Spain Box Office for Hellboy (2019)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $1,057,555 | Details |
| Worldwide Box Office | $53,956,480 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,516,920 | Details |
| North America Blu-ray Sales | $8,666,082 | Details |
| Total North America Video Sales | $12,183,002 | |
| Further financial details... | ||
Synopsis
Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| Spain Releases: | May 17th, 2019 (Wide) |
| Video Release: | July 23rd, 2019 by Lionsgate Home Entertainment |
| MPAA Rating: | R for strong bloody violence and gore throughout, and language (Rating bulletin 2567 (Cert #52002), 2/27/2019) |
| Running Time: | 120 minutes |
| Franchise: | Hellboy |
| Keywords: | Dark Horse Comics, Demons, Supernatural, Revenge, Shapeshifter, Witches, IMAX: DMR, Reboot, Action Horror |
| Source: | Remake |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/05/17 | 3 | $563,057 | 342 | $1,646 | $563,057 | 1 | |
| 2019/05/24 | 7 | $180,820 | -68% | 306 | $591 | $932,586 | 2 |
| 2019/05/31 | 11 | $48,850 | -73% | 222 | $220 | $1,057,555 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/12/2019 | $57,719 | 139 | 139 | 172 | $91,422 | 5/4/2019 |
| Australia | 4/12/2019 | $553,564 | 287 | 287 | 748 | $1,051,651 | 5/7/2019 |
| Brazil | 5/24/2019 | $302,185 | 446 | 446 | 652 | $627,494 | 6/8/2019 |
| Bulgaria | 4/12/2019 | $26,672 | 0 | 0 | 0 | $64,719 | 5/8/2019 |
| China | 11/7/2020 | $130,000 | 409 | 55998 | 76483 | $13,170,000 | 12/9/2020 |
| Czech Republic | 4/12/2019 | $146,440 | 126 | 126 | 256 | $268,625 | 5/6/2019 |
| France | 5/10/2019 | $1,078,112 | 410 | 415 | 1174 | $1,779,290 | 5/31/2019 |
| Germany | 4/12/2019 | $559,728 | 0 | 0 | 0 | $559,728 | 4/19/2019 |
| Italy | 4/11/2019 | $858,614 | 0 | 4 | 4 | $1,566,487 | 5/10/2019 |
| Lithuania | 4/12/2019 | $19,370 | 93 | 93 | 112 | $27,268 | 4/23/2019 |
| Mexico | 4/11/2019 | $702,545 | 0 | 0 | 0 | $1,562,208 | 4/22/2019 |
| Netherlands | 4/12/2019 | $207,077 | 90 | 90 | 238 | $395,474 | 4/30/2019 |
| North America | 4/12/2019 | $12,045,147 | 3,303 | 3,303 | 7,839 | $21,903,748 | |
| Poland | 4/12/2019 | $218,076 | 194 | 194 | 388 | $364,510 | 4/27/2019 |
| Portugal | 4/12/2019 | $180,205 | 76 | 76 | 202 | $361,564 | 5/14/2019 |
| Russia (CIS) | 4/11/2019 | $2,243,529 | 1578 | 1578 | 4389 | $3,811,848 | 6/21/2019 |
| Slovakia | 4/12/2019 | $76,756 | 67 | 67 | 123 | $134,301 | 4/30/2019 |
| South Korea | 4/10/2019 | $1,228,117 | 726 | 726 | 1243 | $2,309,424 | 4/25/2019 |
| Spain | 5/17/2019 | $563,057 | 342 | 342 | 870 | $1,057,555 | 6/7/2019 |
| Turkey | 4/12/2019 | $155,643 | 332 | 332 | 819 | $376,195 | 5/24/2019 |
| United Kingdom | 4/11/2019 | $1,294,899 | 480 | 490 | 1229 | $2,472,969 | 5/23/2019 |
| Worldwide Total | $53,956,480 | 12/9/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| David Harbour | Hellboy |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Neil Marshall | Director |
| Andrew Cosby | Screenwriter |
| Mike Mignola | Story based on the Dark Horse Comic Book Created by |
| Lawrence Gordon | Producer |
| Lloyd Levin | Producer |
| Mike Richardson | Producer |
| Philip Westgren | Producer |
| Carl Hampe | Producer |
| John Thompson | Producer |
| Matt O'Toole | Producer |
| Les Weldon | Producer |
| Yariv Lerner | Producer |
| Mike Mignola | Executive Producer |
| Marc Helwig | Executive Producer |
| Avi Lerner | Executive Producer |
| Trevor Short | Executive Producer |
| John Thompson | Executive Producer |
| Lati Grobman | Executive Producer |
| Christa Campbell | Executive Producer |
| Jeffrey Greenstein | Executive Producer |
| Lorenzo Senatore | Director of Photography |
| Martin Bernfeld | Editor |
| Paul Kirby | Production Designer |
| Stephanie Collie | Costume Designer |
| Benjamin Wallfisch | Composer |
| Steve Begg | Visual Effects Supervisor |
| Joel Harlow | Creature Designer |
| Joel Harlow | Special Make-up Effects |
| Dan Hubbard | Casting Director |
| Elena Melamed | Line Producer |
| Elena Melamed | Unit Production Manager |
| Neil Wallace | First Assistant Director |
| Helen Fraser | Second Assistant Director |
| Markos Rounthwaite | Stunt Coordinator |
| Lonnie Ramati | Co-Executive Producer |
| Martin Bernfeld | Co-Producer |
| Danail Hadzhiyski | Visual Effects Producer |
| Anna V. James* | Visual Effects Producer |
| Janet Muswell | Visual Effects Producer |
| Michael Solinger | Post-Production Supervisor |
| Selena Arizanovic | Music Supervisor |
| Tony Lewis | Supervising Music Editor |
| Luke Clare | First Assistant Editor |
| Gemma Bourne | Assistant Editor |
| Amar Ingreji | Assistant Editor |
| Matthew Collinge | Sound Supervisor |
| Andrew Stirk | Re-recording Mixer |
| Matthew Collinge | Re-recording Mixer |
| Rob Prynne | Sound Designer |
| Paul Carter | Sound Designer |
| Martin Cantwell | Sound Designer |
| Rob Turner | Sound Effects Editor |
| Matt Davies | Dialogue and ADR Supervisor |
| Lilly Blazewicz | Foley Editor |
| Ivan Rangelov | Supervising Art Director |
| Adriano Giombini | Art Director |
| Alessandro Troso | Art Director |
| Alexei Karaghiaur | Art Director |
| Andrew Ackland-Snow | Art Director |
| Vladimir Kaloyanov | Sound Mixer |
| Stefania Velichkova | Script Supervisor |
| Yosif Mladenov | Set Designer |
| Stefan Manchev | Set Designer |
| Valentina Mladenova* | Set Decorator |
| Anna Gelinova | Costume Supervisor |
| Ivo Jivkov | Special Effects Supervisor |
| Diyan Hristov | Second Unit Director |
| Benjamin Wallfisch | Music Producer |
| Arabella Winter | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.