Czech Republic Box Office for Hyde Park on Hudson (2012)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $11,797 | Details |
Worldwide Box Office | $11,242,438 | Details |
Home Market Performance | ||
North America DVD Sales | $1,822,965 | Details |
North America Blu-ray Sales | $541,818 | Details |
Total North America Video Sales | $2,364,783 | |
Further financial details... |
Synopsis
In June 1939, President Franklin Delano Roosevelt and his wife Eleanor host the King and Queen of England for a weekend at the Roosevelt home at Hyde Park on Hudson, in upstate New York - the first-ever visit of a reigning English monarch to America. With Britain facing imminent war with Germany, the Royals are desperately looking to FDR for support. But international affairs must be juggled with the complexities of FDR's domestic establishment, as wife, mother, and mistresses all conspire to make the royal weekend an unforgettable one. Seen through the eyes of Daisy, Franklin's neighbor and intimate, the weekend will produce not only a special relationship between two great nations, but, for Daisy – and through her, for us all – a deeper understanding of the mysteries of love and friendship.
Metrics
Movie Details
Czech Republic Releases: | February 21st, 2013 (Wide) |
Video Release: | April 9th, 2013 by Universal Home Entertainment |
MPAA Rating: | R for brief sexuality. (Rating bulletin 2212, 2/29/2012) |
Running Time: | 94 minutes |
Keywords: | Political, Royalty, World War II, Infidelity, Biography, Wheelchair User, Native Americans, Biographical Drama, 1930s |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Film 4, Free Range Film, Daybreak Pictures |
Production Countries: | United Kingdom |
Languages: | English |
Blu-ray Sales: April 14th, 2013: Hobbit Stretches Its Legs
May 31st, 2013
Like the DVD sales chart, there were almost no new releases to find a place on the April 14th, 2013 edition of the Blu-ray sales chart. The Hobbit: An Unexpected Journey rose to the top of the chart 104,000 units / $2.60 million for the week and 1.93 million units / $45.02 million after four.
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DVD Sales: April 14th, 2013: Bible Doesn't Resurrect Sales Numbers
May 31st, 2013
There were only three new releases to reach the top 30 on the April 14th, 2013 edition of the DVD sales chart and none of them reached the top five. This left the top five identical to last week. The Bible: The Epic Miniseries sold 161,000 units and generated $5.29 million in sales for the week, lifting its running tallies to 597,000 units / $19.60 million.
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DVD and Blu-ray Releases for April 9th, 2013
April 8th, 2013
It's another bad week on the home market. According to Amazon.com, the biggest release of the week is the fifth season of Merlin, which is a British TV show. Gabriel Iglesias' latest Stand-Up Concert DVD is right behind. The rest of the top five is filled with a canceled cable show and a poorly reviewed limited release. The best release of the week is Naked Lunch Criterion Collection Blu-ray, which is great, but not quite Pick of the Week material. (It is just too bizarre for most people.) Fortunately, Lincoln on Four-Disc Blu-ray Combo Pack finally arrived and I was able to review it. Despite it not coming out this week, or this month, it is still the Pick of the Week material. It towers that high above this week's releases. I do hope more people check out Sexy Evil Genius on DVD than its sales ranking indicates.
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Per Theater Chart: John Lives
January 29th, 2013
John Dies at the End didn't crash and burn at the box office. I'm genuinely surprised. The film's reviews were mixed, and generally speaking, even great reviews are no guarantee for a limited release. Also, it opened on Video on Demand before coming out in theaters, which is usually a death sentence for a film's box office chances. However, John Dies at the End earned first place on the per theater chart with $12,467 in its lone theater. The only other film to top $10,000 on the per theater chart was Happy People: A Year in the Taiga with $10,481, also in one theater.
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Per Theater Chart: Singing a Love Song
January 15th, 2013
Quartet opened on top of the per theater chart with an average of $23,561 in two theaters. This is very impressive, especially for this time of year. Amour expanded from 3 to 15 theaters, but you couldn't tell from its per theater average, as it held very well down just 14% to $17,138.
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Per Theater Chart: Zero Still Heroic on Per Theater Chart
January 8th, 2013
Zero Dark Thirty remained on the top of the per theater chart with an average of $44,933 in 60 theaters. To emphasize, the film saw its theater count leap from 5 to 60, but its per theater average only dropped 29% from $63,283 to $44,933. That's a lower drop-off than the average film in the top ten. At this point, expanding wide is a given, while the film has a solid shot at $100 million. 56 Up opened very strong with $22,088 in one theater. This should help it expand, but it is a documentary, so it is not going to expand wide. Amour remained in the $10,000 club with an average of $19,944. It is still playing in 3 theaters, but it should have room to expand significantly.
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Per Theater Chart: Zero to $1 million in Nine Days
January 3rd, 2013
Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008.
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Weekend Estimates: Hobbit Sets Out with $84.775 Million
December 16th, 2012
The Hobbit: An Unexpected Journey is one of the most-keenly anticipated films of 2012, and its opening weekend hasn't disappointed. Warner Bros. is projecting an $84.775 millioon opening weekend, which is comfortably the biggest December weekend of all time. The film also, unsurprisingly, takes the record for biggest day in December. Tempering the celebrations a little is the fact that it will most likely be only the 37th-biggest opening weekend. However, a mid-December opening gives the film a chance to play through the long Holiday weekends to come. Peter Jackson's Lord of the Rings franchise films have enjoyed multipliers of between 5 and 6 on their opening weekend, which makes The Hobbit a very good bet for a final tally of $350 million, and $400 million can't be ruled out at this stage.
- Biggest Weekends in December
- Biggest Days in December
- Biggest Opening Weekends at the Box Office
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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Per Theater Chart: Hyde Hits it Out of the Park
December 11th, 2012
Hyde Park on the Hudson opened on top of the per theater chart with an average of $20,341 in four theaters. That is good for a limited release, but bad for a potential Awards Season contender, which is how many people saw the film prior to its release. Additionally, with weak reviews, it has little hope at long legs. Burn was much further back at $13,602, also in four theaters. Rust and Bone saw its theater count double to four, but its per theater average actually grew to $13,015. Its word-of-mouth is outstanding. Beware of Mr. Baker remained in the $10,000 club with $10,349 in one theater.
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Weekend Estimates: Skyfall Regains Top Spot
December 9th, 2012
Skyfall returns to the top of the chart this weekend as another new release fails to catch on with audiences and films playing for a 3rd, 4th or 5th weekend battle for top billing. The new release that has missed out this time around is Playing for Keeps, which will land in 6th place with around $6 million. Above it, Rise of the Guardians, Lincoln and Life of Pi are all holding up well on a week-to-week basis (down 21%, 32% and 32% respectively), but Skyfall will win the weekend thanks to its existing momentum. Twilight: Breaking Dawn Part 2 continues to tumble -- it will be down 47% this weekend -- but it will still come in third with just over $9 million.
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Limited Releases and Me
December 7th, 2012
It is a really, really busy week for limited releases. However, of the more than a dozen films on this week's list, only one of them is earning overwhelmingly positive reviews, Wagner and Me. That film is a documentary, so even if it does perform well during its opening weekend, it likely won't find any mainstream success. All of the rest are either earning too few reviews to have a Tomatometer Score, or have overall negative reviews. Combined with the previously released Awards Season hopefuls, and there's too much competition for such weak films.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/02/22 | 11 | $2,727 | 15 | $182 | $2,727 | 1 | |
2013/03/01 | 10 | $3,644 | +34% | 21 | $174 | $11,797 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/28/2013 | $384,166 | 88 | 90 | 265 | $1,122,688 | 12/14/2015 |
Austria | 3/1/2013 | $17,130 | 10 | 10 | 43 | $49,514 | 12/14/2015 |
Belgium | 2/27/2013 | $12,351 | 9 | 10 | 44 | $45,650 | 12/14/2015 |
Brazil | 11/15/2013 | $0 | 0 | 10 | 33 | $63,720 | 12/13/2015 |
Czech Republic | 2/21/2013 | $2,727 | 15 | 21 | 36 | $11,797 | 12/30/2018 |
France | 2/27/2013 | $550,797 | 156 | 157 | 403 | $1,084,466 | 12/14/2015 |
Germany | 2/28/2013 | $125,708 | 65 | 65 | 130 | $244,424 | 12/14/2015 |
Greece | 3/14/2013 | $19,010 | 8 | 8 | 8 | $19,010 | 12/14/2015 |
Hong Kong | 2/7/2013 | $16,510 | 6 | 6 | 12 | $145,607 | 12/14/2015 |
Hungary | 1/17/2013 | $13,869 | 23 | 23 | 46 | $25,692 | 12/30/2018 |
Italy | 1/10/2013 | $293,010 | 83 | 83 | 213 | $665,795 | 12/14/2015 |
Lebanon | 1/17/2013 | $10,632 | 5 | 5 | 6 | $14,560 | 12/30/2018 |
Netherlands | 1/10/2013 | $41,240 | 22 | 22 | 22 | $41,240 | 12/13/2015 |
New Zealand | 3/28/2013 | $76,088 | 36 | 37 | 139 | $279,387 | 12/14/2015 |
North America | 12/7/2012 | $81,362 | 4 | 246 | 1,569 | $6,376,145 | 12/3/2014 |
Poland | 3/1/2013 | $42,138 | 62 | 62 | 62 | $42,138 | 12/30/2018 |
Romania | 1/18/2013 | $16 | 1 | 5 | 15 | $49,540 | 12/30/2018 |
Singapore | 2/21/2013 | $0 | 0 | 1 | 2 | $9,705 | 12/14/2015 |
Slovenia | 3/21/2013 | $1,516 | 4 | 4 | 12 | $4,483 | 12/14/2015 |
Thailand | 1/10/2013 | $2,576 | 2 | 2 | 5 | $5,727 | 12/14/2015 |
United Arab Emirates | 1/17/2013 | $13,144 | 8 | 8 | 8 | $13,144 | 12/30/2018 |
United Kingdom | 2/1/2013 | $214,654 | 155 | 155 | 226 | $523,332 | 12/14/2015 |
Rest of World | $404,674 | ||||||
Worldwide Total | $11,242,438 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bill Murray | FDR |
Laura Linney | Daisy |
Samuel West | Bertie |
Olivia Colman | Elizabeth |
Olivia Williams | Eleanor |
Supporting Cast
Martin McDougall | Tommy |
Elizabeth Wilson | Missy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Roger Mitchell | Director |
Richard Nelson | Screenwriter |
Kevin Loader | Producer |
Roger Michell | Producer |
David Aukin | Producer |
Tessa Ross | Executive Producer |
Lol Crawley | Cinematographer |
Nicolas Gaster | Editor |
Jeremy Sams | Composer |
Simon Bowles | Production Designer |
Mark Raggett | Supervising Art Director |
Hannah Santeugini | Art Director |
Celia Bobak | Set Decorator |
Matthew Collinge | Supervising Sound Editor |
Danny Sheehan | Supervising Sound Editor |
Chris Burdon | Re-recording Mixer |
Matthew Collinge | Re-recording Mixer |
Chris Reynolds | Special Effects Supervisor |
Abbi Collins | Stunt Coordinator |
James O'Donnell | Stunt Coordinator |
Rosa Romero | Line Producer |
Barrie McCulloch | Assistant Director |
Gail Stevens | Casting Director |
Ellen Lewis | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.