Spain Box Office for The Immigrant (2014)
| Theatrical Performance (US$) | ||
| Spain Box Office | $430,950 | Details |
| Worldwide Box Office | $7,585,011 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $20,362 | Details |
| Total North America Video Sales | $20,362 | |
| Further financial details... | ||
Synopsis
Ewa Cybulski and her sister sail to New York from their native Poland in search of a new start and the American dream. When they reach Ellis Island, doctors discover that Magda is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined. Alone, with nowhere to turn, and desperate to reunite with Magda, Ewa quickly falls prey to Bruno, a charming but wicked man who takes her in and forces her into prostitution. The arrival of Orlando—a dashing stage magician who is also Bruno’s cousin—restores her self-belief and hopes for a brighter future, becoming her only chance to escape the nightmare in which she finds herself.
Metrics
Movie Details
| Production Budget: | $16,000,000 |
| Spain Releases: | June 27th, 2014 (Wide) |
| Video Release: | April 7th, 2015 by Anchor Bay Home Entertainment |
| MPAA Rating: | R |
| Running Time: | 120 minutes |
| Keywords: | Immigration, Culture Clash, Prostitution, Sex Crimes, Stage Magician, Dysfunctional Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Keep Your Head, Kingsgate Films, Worldview Entertainment |
| Production Countries: | United States |
| Languages: | English |
DVD and Blu-ray Releases for April 7th, 2015
April 6th, 2015
It is a slow week on the home market, because it is the Tuesday after Easter. Easter tends to be a busy weekend for DVDs and Blu-rays, mostly family-friendly films. It is also post-Christmas on the home market. The final big releases from the holiday season have mostly come out and there are only a few limited release stragglers to deal with, but for the most part we are entering the summer dead zone on the home market. That doesn't mean there are no releases worth picking up. In fact, there are a few contenders for Pick of the Week, led by A Most Violent Year (Buy from Amazon: DVD or Blu-ray Combo Pack). Meanwhile, we have a Puck of the Week, The Book of Negroes on DVD, for the best Canadian release of the week.
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2014 - Awards Season: Independent Spirit Awards - Nominations
December 6th, 2014
The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
Per Theater Chart: Blacking Out
July 8th, 2014
There were no films in the $10,000 club on the per theater chart this weekend. The film that came the closest was Transformers: Age of Extinction, which earned an average of $8,753 in more than 4,000 theaters. The best limited release was Code Black, which earned $7,978 in one theater. The best new release was Tammy with an average of $6,227 in more than 3,000 theaters. Finally, the best new limited release was Life Itself, which managed an average of $5,713 in 23 theaters.
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Per Theater Chart: Maleficent Holds Off Trio of Limited Releases
June 3rd, 2014
The overall box office leader, Maleficent, also led the way on the per theater chart with an average of $17,586 in nearly 4,000 theaters. Korengal was the best of the limited releases earning $14,630 in one lone theater. Night Moves was close behind with an average of $12,050 in two theaters. The final $10,000 film was Elena with $10,341 in one theater.
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Per Theater Chart: Godzilla Chows Down on the Competition
May 20th, 2014
Godzilla led the way on both the overall box office chart and the per theater box office chart, earning an average of $23,580 in nearly 4,000 theaters. The second best film on the per theater chart was The Immigrant with an average of $14,688 in three theaters. Chinese Puzzle was the final film in the $10,000 club with an average of $11,772 in two theaters.
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Weekend Estimates: Godzilla Joins $90 Million Club
May 18th, 2014
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After a huge start on Friday, estimated at $38.5 million, Godzilla looked as though it might be the first film of 2014 to have a $100 million opening weekend. But the monster movie seems to have run out of energy a little through the weekend, and Warner Bros. is projecting a weekend around $93.2 million, based on figures through Sunday morning. The film’s performance is well ahead of earlier tracking, which pegged its opening around $60 million–$80 million, and impressive for a non-sequel (although clearly Godzilla is a well-established franchise at this point). In fact, it is one of the top 10 non-sequel openers ever (see full list here).
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Limited Releases: New Arrivals
May 16th, 2014
There are a number of films on this week's list that could find audience in theaters, including Ai Weiwei: The Fake Case, Chinese Puzzle, The Discoverers, Horses of God, etc. However, if I were to pick just one, it would be The Immigrant. It has amazing reviews and strong buzz.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2014/06/27 | 5 | $170,640 | 89 | $1,917 | $170,640 | 1 | |
| 2014/07/04 | 9 | $72,877 | -57% | 87 | $838 | $326,341 | 2 |
| 2014/07/11 | 16 | $29,253 | -60% | 62 | $472 | $400,551 | 3 |
| 2014/07/18 | 22 | $11,347 | -61% | 24 | $473 | $430,950 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Greece | 7/17/2014 | $91,847 | 24 | 24 | 29 | $154,561 | 12/17/2015 |
| Hong Kong | 4/17/2015 | $4,833 | 1 | 1 | 1 | $4,833 | 11/26/2018 |
| Mexico | 6/26/2014 | $100,126 | 53 | 53 | 103 | $243,714 | 12/17/2015 |
| North America | 5/16/2014 | $44,064 | 3 | 150 | 756 | $2,013,456 | 2/23/2016 |
| South Korea | 9/3/2015 | $0 | 0 | 33 | 33 | $725,571 | 9/10/2018 |
| Spain | 6/27/2014 | $170,640 | 89 | 89 | 262 | $430,950 | 12/17/2015 |
| Taiwan | 7/4/2014 | $18,407 | 9 | 9 | 20 | $49,081 | 12/17/2015 |
| Rest of World | $3,962,845 | ||||||
| Worldwide Total | $7,585,011 | 11/26/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Marion Cotillard | Ewa Cybulski |
| Joaquin Phoenix | Bruno Weiss |
| Jeremy Renner | Orlando |
Supporting Cast
| Angela Sarafyan | Magda |
| Yelena Solove | Rosie Hertz |
| Dagmara Dominczyk | Belva |
| Ilia Volok | Voytek Bistricky |
| Jicky Schnee | Clara |
| Maja Wampuszyc | Edyta Bistricky |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| James Gray | Director |
| James Gray | Screenwriter |
| Richard Menello | Screenwriter |
| James Gray | Producer |
| Anthony Katagas | Producer |
| Greg Shapiro | Producer |
| Christopher Woodrow | Producer |
| Hoyt David Morgan | Executive Producer |
| Maria Cestone | Executive Producer |
| Molly Conners | Executive Producer |
| Sarah E. Johnson | Executive Producer |
| Darius Khondji | Director of Photography |
| Patricia Norris | Costume Designer |
| Happy Massee | Set Decorator |