Portugal Box Office for Hunter Killer (2018)
Theatrical Performance (US$) | ||
Portugal Box Office | $227,808 | Details |
Worldwide Box Office | $29,312,121 | Details |
Home Market Performance | ||
North America DVD Sales | $4,018,779 | Details |
North America Blu-ray Sales | $3,957,660 | Details |
Total North America Video Sales | $7,976,439 | |
Further financial details... |
Synopsis
An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Portugal Releases: | October 26th, 2018 (Wide) |
Video Release: | January 15th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | R for violence and some language. (Rating bulletin 2510 (Cert #51417), 1/17/2018) |
Running Time: | 121 minutes |
Keywords: | Submarine, Navy Seals, Set in Russia, Betrayal, Kidnap, Political, Rescue, Military Coup, Posthumous Release, Action Thriller |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Original Film, Millennium Films, G-Base, Relativity Media, Millennium Media |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 29th, 2019
January 30th, 2019
We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor.
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Home Market Releases for January 15th, 2019
January 16th, 2019
The big fall releases are starting to come out on the home market. This week we get Halloween, which was a $100 million domestic hit. However, it is not among the best films on this week’s list. There are three Pick of the Week contenders on the week’s list. There’s the award-nominated Indie film, Madeline’s Madeline, the classic Notorious, and Bad Times at the El Royale, for which I finally got the review done. It was a coin-toss, but in the end, Madeline’s Madeline on Blu-ray won.
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Weekend Wrap-Up: Halloween Repeats on Top, New Releases are Barely Seen
October 30th, 2018
The month of October ends on a soft note with only one of the new releases we talked about in our prediction reached the top ten over the weekend. And even that film, Hunter Killer, didn’t quite reach our low expectations. Fortunately, Halloween came within a rounding error of predictions with $31.42 million and the overall box office wasn’t too bad at $104 million. Granted, this is 37% lower than last weekend, but this is to be expected for Halloween weekend. More importantly, the overall box office was 37% higher than the same weekend last year. Year-to-date, 2018 has pulled in $9.55 billion, putting it ahead of 2017’s running tally of $8.45 billion. At first glance, this looks like 2018 has a $1 billion lead, but it was actually $999 million, according to our numbers. It will certainly get there by the end of business on Monday. This is a fantastic result, but a short-lived one, as November and December won’t be able to maintain this lead.
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Weekend Estimates: Halloween Holds on Strong, but Susparia Shines
October 28th, 2018
Halloween’s weekend estimates are matching our predictions perfectly with $32.05 million. If this number holds, it will have $126.70 million after just ten days of release. Internationally, it is estimated to earn $25.6 million in 62 markets for a two-week total of $45.6 million. It won’t match its domestic run internationally, but it doesn’t have to do be a financial success. In fact, since the film only cost $10 million to make, if it had just $45.6 million worldwide at this point, it would still have a chance of breaking even, eventually.
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Friday Estimates: Halloween Laps Competition with $10 million on Friday
October 27th, 2018
As expected, Halloween earned first place on Friday. It was a little weaker than expected at $10.02 million and Universal’s estimate for the weekend is $30.05 million, compared to our prediction of $33 million. A $30 million sophomore stint is still fantastic for a film that cost just $10 million to make; in fact, it cracked $100 million domestically on Friday, which is more than enough to pay for its combined production / advertising budgets.
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Thursday Night Previews: Hunter doesn’t have a Killer Opening
October 26th, 2018
Hunter Killer debuted with $420,000 during its previews, which is more or less what we expected it would make. Perhaps just over $8 million is more likely now. It depends on how much its reviews affect its legs. As always, we will have a better idea when Friday’s estimates come out.
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Weekend Prediction: Will Halloween Boost Horror Holdovers?
October 26th, 2018
There’s only one true wide release of the weekend, Hunter Killer, which isn’t expected to make much of an impact at the box office. (Indivisible and Johnny English Strikes Again are both opening in several hundred theaters and one of them could reach the top ten, but probably not both.) This means Halloween will have no trouble repeating on top, while Venom could hold on better than most, thanks to Halloween being less than a week away. This weekend last year, Jigsaw opened in first place with $16.64 million, while Tyler Perry’s Boo 2 was the only other film to earn more than $10 million. Halloween should earn more than those two did giving 2018 yet another win.
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2018 Preview: October
October 1st, 2018
September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin.
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Hunter Killer Trailer
August 21st, 2018
Action thriller starring Gerard Butler, Gary Oldman, Common, and Linda Cardellini opens October 26 ... Full Movie Details.
An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/10/26 | 5 | $88,311 | 63 | $1,402 | $88,311 | 1 | |
2018/11/02 | 7 | $71,608 | -19% | 58 | $1,235 | $193,867 | 2 |
2018/11/09 | 14 | $8,881 | -88% | 19 | $467 | $218,657 | 3 |
2018/11/16 | - | $1,730 | -81% | 5 | $346 | $225,149 | 4 |
2018/11/30 | - | $243 | 1 | $243 | $227,808 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/2/2018 | $372,078 | 195 | 195 | 568 | $850,995 | 11/26/2018 |
Brazil | 10/26/2018 | $416,089 | 396 | 396 | 708 | $805,102 | 11/9/2018 |
Bulgaria | 10/26/2018 | $20,422 | 0 | 0 | 0 | $115,430 | 2/26/2019 |
Czech Republic | 11/23/2018 | $22,286 | 81 | 81 | 107 | $33,020 | 12/4/2018 |
France | 12/14/2018 | $323,646 | 126 | 126 | 126 | $323,646 | 12/23/2018 |
Italy | 11/8/2018 | $459,429 | 0 | 13 | 13 | $807,916 | 12/2/2018 |
Japan | 4/12/2019 | $813,100 | 0 | 0 | 0 | $2,338,137 | 4/27/2019 |
Lithuania | 11/2/2018 | $6,703 | 0 | 0 | 0 | $8,374 | 11/13/2018 |
Mexico | 11/2/2018 | $676,977 | 0 | 0 | 0 | $1,236,046 | 11/13/2018 |
Netherlands | 10/26/2018 | $335,347 | 94 | 95 | 458 | $1,111,926 | 12/11/2018 |
North America | 10/26/2018 | $6,653,777 | 2,720 | 2,720 | 6,692 | $15,767,460 | |
Poland | 10/26/2018 | $93,250 | 104 | 104 | 104 | $93,250 | 1/1/2019 |
Portugal | 10/26/2018 | $88,311 | 63 | 63 | 146 | $227,808 | 12/4/2018 |
Romania | 11/27/2020 | $0 | 0 | 1 | 2 | $405,230 | 4/7/2021 |
Russia (CIS) | 11/8/2018 | $115,831 | 543 | 543 | 725 | $188,030 | 12/11/2018 |
Slovakia | 11/9/2018 | $21,773 | 55 | 55 | 88 | $37,064 | 11/27/2018 |
South Korea | 11/27/2018 | $0 | 0 | 220 | 272 | $413,206 | 1/8/2019 |
Spain | 11/2/2018 | $242,508 | 187 | 187 | 435 | $674,753 | 11/22/2018 |
Turkey | 3/29/2019 | $33,359 | 157 | 157 | 187 | $55,912 | 4/12/2019 |
United Kingdom | 10/19/2018 | $480,149 | 356 | 356 | 570 | $895,955 | 10/31/2018 |
Rest of World | $2,922,861 | ||||||
Worldwide Total | $29,312,121 | 4/7/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gerard Butler | Captain Joe Glass |
Gary Oldman | CJCS Charles Donnegan |
Supporting Cast
Common | Rear Admiral John Fisk |
Linda Cardellini | Jane Norquist |
Toby Stephens | U.S. Navy SEAL Lieutenant Beaman |
Ethan Baird | Sonar 3 |
Jacob Scipio | Sonar 2 |
Dempsey Bovell | Sonar 1 |
Corey Johnson | Captain |
Adam James | Captain Forbes |
Henry Goodman | Senator from Illinois |
Colin Stinton | Senator from Iowa |
Carter MacIntyre | Executive Officer Brian Edwards |
Shane Taylor | TMC Turner |
Kola Bokinni | McCaw |
Mikey Collins | Brickowski |
Will Attenborough | Kaplan |
Kieron Bimpson | Nichols |
David Gyasi | Chief of the Boat of U.S.S. Omaha |
Michael Jibson | Reed |
Christopher Goh | Park |
Brian Kinney | Officer on the Deck |
Sarah Middleton | Liddy |
Taylor John Smith | Sonar Operator on U.S.S. Omaha |
Gabriel Chavarria | U.S. Navy Seal |
Cosmo Jarvis | Fathometer Operator |
Michael Trucco | Devin Hall |
Ryan McPartlin | Matt Johnstone |
Zane Holtz | Martinelli |
Richard Hills, Jr. | Medic Jones |
Alexander Diachenko | President Zakarin |
Yuri Kolokolnikov | Oleg |
Michael Gor | Admiral Dmitri Durov |
Igor Jijikine | Tretiak |
Ilia Volok | Captain Vlade Sutrev |
Hristo Mitskov | Volkov Sonarman |
Stefan Nikolaev Ivanov | Volkov Captain |
Michael Nyqvist | Captain Sergi Andropoyov |
Caroline Goodall | United States President Dover |
David Yelland | SECDEF |
Stuart Milligan | Secretary of State |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Donovan Marsh | Director |
Arne L. Schmidt | Screenwriter |
Jamie Moss | Screenwriter |
Don Keith | Story based on the novel “Firing Point” by |
George Wallace | Story based on the novel “Firing Point” by |
Toby Jaffe | Producer |
Neal H. Moritz | Producer |
Gerard Butler | Producer |
Tucker Tooley | Producer |
Alan Siegel | Producer |
Mark Gill | Producer |
John Thompson | Producer |
Matt O'Toole | Producer |
Les Weldon | Producer |
Avi Lerner | Executive Producer |
Trevor Short | Executive Producer |
Boaz Davidson | Executive Producer |
Yariv Lerner | Executive Producer |
Douglas Urbanski | Executive Producer |
Lati Grobman | Executive Producer |
Christa Campbell | Executive Producer |
Arne L. Schmidt | Executive Producer |
Ryan Kavanaugh | Executive Producer |
Kenneth Halsband | Executive Producer |
Kevin King | Executive Producer |
Christine Otal | Executive Producer |
Samuel Hadida | Co-Executive Producer |
Victor Hadida | Co-Executive Producer |
Gisella Marengo | Co-Producer |
Danielle Robinson | Co-Producer |
Michael J. Duthie | Editor |
Tom Marais | Director of Photography |
Jon Henson | Production Designer |
Caroline Harris | Costume Designer |
Trevor Morris | Composer |
Elaine Granger | Casting Director |
Elena Melamed | Unit Production Manager |
Suzie Shearer | Unit Production Manager |
Elena Melamed | Line Producer |
Suzie Shearer | Line Producer |
Ben Burt | First Assistant Director |
Oana Ene | Second Assistant Director |
Diyan Hristov | Stunt Coordinator |
Paul Herbert | Stunt Coordinator |
Georgi Manchev | Fight Choreographer |
Danail “Dundee” Hadzhiyski* | Visual Effects Producer |
Dominic Gibbs | Supervising Sound Editor |
Dominic Gibbs | Sound Designer |
Jeanette Haley | Post-Production Supervisor |
Andrew Munro | Supervising Art Director |
Ben Collins | Supervising Art Director |
Alexei Karagiaur | Art Director |
Andrea Matheson | Art Director |
Nic Pallace | Art Director |
Chris Peterson | Art Director |
Ivan Rangelov | Art Director |
Vladimir Kaloyanov | Sound Mixer |
Beverley Winston | Script Supervisor |
Yosif Mladenov | Set Designer |
Lidiya Burukova | Set Designer |
Robert Wischhusen-Hayes | Set Decorator |
Orlin Grozdanov | Set Decorator |
Ina Damyanova | Costume Supervisor |
Sian Evans | Costume Supervisor |
Stefano Pepin | Special Effects Supervisor |
Ivo Jivkov | Special Effects Supervisor |
Elena Zhekova | Special Effects Coordinator |
Laura Davison | Special Effects Coordinator |
Elliott Meddings | Supervising Location Manager |
Atanas Vulev | Location Manager |
Thomas Bosanquet | Location Manager |
Ivailo Genov | Location Manager |
Yordan Peychev | Location Manager |
Ian Cunningham | First Assistant Editor |
Iain Thomson | First Assistant Editor |
Beaumont Lowenthal | Second Assistant Editor |
Ivan Todorov | Assistant Editor |
Luke Gentry | Sound Designer |
Kevin Penney | Sound Effects Editor |
Timothy Siddall | Dialogue Editor |
Adam Horley | ADR Editor |
Glen Gathard | Foley Mixer |
Jemma Riley-Tolch | Foley Editor |
Tim Cavagin | Re-recording Mixer |
Mark Taylor | Re-recording Mixer |
Gord Hillier | Additional Sound Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.