United Kingdom Box Office for Hearts Beat Loud (2018)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $14,155 | Details |
Worldwide Box Office | $2,469,510 | Details |
Further financial details... |
Synopsis
In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly “jam sesh” into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery.
Metrics
Movie Details
Production Budget: | $2,000,000 |
United Kingdom Releases: | August 3rd, 2018 (Limited) |
Video Release: | September 14th, 2018 by Gunpowder & Sky |
MPAA Rating: | PG-13 for some drug references and brief language. (Rating bulletin 2518 (Cert #51508), 3/14/2018) |
Running Time: | 97 minutes |
Keywords: | Musicians, Father and Daughter, Father’s Footsteps, Singers, Songwriter, Graduation, College, Set in New York, Set in New York City, Set in Brooklyn, Internet, Viral Video, Sundance Film Festival 2018 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Burn Later, Houston King Productions, Park Pictures , Gunpowder and Sky |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 11th, 2018
September 10th, 2018
It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine.
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Theater Averages: Eighth Grade earns an A plus
July 18th, 2018
Eighth Grade had the best theater average of the year with $65,949 , topping the previous champ, Isle of Dogs, by nearly 10%. On the other hand, Isle of Dogs opened in 27 theaters vs. 4 for Eighth Grade. Second place went to Don’t Worry, He Won’t Get Far on Foot with an average of $20,835 in four theaters. The only other member of the $10,000 club was the overall box office leader, Hotel Transylvania 3: Summer Vacation, which pulled in an average of $10,629.
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Theater Averages: Triplets Top Trio of $10,000 Club Members
July 4th, 2018
Three Identical Strangers top the theater average chart with an average of $34,301 in five theaters. The only other members of the $10,000 club were wide releases, with Jurassic World: Fallen Kingdom earning an average of $13,581 and Incredibles 2 being relatively close behind with $10,525.
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Theater Averages: 2001 is Louder than the Competition
June 12th, 2018
2001: A Space Odyssey returned to the top of the theater average chart earning an average of $18,969 in 5 theaters. The best new release was Hearts Beat Loud, which was right behind with an average of $18,631 in four theaters. Won’t You Be My Neighbor? was next with an average of $16,394 in 29 theaters. It won’t need to expand to earn more than $1 million domestically, and it will expand over the coming weeks. The final film in the $10,000 club is the overall box office leader, Ocean’s 8, with an average of $10,038.
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Weekend Estimates: Ocean’s 8 Tops Chart, Franchise
June 10th, 2018
Ocean’s 8 matched expectations with $41.5 million over the weekend. If it can maintain this figure, then it will open in the $10,000 club, while even if its final numbers slips a little, it still would be on pace for $100 million domestically. Its reviews have settled to 67% positive, and it managed an acceptable B plus from CinemaScore, so its legs should be average. Fortunately, with a start like this, it only needs average legs to break even early in its home market run.
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Friday Estimates: Ocean’s 8 Opens With $15 million, Fallen Kingdom Will Steal its Thunder
June 9th, 2018
Two of the three new releases opened well on Friday. Ocean’s 8 open with $15.8 million, putting it on pace for an opening weekend of $42 million. This is the best opening in the franchise. It is also the cheapest installment in the franchise with a $70 million production budget, so it won’t need amazing legs to break even during its initial push into the home market. Its reviews are 69% positive, while it earned a B plus from CinemaScore. Neither of those results are particularly good, but they are no reason to panic either. Unfortunately, it won’t have the same legs as its predecessors, as the market has changed in the past decade. Furthermore, films with predominately female casts don’t do as well internationally, so the film will rely a little more on its domestic numbers to break even. That said, Warner Bros. should be happy with this result.
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Limited and VOD Releases: Won’t You See a Movie?
June 8th, 2018
There is a disproportionate number of documentaries on this week’s list, including several earning amazing reviews. Of these, Won’t You Be My Neighbor? has the best shot at mainstream success. However, it isn’t the only film with good reviews and I think Hearts Beat Loud could also do well in limited release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/08/03 | - | $14,155 | 16 | $885 | $14,155 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/7/2018 | $7,338 | 12 | 12 | 30 | $20,553 | 10/15/2018 |
North America | 6/8/2018 | $74,524 | 4 | 170 | 864 | $2,386,254 | 3/25/2020 |
United Kingdom | 8/3/2018 | $14,155 | 16 | 16 | 16 | $14,155 | 8/8/2018 |
Rest of World | $48,548 | ||||||
Worldwide Total | $2,469,510 | 3/25/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Nick Offerman | Frank Fisher |
Kiersey Clemons | Sam Fisher |
Supporting Cast
Ted Danson | Dave |
Sasha Lane | Rose |
Blythe Danner | Marianne Fisher |
Toni Collette | Leslie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brett Haley | Director |
Brett Haley | Screenwriter |
Marc Basch | Screenwriter |
Sam Bisbee | Producer |
Houston King | Producer |
Sam Slater | Producer |
Franklin Carson | Executive Producer |
Paul Bernon | Executive Producer |
David Bernon | Executive Producer |
Jackie Kelman Bisbee | Executive Producer |
Lance Acord | Executive Producer |
Theodora Dunlap | Executive Producer |
Danny Rifkin | Executive Producer |
Frank Brenner | Executive Producer |
Nick Offerman | Executive Producer |
Amy Jarvela | Co-Producer |
Rowan Riley | Co-Producer |
Keegan DeWitt | Composer |
Eric Lin | Director of Photography |
Erin Magill | Production Designer |
Patrick B. Colman | Editor |
Joseph Rudge* | Music Supervisor |
Chris Swanson | Music Supervisor |
Melissa Vargas | Costume Designer |
Tiffany Little Canfield | Casting Director |