Australia Box Office for Infinity Pool (2023)
.jpg)
| Theatrical Performance (US$) | ||
| Australia Box Office | $92,958 | Details |
| Worldwide Box Office | $5,411,740 | Details |
| Home Market Performance | ||
| North America DVD Sales | $230,645 | Details |
| North America Blu-ray Sales | $718,696 | Details |
| Total North America Video Sales | $949,341 | |
| Further financial details... | ||
Synopsis
While staying at an isolated island resort, James and Em are enjoying a perfect are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.
Metrics
Movie Details
| Australia Releases: | May 11th, 2023 (Wide) |
| Video Release: | April 11th, 2023 by Decal |
| MPAA Rating: | NC-17 some graphic violence and sexual content. (Rating bulletin 2750 (cert #54010), 9/21/2022) R for graphic violence, disturbing material, strong sexual content, graphic nudity, drug use and some language. (Rating bulletin 2754 (cert #54010), 10/19/2022) |
| Running Time: | 117 minutes |
| Keywords: | Psychological Horror, Tourists In Trouble, Vacation, Filmed in Croatia, Car Accident, Accidental Death, Writing and Writers, Writer's Block, Sundance Film Festival 2023 |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Film Forge Productions, Elevation Pictures, 4film, Telefilm Canada, Eurimages, The Croatian Audiovisual Centre, Celluloid Dreams, Hero Squared, Topic Studios |
| Production Countries: | Canada, Croatia, Hungary |
| Languages: | English |
Weekend predictions: will Avatar get an Oscar boost? Can Infinity Pool or Left Behind break through?
January 27th, 2023
-1-News.jpg)
The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/05/12 | - | $22,554 | 30 | $752 | $32,111 | 1 | |
| 2023/05/19 | - | $13,898 | -38% | 29 | $479 | $61,068 | 2 |
| 2023/05/26 | - | $7,874 | -43% | 19 | $414 | $76,274 | 3 |
| 2023/06/02 | - | $3,554 | -55% | 9 | $395 | $80,916 | 4 |
| 2023/06/09 | - | $3,214 | -10% | 8 | $402 | $86,774 | 5 |
| 2023/06/16 | - | $1,101 | -66% | 6 | $184 | $91,593 | 6 |
| 2023/06/23 | - | $1,055 | -4% | 3 | $352 | $92,622 | 7 |
| 2023/06/30 | - | $523 | -50% | 3 | $174 | $93,758 | 8 |
| 2023/07/07 | - | $157 | -70% | 1 | $157 | $94,111 | 9 |
| 2023/07/14 | - | $456 | +190% | 2 | $228 | $95,167 | 10 |
| 2023/07/21 | - | $129 | -72% | 2 | $65 | $97,577 | 11 |
| 2023/07/28 | - | $67 | -48% | 1 | $67 | $96,234 | 12 |
| 2023/08/04 | - | $51 | -24% | 1 | $51 | $95,409 | 13 |
| 2023/08/11 | - | $15 | -71% | 1 | $15 | $94,553 | 14 |
| 2023/08/18 | - | $92 | +513% | 1 | $92 | $93,116 | 15 |
| 2023/08/25 | - | $66 | -28% | 1 | $66 | $92,195 | 16 |
| 2023/09/01 | - | $39 | -41% | 1 | $39 | $92,243 | 17 |
| 2023/09/08 | - | $10 | -74% | 1 | $10 | $92,958 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/11/2023 | $22,554 | 30 | 30 | 119 | $92,958 | 9/11/2023 |
| Croatia | 12/1/2023 | $9,100 | 42 | 42 | 71 | $18,897 | 12/22/2023 |
| Germany | 4/20/2023 | $0 | 0 | 0 | 0 | $0 | |
| Japan | 4/5/2024 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 3/30/2023 | $0 | 0 | 0 | 0 | $0 | |
| North America | 1/27/2023 | $2,514,364 | 1,835 | 1,835 | 4,050 | $5,078,401 | |
| United Kingdom | 3/24/2023 | $102,655 | 152 | 152 | 152 | $221,484 | 4/3/2023 |
| Worldwide Total | $5,411,740 | 12/22/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Alexander Skarsgård | James Foster |
| Mia Goth | Gabi Bauer |
| Cleopatra Coleman | Em Foster |
| Jalil Lespert | Alban Bauer |
Supporting Cast
| Amanda Brugel | Jennifer |
| John Ralston | Dr. Bob Modan |
| Jeffrey Ricketts* | Charles |
| Caroline Boulton | Bex |
| Thomas Kretschmann | Detective Thresh |
| Dunja Sepcic | Anna the Cleaning Woman |
| Adam Boncz | Ketch |
| Zijad Gračić | Dro Thresh |
| Amar Bukvić | Resort Cop |
| Alan Katic | State Police Officer 1 |
| Katalin Lábán | Head Nurse |
| Kamilla Fatyol | Myro Myron’s Wife |
| Romina Tonković | Receptionist |
| Hajnalka Zsigár | Maid |
| Anita Major | Mistress |
| Gergely Trócsányi | Owner |
| Géza Kovács | Bodyguard |
| Roderick Hill | Angry Guest |
| Oszkár Bócsik | Bus Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Brandon Cronenberg | Director |
| Brandon Cronenberg | Screenwriter |
| Karen Harnisch | Producer |
| Andrew Cividino | Producer |
| Christina Piovesan | Producer |
| Noah Segal | Producer |
| Rob Cotterill | Producer |
| Anita Juka | Producer |
| Daniel Kresmery | Producer |
| Jonathan Halperyn | Producer |
| Jeff Deutchman | Executive Producer |
| Emily Thomas | Executive Producer |
| Tom Quinn | Executive Producer |
| Ryan Heller | Executive Producer |
| Michael Bloom | Executive Producer |
| Maria Zuckerman | Executive Producer |
| Laurie May | Executive Producer |
| Adrian Love | Executive Producer |
| Alexander Skarsgård | Executive Producer |
| Brandon Cronenberg | Executive Producer |
| Emily Kulasa | Executive Producer |
| Hengameh Panahi | Executive Producer |
| Charlotte Mickie | Executive Producer |
| Karim Hussain | Director of Photography |
| Zosia Mackenzie | Production Designer |
| James Vandewater | Editor |
| Maria Popovits-Fater | Costume Designer |
| Dan Martin | Special Make-up Effects |
| Tim Hecker | Composer |
| Mark Bennett | Casting Director |
| Deirdre Bowen | Casting Director |
| Hayley Brown | Production Manager - Canada |
| Zdravko Madzarevic | Production Manager - Croatia |
| Zoltan Simon | Production Manager - Hungary |
| Rob Cotterill | First Assistant Director |
| Dominika Jurek | Second Assistant Director |
| Ryan Bobkin | Associate Producer |
| Karim Hussain | Associate Producer |
| Yona Strauss | Associate Producer |
| Ivona Juka | Associate Producer |
| Laura Sinovcic | Associate Producer |
| Lajos Nagy | Associate Producer |
| Brendan Gunn | Co-Executive Producer |
| Orsolya Vercz | Script Supervisor |
| Anna Gereb | Second Assistant Director |
| John O’Regan | Supervising Art Director |
| Clara Farkas | Art Director |
| Zvonko Saric | Art Director |
| David Engert | Set Designer |
| Anna Suto | Set Designer |
| Rita Spragg | Make up |
| Szilvia Homolya | Make up |
| Traci Loader | Special Make-up Effects |
| Chantel Pereira | Hairstylist |
| Daniel Kiraly | Location Manager - Hungary |
| Dino Terek | Location Manager - Croatia |
| Paul Stephenson | Special Effects Supervisor |
| Paul Gosse | Sound Mixer |
| Philip Stilman | Post-Production Supervisor |
| Alex Bullick | Supervising Sound Editor |
| Jill Purdy | Supervising Sound Editor |
| Robert Bertola | Sound Effects Editor |
| Craig MacLellan | Sound Effects Editor |
| Simon Miminis | Music Editor |
| Matthew Chan | Re-recording Mixer |
| Graham Rogers | Re-recording Mixer |
| Randy Wilson | Foley Supervisor |
| Ron Mellegers | Foley Mixer |
| Randy Wilson | Foley Mixer |
| Justin Helle | Foley Mixer |
| Domonkos Pardanyi | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.