United Kingdom Box Office for In Fabric (2019)
-(2019).jpg)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $139,553 | Details |
| Worldwide Box Office | $198,743 | Details |
| Further financial details... | ||
Synopsis
A lonely woman recently separated from her husband, visits a bewitching London department store in search of a dress that will transform her life. She’s fitted with a perfectly flattering, artery-red gown—which, in time, will come to unleash a malevolent curse and unstoppable evil, threatening everyone who comes into its path.
Metrics
Movie Details
| United Kingdom Releases: | June 28th, 2019 (Limited) |
| Video Release: | December 10th, 2019 by A24 |
| MPAA Rating: | R for strong sexual content including a scene of aberrant behavior, and some bloody images. (Rating bulletin 2571 (Cert #52120), 3/27/2019) |
| Running Time: | 118 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BFI, BBC Films, Head Gear Films, Metrol Technology, Twickenham Studios |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for February 11th, 2020
February 12th, 2020
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It’s another slow week on the home market, but that doesn’t mean there are no first run releases of note. Ford v. Ferrari is the biggest and the best of these releases, but you might have trouble getting it on Amazon. There are some impressive foreign imports on this list, including First Love, Fruits Basket, Jojo’s Bizarre Adventure, and Roma. That last one is also the Pick of the Week.
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Home Market Releases for December 10th, 2019
December 11th, 2019
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As Christmas rapidly approaches, the number of home market releases shrinks. That said, we do have three $100 million hits on this week’s list, Hustlers, It: Chapter Two, and Once Upon a Time…in Hollywood. All three are worth picking up, but Hustlers and Linda Ronstadt: The Sound of My Voice are Pick of the Week contenders, with the former winning out.
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Limited and VOD Releases: Limited Releases Take to the Sky
December 6th, 2019
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December should be a prime month to release an Awards Season contender, one that will last in theaters potentially for months. However, while there are at least a couple of films on this week’s list that could win awards, none of them look like they will thrive in theaters. Some like The Aeronauts have just too short of a window between theatrical release and VOD debut.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/28 | - | $54,202 | 27 | $2,007 | $54,202 | 1 | |
| 2019/07/05 | - | $12,890 | -76% | 23 | $560 | $101,117 | 2 |
| 2019/07/12 | - | $4,502 | -65% | 13 | $346 | $119,971 | 3 |
| 2019/07/19 | - | $1,178 | -74% | 1 | $1,178 | $128,573 | 4 |
| 2019/07/26 | - | $3,120 | +165% | 6 | $520 | $131,984 | 5 |
| 2019/08/02 | - | $1,197 | -62% | 4 | $299 | $134,356 | 6 |
| 2019/08/09 | - | $740 | -38% | 4 | $185 | $136,676 | 7 |
| 2019/08/16 | - | $942 | +27% | 2 | $471 | $139,553 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/13/2020 | $4,255 | 9 | 9 | 17 | $8,832 | 6/23/2020 |
| Mexico | 3/31/2020 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 6/4/2020 | $0 | 0 | 5 | 15 | $6,295 | 10/19/2022 |
| North America | 12/6/2019 | $0 | 1 | 0 | 0 | $0 | |
| Russia (CIS) | 8/1/2019 | $25,443 | 158 | 158 | 234 | $44,063 | 10/19/2022 |
| United Kingdom | 6/28/2019 | $54,202 | 27 | 27 | 80 | $139,553 | 8/21/2019 |
| Worldwide Total | $198,743 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Marianne Jean-Baptiste | Sheila |
Supporting Cast
| Hayley Squires | Babs |
| Leo Bill | Reg Speaks |
| Julian Barratt | Stash |
| Steve Oram | Clive |
| Gwendoline Christie | Gwen |
| Barry Adamson | Zach |
| Jaygann Ayeh | Vince |
| Richard Bremmer | Mr. Lundy |
| Terry Bird | Bananas Brian |
| Fatma Mohamed | Miss Luckmore |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Peter Strickland | Director |
| Peter Strickland | Screenwriter |
| Andy Starke | Producer |
| Lizzie Francke | Executive Producer |
| Rose Garnet | Executive Producer |
| Stephen Kelliher | Executive Producer |
| Ben Wheatley | Executive Producer |
| Phil Hunt | Executive Producer |
| Compton Ross | Executive Producer |
| Ian Benson | Executive Producer |
| Andrew Boswell | Executive Producer |
| Hilary Davis | Executive Producer |
| Kasia Malipan | Line Producer |
| Shaheen Baig | Casting Director |
| Matyas Fekete | Editor |
| Martin Pavey | Sound Designer |
| Rob Entwistle | Sound Recordist |
| Jo Thompson | Costume Designer |
| Ari Wegner | Cinematographer |
| Paki Smith | Production Designer |