United Kingdom Box Office for I'll See You in My Dreams (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $15,084 | Details |
Worldwide Box Office | $7,464,765 | Details |
Further financial details... |
Synopsis
A widow and former songstress discovers that life can begin anew at any age. After the death of her beloved dog, Carol finds the everyday activities that have given her life structure—her regular bridge game, gardening, a glass of wine or two—have lost their luster. With the support of three loyal girlfriends, Carol decides to embrace the world, embarking on an unlikely friendship with her pool maintenance man, pursuing a new love interest, and reconnecting with her daughter.
Metrics
Movie Details
United Kingdom Releases: | February 12th, 2016 (Wide) |
Video Release: | August 18th, 2015 by Universal Home Entertainment |
MPAA Rating: | PG-13 for sexual material, drug use and brief strong language. (Rating bulletin 2366, 3/25/2015) |
Running Time: | 95 minutes |
Keywords: | Widow/Widower, Autumn Years, Death of a Pet, Dysfunctional Family, Romance, December Romance |
Source: | Original Screenplay |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Two Flints, Jeff Rice Films, Northern Lights Films, Part2 Filmworks |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 1st, 2015
September 1st, 2015
Summer is officially over, both in theaters and on the home market. This week, the new releases are led by Mad Max: Fury Road, which was not only one of the biggest hits of the summer, it was also one of the best. Nearly everything else of note is TV on DVD, so if you are a fan of those releases, it will be an expensive week. There were several contenders for Pick of the Week, including two TV on DVD releases (Castle: Season 7 and New Girl: The Complete Fourth Season), a documentary (Glen Campbell: I'll Be Me on DVD), but the winner is Mad Max: Fury Road on 3D Combo Pack.
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Per Theater Chart: Wide Releases Run Away from the Pack
July 2nd, 2015
There were only two films in the $10,000 club and they were the wide releases that earned the top two spots on the overall box office chart. Jurassic World earned an average of $12,990, while Inside Out was very close behind with an average of $12,663. The best limited release was Runoff, which earned $9,515 in one theater.
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Per Theater Chart: Overnight Success
June 24th, 2015
The top two films on the per theater chart were also the top two films on the overall box office chart. Jurassic World led the way with an average of $24,840, while Inside Out was close behind with an average of $22,919. The best new limited release was The Overnight, with an average of $17,674 in three theaters. The final film in the $10,000 club was The Tribe, which earned $11,094 in its lone theater.
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Jurassic World is the Alpha Male of the Theater Averages
June 18th, 2015
It's a strange week on the theater averages chart. The number one film was Jurassic World with an average of $48,855. This is the best average for a wide release in 2015 and the third best average for a film released in 2015 and the fifth best average during 2015. Second place went to The Wolfpack with an average of $21,960 in two theaters. This is amazing for a documentary. The only other film in the $10,000 club was Me and Earl and the Dying Girl, which debuted in 15 theaters, a lot for a limited release, and earned an average of $13,100. This suggests room to expand over the coming weeks.
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Per Theater Chart: New Releases Didn't Get Results
June 3rd, 2015
There was only one film in the $10,000 club on the per theater chart and it was the overall box office leader, San Andreas. That film opened in first place with an average of $14,453. The best new limited release was Heaven Knows What, which earned an average of $8,431 from two theaters.
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Weekend Estimates: San Andreas Makes Solid Start
May 31st, 2015
In a Summer already littered with franchise films, it’s good to see something original top the charts, even if it is something as rote as a disaster movie based on an earthquake in California. The $53.2 million projected opening for San Andreas is something of a triumph for Dwayne Johnson, who carries the film as its sole lead, unlike his contributions to the Furious 7 ensemble. With only the domestic opening numbers in, Johnson has already moved up to third on our top current stars list, and will most likely pass Vin Diesel for second place before San Andreas’ run is over.
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Per Theater Chart: In the Name of the Per Theater Chart
May 27th, 2015
In the Name of my Daughter rose to the first place on the per theater chart with an average of $20,069 in four theaters. I'll See You in My Dreams saw its theater count expand to 26 while its average was mostly flat down to $14,593. The best new release was When Marnie Was There, which earned an average of $13,695 in two theaters. This is great for an animated film in limited release.
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Per Theater Chart: Perfect Dreams
May 20th, 2015
Pitch Perfect 2 opened in first place on the overall chart and matched that on the per theater chart earning an average of $19,930. I'll See You in My Dreams placed second with an average of $16,447 in three theaters. Its reviews suggest it has at least some potential to expand. Pather Panchali was the only holdover in the $10,000 club with $14,793 in its lone theater during its second week of release. Mad Max: Fury Road earned an average of $12,271. It is not that common that we have two wide releases in the $10,000 club. Every Secret Thing was the final film in the $10,000 with $11,083 in one theater.
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Weekend Estimates: Mad Max Caught in Perfect Storm
May 17th, 2015
Pitch Perfect 2 is coming out the clear winner of an odd couple match-up at multiplexes this weekend. The tuneful sequel will post $70 million or so at the box office this weekend, according to Universal, the third-best weekend ever for a live action comedy after The Hangover Part II ($85.9 million) and Austin Powers in Goldmember ($73.1 million). As Brent Lang notes at Variety it also shares another record with Austin Powers as a sequel that earned more in its opening weekend than the first movie did in its entire theatrical run: The Spy Who Shagged Me did the same back in 1999. Actually, this is arguably an achievement shared by Mad Max: Fury Road too: its $44.44 million beats the $36.23 million total earned by Mad Max Beyond Thunderdome.
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Limited Releases: Good and Slow
May 15th, 2015
This week's list of limited releases is shorter than usual, as I needed to get the home market numbers done. On the other hand, there are only six or so films earning great reviews and / or any amount of buzz, so there's not much you are missing. Good Kill could be the biggest hit, at least for a week before it goes to Video on Demand. Others, like Slow West, are already playing on Video on Demand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/12 | 56 | $2,821 | 10 | $282 | $2,821 | 1 | |
2016/02/19 | 90 | $118 | -96% | 1 | $118 | $10,991 | 2 |
2016/03/04 | 99 | $122 | 2 | $61 | $13,410 | 4 | |
2016/03/18 | 93 | $54 | 1 | $54 | $15,084 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 5/15/2015 | $52,091 | 3 | 290 | 2,128 | $7,449,681 | |
United Kingdom | 2/12/2016 | $2,821 | 10 | 10 | 14 | $15,084 | 6/9/2016 |
Worldwide Total | $7,464,765 | 6/9/2016 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Blythe Danner | Carol Petersen |
Martin Starr | Lloyd |
June Squibb | Georgina |
Rhea Perlman | Sally |
Mary Kay Place | Rona |
Malin Akerman | Katherine Petersen |
Sam Elliott | Bill |
Supporting Cast
Aarti Mann | Dr. DaSilva |
Mark Adair-Rios | Exterminator |
Caroline Lagerfelt | Leslie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brett Haley | Director |
Brett Haley | Screenwriter |
Marc Basch | Screenwriter |
Rebecca Green | Producer |
Laura D. Smith | Producer |
Brett Haley | Producer |
Jason Kanjiro Howard* | Executive Producer |
Mary Crosland | Executive Producer |
Erik Rommesmo | Executive Producer |
Jeff Schlossman | Executive Producer |
Bill Wallwork | Executive Producer |
Ching L. McBride | Executive Producer |
David L. McBride* | Executive Producer |
Lisa McBride | Executive Producer |
Dallas Anthony | Executive Producer |
Foster Chiang | Executive Producer |
Frank Gibson | Executive Producer |
Jan Miller Corran | Executive Producer |
Ele Bardha | Executive Producer |
Wade Ellis | Executive Producer |
Joshua Ferris | Executive Producer |
Eliza Kennedy | Executive Producer |
Jeff Rice | Executive Producer |
Adam Trahan | Executive Producer |
Patrick Millsaps | Executive Producer |
Matthew Lamothe | Executive Producer |
Justin Williams | Executive Producer |
Rob C. Givens | Director of Photography |
Eric James Archer | Production Designer |
Brett Haley | Editor |
Keegan DeWitt | Composer |
Natalie Cervelli | Music Supervisor |
Mirren Gordon-Crozier | Costume Designer |
Emily Schweber | Casting Director |