Australia Box Office for Jungle Cruise (2021)
Theatrical Performance (US$) | ||
Australia Box Office | $3,501,140 | Details |
Worldwide Box Office | $210,469,803 | Details |
Home Market Performance | ||
North America DVD Sales | $3,066,561 | Details |
North America Blu-ray Sales | $5,762,054 | Details |
Total North America Video Sales | $8,828,615 | |
Further financial details... |
Synopsis
Dr. Lily Houghton travels from London, England to the Amazon jungle and enlists Frank Wolff’s questionable services to guide her downriver on La Quila—his ramshackle-but-charming boat. Lily is determined to uncover an ancient tree with unparalleled healing abilities—possessing the power to change the future of medicine. Thrust on this epic quest together, the unlikely duo encounters innumerable dangers and supernatural forces, all lurking in the deceptive beauty of the lush rainforest. But as the secrets of the lost tree unfold, the stakes reach even higher for Lily and Frank and their fate—and mankind’s—hangs in the balance.
Metrics
Movie Details
Production Budget: | $200,000,000 |
Australia Releases: | July 29th, 2021 (Wide) |
Video Release: | July 30th, 2021 by Disney+ |
MPAA Rating: | PG-13 for sequences of adventure violence. (Rating bulletin 2681 (cert #52833), 5/19/2021) |
Running Time: | 90 minutes |
Keywords: | Chase Adventure, 1900s, Development Hell, Disrupted by 2020 COVID-19 pandemic, Delayed Release, Jungle, On a Boat, Character's Journey Shown on Map |
Source: | Based on Theme Park Ride |
Genre: | Adventure |
Production Method: | Animation/Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Seven Bucks Productions, Davis Entertainment, Flynn Picture Company, Walt Disney Pictures |
Production Countries: | United States |
Languages: | English |
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November 28th, 2021
The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters.
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Weekend estimates: strong hold for Free Guy keeps it top for second weekend
August 22nd, 2021
Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole.
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Weekend estimates: Free Guy’s great start makes up for a generally weak market
August 15th, 2021
An impressive $28.4-million opening for Free Guy will more than make up for weakness in the rest of the market to give us a welcome “up” weekend at the box office. Free Guy’s start beats The Suicide Squad’s debut last weekend, which will undoubtedly add fuel to the debate on the viability of releasing major films simultaneously in theaters and on streaming platforms—Free Guy gets a 45-day window before it lands exclusively on Disney+, while The Suicide Squad is already playing on HBO Max.
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Weekend predictions: The Suicide Squad headed for $30-million-or-so weekend
August 6th, 2021
The Suicide Squad should easily win the weekend at the box office as it goes up against Jungle Cruise (playing in its second weekend), and… not much else. After July’s relative banquet of new releases, August will be more modest in scope, and The Suicide Squad looked at one stage as though it might have had the month almost to itself. Although its recent tracking has been more muted, its Thursday preview numbers point towards an easy win this weekend. This might be the only weekend it tops the charts though.
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Weekend estimates: Jungle Cruise opens with impressive $34.2 million
August 1st, 2021
Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole.
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Weekend predictions: Jungle Cruise should sail choppy waters to the top of the chart
July 30th, 2021
Jungle Cruise enters this weekend as a firm favorite to take the box office crown, even though family films have been performing notably weaker in recent weeks and Disney has the film available for a premium via Disney+. Our model thinks it will do roughly twice the business of the number two film on the chart, and there’s a good chance it’ll do even better than that. With the other two new wide releases not expected to do huge amounts of business though, it’s likely to be a flat weekend for the market as a whole unless Disney’s latest theme-park-ride-turned-movie outperforms expectations.
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July 25th, 2021
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Jungle Cruise Trailer 2
March 10th, 2020
Adventure starring Dwayne Johnson and Emily Blunt opens July 24 ... Full Movie Details.
A movie based on the Walt Disney Land ride of the same name.
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Jungle Cruise Trailer
October 14th, 2019
Adventure starring Dwayne Johnson and Emily Blunt opens July 24, 2020 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/07/30 | 1 | $1,152,720 | 372 | $3,099 | $1,156,497 | 1 | |
2021/08/06 | 2 | $352,888 | -69% | 269 | $1,312 | $1,731,986 | 2 |
2021/08/13 | 3 | $282,490 | -20% | 197 | $1,434 | $2,172,120 | 3 |
2021/08/20 | 4 | $161,360 | -43% | 155 | $1,041 | $2,261,742 | 4 |
2021/08/27 | 6 | $105,202 | -35% | 114 | $923 | $2,485,095 | 5 |
2021/09/03 | 5 | $83,298 | -21% | 98 | $850 | $2,644,935 | 6 |
2021/09/10 | 5 | $69,022 | -17% | 126 | $548 | $2,686,876 | 7 |
2021/09/17 | 7 | $60,461 | -12% | 124 | $488 | $2,731,427 | 8 |
2021/09/24 | 5 | $82,701 | +37% | 118 | $701 | $2,864,639 | 9 |
2021/10/01 | 6 | $153,451 | +86% | 118 | $1,300 | $3,130,839 | 10 |
2021/10/08 | 5 | $81,830 | -47% | 119 | $688 | $3,299,557 | 11 |
2021/10/15 | 5 | $90,613 | +11% | 159 | $570 | $3,467,330 | 12 |
2021/10/22 | 9 | $60,444 | -33% | 118 | $512 | $3,570,632 | 13 |
2021/10/29 | 14 | $32,244 | -47% | 108 | $299 | $3,634,620 | 14 |
2021/11/05 | - | $7,578 | -76% | 25 | $303 | $3,607,007 | 15 |
2021/11/12 | - | $988 | -87% | 6 | $165 | $3,567,505 | 16 |
2021/11/19 | - | $856 | -13% | 2 | $428 | $3,536,735 | 17 |
2021/11/26 | - | $2,276 | +166% | 4 | $569 | $3,474,918 | 18 |
2021/12/10 | - | $33 | 1 | $33 | $3,501,140 | 20 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/29/2021 | $390,231 | 0 | 0 | 0 | $907,566 | 10/20/2022 |
Australia | 7/29/2021 | $1,152,720 | 372 | 372 | 2233 | $3,501,140 | 10/20/2022 |
Austria | 7/29/2021 | $0 | 0 | 0 | 0 | $647,000 | 10/20/2022 |
Belgium | 7/28/2021 | $0 | 0 | 0 | 0 | $1,565,479 | 10/20/2022 |
Brazil | 7/29/2021 | $474,412 | 0 | 0 | 0 | $944,591 | 9/24/2021 |
China | 11/12/2021 | $3,250,000 | 31615 | 31615 | 39163 | $7,030,860 | 10/20/2022 |
Colombia | 7/29/2021 | $0 | 0 | 0 | 0 | $1,064,597 | 10/20/2022 |
Czech Republic | 7/30/2021 | $164,266 | 132 | 132 | 337 | $506,431 | 10/20/2022 |
Denmark | 7/28/2021 | $0 | 0 | 0 | 0 | $73,978 | 10/20/2022 |
Finland | 7/30/2021 | $0 | 0 | 45 | 160 | $361,678 | 10/20/2022 |
France | 7/29/2021 | $1,732,332 | 538 | 538 | 1141 | $6,981,917 | 10/20/2022 |
Germany | 7/29/2021 | $786,568 | 0 | 0 | 0 | $2,745,851 | 10/20/2022 |
Hong Kong | 7/29/2021 | $1,073,134 | 0 | 0 | 0 | $2,368,685 | 9/17/2021 |
Iceland | 7/30/2021 | $0 | 0 | 0 | 0 | $0 | |
India | 9/24/2021 | $0 | 0 | 0 | 0 | $793,742 | 10/20/2022 |
Indonesia | 10/6/2021 | $200,000 | 0 | 0 | 0 | $380,859 | 10/20/2022 |
Italy | 7/28/2021 | $805,787 | 0 | 0 | 0 | $2,004,813 | 10/20/2022 |
Japan | 7/30/2021 | $1,396,487 | 0 | 0 | 0 | $7,744,941 | 10/20/2022 |
Lithuania | 7/30/2021 | $12,145 | 15 | 15 | 42 | $53,223 | 10/20/2022 |
Malaysia | 9/23/2021 | $0 | 0 | 0 | 0 | $143,260 | 10/20/2022 |
Mexico | 7/29/2021 | $1,063,187 | 0 | 0 | 0 | $2,938,726 | 10/20/2022 |
Netherlands | 7/30/2021 | $704,126 | 232 | 232 | 1050 | $3,954,213 | 10/20/2022 |
New Zealand | 7/29/2021 | $334,497 | 96 | 105 | 535 | $881,440 | 5/8/2023 |
North America | 7/30/2021 | $35,018,731 | 4,310 | 4,310 | 32,108 | $116,987,516 | |
Norway | 7/28/2021 | $0 | 0 | 0 | 0 | $272,199 | 10/20/2022 |
Peru | 8/6/2021 | $0 | 0 | 0 | 0 | $0 | |
Poland | 7/30/2021 | $315,462 | 0 | 0 | 0 | $1,495,247 | 10/20/2022 |
Portugal | 7/30/2021 | $110,879 | 128 | 128 | 388 | $428,923 | 10/20/2022 |
Romania | 7/30/2021 | $172,128 | 133 | 133 | 665 | $703,983 | 10/20/2022 |
Russia (CIS) | 7/29/2021 | $2,962,039 | 1885 | 1885 | 7449 | $10,068,882 | 10/20/2022 |
Saudi Arabia | 8/13/2021 | $0 | 0 | 0 | 0 | $3,300,000 | 10/20/2022 |
Slovakia | 7/30/2021 | $88,154 | 63 | 63 | 134 | $249,596 | 9/14/2021 |
South Africa | 8/5/2021 | $0 | 0 | 0 | 0 | $0 | |
South Korea | 7/28/2021 | $909,975 | 820 | 820 | 1383 | $1,952,204 | 11/3/2021 |
Spain | 7/30/2021 | $877,757 | 398 | 398 | 1759 | $4,078,156 | 10/20/2022 |
Sweden | 7/28/2021 | $0 | 0 | 0 | 0 | $1,428,300 | 10/20/2022 |
Switzerland | 7/28/2021 | $0 | 0 | 0 | 0 | $869,023 | 10/20/2022 |
Taiwan | 7/30/2021 | $192,488 | 0 | 0 | 0 | $558,019 | 9/17/2021 |
Thailand | 10/21/2021 | $64,411 | 0 | 0 | 0 | $179,942 | 10/20/2022 |
Turkey | 7/30/2021 | $50,474 | 249 | 249 | 685 | $341,257 | 10/20/2022 |
United Arab Emirates | 8/13/2021 | $0 | 0 | 0 | 0 | $2,600,000 | 8/16/2021 |
United Kingdom | 7/30/2021 | $3,118,602 | 577 | 610 | 5084 | $17,361,566 | 11/15/2021 |
Worldwide Total | $210,469,803 | 5/8/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Dwayne Johnson | Frank Wolff |
Emily Blunt | Lily Houghton |
Edgar Ramirez | Aguirre |
Jack Whitehall | MacGregor Houghton |
Jesse Plemons | Prince Joachim |
Paul Giamatti | Nilo |
Supporting Cast
Veronica Falcon | Trader Sam |
Dani Rovira | Sancho |
Quim Gutierrez | Melchor |
Dan Dargan Carter | Gonzalo |
Andy Nyman | Sir James Hobbs-Coddington |
Raphael Alejandro | Zaqueu |
Simone Lockhart | Anna |
Pedro Lopez | Chief |
Sulem Calderon | Chief’s Daughter |
Sebastian Blunt | Society Guard |
Mark Ashworth | Society Member |
Allan Poppleton | Society Worker |
Caroline Paige | Kid Tourist |
James Quattrochi | Italian Tourist |
Stephen Dunlevy | Middlepart |
Philipp Maxmilian | Axel |
Romualdo Castillo | Animal Vendor |
Pedro Haro | Bird Vendor |
Christina Souza | Barmaid |
Michael H. Cole | Bus Conductor |
Hector Banos | Puka Michuna Warrior |
Peter Luis Zimmerman | Puka Michuna Warrior |
Travis Gomez | Puka Michuna Warrior |
Ismael Herrera | Puka Michuna Warrior |
David Lengel | Boat Tourist |
Justin Randell Brooke | Boat Tourist |
Victoria Blade | Boat Tourist |
Brooke Jaye Taylor | Boat Tourist |
Vince Pisani | Boat Tourist |
Piper Collins | Boat Tourist |
Keith Arthur Bolden | Boat Tourist |
Chip Steele | Boat Tourist |
Ben Jenkin | Proxima |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jaume Collet-Serra | Director |
Michael Green | Screenwriter |
Glenn Ficarra | Screenwriter |
John Requa | Screenwriter |
John Norville | Story by |
Josh Goldstein | Story by |
Glenn Ficarra | Story by |
John Requa | Story by |
John Davis | Producer |
John Fox | Producer |
Beau Flynn | Producer |
Dwayne Johnson | Producer |
Dany Garcia | Producer |
Hiram Garcia | Producer |
Scott Sheldon | Executive Producer |
Doug Merrifield | Executive Producer |
Flavio Labiano | Director of Photography |
Jean-Vincent Puzos | Production Designer |
Joel Negron | Editor |
Paco Delgado | Costume Designer |
James Newton Howard | Composer |
Jim Berney | Visual Effects Supervisor |
Jake Morrison | Visual Effects Supervisor |
Mary Vernieu | Casting Director |
Marisol Roncali | Casting Director |
Doug Merrifield | Unit Production Manager |
David H. Venghaus, Jr. | First Assistant Director |
Eric Lasko | Second Assistant Director |
Marla Neto Henshaw | Visual Effects Producer |
Amber Kirsch | Visual Effects Producer |
Larry Franco | Consulting Producer |
Petra Holtorf-Stratton | Co-Producer |
Allan Poppleton | Stunt Coordinator |
Allan Poppleton | Fight Choreographer |
Lacey Darlene Paulson | Associate Producer |
David H. Venghaus, Jr. | Associate Producer |
Paul Rubell | Additional Editor |
John Gilroy | Additional Editor |
Kevin Stermer | Supervising First Assistant Editor |
Christian Sharaf | First Assistant Editor |
Adam Kimmerlin | First Assistant Editor |
Jeanette Surga | Supervising Music Editor |
Ethan Van der Ryn | Supervising Sound Editor |
Erik Aadahl | Supervising Sound Editor |
Ron Bartlett | Re-recording Mixer |
Doug Hemphill | Re-recording Mixer |
Robert Mazaraki | Production Supervisor |
David Lazan | Supervising Art Director |
Greg Hooper | Art Director |
Drew Monahan | Art Director |
Tom Wilkins | Art Director |
Larry Dias | Set Decorator |
Joel Harlow | Make up |
Kimberly Felix-Burke | Make up |
Anna Rane | Script Supervisor |
Michael Koff | Sound Mixer |
Laura Sode Matteson | Supervising Location Manager |
Maida Morgan | Location Manager |
John Marquis | Sound Designer |
Brandon Jones | Sound Designer |
Lee Gilmore | Sound Effects Editor |
Jason W. Jennings | Sound Effects Editor |
Goeun Lee | Sound Effects Editor |
Matt Cavanaugh | Sound Effects Editor |
Greg ten Bosch | Sound Effects Editor |
Casey Genton | Sound Effects Editor |
Malte Bieler | Sound Effects Editor |
Tim Walston | Sound Effects Editor |
Ralph Osborn | Dialogue Editor |
Robert Jackson | Dialogue Editor |
Jonathan Klein | Supervising Foley Editor |
Willard Overstreet | Foley Editor |
Richard Duarte | Foley Mixer |
Jack Cucci | Foley Mixer |
J.D. Schwalm | Special Effects Supervisor |
Eric Cook | Special Effects Coordinator |
Tim Earls | Set Designer |
Robert Fechtman | Set Designer |
Thomas Frohling | Set Designer |
Jim Hewitt | Set Designer |
Luis G. Hoyos | Set Designer |
Bria Kinter | Set Designer |
Easton Smith | Set Designer |
Justin Trudeau | Set Designer |
Julie Vash | Set Designer |
Dean Wolcott | Set Designer |
Eric Sundahl | Set Designer |
Aric Cheng | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.