China Box Office for Huang Qiang Zou Ban (2018)
Theatrical Performance (US$) | ||
China Box Office | $117,404,848 | Details |
Worldwide Box Office | $118,128,641 | Details |
Further financial details... |
Metrics
Movie Details
China Releases: | November 14th, 2018 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 90 minutes |
Keywords: | Heist, Ex-cop, Crime Comedy, Death of a Boss, Wheelchair User, Kidnap |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | China |
Languages: | Mandarin |
International Box Office: Bohemian Rhapsody Challenges Grindelwald for Top Spot
December 5th, 2018
Fantastic Beasts: The Crimes of Grindelwald remained in first place on the international chart with $40.8 million on 18,922 screens in 80 markets for totals of $386.9 million internationally and $521.4 million worldwide. Its biggest market of the weekend was Japan, where it added $7.5 million to its running tally, which now sits at $25.6 million. Its biggest market overall is China, where it has $56.65 million, including $2.37 million this past weekend, followed by the U.K. with $33.8 million, including $3.5 million this past weekend.
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International Box Office: Grindelwald Falls, But Remains in First Place
November 28th, 2018
Fantastic Beasts: The Crimes of Grindelwald fell more than $100 million to $83.3 million on 27,922 screens in 80 markets for totals of $322.2 million internationally and $439.2 million worldwide. Its only new market was Japan, where it debuted with $13 million on 1,008 screens. By comparison, the first Fantastic Beasts earned $15.5 million during its debut in that market. The film’s best holdover was Germany, where it added $7.5 million on 1,460 screens lifting its running tally to $23.2 million after two weeks of release. On the other hand, it plummeted 82% during its second weekend in China down to just $6.44 million for a two-week total of $52.11 million. The film likely won’t reach $500 million internationally and its worldwide total might be as much as $200 million shy of its predecessor. This is still enough to be profitable, but there is reason to be concerned about the franchise going forward.
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Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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International Box Office: Grindelwald Has Quarter Billion Dollar Global Debut
November 20th, 2018
Fantastic Beasts: The Crimes of Grindelwald started its international run with $191.5 million on 50,865 screens in 79 markets for a worldwide debut of $253.7 million. Its largest opening was in China, but it had to settle for second place there with $36.68 million on 22,008 screens over the weekend for a total opening of $37.53 million. It had more impressive debuts in the U.K. ($16.3 million on 1,823 screens) and in Russia ($12.36 million on 1,623). The film had the best opening in the Harry Potter franchise in 21 markets, but overall, it was only 3% ahead of Fantastic Beasts and Where to Find Them in the same markets. Its much weaker reviews will likely lead to shorter legs, but even so, it should still have no problem getting to $600 million worldwide and becoming Warner Bros.’ biggest hit of the year. If the next installment in the franchise falls just as much, then the studio will have reason to be concerned.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/11/16 | 3 | $9,620,000 | 42,643 | $226 | $9,690,000 | 1 | |
2018/11/23 | 1 | $24,960,000 | +159% | 78,542 | $318 | $49,710,000 | 2 |
2018/11/30 | 1 | $24,460,000 | -2% | 90,943 | $269 | $90,690,000 | 3 |
2018/12/07 | 2 | $6,590,000 | -73% | 37,726 | $175 | $107,930,000 | 4 |
2018/12/14 | 6 | $1,830,000 | -72% | 13,411 | $136 | $113,750,000 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/23/2018 | $58,559 | 17 | 17 | 49 | $168,423 | 12/17/2018 |
China | 11/14/2018 | $9,620,000 | 42643 | 90943 | 263265 | $117,404,848 | 1/18/2019 |
North America | 11/16/2018 | $71,187 | 15 | 36 | 121 | $551,196 | |
United Kingdom | 12/7/2018 | $4,174 | 4 | 4 | 4 | $4,174 | 12/13/2018 |
Worldwide Total | $118,128,641 | 1/18/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Xiaozhi Rao (饶晓志) | Director |
Lei Zhilong | Director |
Xiaozhi Rao (饶晓志) | Screenwriter |
Lei Zhilong | Screenwriter |