Argentina Box Office for King’s Man: El origen (2021)
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| Theatrical Performance (US$) | ||
| Argentina Box Office | $154,959 | Details |
| Worldwide Box Office | $121,125,300 | Details |
| Home Market Performance | ||
| North America DVD Sales | $959,853 | Details |
| North America Blu-ray Sales | $1,859,547 | Details |
| Total North America Video Sales | $2,819,400 | |
| Further financial details... | ||
Synopsis
As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.
Metrics
Movie Details
| Production Budget: | $100,000,000 |
| Argentina Releases: | January 6th, 2022 (Wide), released as King’s Man: El origen |
| Video Release: | February 18th, 2022 by Walt Disney Home Entertainment |
| MPAA Rating: | R for sequences of strong/bloody violence, language, and some sexual material. (Rating bulletin 2638 (Cert #52471), 7/15/2020) |
| Running Time: | 131 minutes |
| Franchise: | Kingsman |
| Keywords: | Action Thriller, Prequel, 1900s, Prologue, 1910s, Secret Agent, Death of a Spouse or Fiancée / Fiancé, Set in Africa, Young Child Dealing with the Death of a Parent, World War I, Scene in End Credits, Secret Societies |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 20th Century Fox, MARV Films, Cloudy |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
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January 30th, 2022
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Spider-Man: No Way Home will top the domestic box office chart for the sixth time this weekend, earning about $11 million, according to Sony’s Sunday-morning prediction. That will take it to $735.9 million in total, less than $25 million behind Avatar’s $760.5-million final domestic cume. That’s a landmark Spidey still has a good chance of hitting before its run is complete. One landmark it has hit this weekend is $1 billion internationally, becoming the 10th film to hit that mark all time, and the first ever for Sony.
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January 2nd, 2022
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/07 | - | $59,225 | 0 | $59,225 | 1 | ||
| 2022/01/14 | - | $19,791 | -67% | 0 | $110,122 | 2 | |
| 2022/01/21 | - | $13,364 | -32% | 0 | $132,514 | 3 | |
| 2022/01/28 | - | $6,185 | -54% | 0 | $144,336 | 4 | |
| 2022/02/04 | - | $5,199 | -16% | 0 | $152,613 | 5 | |
| 2022/02/11 | - | $598 | -88% | 0 | $154,959 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/6/2022 | $59,225 | 0 | 0 | 0 | $154,959 | 10/20/2022 |
| Australia | 1/6/2022 | $1,125,951 | 353 | 353 | 1564 | $3,753,450 | 11/22/2022 |
| Austria | 1/5/2022 | $158,099 | 0 | 0 | 0 | $777,410 | 3/30/2022 |
| Belgium | 12/29/2021 | $106,519 | 0 | 0 | 0 | $966,678 | 10/20/2022 |
| Brazil | 1/6/2022 | $321,207 | 0 | 0 | 0 | $703,702 | 10/20/2022 |
| Chile | 1/13/2022 | $56,304 | 0 | 0 | 0 | $148,460 | 10/20/2022 |
| Colombia | 1/6/2022 | $118,362 | 0 | 0 | 0 | $286,856 | 10/20/2022 |
| Czech Republic | 1/6/2022 | $12,026 | 27 | 163 | 487 | $419,910 | 10/20/2022 |
| Denmark | 1/16/2022 | $35,380 | 0 | 0 | 0 | $391,308 | 10/20/2022 |
| Finland | 1/7/2022 | $34,333 | 62 | 62 | 354 | $314,997 | 10/20/2022 |
| France | 12/29/2021 | $2,102,082 | 0 | 0 | 0 | $7,166,727 | 10/20/2022 |
| Germany | 1/6/2022 | $1,299,474 | 0 | 0 | 0 | $5,238,192 | 11/22/2022 |
| Hong Kong | 12/30/2021 | $902,136 | 0 | 0 | 0 | $1,260,144 | 3/1/2022 |
| India | 1/14/2022 | $82,679 | 0 | 0 | 0 | $195,808 | 10/20/2022 |
| Indonesia | 12/22/2021 | $632,285 | 0 | 0 | 0 | $2,079,056 | 10/20/2022 |
| Italy | 1/5/2022 | $519,027 | 0 | 0 | 0 | $1,383,627 | 11/22/2022 |
| Japan | 12/24/2021 | $2,025,789 | 0 | 0 | 0 | $7,878,368 | 11/22/2022 |
| Lithuania | 12/31/2021 | $19,924 | 15 | 15 | 40 | $70,736 | 2/16/2022 |
| Malaysia | 12/30/2021 | $483,637 | 0 | 0 | 0 | $1,463,977 | 3/1/2022 |
| Mexico | 12/30/2021 | $1,169,933 | 0 | 0 | 0 | $5,162,328 | 10/20/2022 |
| Netherlands | 1/26/2022 | $251,956 | 121 | 124 | 616 | $1,210,989 | 3/30/2022 |
| New Zealand | 1/6/2022 | $232,790 | 99 | 99 | 540 | $755,126 | 10/20/2022 |
| North America | 12/22/2021 | $5,915,542 | 3,180 | 3,180 | 19,880 | $37,176,373 | |
| Norway | 1/7/2022 | $196,762 | 0 | 0 | 0 | $796,223 | 10/20/2022 |
| Philippines | 1/19/2022 | $38,960 | 0 | 0 | 0 | $90,555 | 10/20/2022 |
| Poland | 1/5/2022 | $211,182 | 0 | 0 | 0 | $734,610 | 10/20/2022 |
| Portugal | 12/22/2021 | $42,093 | 67 | 67 | 427 | $287,020 | 3/15/2022 |
| Romania | 12/24/2021 | $44,624 | 80 | 80 | 427 | $427,515 | 10/20/2022 |
| Russia (CIS) | 1/13/2022 | $2,195,441 | 2070 | 2070 | 6402 | $6,311,140 | 10/20/2022 |
| Singapore | 12/30/2021 | $310,917 | 0 | 0 | 0 | $1,133,467 | 10/20/2022 |
| Slovakia | 2/10/2022 | $38,179 | 73 | 73 | 114 | $67,974 | 3/9/2022 |
| South Korea | 12/22/2021 | $2,575,150 | 1017 | 1017 | 3465 | $8,695,509 | 3/1/2022 |
| Spain | 12/29/2021 | $341,332 | 330 | 330 | 1418 | $1,891,481 | 10/20/2022 |
| Sweden | 1/5/2022 | $225,341 | 0 | 0 | 0 | $989,692 | 11/22/2022 |
| Switzerland | 12/29/2021 | $60,444 | 0 | 0 | 0 | $1,233,536 | 3/30/2022 |
| Taiwan | 12/30/2021 | $1,962,063 | 0 | 0 | 0 | $5,605,452 | 10/20/2022 |
| Thailand | 12/30/2021 | $245,928 | 0 | 0 | 0 | $847,358 | 10/20/2022 |
| Turkey | 1/7/2022 | $45,986 | 316 | 316 | 566 | $291,257 | 10/20/2022 |
| United Kingdom | 12/26/2021 | $4,720,706 | 628 | 636 | 3025 | $10,546,208 | 4/5/2022 |
| Rest of World | $2,217,122 | ||||||
| Worldwide Total | $121,125,300 | 11/22/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Ralph Fiennes | Duke of Oxford |
| Gemma Arterton | Polly |
| Rhys Ifans | Grigori Rasputin |
| Matthew Goode | Tristan |
| Tom Hollander | George V/Wilhelm II/Nicholas II |
| Harris Dickinson | Conrad |
| Daniel Brühl | Erik Jan Hanussen |
| Djimon Hounsou | Shola |
| Charles Dance | Arthur |
Supporting Cast
| Aaron Taylor-Johnson | Lee Unwin |
| Stanley Tucci | Merlin |
| Alison Steadman | |
| Rob Aramayo | |
| Joel Basman | |
| Alexandra Maria Lara | Polly |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Matthew Vaughn | Director |
| Matthew Vaughn | Screenwriter |
| Karl Gajdusek | Screenwriter |
| Matthew Vaughn | Story by |
| Mark Millar | Story Based on the Comic Book “The Secret Service” by |
| Dave Gibbons | Story Based on the Comic Book “The Secret Service” by |
| Matthew Vaughn | Producer |
| David Reid | Producer |
| Adam Bohling | Producer |
| Mark Millar | Executive Producer |
| Dave Gibbons | Executive Producer |
| Stephen Marks | Executive Producer |
| Claudia Vaughn | Executive Producer |
| Ralph Fiennes | Executive Producer |
| Ben Davis | Director of Photography |
| Darren Gilford | Production Designer |
| Jason Ballantine | Editor |
| Matthew Margeson | Composer |
| Dominic Lewis | Composer |
| Michele Clapton | Costume Designer |
| Reg Poerscout-Edgerton | Casting Director |