th, 2016

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Don’t Breathe earned a stunning $10.02 million on Friday, which isn’t that much less than some people predicted it would earn over the entire weekend. Its reviews are among the best of any wide release to come out this year. Its CinemaScore was a B+, which is better than most horror films manage. (Like I’ve said in the past, there are two schools of horror fans: gorehounds and those who demand high tension. It is nearly impossible to appeal to both groups, so these movies have a hard time doing well in this metric.) Horror films tend to have a low internal multiplier, but the film is still on pace for $23 million, which is ahead of predictions. More...

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August 25th, 2016

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It’s the last weekend of summer and a number of schools are already back, so the box office prospects are really low. That’s not to say there’s nothing to look forward to, as Don’t Breathe is earning stellar reviews. On the other hand, Mechanic: Resurrection still has no reviews. (There was another movie, Hands of Stone, that was expected to open wide, but that is no longer the case.) This weekend last year, Straight Outta Compton completed its threepete with $13.13 million. The best new release was War Room, which only managed $11.35 million. This year, the two wide releases will topped the combined numbers of those two films, while the holdovers will push 2016 over 2015 in the year-over-year comparison. More...

Contest: Three Prizes for Two Strings: Winning Announcement

August 24th, 2016

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Three even-matched debutants proved to be no match for the incumbents at the box office this weekend, with Suicide Squad taking a third straight victory at the box office with $20.71 million, according to Warner Bros.’ Sunday morning projection. Sausage Party stays in second with $15.3 million, and that leaves the new entrants in 3rd, 4th and 5th. This was a weekend where diversity isn’t the problem, but novelty is. More...

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August 19th, 2016

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August 18th, 2016

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Summer is over, at least as far as the box office is concerned. There are three films opening wide and another expanding wide-ish, but none of them are expected to crack $20 million over the weekend. War Dogs should come the closest, but even then, it is only aiming at the midteens. Kubo and the Two Strings is the best of the new releases, but recent history isn’t kind to stop-motion animated films. The final wide release of the week is Ben-Hur. This film cost nearly $100 million to make and it is expected to bomb spectacularly. Hell or High Water is expected to expand semi-wide, perhaps wide enough to score a spot in the top ten. Suicide Squad will likely win the box office race, but this has less to do with the film’s strength and more to do with the weak competition. Speaking of weak competition, this weekend last year, Straight Outta Compton earned more than all three wide releases combined. 2016 won’t be able to match it at the top of the chart, but there’s much better depth this year than last year, so 2016 should win in the year-over-year comparison. More...

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Contest: Three Prizes for Two Strings

August 12th, 2016

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Summer ends next week, as none of the three wide releases are expected to do well. That said, Kubo and the Two Strings is the only of the three films that are expected to earn good reviews. Since no film is expected to be a major hit, we might as well choose the best film as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Kubo and the Two Strings.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Ratchet and Clank on Blu-ray Combo Pack, which comes out on the 23rd of August, so the winner will be announced on the street date. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win a second Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: August

August 1st, 2016

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July did reasonably well, thanks mostly to The Secret Life of Pets, which will top $300 million shortly and could earn double its nearest competitor when all is said and done. That said, there were also a quartet of $100 million hits as well, so the month had good depth as well. August isn’t as lucky. There is one film that is expected to earn $100 million during its opening weekend, Suicide Squad, and one more that is expected to reach $100 million in total, Pete’s Dragon. There could be a surprise hit among the rest of the releases, (my long shot with a shot is Sausage Party) but for the most part, the rest of the wide releases would be happy with just $50 million at the box office. Last August was a disaster and Straight Outta Compton was the only hit of the month. Unless Suicide Squad bombs compared to expectations, 2016 will come out ahead in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/23 - $110,501   96 $1,151   $113,162 1
2016/09/30 - $68,432 -38% 71 $964   $191,567 2
2016/10/07 - $35,668 -48% 51 $699   $231,732 3
2016/10/14 - $14,726 -59% 31 $475   $248,446 4
2016/10/21 - $8,975 -39% 14 $641   $257,969 5
2016/10/28 - $1,105 -88% 5 $221   $260,333 6
2016/11/04 - $2,376 +115% 7 $339   $266,799 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/2/2016 $156,874 100 110 254 $292,940 1/1/2019
Australia 8/19/2016 $515,080 244 244 1048 $1,551,788 1/18/2017
Austria 10/28/2016 $7,629 20 21 65 $29,642 11/29/2016
Belgium 9/28/2016 $58,624 66 66 178 $112,172 11/1/2016
Brazil 10/14/2016 $308,908 292 292 562 $567,167 12/29/2016
Bulgaria 12/9/2016 $18,879 0 0 0 $52,768 2/26/2019
Chile 9/15/2016 $33,015 41 41 88 $109,896 12/31/2018
China 1/13/2017 $3,040,000 34269 34269 43392 $6,372,757 8/13/2018
Colombia 9/1/2016 $0 0 103 166 $284,555 12/31/2018
Croatia 10/13/2016 $2,703 4 4 34 $9,852 12/31/2018
Czech Republic 10/6/2016 $49,862 98 98 288 $104,907 12/31/2018
Denmark 9/22/2016 $53,353 52 53 220 $169,384 11/8/2016
Finland 9/9/2016 $26,109 110 110 195 $59,894 11/8/2016
France 9/21/2016 $875,279 319 320 1752 $2,768,243 12/13/2016
Germany 10/28/2016 $168,000 256 256 826 $285,792 5/25/2017
Greece 9/22/2016 $85,326 89 89 313 $246,839 12/13/2016
Hong Kong 8/18/2016 $60,611 18 18 37 $139,996 11/15/2018
Hungary 10/6/2016 $23,314 44 55 196 $108,484 12/31/2018
Israel 8/18/2016 $0 0 22 157 $302,814 12/31/2018
Italy 11/4/2016 $328,887 273 273 611 $631,007 12/13/2016
Lithuania 10/7/2016 $20,030 141 141 316 $57,761 9/5/2017
Malaysia 8/26/2016 $136,771 69 69 227 $357,147 10/4/2016
Mexico 10/7/2016 $557,660 0 515 854 $1,293,190 11/8/2016
Netherlands 8/26/2016 $78,708 108 108 576 $351,436 11/1/2016
New Zealand 8/19/2016 $88,055 68 70 341 $313,433 11/15/2016
North America 8/19/2016 $12,608,372 3,260 3,279 16,409 $48,023,088 10/11/2017
Norway 9/9/2016 $55,806 64 64 158 $154,905 11/29/2016
Panama 9/1/2016 $120,028 14 16 45 $278,930 12/31/2018
Peru 8/26/2016 $156,178 90 90 141 $334,202 12/31/2018
Philippines 10/12/2016 $13,890 13 13 16 $20,778 12/31/2018
Poland 12/2/2016 $72,012 128 129 458 $265,458 1/1/2019
Portugal 9/8/2016 $65,197 55 55 168 $165,368 10/25/2016
Russia (CIS) 10/20/2016 $586,175 530 530 1324 $970,385 12/31/2018
Singapore 9/8/2016 $201,515 29 29 106 $469,823 11/22/2016
Slovakia 9/30/2016 $1,108 13 55 195 $71,708 11/17/2016
Slovenia 10/6/2016 $9,454 10 10 70 $43,064 12/6/2016
South Africa 8/19/2016 $0 0 33 67 $80,267 10/11/2016
South Korea 10/21/2016 $0 0 100 279 $183,965 11/29/2016
Spain 8/26/2016 $396,068 323 323 1434 $1,840,228 12/21/2016
Sweden 9/23/2016 $110,501 96 96 275 $266,799 11/8/2016
Switzerland 9/21/2016 $21,488 19 34 182 $149,733 1/11/2017
Taiwan 8/19/2016 $90,000 49 49 109 $211,035 9/13/2016
Thailand 9/8/2016 $68,087 46 46 91 $140,867 9/27/2016
Turkey 10/28/2016 $2,000 8 95 242 $175,202 2/26/2019
United Arab Emirates 9/2/2016 $200,000 40 40 40 $200,000 12/31/2018
United Kingdom 9/9/2016 $1,118,954 520 520 3333 $4,076,521 2/1/2017
Venezuela 9/2/2016 $0 0 47 98 $44,131 10/18/2016
 
Rest of World $2,807,801
 
Worldwide Total$77,548,122 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Travis Knight Director
Marc Haimes Screenwriter
Chris Butler Screenwriter
Shannon Tindle Story by
Marc Haimes Story by
Arianne Sutner Producer
Travis Knight Producer
Christopher Murrie Editor
Dario Marianelli Composer
Frank Passingham Director of Photography
Deborah Cook Costume Designer
Shannon Tindle Character Designer
Kent Melton Character Creator-Character Sculptor
Steve Emerson Visual Effects Supervisor
Oliver Jones Animation Rigging Supervisor
Brian McLean Director of Rapid Prototyping
Brad Schiff Supervisor: Animation
Tim Chau Re-recording Mixer
Tim Chau Sound Designer
Tim Chau Supervising Sound Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.