Dominican Republic Box Office for El Rey de Reyes (2025)
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| Theatrical Performance (US$) | ||
| Dominican Republic Box Office | $36,151 | Details |
| Worldwide Box Office | $68,405,456 | Details |
| Further financial details... | ||
Synopsis
A father tells his son the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus, witnessing His miracles, facing His trials, and understanding His ultimate sacrifice. The King of Kings invites us to rediscover the enduring power of hope, love, and redemption through the eyes of a child.
Metrics
Movie Details
| Production Budget: | $25,000,000 |
| Dominican Republic Releases: | April 10th, 2025 (Wide), released as El Rey de Reyes |
| Video Release: | May 27th, 2025 by Angel Studios |
| MPAA Rating: | PG for thematic material, violent content and some scary moments. (Rating bulletin 2870 (cert #55355), 1/29/2025) |
| Running Time: | 101 minutes |
| Keywords: | Faith-Based Film, Faith-Based Drama, 1800s, Writing and Writers |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Angel Studios, Mofac Animation |
| Production Countries: | Republic of Korea |
| Languages: | English |
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April 18th, 2025
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Sinners is opening to fantastic reviews and posted good preview numbers on Thursday, with $4.7 million already in the bank going into Friday. Our model thinks that should translate into an opening weekend around $47 million. Whether that will be enough to defeat A Minecraft Movie depends on how that family-friendly film competes over Easter weekend.
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A Minecraft Movie will remain safely at the top of the box office chart this weekend as no less than five new releases battle for second place. Our model thinks The King of Kings will finish second, but with so many new releases aimed at different audiences, there’s a lot of uncertainty over how everything will work out.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/10/2025 | $0 | 0 | 0 | 0 | $70,800 | 6/9/2025 |
| Aruba | 4/10/2025 | $0 | 0 | 0 | 0 | $3,437 | 6/9/2025 |
| Australia | 4/10/2025 | $69,385 | 0 | 0 | 0 | $790,338 | 7/16/2025 |
| Bolivia | 4/10/2025 | $0 | 0 | 0 | 0 | $48,600 | 6/9/2025 |
| Brazil | 4/17/2025 | $0 | 0 | 0 | 0 | $1,533,882 | 6/11/2025 |
| Chile | 5/1/2025 | $0 | 0 | 0 | 0 | $44,300 | 6/9/2025 |
| Colombia | 4/10/2025 | $0 | 0 | 0 | 0 | $293,316 | 6/11/2025 |
| Costa Rica | 4/10/2025 | $0 | 0 | 0 | 0 | $86,048 | 6/9/2025 |
| Croatia | 4/17/2025 | $132,841 | 83 | 83 | 291 | $412,794 | 7/7/2025 |
| Dominican Republic | 4/10/2025 | $0 | 0 | 0 | 0 | $36,151 | 6/9/2025 |
| Ecuador | 4/10/2025 | $0 | 0 | 0 | 0 | $88,300 | 6/9/2025 |
| El Salvador | 4/10/2025 | $0 | 0 | 0 | 0 | $27,424 | 6/9/2025 |
| Estonia | 4/11/2025 | $0 | 0 | 0 | 0 | $27,475 | 6/11/2025 |
| Germany | 4/24/2025 | $0 | 0 | 0 | 0 | $286,755 | 6/11/2025 |
| Ghana | 4/11/2025 | $0 | 0 | 0 | 0 | $252 | 4/21/2025 |
| Guatemala | 4/10/2025 | $0 | 0 | 0 | 0 | $70,760 | 6/9/2025 |
| Honduras | 4/10/2025 | $0 | 0 | 0 | 0 | $29,829 | 6/9/2025 |
| Hungary | 4/17/2025 | $0 | 0 | 0 | 0 | $65,840 | 6/11/2025 |
| Indonesia | 4/18/2025 | $0 | 0 | 0 | 0 | $154,292 | 6/11/2025 |
| Latvia | 4/11/2025 | $0 | 0 | 0 | 0 | $23,344 | 6/11/2025 |
| Lebanon | 4/17/2025 | $0 | 0 | 0 | 0 | $9,572 | 6/11/2025 |
| Lithuania | 4/17/2025 | $0 | 0 | 0 | 0 | $32,288 | 6/11/2025 |
| Mexico | 4/10/2025 | $122,730 | 0 | 0 | 0 | $465,094 | 6/11/2025 |
| New Zealand | 4/10/2025 | $11,751 | 0 | 0 | 0 | $222,733 | 6/17/2025 |
| Nicaragua | 4/10/2025 | $0 | 0 | 0 | 0 | $30,363 | 6/9/2025 |
| Nigeria | 4/11/2025 | $0 | 0 | 0 | 0 | $10,781 | 4/21/2025 |
| North America | 4/11/2025 | $19,371,296 | 3,200 | 3,535 | 13,971 | $60,268,317 | |
| Pakistan | 5/1/2025 | $0 | 0 | 0 | 0 | $669 | 6/11/2025 |
| Panama | 4/10/2025 | $0 | 0 | 0 | 0 | $64,052 | 6/9/2025 |
| Paraguay | 4/10/2025 | $0 | 0 | 0 | 0 | $26,300 | 6/9/2025 |
| Peru | 4/10/2025 | $0 | 0 | 0 | 0 | $85,200 | 6/9/2025 |
| Philippines | 4/19/2025 | $0 | 0 | 0 | 0 | $86,922 | 6/9/2025 |
| Portugal | 4/10/2025 | $69,087 | 68 | 77 | 352 | $457,851 | 6/26/2025 |
| Russia (CIS) | 5/15/2025 | $94,789 | 1063 | 1063 | 2040 | $241,268 | 6/11/2025 |
| Serbia and Montenegro | 4/17/2025 | $0 | 0 | 0 | 0 | $67,845 | 7/17/2025 |
| Singapore | 4/11/2025 | $0 | 0 | 0 | 0 | $311,016 | 6/11/2025 |
| Slovenia | 4/17/2025 | $0 | 0 | 0 | 0 | $85,778 | 6/11/2025 |
| South Africa | 4/18/2025 | $0 | 0 | 0 | 0 | $108,770 | 6/11/2025 |
| South Korea | 7/16/2025 | $0 | 0 | 0 | 0 | $0 | |
| Spain | 9/12/2025 | $0 | 0 | 0 | 0 | $0 | |
| Sri Lanka | 4/11/2025 | $0 | 0 | 0 | 0 | $10,073 | 6/11/2025 |
| Taiwan | 4/18/2025 | $0 | 0 | 0 | 0 | $455,116 | 6/11/2025 |
| Ukraine | 5/29/2025 | $0 | 0 | 0 | 0 | $14,000 | 6/11/2025 |
| United Kingdom | 4/11/2025 | $168,751 | 404 | 404 | 765 | $1,014,902 | 6/11/2025 |
| Uruguay | 4/10/2025 | $0 | 0 | 0 | 0 | $19,900 | 6/9/2025 |
| Rest of World | $222,709 | ||||||
| Worldwide Total | $68,405,456 | 7/17/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kenneth Branagh | Dickens |
| Oscar Isaac | Jesus |
Supporting Cast
| Ben Kingsley | High Priest Caiaphas |
| Forest Whitaker | Peter |
| Uma Thurman | Catherine Dickens |
| Mark Hamill | King Herod |
| Pierce Brosnan | Pontius Pilate |
| Roman Griffin Davis | Walter Dickens |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Seong-ho Jang | Director |
| Seong-ho Jang | Screenwriter |
| Jamie Thomason | Additional Writing by |
| Rob Edwards | Additional Writing by |
| Charles Dickens | Story Creator |
| Kim Woo-hyung | Producer |
| Jamie Thomason | Executive Producer |
| Dennis Won Kuk Cho | Executive Producer |
| Kim Woo-hyung | Cinematographer |
| Seong-ho Jang | Editor |
| Kim Tae-Seong | Composer |