Portugal Box Office for Infinitely Polar Bear (2015)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $5,423 | Details |
| Worldwide Box Office | $2,130,086 | Details |
| Home Market Performance | ||
| North America DVD Sales | $72,877 | Details |
| North America Blu-ray Sales | $23,838 | Details |
| Total North America Video Sales | $96,715 | |
| Further financial details... | ||
Synopsis
1978. While most fathers spend their days at work, CAM STUART is more likely to be found mushroom-hunting, cooking elaborate meals, or working on one of his many half- completed projects. His family’s wealth keeps his family just barely afloat, while Cam struggles to live with manic depression. When Cam has a manic breakdown that lands him in a mental hospital, his wife MAGGIE and their two young daughters, AMELIA and FAITH, are forced to leave their house in the country and move into a cramped apartment in Cambridge, where Maggie tries to find a decent job, with no luck. Broke, stressed, and overwhelmed, Maggie applies to business school and is accepted to Columbia University’s MBA program. Seeing this as her chance to build a better life for their daughters, Maggie asks Cam to become the primary caregiver for the girls while she completes her degree in New York. After all, routine is what the doctor ordered and the girls miss their dad. Cam agrees, hoping to rebuild his family. But the two spirited girls are not interested in making things easy for him. With Maggie away in New York, Cam quickly realizes that he’s in over his head. Over the course of the next 18 months, as Maggie rushes to complete her degree, he learns, through trial and a lot of error, how to take care of his precocious daughters as well as himself. After years of struggling to find his place in the world, Cam may finally have found where he fits in.
Metrics
Movie Details
| Portugal Releases: | December 10th, 2015 (Wide) |
| Video Release: | January 5th, 2016 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for language. (Rating bulletin 2329, 7/2/2014) |
| Running Time: | 88 minutes |
| Keywords: | Dysfunctional Family, Mental Illness, Mental Hospital, 1970s, Interracial Romance, Adult Education, Sundance Film Festival 2014 |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Paper Street Films, Park Pictures Features, Bad Robot, KGB Media |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for January 5th, 2016
January 4th, 2016
We are getting back to normal for the home market releases. There are no major first run releases, but one of the biggest limited releases of 2015 hits the home market. Sicario earned nearly $50 million after starting in limited release and the Blu-ray Combo Pack is the Pick of the Week. It wasn't the only contender for that honor, as Deathgasm (DVD or Blu-ray) and Infinitely Polar Bear (DVD or Blu-ray) were also in contention.
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2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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Per Theater Chart: Strong Beginning for The End
August 4th, 2015
The End of the Tour is the latest success for A24, as it topped the per theater chart with an average of $30,810 in four theaters. Up next were a pair of documentaries, Best of Enemies and Listen to Me Marlon, with averages of $16,913 and $15,034 respectively. The overall number one film was next, as Mission: Impossible - Rogue Nation earned an average of $14,034. The final film in the $10,000 club was Phoenix. Its theater count doubled, but its per theater average dropped just 20% to $12,004. That's amazing and it could be an omen that it will expand wide enough to earn some measure of mainstream success.
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Per Theater Chart: Overnight Success
June 24th, 2015
The top two films on the per theater chart were also the top two films on the overall box office chart. Jurassic World led the way with an average of $24,840, while Inside Out was close behind with an average of $22,919. The best new limited release was The Overnight, with an average of $17,674 in three theaters. The final film in the $10,000 club was The Tribe, which earned $11,094 in its lone theater.
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Limited and VOD Releases: To Infinity and Polar Bears!
June 19th, 2015
While there are a huge number of limited releases on this week's chart, almost none of them have a real shot at mainstream success. There are two films that at least have a legitimate chance at expanding significantly: Infinitely Polar Bear and The Overnight. There are also a number of documentaries and foreign-language films that could do well in limited release, but they won't expand enough to earn significant amounts.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/12/11 | 17 | $1,439 | 3 | $480 | $1,439 | 1 | |
| 2015/12/18 | 17 | $1,266 | -12% | 3 | $422 | $3,234 | 2 |
| 2015/12/25 | 21 | $805 | -36% | 3 | $268 | $4,627 | 3 |
| 2016/01/01 | 24 | $140 | -83% | 1 | $140 | $5,423 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/26/2015 | $24,479 | 28 | 28 | 77 | $96,935 | 5/26/2015 |
| Brazil | 7/17/2015 | $36,709 | 24 | 24 | 24 | $36,709 | 11/8/2018 |
| Denmark | 11/12/2015 | $767 | 1 | 1 | 2 | $1,667 | 11/25/2015 |
| France | 7/10/2015 | $156,947 | 0 | 0 | 0 | $162,622 | 8/21/2018 |
| Greece | 7/30/2015 | $13,251 | 5 | 5 | 5 | $13,251 | 8/4/2015 |
| Hong Kong | 6/25/2015 | $26,293 | 14 | 14 | 29 | $79,302 | 11/26/2018 |
| Iraq | 10/15/2015 | $296 | 1 | 1 | 1 | $297 | 12/30/2018 |
| Italy | 6/18/2015 | $0 | 0 | 36 | 37 | $246,705 | 10/13/2015 |
| Lebanon | 10/15/2015 | $1,057 | 1 | 1 | 1 | $1,057 | 12/30/2018 |
| New Zealand | 3/26/2015 | $0 | 0 | 2 | 4 | $53,424 | 7/16/2015 |
| North America | 6/19/2015 | $47,398 | 5 | 110 | 701 | $1,430,655 | |
| Portugal | 12/10/2015 | $1,439 | 3 | 3 | 10 | $5,423 | 9/5/2016 |
| United Arab Emirates | 10/1/2015 | $2,040 | 3 | 3 | 3 | $2,039 | 12/30/2018 |
| Worldwide Total | $2,130,086 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Mark Ruffalo | Cam Stuart |
| Zoe Saldana | Maggie Stuart |
| Imogene Wolodarsky | Amelia Stuart |
| Ashley Aufderheide | Faith Stuart |
Supporting Cast
| Beth Dixon | Pauline Stuart |
| Keir Dullea | Murray Stuart |
| William Xifaras | Bus Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Maya Forbes | Director |
| Maya Forbes | Screenwriter |
| Wally Wolodarsky | Producer |
| Benji Kohn | Producer |
| Bingo Gubelmann | Producer |
| Sam Bisbee | Producer |
| Galt Niederhoffer | Producer |
| J.J. Abrams | Executive Producer |
| Bryan Burk | Executive Producer |
| Austin Stark | Executive Producer |
| Ruth Mutch | Executive Producer |
| Noah Millman | Executive Producer |
| Jackie Kelman Bisbee | Executive Producer |
| Danny Rifkin | Executive Producer |
| Tom Valerio | Executive Producer |
| Richard Rifkin | Executive Producer |
| Mark Ruffalo | Executive Producer |
| Bobby Bukowski | Director of Photography |
| Carl Sprague | Production Designer |
| Michael R. Miller | Editor |
| Kasia Walicka Maimone | Costume Designer |
| Theodore Shapiro | Composer |
| Randall Poster | Music Supervisor |
| Meghan Currier | Music Supervisor |
| Erika Hampson | Co-Producer |
| Douglas Aibel | Casting Director |