Venezuela Box Office for Hitman: Agent 47 (2015)
Theatrical Performance (US$) | ||
Venezuela Box Office | $2,360,699 | Details |
Worldwide Box Office | $82,182,803 | Details |
Home Market Performance | ||
North America DVD Sales | $3,980,602 | Details |
North America Blu-ray Sales | $4,072,443 | Details |
Total North America Video Sales | $8,053,045 | |
Further financial details... |
Synopsis
An elite assassin who was genetically engineered from conception to be the perfect killing machine is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research and forty-six earlier Agent clones—endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47’s past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in a battle with his deadliest foe.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Venezuela Releases: | September 4th, 2015 (Wide) |
Video Release: | December 11th, 2015 by Fox Home Entertainment |
MPAA Rating: | R for sequences of strong violence, and some language. (Rating bulletin 2381, 7/8/2015) |
Running Time: | 96 minutes |
Franchise: | Hitman: Agent 47 |
Keywords: | Hitmen, Genetic Engineering, Super Soldiers, Corporate Malfeasance, Reboot, Action Thriller, Scene in End Credits, Missing Person, Set in Singapore |
Source: | Based on Game |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Daybreak Pictures, Giant Pictures, DayDay Films, Prime Universe Films, Fox International Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 29th, 2015
December 29th, 2015
Another slow week on the home market, but not one without some top-notch releases. Blood And Black Lace on Blu-ray, I Believe in Unicorns on DVD, Shameless: Season 5 are all excellent. However, Bone Tomahawk on Blu-ray is the clear choice for Pick of the Week.
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International Box Office: Mission: Accomplished
September 17th, 2015
Mission: Impossible - Rogue Nation rocketed up the chart into first place with $91.3 million in 63 markets over the weekend... sort of. This includes $86.42 million during the film's six-day opening in China. Its three-day weekend number is a lot smaller than that, but still enough for first place. Overall, the film now has $424.8 million internationally and $612.9 million worldwide. It became only the second film in the franchise to reach the $600 million mark worldwide. This is more than enough to break even, so it should come as no surprise that there's another installment in the works.
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International Box Office: Summer is Terminated
September 10th, 2015
Terminator: Genisys remained in first place on the international chart, but with only $11.5 million in 8 markets. This lifted its international total to $346.3 million, while it now has $435.9 million worldwide. This helped the film become the second biggest hit in the franchise, assuming you don't take inflation into account. In China, the film managed $26.67 million, but that was for the full week, giving the film a total of $111.92 million after 15 days of release.
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International Box Office: Terminator Generates Black Ink
September 3rd, 2015
Terminator Genisys remained in first place with $23.6 million in 26 markets over the weekend for totals of $320.1 million internationally and $409.5 million worldwide. In China, the film pulled in $23.4 million over the weekend for an eight-day total of $85.15 million in that market. It is going to hit the century mark in that market, while its overall worldwide number is high enough to break even.
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Weekend Wrap-Up: Compton Wins the War over the New Releases
August 31st, 2015
August is over and the number one film over the full month remained in first place for the third weekend in a row. Only one of the three new releases did well, War Room, as it topped the high end of exceptions. The other two wide releases bombed, in the case of No Escape, and bombed hard, in the case of We Are Your Friends. The overall box office plummeted 17% to just $88 million over the weekend. That's so low that I double-checked the numbers. Granted, there are likely a few limited releases that we don't have weekend numbers for yet, so this number isn't final. However, even the final number won't be that much higher than this, certainly not high enough to make a real difference. This was also 21% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by nearly $400 million at $7.39 billion to 7.00 billion, so this slump isn't terrible news. However, I would really like it to end sooner rather than later.
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International Box Office: Genisys Reborn in China
August 27th, 2015
Terminator Genisys earned $26.97 million on Sunday in China. That was enough for first place in that market over the entire weekend. In fact, that was enough for first place internationally. Adding in one holdover market, and the movie made $27.4 million in 2 markets for totals of $264.0 million internationally and $353.1 million worldwide. One final note, China is already the film's biggest single market and it could save the franchise and make another installment likely.
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Weekend Wrap-Up: Box Office Assassinated
August 25th, 2015
It was an ugly weekend, for the most part. Straight Outta Compton fell about as fast as expected, but that was more than enough to dominate the new releases and push it past an important milestone. On the other hand, the biggest new release, Sinister 2, only managed third place, while the less said about Hitman: Agent 47 and American Ultra, the better. Overall, the box office fell 27% to $107 million. Like I said on Friday, summer is most definitely over. Worse still, this figure is 7.3% lower than the same weekend last year. Had all three new releases matched expectations, the box office would have practically matched last year's pace. Year-to-date, 2015 has pulled in $7.26 billion, which is 5.3% head of 2014's running tally of $6.90 billion.
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Weekend Estimates: Compton Brushes Off Newcomers
August 23rd, 2015
As expected, Straight Outta Compton is continuing to dominate at the box office this weekend, with a second weekend of $26.76 million and a total of $111.5 million projected by Universal on Sunday morning. In fact, Compton is so dominant that the music biopic will earn more than the combined grosses of all three debutants. Mission: Impossible—Rogue Nation’s fourth-weekend $11.7 million will be enough for second place.
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Friday Estimates: Sinister Starts Strong, but Can't Save Summer
August 22nd, 2015
As expected, Sinister 2 was the best of the new releases, earning $4.7 million on Friday. This is “strong” in the loosest sense of the word. The horror sequel had an opening day that was 37% lower than the first film’s and it is only going to get worse. Sequels tend to be more front-loaded than original films and the reviews will scare away moviegoers for the rest of the weekend. Worst case scenario has the film earning less than $10 million this weekend and even the best case scenario is just $12 million. The lower end seems more likely, so look for between $10 million and $11 million over the full weekend. This is more than it cost to make, on the other hand, so the studio might still recoup its total budget sometime on the home market.
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Weekend Predictions: Summer's Over. Oh boy, is Summer Over!
August 21st, 2015
After last week's reprieve, summer truly ends this week. There are three wide releases coming out, none of which are expected to become even midlevel hits. Also, none of them are earning overall positive reviews. The biggest movie is Sinister 2, which is expected to do well enough to earn a profit, mostly thanks to its very low production budget. American Ultra is the best in terms of Tomatometer Score—by a huge margin. However, it is still earning less than 50% positive reviews by a large margin. The biggest movie in terms of production budget is Hitman: Agent 47, which is bad news for the studio, because it is not expected to do well. In fact, there's almost no chance any of the three new releases will top Straight Outta Compton this weekend. There's a small chance that their combined openings won't top Straight Outta Compton. There is some good news. This weekend last year, there were no movies that earned more than $20 million, which is the absolute low end of Straight Outta Compton's range. On the other hand, If I Stay was the best new release with $15.68 million. That's more than any of the wide releases this year will earn and it only managed third place last year. I think 2015 will win with ease at the top of the chart, but 2014 might have better depth, keeping it ahead in the year-over-year comparison.
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2015 Preview: August
August 1st, 2015
It is still a little too soon to tell how July will finish, as we don't have any numbers for the final weekend at the time of writing. We know Minions was a monster hit and that Ant-man will be a financial success. However, until we see how Mission: Impossible - Rogue Nation does, it will be impossible to call the month a true success. If Rogue Nation bombed this weekend, then the month is only a partial success. It would also mean the summer of 2015 could be coming to an abrupt end. As for August, only Fantastic Four has a better than 50/50 chance of reaching $100 million; although some people think Straight Outta Compton also has a shot at that milestone. Besides those two, only a couple of other films even have a realistic shot at becoming midlevel hits. Worse still, last August was amazing with Guardians of the Galaxy breaking records. Teenage Mutant Ninja Turtles also did better than expected with a domestic haul of nearly $200 million. No release this August is going to match that figure. There's a good chance the top two releases combined won't do so. Fortunately, 2015 has a sizable lead over 2014, so even a soft month will keep 2015 ahead in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/04 | 3 | $533,321 | 57 | $9,357 | $533,321 | 1 | |
2015/09/11 | 3 | $398,125 | -25% | 47 | $8,471 | $1,383,108 | 2 |
2015/09/18 | 5 | $222,477 | -44% | 40 | $5,562 | $1,946,511 | 3 |
2015/09/25 | 7 | $133,467 | -40% | 32 | $4,171 | $2,233,028 | 4 |
2015/10/02 | 7 | $49,800 | -63% | 14 | $3,557 | $2,360,699 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/3/2015 | $209,354 | 107 | 107 | 169 | $360,654 | 9/30/2015 |
Australia | 8/20/2015 | $730,607 | 180 | 188 | 623 | $1,777,499 | 10/20/2015 |
Austria | 8/28/2015 | $142,322 | 64 | 64 | 253 | $479,263 | 10/20/2015 |
Bahrain | 8/27/2015 | $0 | 0 | 6 | 19 | $335,561 | 12/30/2018 |
Belgium | 9/9/2015 | $0 | 0 | 41 | 138 | $595,678 | 10/20/2015 |
Bolivia | 8/27/2015 | $0 | 0 | 16 | 23 | $68,164 | 12/30/2018 |
Brazil | 8/27/2015 | $446,207 | 228 | 24676 | 25166 | $1,051,122 | 10/27/2015 |
Bulgaria | 8/27/2015 | $19,505 | 0 | 39 | 68 | $102,243 | 12/30/2018 |
Cambodia | 8/27/2015 | $0 | 0 | 10 | 13 | $84,791 | 12/30/2018 |
Central America | 8/27/2015 | $0 | 0 | 82 | 141 | $625,158 | 9/22/2015 |
Chile | 9/17/2015 | $0 | 0 | 26 | 30 | $132,597 | 12/30/2018 |
Colombia | 8/27/2015 | $390,134 | 218 | 218 | 580 | $954,207 | 12/30/2018 |
Croatia | 8/27/2015 | $0 | 0 | 20 | 48 | $71,113 | 12/30/2018 |
Czech Republic | 8/27/2015 | $47,838 | 93 | 93 | 164 | $99,786 | 12/30/2018 |
Denmark | 8/27/2015 | $0 | 0 | 50 | 65 | $358,943 | 9/22/2015 |
Ecuador | 8/28/2015 | $0 | 0 | 38 | 74 | $394,035 | 12/30/2018 |
Estonia | 8/21/2015 | $18,157 | 10 | 10 | 27 | $58,678 | 9/9/2015 |
Finland | 8/21/2015 | $39,681 | 62 | 62 | 151 | $144,194 | 9/22/2015 |
France | 8/26/2015 | $2,073,614 | 404 | 404 | 1553 | $4,624,589 | 8/21/2018 |
Germany | 8/27/2015 | $793,437 | 434 | 519 | 1904 | $2,390,704 | 11/3/2015 |
Greece | 8/20/2015 | $93,117 | 58 | 58 | 114 | $240,355 | 9/9/2015 |
Hong Kong | 8/20/2015 | $646,352 | 91 | 91 | 231 | $1,592,138 | 10/6/2015 |
Hungary | 8/27/2015 | $69,914 | 0 | 46 | 46 | $171,014 | 12/30/2018 |
India | 9/4/2015 | $0 | 0 | 96 | 111 | $555,960 | 9/22/2015 |
Indonesia | 8/21/2015 | $1,064,700 | 283 | 283 | 616 | $2,597,404 | 12/30/2018 |
Iraq | 8/27/2015 | $0 | 0 | 2 | 8 | $23,722 | 12/30/2018 |
Israel | 8/20/2015 | $218,085 | 29 | 29 | 97 | $595,056 | 12/30/2018 |
Italy | 10/29/2015 | $267,388 | 215 | 215 | 257 | $380,672 | 11/17/2015 |
Kenya | 8/28/2015 | $0 | 0 | 17 | 17 | $56,184 | 12/30/2018 |
Kuwait | 8/27/2015 | $0 | 0 | 11 | 23 | $752,621 | 12/30/2018 |
Lebanon | 8/27/2015 | $78,607 | 17 | 17 | 52 | $285,931 | 12/30/2018 |
Lithuania | 8/21/2015 | $20,033 | 117 | 117 | 204 | $61,440 | 9/10/2015 |
Malaysia | 8/20/2015 | $1,118,208 | 133 | 133 | 320 | $2,791,867 | 10/6/2015 |
Mexico | 8/20/2015 | $705,227 | 0 | 0 | 0 | $2,609,941 | 9/7/2018 |
Netherlands | 9/3/2015 | $255,535 | 55 | 56 | 212 | $610,886 | 11/3/2015 |
New Zealand | 8/20/2015 | $141,558 | 63 | 63 | 226 | $393,678 | 9/21/2015 |
North America | 8/21/2015 | $8,326,530 | 3,261 | 3,273 | 10,384 | $22,467,450 | 11/5/2018 |
Norway | 8/21/2015 | $0 | 0 | 16 | 16 | $544,553 | 9/22/2015 |
Oman | 8/27/2015 | $0 | 0 | 9 | 17 | $246,818 | 12/30/2018 |
Peru | 8/27/2015 | $206,679 | 81 | 81 | 175 | $444,402 | 12/21/2018 |
Philippines | 8/19/2015 | $716,385 | 153 | 153 | 187 | $1,300,551 | 12/30/2018 |
Poland | 8/28/2015 | $132,853 | 0 | 0 | 0 | $342,733 | 12/30/2018 |
Portugal | 8/27/2015 | $0 | 0 | 46 | 116 | $766,136 | 10/20/2015 |
Qatar | 8/27/2015 | $0 | 0 | 6 | 12 | $387,143 | 12/30/2018 |
Romania | 8/28/2015 | $116,175 | 54 | 54 | 164 | $700,842 | 12/30/2018 |
Russia (CIS) | 9/3/2015 | $1,868,936 | 1801 | 1801 | 4229 | $3,599,611 | 12/30/2018 |
Serbia and Montenegro | 8/27/2015 | $0 | 0 | 15 | 15 | $33,653 | 12/30/2018 |
Singapore | 8/20/2015 | $628,728 | 32 | 32 | 118 | $1,342,193 | 10/6/2015 |
Slovakia | 8/27/2015 | $30,487 | 52 | 52 | 91 | $64,067 | 9/16/2015 |
Slovenia | 9/3/2015 | $11,374 | 11 | 11 | 33 | $29,767 | 9/24/2015 |
South Africa | 9/4/2015 | $112,595 | 74 | 76 | 170 | $270,716 | 10/6/2015 |
South Korea | 9/3/2015 | $240,540 | 271 | 271 | 290 | $416,185 | 9/18/2015 |
Spain | 10/2/2015 | $373,245 | 287 | 289 | 745 | $974,613 | 12/29/2015 |
Sweden | 8/28/2015 | $177,642 | 77 | 77 | 219 | $455,678 | 9/22/2015 |
Switzerland | 8/27/2015 | $0 | 0 | 15 | 15 | $534,885 | 9/30/2015 |
Taiwan | 8/20/2015 | $664,715 | 78 | 79 | 257 | $1,884,503 | 11/4/2018 |
Thailand | 8/20/2015 | $497,016 | 156 | 156 | 381 | $1,072,973 | 9/18/2015 |
Turkey | 8/21/2015 | $204,613 | 243 | 252 | 998 | $755,501 | 12/30/2018 |
Ukraine | 9/3/2015 | $220,329 | 191 | 191 | 592 | $457,303 | 12/30/2018 |
United Arab Emirates | 8/27/2015 | $0 | 0 | 35 | 79 | $1,973,668 | 12/30/2018 |
United Kingdom | 8/28/2015 | $1,476,822 | 451 | 453 | 1133 | $3,327,421 | 10/27/2015 |
Uruguay | 9/3/2015 | $9,283 | 6 | 6 | 14 | $16,930 | 12/30/2018 |
Venezuela | 9/4/2015 | $533,321 | 57 | 57 | 190 | $2,360,699 | 10/6/2015 |
Vietnam | 8/28/2015 | $327,446 | 71 | 71 | 193 | $1,136,115 | 12/30/2018 |
Rest of World | $5,847,846 | ||||||
Worldwide Total | $82,182,803 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Rupert Friend | Agent 47 |
Supporting Cast
Hannah Ware | Katia van Dees |
Zachary Quinto | John Smith |
Ciaran Hinds | Dr. Peter Litvenko |
Thomas Kretschmann | Le Clerq |
Emilio Rivera | Fabian |
Mona Pirzad | Litvenko's Wife |
Joe Toedtling | Marine |
Rolf Kanies | Dr. Delriego |
Jerry Hoffmann | Franco |
Charlene Beck | Tenement Woman |
Michael Bornhutter | Berlin Police Officer #1 |
Melissa Broughton | Gardens by the Bay Woman with Baby |
Nils Brunkhorst | Syndicate Doctor |
Michaela Caspar | Hall of Records Clerk |
Alvin Chan | Gardens by the Bay Man #1 |
Michael Corcoran | Robert's Dad |
Manuel Depta | Russian Soldier #1 |
Andrew DiBartolomeo | Gardens by the Bay Man #2 |
Georg Ebinal | Salzburg Syndicate Operator Driver |
Jorg Ellmer | Russian Soldier #2 |
Waye Leon Goh | Gardens by the Bay Man #3 |
Matt Gunther | Marine Task Force |
Jesse Hergt | Young Agent 47 |
Florian Hotz | Lead Syndicate Operator |
Sebastian Hulk | Garad |
Tomas Jester | Tenement Man |
Michael Knese | Embassy Marine #2 |
Felix Koch | Salzburg Syndicate Operator Driver #1 |
Alrik Kreemke | Salzburg Syndicate Operator #1 |
Daniel Michael Nelson | Robert-Kid in Elevator |
Peter Paes | Salzburg Syndicate Operator Driver #2 |
Helena Pieske | Young Katia |
Jurgen Prochnow | Tobias |
Markus Ranglack | Russian Agent/Driver |
Kira Smidt | Baby Katia |
Daniel "Stocki" Stockhorst* | John Smith's G-Wagon |
Johannes Suhm | Young Litvenko |
Eskindir Tesfay | Marine #2 |
Asuka Tovazzi | Berlin Police Officer #2 |
Janice Koh Yu-Mei | Robert's Mum |
Dan Bakkedahl | Sanders |
Yeung Wing | Diana |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Aleksander Bach | Director |
Skip Woods | Screenwriter |
Michael Finch | Screenwriter |
Skip Woods | Story Creator |
Charles Gordon | Producer |
Adrian Askarieh | Producer |
Alex Young | Producer |
Skip Woods | Producer |
Daniel Alter | Executive Producer |
Marco Mehlitz | Executive Producer |
Sebastian Krawinkel | Production Designer |
Nicolas de Toth | Editor |
Marco Beltrami | Composer |
Ottar Gudnason | Director of Photography |
Duane Manwiller | Director of Photography |
Marco Mehlitz | Co-Producer |
Arno Neubauer | Line Producer |
Robert Grayson | Assistant Director |
Caroline Kampfer | Assistant Director |
Paul Morris | Assistant Director |
Sallie Hard | Second Assistant Director |
Rickie-Lee Roberts | Third Assistant Director |
Lynn Kommer | Third Assistant Director |
Sonja Simijonivic | Script Supervisor |
Ted Caplan | Music Supervisor |
Ted Caplan | Music Editor |
Stephan Gessler | Art Director |
Sabine Engelberg | Art Director |
Yesim Zolan | Set Decorator |
Ingeborg Heinemann | Set Decorator |
Denise Chamian | Casting Director |
Mandy Rahn | Post-Production Executive |
Bina Daigeler | Costume Designer |
Sharon Martin | Make-up and Hair Designer |
Ed Cantu | Sound Mixer |
Glenn Freemantle | Sound Designer |
Ben Barker | Sound Designer |
Glenn Freemantle | Supervising Sound Editor |
Ben Barker | Supervising Sound Editor |
Brendan Nicholson | Re-recording Mixer |
Andrew Caller | Re-recording Mixer |
Niv Adiri | Re-recording Mixer |
Rich Thorne | Visual Effects Producer |
Claudius Rauch | Special Effects Supervisor |
Chris O’ Hara | Stunt Coordinator |
Jonathan Eusebio | Stunt Coordinator |
Ralf Haeger | Stunt Coordinator |
Volkhart Buff | Stunt Coordinator |
Sandra Barger | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.