Michael Green

Best known as a Screenwriter based on credits in that role in 10 films, with $2,005,574,824 worldwide aggregate box office (rank #92)
Best-known technical roles: Logan (Screenwriter), Jungle Cruise (Screenwriter), Murder on the Orient Express (Screenwriter), Blade Runner 2049 (Screenwriter), Green Lantern (Screenwriter)
Best-known acting roles: Jerry (Permanent)
Most productive collaborators: Kenneth Branagh, Dwayne Johnson, Jaume Collet-Serra, Penélope Cruz, Emily Blunt
Also credited as: Mike Green

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
As an ActorSupporting1$12,847$0$12,847
In Technical RolesScreenwriter10$805,190,342$1,200,384,482$2,005,574,824
Producer6$234,525,589$105,680,534$340,206,123
Executive Producer4$117,120,665$147,222,589$264,343,254
Story Creator2$190,863,203$267,193,536$458,056,739

Latest Ranking on Selected Box Office Record Lists


2020 Preview: February

February 1st, 2020

Birds of Prey

We had a great start to the year, sort of. Most films that opened / expanded wide in January are going to miss expectations; however, Bad Boys for Life and 1917 are so much stronger than anticipated that they alone will more than make up the difference. Looking forward, Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) is almost guaranteed to be the biggest hit of the month. There are two questions. Firstly, is it going to top Bad Boys for Life and become the biggest hit of the year so far? Secondly, is it going to be the only $100 million hit of month? Hopefully the answers to those questions are yes and no respectively, but no to both is would still be good news overall. Sonic the Hedgehog is looking better than before and frankly Paramount needs a hit after a very troubling 2019. Meanwhile, there are several midlevel hits that could help the overall box office. Last February was a mixed month with some hits, like How to Train Your Dragon: The Hidden World, but some disappointing results as well, like from The Lego Movie 2: The Second Part. I think it will be a close race in the year-over-year competition with 2020 winning some weeks and losing others. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

Featured Blu-ray and DVD Review: Murder on the Orient Express

March 3rd, 2018

Murder on the Orient Express

Murder on the Orient Express was expected to be a hit; however, it beat expectations earning nearly $350 million worldwide. The studio’s share of the box office was about $150 million compared to $55 million for its production budget and likely under $100 million for its combined budget. A sequel was announced while the film was still in theaters. Is this a smart move? Is the movie good enough to warrant a sequel? Or will those who watched this movie going to want to stay away from any follow-up? More...

2017 Awards Season: Oscar Highlight: Best Adapted Screenplay

February 27th, 2018

Call Me By Your Name

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay. We haven’t had a single competitive category so far, but that changes today. ... with the Best Original Screenplay. Best Adapted Screenplay is a one-horse race. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: WGA Nominations

January 4th, 2018

The Big Sick

The Writers Guild of America is the latest group to announce award nominees. There are a lot of categories that WGA hand out awards for, but only three of them are for theatrical releases. The list of nominees include several major Awards Season players, and not a lot of surprises. The Big Sick, Lady Bird, The Disaster Artist, Get Out, The Shape of Water… We've seen almost all of these films appear on lists of nominations before. More...

2017 Preview: November

November 1st, 2017

Thor: Ragnarok

October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

2017 Preview: May

May 1st, 2017

Guardians of the Galaxy, Vol. 2

April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth. More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

All Acting Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Dec 15, 2017Permanent Jerry $12,847$12,847
 
Averages $12,847n/a$12,847
Totals 1 $12,847n/a$12,847

Latest Ranking on All Acting Box Office Record Lists



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Dec 13, 2024Carry On Screenwriter
Sep 15, 2023A Haunting in Venice Screenwriter $42,471,412$71,321,831$113,793,243
Feb 11, 2022Death on the Nile Screenwriter $45,630,104$84,668,080$130,298,184
Jul 30, 2021Jungle Cruise Screenwriter $116,987,516$93,482,287$210,469,803
Feb 21, 2020The Call of the Wild Screenwriter
Executive Producer
$62,342,368$45,008,823$107,351,191
Nov 10, 2017Murder on the Orient Express Screenwriter $102,826,543$248,940,604$351,767,147
Oct 6, 2017Blade Runner 2049 Screenwriter $92,054,159$166,103,290$258,157,449
May 19, 2017Alien: Covenant Story by $74,262,031$164,259,216$238,521,247
Mar 3, 2017Logan Screenwriter $226,277,068$387,925,247$614,202,315
Apr 20, 2016Streit’s: Matzo and the Ame… Executive Producer
Producer
$17,506$17,506
Mar 29, 2016Natural Born Pranksters Executive Producer
Mar 21, 2014Falcon Song Producer
Feb 17, 2012This Means War Executive Producer $54,760,791$102,213,766$156,974,557
Jun 17, 2011Green Lantern Screenwriter
Story Creator
$116,601,172$102,934,320$219,535,492
Feb 18, 2011Big Mommas: Like Father, Li… Producer $37,915,414$44,417,036$82,332,450
Mar 7, 2008College Road Trip Producer $45,610,425$5,263,498$50,873,923
Nov 21, 2001Black Knight Producer $33,422,806$33,422,806
Jun 2, 2000Big Momma's House Producer $117,559,438$56,000,000$173,559,438
 
Averages $77,915,917$120,964,461$182,751,783
Totals 18 $1,168,738,753$1,572,537,998$2,741,276,751


Producer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Apr 20, 2016Streit’s: Matzo and th… 3$17,506$17,506100.0%
Mar 21, 2014Falcon Song
Feb 18, 2011Big Mommas: Like Fathe… $16,300,8032,821$37,915,414$82,332,45046.1%
Mar 7, 2008College Road Trip $13,601,4192,706$45,610,425$50,873,92389.7%
Nov 21, 2001Black Knight $11,102,9482,571$33,422,806$33,422,806100.0%
Jun 2, 2000Big Momma's House $25,661,0412,854$117,559,438$173,559,43867.7%
 
Averages $16,666,5532,191$46,905,118$68,041,22580.7%
Totals 6 $234,525,589$340,206,123


Writer Credits


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Release
Date
TitleOpening
Weekend
Maximum
Theaters
Domestic
Box Office
Worldwide
Box Office
Domestic
Share
Dec 13, 2024Carry On
Sep 15, 2023A Haunting in Venice $14,279,5293,305$42,471,412$113,793,24337.3%
Feb 11, 2022Death on the Nile $12,891,1233,420$45,630,104$130,298,18435.0%
Jul 30, 2021Jungle Cruise $35,018,7314,310$116,987,516$210,469,80355.6%
Feb 21, 2020The Call of the Wild $24,791,6243,914$62,342,368$107,351,19158.1%
Nov 10, 2017Murder on the Orient E… $28,681,4723,354$102,826,543$351,767,14729.2%
Oct 6, 2017Blade Runner 2049 $32,753,1224,058$92,054,159$258,157,44935.7%
May 19, 2017Alien: Covenant $36,160,6213,772$74,262,031$238,521,24731.1%
Mar 3, 2017Logan $88,411,9164,071$226,277,068$614,202,31536.8%
Jun 17, 2011Green Lantern $53,174,3033,816$116,601,172$219,535,49253.1%
 
Averages $36,240,2713,780$97,716,930$249,344,00841.3%
Totals 10 $879,452,373$2,244,096,071