South Korea Box Office for The Hunt (2020)
Theatrical Performance (US$) | ||
South Korea Box Office | $38,020 | Details |
Worldwide Box Office | $12,400,979 | Details |
Home Market Performance | ||
North America DVD Sales | $2,073,665 | Details |
North America Blu-ray Sales | $2,612,237 | Details |
Total North America Video Sales | $4,685,902 | |
Further financial details... |
Synopsis
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all.
Metrics
Movie Details
Production Budget: | $18,200,000 |
South Korea Releases: | April 23rd, 2020 (Wide) |
Video Release: | March 20th, 2020 by Universal Home Entertainment July 6th, 2020 by Netflix UK |
MPAA Rating: | R for strong bloody violence, and language throughout. (Rating bulletin 2617 (Cert #52363), 2/19/2020) |
Running Time: | 115 minutes |
Keywords: | Political, Satire, Humans as Prey, Delayed Release, Hunting, Action Thriller, Mistaken Identity |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blumhouse, Universal Pictures |
Production Countries: | United States |
Languages: | English |
International Round Up: South Korea Leads the Way, Will the Rest of the World Follow?
July 23rd, 2020
The release at the weekend of Peninsula, the follow-up to Train to Busan, in South Korea gave us the first genuinely positive box office news in months. Some markets around Asia showed impressive relative growth. The studios are beginning to adapt to the uneven pace of recovery from the first (and hopefully, at least in some countries, last) wave of the pandemic. But there are also some notable weak spots. Here’s a round-up of current conditions at the international box office.
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DEG Watched At Home Chart: Yellowstone is Far from Mellow
July 2nd, 2020
Yellowstone led the way on the DEG Watched at Home chart last week. In fact, the show had three of the top five spots, with season three earning first spot and seasons one and two in third and fourth places respectively.
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DEG Watched At Home Chart: Hunting for New Entries
June 19th, 2020
There were some changes on the DEG Watched at Home chart this week; however, the top film was the same. Sonic the Hedgehog earned first place for the fourth week in a row, taking full advantage of the pause in new movies caused by the COVID-19 pandemic. There are still rumors that Netflix is looking to buy Paramount. Maybe this success is enough to keep Paramount where it is, or perhaps it just increases the asking price.
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Weekend Wrap-Up: Was Universal Trolling Us?
June 9th, 2020
None of the major studios have been releasing box office numbers in recent weeks, so the weekend box office chart was dominated by those independent distributors that did, in particular IFC Films and IFC Midnight. However, Deadline is reporting that Universal had in fact been dominating the box office. In fact, Trolls World Tour has been leading the way every week since it was released two months ago, and earned $3.1 million, including $300,000 in 197 theaters this past weekend. The studio’s success doesn’t end there.
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New on DVD and Blu-ray: Never Rarely… and Mob Psycho Lead the New Releases
June 9th, 2020
It is a slower week on the home market with no really big releases to talk about, at least not when you judge them by box office numbers. The Al Adamson: The Masterpiece Collection Blu-ray is massive, when you judge it by the price and the running time, but it is filled with low-budget B-movies. The biggest box office hit is The Hunt, which couldn’t ride its controversial nature to high ticket sales. As for the best releases, it was close race between Never Rarely Sometimes Always on DVD and season two Mob Psycho 100 on Blu-ray Combo Pack. Both have stellar reviews and it was a coin toss to decide which one would come out ahead, which Mob Psycho 100 won.
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Limited and VOD Releases: In the Land of Quarantines, VOD is the King
March 20th, 2020
The COVID-19 outbreak has hit all 50 states and in many of them it is a state of emergency. Mass theater closings hasn’t stopped all limited releases, but I assume Video on Demand will generate a lot more business this weekend. Because of the COVID-19 outbreak, there are so few theatrical releases that, starting this week, I am including made-for-VOD and streaming releases, including some original TV shows. We are also going to include theatrical releases that were fast-tracked to VOD this week. If you don't want to / can't hit theaters this week (and the overwhelming advice coming from the professionals is not to), you can watch some big movies early on the home market, including The Invisible Man, Onward, and others. Stay safe!
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Weekend Wrap-Up: COVID-19 Scare Results in Worst Weekend in Decades
March 16th, 2020
The weekend broke a record, one that I thought would never be broken. Ticket price inflation means the smallest overall weekend record looked unbreakable, but this weekend only managed $53.50 million, although that number should be adjusted up as some indie films report numbers later in the week. This is down 47% from last weekend and down 61% from the same weekend last year. Only one film managed to top $10 million, Onward, while the total box office was less than what Captain Marvel earned this weekend last year. This is easily the worst weekend since I’ve been in the business, but I fear it will get worse before it gets better. Year-to-date is, to be blunt, a disaster. 2020 is already $100 million behind 2019’s pace and 2019 was not a good year at the box office. Furthermore, the $1.76 billion box office is only 195 million tickets sold, meaning we are on pace for the lowest ticket sales since the turn of the century.
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Weekend Estimates: Onward Hit by Box Office Shutdown
March 15th, 2020
People are clearly taking the concept of social distancing seriously and this is causing a massive drop at the box office. Onward is going to lead the way at the box office this weekend, but with just $10.53 million. This is down 73% from its opening weekend, which is the worst in the top ten. Granted, it is a family film during its sophomore stint, so it would naturally be affected the most by social distancing. Internationally, things were much worse as some markets were shutting down theaters entirely. The film is only earning $6.8 million in 47 markets for totals of $41.4 million internationally and $101.7 million worldwide. On the positive side, its reviews are really strong, so it should find a second life on the home market.
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Friday Estimates: COVID-19 Outbreak Takes Out Box Office
March 14th, 2020
I Still Believe debuted in first place with $4.0 million on Friday, putting it on pace for close to $11 million over the full weekend. On the positive side, this is what was predicted, so at least it is matching lowered expectations. On the negative side, it won’t be enough to remain in first place for long. Its reviews are mixed, but it did earn an A-rating from CinemaScore, which is easily the best of the three new releases that came out this week.
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Thursday Night Previews: Bloodshot Draws First Blood
March 13th, 2020
Bloodshot opened with $1.2 million during Thursday previews, which is almost as much as the other two wide releases earned combined. Granted, its reviews are the weakest of the three new releases, but this start should still be enough to top our $8 million prediction. The demographics are extremely male and young and young men are the ones least likely to take precautions during something like the COVID-19 outbreak, so perhaps this is not a surprise.
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Weekend Predictions: Trio of Films Opening Wide could be Last Wide Releases for Weeks
March 12th, 2020
Wash your hands. This could be the worst weekend of the year at the box office, perhaps even the worst weekend of the past several years. COVID-19 has caused the suspension of the NBA and NHL seasons, while practically every wide release for the next several weeks has been pushed back indefinitely. This news is very likely going to hurt ticket sales as people are taking the concept of “self isolation” seriously. Last weekend, Onward and Sonic the Hedgehog were hit the hardest, which makes sense, as families would be the first to avoid going out because of a pandemic, but now I think general audiences will also avoid crowds. Worse still, none of the three wide releases were expected to be anything more than midlevel hits at the best of times. Now, I wouldn’t be surprised if none of Bloodshot, The Hunt, and I Still Believe hit $10 million over the weekend. This weekend last year, Captain Marvel earned $67.99 million during its second weekend of release. That will be more than the three new releases will open with combined. It could be more than their combined domestic totals.
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2020 Preview: March
March 1st, 2020
The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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The Hunt Trailer
February 18th, 2020
Blumhouse horror/thriller opens March 13 ... Full Movie Details.
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/04/24 | - | $14,895 | 27 | $552 | $19,981 | 1 | |
2020/05/01 | 21 | $4,579 | -69% | 13 | $352 | $236 | 2 |
2020/05/08 | - | $764 | -83% | 6 | $127 | $35,933 | 3 |
2020/05/15 | - | $150 | -80% | 2 | $75 | $36,297 | 4 |
2020/05/22 | - | $1,458 | +872% | 2 | $729 | $38,020 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/9/2020 | $0 | 0 | 0 | 0 | $0 | |
Austria | 6/5/2020 | $4,863 | 11 | 19 | 143 | $64,865 | 8/12/2020 |
Belgium | 6/17/2020 | $1,719 | 2 | 25 | 118 | $115,061 | 8/12/2020 |
Bolivia | 3/12/2020 | $0 | 0 | 5 | 18 | $19,487 | 10/7/2020 |
Central America | 7/2/2020 | $9,639 | 3 | 16 | 84 | $86,796 | 11/18/2020 |
Colombia | 12/17/2020 | $29,666 | 112 | 112 | 141 | $51,432 | 3/3/2021 |
Czech Republic | 5/15/2020 | $8,574 | 46 | 54 | 276 | $76,393 | 10/19/2022 |
Ecuador | 10/16/2020 | $0 | 0 | 2 | 2 | $76,110 | 11/25/2020 |
Egypt | 7/22/2020 | $11,399 | 20 | 20 | 82 | $54,726 | 9/16/2020 |
France | 6/22/2020 | $142,759 | 188 | 210 | 709 | $423,817 | 8/19/2020 |
Germany | 5/14/2020 | $33,800 | 9 | 41 | 319 | $237,930 | 6/16/2021 |
Greece | 6/18/2020 | $0 | 0 | 10 | 42 | $30,665 | 8/12/2020 |
Hong Kong | 3/19/2020 | $0 | 0 | 57 | 123 | $245,947 | 2/24/2021 |
Iceland | 6/5/2020 | $5,683 | 3 | 3 | 6 | $12,795 | 6/24/2020 |
India | 9/25/2020 | $1,368 | 6 | 6 | 11 | $2,917 | 10/9/2020 |
Indonesia | 2/17/2021 | $59,306 | 156 | 156 | 220 | $95,179 | 10/20/2022 |
Japan | 10/30/2020 | $0 | 0 | 22 | 93 | $266,965 | 1/27/2021 |
Lebanon | 10/1/2020 | $1,321 | 1 | 1 | 1 | $1,689 | 10/7/2020 |
Mexico | 3/13/2020 | $0 | 0 | 242 | 868 | $536,032 | |
Middle East Region | 7/16/2020 | $147,497 | 13 | 15 | 91 | $821,829 | 12/16/2020 |
Netherlands | 5/22/2020 | $0 | 0 | 38 | 311 | $282,446 | 9/2/2020 |
North America | 3/13/2020 | $5,304,455 | 3,028 | 3,028 | 3,028 | $5,812,500 | |
Poland | 7/24/2020 | $42,887 | 153 | 153 | 631 | $230,823 | 10/19/2022 |
Singapore | 8/13/2020 | $37,228 | 34 | 34 | 82 | $82,140 | 9/9/2020 |
Slovakia | 6/11/2020 | $4,123 | 26 | 36 | 150 | $65,451 | 8/26/2020 |
Slovenia | 6/4/2020 | $2,469 | 4 | 5 | 41 | $22,793 | 10/7/2020 |
South Korea | 4/23/2020 | $14,895 | 27 | 27 | 50 | $38,020 | 5/27/2020 |
Spain | 7/31/2020 | $176,650 | 235 | 266 | 1275 | $1,205,559 | 10/7/2020 |
Sri Lanka | 9/25/2020 | $0 | 0 | 2 | 4 | $4,380 | 2/17/2021 |
Sweden | 3/13/2020 | $0 | 0 | 23 | 94 | $71,312 | 7/22/2020 |
Switzerland | 6/6/2020 | $47,442 | 22 | 33 | 275 | $363,272 | 12/16/2020 |
Thailand | 8/13/2020 | $15,880 | 15 | 15 | 31 | $28,128 | 9/2/2020 |
Trinidad | 7/29/2020 | $3,226 | 10 | 10 | 28 | $9,434 | 10/19/2022 |
United Arab Emirates | 7/16/2020 | $49,331 | 31 | 33 | 127 | $175,672 | 9/9/2020 |
United Kingdom | 3/13/2020 | $672,962 | 448 | 448 | 482 | $788,414 | 9/2/2020 |
Worldwide Total | $12,400,979 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ike Barinholtz | Staten Island |
Betty Gilpin | Crystal |
Emma Roberts | Yoga Pants |
Hilary Swank | Athena |
Supporting Cast
Ethan Suplee | Gary |
Amy Madigan | Ma |
Reed Birney | Pop |
Chris Berry | Target |
Sturgill Simpson | Vanilla Nice |
Kate Nowlin | Big Red |
Glenn Howerton | Richard |
Steve Coulter | The Doctor |
Dean West | Martin |
Vince Pisani | Peter |
Teri Wyble | Liberty |
Steve Mokate | Sergeant Dale |
Sylvia Grace Crim | Dead Sexy |
Jason Kirkpatrick | Rannnndeeee |
Macon Blair | Fauxnvoy |
J.C. MacKenzie | Paul |
Tadasay Young | Nicole |
Hannah Aline | Flight Attendant/Not Stewardess/Kelly |
Jim Klock | Captain O’Hara |
Usman Ally | Crisis Mike |
Walker Babington | Bandana Man |
Aril Eliaz | Dino |
Alexander Babara | Bojan |
Ned Yousef | Bearded Refugee |
Tirol Palmer | Refugee Mother |
Iyad Hajjaj | Backpack Refugee |
Mikel Albagdadi | Refugee Man |
Martini Harris | Agent in Charge |
Yosef Kasnetzkov | Border Agent |
Jeff Brockton | Border Agent |
Troy Jason Roker | Border Agent |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Craig Zobel | Director |
Damon Lindelof | Screenwriter |
Nick Cuse | Screenwriter |
Jason Blum | Producer |
Damon Lindelof | Producer |
Nick Cuse | Executive Producer |
Craig Zobel | Executive Producer |
Steven R Molen | Executive Producer |
Couper Samuelson | Executive Producer |
Jeanette Volturno* | Executive Producer |
Darran Tiernan | Director of Photography |
Jane Rizzo | Editor |
David Tabbert | Costume Designer |
Nathan Barr | Composer |
Matthew Munn | Production Designer |
Terri Taylor | Casting Director |
Julie Goldstein | Co-Producer |
Jennifer Scudder Trent | Co-Producer |
John Brister | Unit Production Manager |
Lars P. Winther | First Assistant Director |
Stephen LoNano | Second Assistant Director |
Tim Alverson | Additional Editor |
Jason Baldwin-Stewart* | Art Director |
Jessica Stumpf | Set Designer |
Ryan Falkner | Story Artist |
Monique Champagne | Set Decorator |
Robert C. Bigelow | Sound Mixer |
Matthew “Smalls” Kutcher* | Special Effects Coordinator |
Suzanne Chambliss | Costume Supervisor |
Lauren Thomas | Make up |
Leah Vautrot | Make up |
Emily Stegeman | Hairstylist |
Dee Leveque | Hairstylist |
David Bush | Script Supervisor |
Yvette LaPlace | Location Manager |
Kevin Roberts | Production Supervisor |
Will Files | Supervising Sound Editor |
Rich Bologna | Supervising Sound Editor |
Rich Bologna | Sound Designer |
Phil Barrie | Sound Editor |
Diego Perez | Sound Editor |
Polly McKinnon | Dialogue Editor |
Ryan Collison | Foley Mixer |
Nick Seaman | Foley Editor |
Laura Heinzinger | Foley Editor |
Will Files | Re-recording Mixer |
Mark Paterson | Re-recording Mixer |
Justin Burnett | Additional Music |
Stephen Lukach | Additional Music |
Kevin Crehan | Music Editor |
Greg Hayes | Score Recordist |
Greg Hayes | Score Mixer |
Johnny Gibson | Visual Effects Supervisor |
Ed Hawkins | Visual Effects Supervisor |
Jenne Marie Guerra | Visual Effects Producer |
Hank Amos | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.