Portugal Box Office for Billy the Kid - A Lenda (2019)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $12,196 | Details |
| Worldwide Box Office | $1,593,173 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,092,444 | Details |
| North America Blu-ray Sales | $987,995 | Details |
| Total North America Video Sales | $2,080,439 | |
| Further financial details... | ||
Synopsis
A young boy, Rio, is forced to go on the run across the American Southwest in a desperate attempt to save his sister from his villainous uncle. Along the way, he encounters Sheriff Pat Garrett, on the hunt for the infamous outlaw Billy the Kid. Rio finds himself increasingly entwined in the lives of these two legendary figures as the cat and mouse game of Billy the Kid’s final year of life plays out. Ultimately Rio is forced to choose which type of man he is going to become, the outlaw or the man of valor, and will use this self-realization in a final act to save his family.
Metrics
Movie Details
| Production Budget: | $7,000,000 |
| Portugal Releases: | May 24th, 2019 (Wide), released as Billy the Kid - A Lenda |
| Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence and language. (Rating bulletin 2565 (Cert #51679), 2/13/2019) |
| Running Time: | 99 minutes |
| Keywords: | 1880s, Directing Yourself, Dysfunctional Family, Rescue, Sheriff, Outlaws, Domestic Abuse, Young Child Dealing with the Death of a Parent, Coming of Age, Parricide |
| Source: | Original Screenplay |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Lionsgate, Mimran Schur Pictures, Suretone Pictures |
| Production Countries: | United States |
| Languages: | English |
Theater Averages: Real Horse Race on Top of the Chart
March 21st, 2019
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The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters.
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Captain Marvel has a Glorious Opening
March 14th, 2019
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Captain Marvel led the way on the Theater Average Chart, but it didn’t dominate like it did on the overall weekend chart. It did earn the best average of the year so far at $35,599. The second place film, Gloria Bell, had the third best theater average of the year so far with an average of $29,044 in five theaters. Finally, Babylon opened with $21,214 in its lone theater, which is enough for the seventh place for the year. It was a good weekend at the box office.
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Weekend Estimates: Captain Marvel Starts Higher. Further. Faster.
March 10th, 2019
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Captain Marvel is opening with $153.0 million over the weekend, according to Disney’s estimate. This is on the high end of the studio’s projections based on Friday’s estimates. Additionally, it is more than the entire box office pulled in this weekend last year, as well as the third biggest March opening and the seventh biggest opening in the MCU. The film is already the biggest domestic hit of 2019 and the fifth-biggest hit worldwide. Its legs should be relatively long for a blockbuster, as it earned certified fresh reviews and a solid A from CinemaScore.
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Limited and VOD Releases: There are some Glorious Films to Watch this Weekend
March 8th, 2019
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There are not many releases on this week’s list. However, most of the ones here are earning reviews that are well over 90% positive, so it is a week where quality reigns over quantity. Of these films, Gloria Bell has the best shot at earning some measure of mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/05/24 | 13 | $6,696 | 20 | $335 | $6,696 | 1 | |
| 2019/05/31 | 29 | $1,603 | -76% | 19 | $84 | $10,958 | 2 |
| 2019/06/28 | - | $89 | 1 | $89 | $12,196 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 3/8/2019 | $514,286 | 268 | 268 | 851 | $1,508,593 | 11/12/2020 |
| Portugal | 5/24/2019 | $6,696 | 20 | 20 | 40 | $12,196 | 7/2/2019 |
| Russia (CIS) | 5/16/2019 | $17,096 | 220 | 220 | 428 | $28,961 | 10/19/2022 |
| Rest of World | $43,423 | ||||||
| Worldwide Total | $1,593,173 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Ethan Hawke | Sheriff Pat Garrett |
| Dane DeHaan | Billy the Kid |
| Jake Schur | Rio |
| Chris Pratt | Grant Cutler |
| Leila George | Sara Cutler |
Supporting Cast
| Adam Baldwin | Bob Olinger |
| Charlie Chappell | Billy Wilson |
| Clint Obenchain | Tom Pickett |
| Chris Bylsma | Charlie Bowdre |
| Chad Dashnaw | Dave Rudabaugh |
| Ben Dickey | Jim East |
| Tait Fletcher | Bill Cutler |
| Hawk D’Onofrio | Oran Moler |
| Vincent D'Onofrio | Sheriff Romero |
| Diana Navarrette | Manuela |
| Samantha Zajarias | Paulita Maxwell |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Vincent D'Onofrio | Director |
| Andrew Lanham | Screenwriter |
| Vincent D'Onofrio | Story by |
| Andrew Lanham | Story by |
| Jordan Schur | Producer |
| Nick Thurlow | Producer |
| Sam Maydew | Producer |
| David Mimran | Producer |
| Matthew J. Lloyd | Director of Photography |
| Sara K. White | Production Designer |
| Katharine McQuerrey | Editor |
| Ruby Katilus | Costume Designer |
| Latham Gaines | Composer |
| Shelby Gaines | Composer |
| Mary Vernieu | Casting Director |
| Chad Dashnaw | Stunt Coordinator |
| Jake Dashnaw | Stunt Coordinator |
| Ra Arancio Parrain | Art Director |
| Brooke Peters | Set Designer |
| Edward McLoughlin | Set Decorator |
| Mack Melson | Sound Mixer |
| Sweet P. Vaughn | Make up |
| Bonnie Masoner | Make up |
| Copper Perry | Hairstylist |
| Daniella Duque | Hairstylist |
| Shaun Garcia | Costume Supervisor |
| Mara Herdmann | Script Supervisor |
| Shani Orona | Location Manager |
| Randy E. Moore* | Special Effects Coordinator |
| Jerry Gilbert | Post-Production Supervisor |
| Brian McCarthy | Assistant Editor |
| Juan Soto | Assistant Editor |
| Ben Cheah | Supervising Sound Editor |
| Ryan Price | Supervising Sound Editor |
| Mary Ellen Porto | Dialogue Editor |
| Eric Hirsch | Dialogue Editor |
| Patrick Cicero | Sound Effects Editor |
| Coll Anderson | Sound Effects Editor |
| Ryan Collison | Foley Mixer |
| Bob Chefalas | Re-recording Mixer |
| Ryan Price | Re-recording Mixer |
| Eric Hirsch | Re-recording Mixer |
| Patrick Woodland | Score Mixer |
| Rian Johnson | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.