New Zealand Box Office for The Great Gatsby (2013)
Theatrical Performance (US$) | ||
New Zealand Box Office | $2,576,370 | Details |
Worldwide Box Office | $353,497,733 | Details |
Home Market Performance | ||
North America DVD Sales | $31,123,060 | Details |
North America Blu-ray Sales | $18,567,564 | Details |
Total North America Video Sales | $49,690,624 | |
Further financial details... |
Synopsis
Would-be writer Nick Carraway leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy.
Metrics
Movie Details
Production Budget: | $190,000,000 |
New Zealand Releases: | June 6th, 2013 (Wide) |
Video Release: | August 27th, 2013 by Warner Home Video |
MPAA Rating: | PG-13 for some violent images, sexual content, smoking, partying and brief language. (Rating bulletin 2268, 4/17/2013) |
Running Time: | 141 minutes |
Keywords: | Romance, Historical Drama, Unrequited Love, Relationships Gone Wrong, Ensemble, World War I, Returning Soldiers, Wall Street, 3-D, Intentionally Anachronistic |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Warner Bros., Village Roadshow Productions, A&E Indiefilms, Bazmark, Red Wagon Entertainment |
Production Countries: | United States |
Languages: | English |
2014 Awards Season: Oscar Ceremony Live Blog - And the Oscar goes to... 12 Years a Slave
March 2nd, 2014
The Oscars are being handed out this evening and as usual, we will be live-blogging the event. Here's the last look at the nominations with those chosen by our contest entrants as the likely winners in Bold. If I disagree with the consensus, they are in italics, and sharp-eyed readers will note there are no categories where that's true. Finally, if I am rooting for an underdog, they are underlined. There are only two categories where that is true. I want Chiwetel Ejiofor to win Best Lead Actor for his performance in 12 Years a Slave. I also want Jackass Presents: Bad Grandpa to win for Best Hair and Make-up, because Dallas Buyers Club had a hair and make-up budget of $250. Yes it was effective, but the special effects make-up used in Bad Grandpa was just more difficult to pull off, even if the movie wasn't Oscar-bait. Regardless, I don't expect there to be many surprises at this year's awards.
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2014 Awards Season: Oscars Understand the Gravity of the Situation
January 16th, 2014
The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises.
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DVD and Blu-ray Releases for August 27th, 2013
August 26th, 2013
It's a terrible week on the home market. There's not a lot in terms of top sellers, although The Great Gatsby should lead the way. The only first-run release is Pain and Gain, which will likely not sell a lot on the home market. There are a few TV on DVD releases to fill in the gaps, like The Walking Dead or Elementary; however, by the end of the first page of new releases on Amazon.com, we run into filler. As for Pick of the Week, the best is The Many Adventures of Winnie the Pooh on Blu-ray Combo Pack. I'm still waiting for the screener, but it is such a good movie and it is slow week that it is still Pick of the Week.
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Weekend Wrap-Up: Furious Start Helps Set Records
May 29th, 2013
Memorial Day long weekend has come and gone and it was a boon to the box office numbers. Not only did Fast and Furious 6 reach the high end of predictions, as did Epic. On the other hand, The Hangover III struggled. The positives overrode the negatives by a large margin and the overall box office rose to $254.37 million, which is a new record for a three-day Memorial Day weekend. Adding in Monday, and the box office made $313.18 million. The three-day portion of the weekend rose 65% compared to last weekend and 67% compared to last year. This weekend earned more than $100 million more than the same weekend in 2012. That is something that usually only happens when there's a misalignment in holiday weekends. If you add in Monday, 2013's Memorial Day long weekend earned 63% more than the Memorial Day long weekend from 2012. Granted, 2013 is still far behind 2012, but this is great news. Hopefully it will keep up for a while.
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Weekend Predictions: Will Fast Be Fast Enough?
May 24th, 2013
It's the Memorial Day long weekend and there are three new films looking to take advantage of the holiday, plus a number of holdovers that will likely still bring in a lot of money. Fast and Furious 6 is leading the way in terms of box office potential and many think it will crack $100 million over four days; some think it will crack $100 million over three days. The Hangover III debuted on Thursday, which will give it a jump on the competition, but soften its weekend numbers. Finally, there's Epic, a family film that seems like a sure hit, except there is a lot of competition this weekend. Star Trek into Darkness, Iron Man 3, and The Great Gatsby are all still doing well and should provide some competition for the three new releases. All combined, those six films should make as much as the entire box office did last year and 2013 will start to close the gap with 2012.
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Weekend Wrap-Up: Star Trek Has A Dim Launch
May 21st, 2013
There was some bad news this weekend, mostly at the top. Star Trek into Darkness did open in first place with a very healthy 4-day total, but it opened below its predecessor and not a lot of people were predicting that. The overall box office fell 2.8% from last weekend to $154 million. On the other hand, this was 7.8% higher than the same weekend last year, which is great news, as 2013 has really struggled in the year-over-year comparison. It's going to take a lot more than one good weekend to turn things around.
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Weekend Predictions: Will Star Trek Brighten Up the Box Office?
May 16th, 2013
The second big summer release comes out this week, Star Trek into Darkness. The film has already opened internationally and has proven to be a bigger hit than its predecessor was, which is good news for its opening weekend. Iron Man 3 will likely take a pretty big hit due to the direct competition, while The Great Gatsby is a bit of a wild card. This weekend last year there were three wide releases, but the best of them was Battleship, which only made $25.53 million during its opening weekend, while all three new releases made a total of $53 million. Star Trek into Darkness should easily make more than that combined. However, The Avengers still dominated the chart last year and it will be that film that will be the biggest challenge in the year-over-year competition.
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Contest: Looking for Greatness: Winning Announcement
May 15th, 2013
The winners of our Looking for Greatness contest were determined and they are...
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Per Theater Chart: Iron Man Has a Story to Tell
May 15th, 2013
Iron Man 3 again earned first place on the Per Theater Chart, but this time it was closer with an average of $17,053. The second best film on the per theater chart was the second best film on the overall chart, The Great Gatsby, which earned an average of $14,168. The best limited release was Stories We Tell with an average of $13,527 in two theaters. It had previously opened in Canada, where it made $360,000. One Track Heart: The Story of Krishna Das earned $11,515 in one theater.
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Weekend Wrap-Up: Iron Man Great, but Gatsby is Arguably Greater
May 14th, 2013
Iron Man 3 remained on top of the chart, as expected, but the big news of the weekend was The Great Gatsby. The film opened with more than $50 million, which is twice as much as some analysts were expecting and about 50% more than the average. Does this mean 2013 ended its losing streak? Nope. Iron Man 3 missed expectations by a couple of million dollars, while Peeples bombed utterly. This left the overall box office down 27% from last weekend to $158 million. This is 7.5% lower than the same weekend last year. Hopefully Star Trek into Darkness will help end this losing streak next weekend.
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Weekend Estimates: Gatsby an Honorable Second
May 12th, 2013
To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell.
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Weekend Predictions: How Great Will the New Releases Be?
May 9th, 2013
Summer got off to a fantastic start last weekend, but sadly it is not going to continue this weekend. Neither The Great Gatsby nor Peeples have blockbuster potential. In fact, the pair combined won't match Iron Man 3's sophomore stint. This is similar to what happened last year, as Dark Shadows got crushed by The Avengers, which broke yet another record. Iron Man 3 won't be able to do the same this year, but we could have better depth. I'm not saying 2013 will win the weekend, but it won't as bad as it has been either.
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Contest: Looking for Greatness
May 3rd, 2013
There are a couple of films opening wide next weekend, The Great Gatsby and Peeples; however, nearly everyone assumes The Great Gatsby will be the bigger of the two films. (It will likely be crushed by Iron Man 3.) It is the clear choice for the target movie for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Great Gatsby.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Star Trek: The Next Generation: Season Three on Blu-ray.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Star Trek: The Next Generation: The Best of Both Worlds on Blu-ray.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2013 Preview: May
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/11/13 | - | $89 | 1 | $89 | $2,437,779 | 389 | |
2021/01/01 | - | $229 | 1 | $229 | $2,564,632 | 396 | |
2021/02/19 | - | $61 | 1 | $61 | $2,606,700 | 403 | |
2021/04/09 | - | $178 | 1 | $178 | $178 | 410 | |
2023/01/20 | - | $103 | 1 | $103 | $2,267,722 | 503 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/7/2023 | $268 | 2 | 2 | 3 | $17,788,412 | 11/27/2023 |
New Zealand | 6/6/2013 | $0 | 0 | 1 | 5 | $2,576,370 | 1/23/2023 |
North America | 5/10/2013 | $50,085,184 | 3,535 | 3,550 | 19,081 | $144,840,419 | |
South Korea | 5/16/2013 | $0 | 0 | 49 | 71 | $7,854,016 | 9/27/2023 |
Rest of World | $180,438,516 | ||||||
Worldwide Total | $353,497,733 | 11/27/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Leonardo DiCaprio | Jay Gatsby |
Tobey Maguire | Nick Carraway |
Joel Edgerton | Tom Buchanan |
Carey Mulligan | Daisy Buchanan |
Isla Fisher | Myrtle Wilson |
Elizabeth Debicki | Jordan Baker |
Supporting Cast
Jason Clarke | George Wilson |
Lisa Adam | Weeping/Singing Woman |
Frank Aldridge | Well Dressed Male Witness Wilson's Garage |
Amitabh Bachchan | Meyer Wolfshiem |
Steve Bisley | Dan Cody |
Richard Carter | Herzog |
Adelaide Clemens | Catherine |
Vince Colosimo | Michaelis |
Max Cullen | Owl Eyes |
Mal Day | The Boss-Probity Trust |
Emmanuel Ekwens | Jazz Player |
Eden Falk | Mr. McKee |
Emily Foreman | Pammy |
Tiger Leacey Wyvill | Pammy |
Charlize Skinner | Pammy |
Garrett William Fountain | Barman |
David Furlong | Walter Chase |
Daniel Gill | Police Commissioner |
iOTA | Trimalchio the Orchestra Leader |
Price Johnson | Singer - Wilson's Garage |
Stephen James King | Nelson |
Goran D. Kleut | Head Waiter Speakeasy |
Kim Knuckey | Senator Gulick |
Barrie Laws | Party Guest |
Mark Lemon | The Professor |
John Maumau | The Boxer |
Brendan MacLean | Klipspringer |
Callan McAuliffe | Teen Jay Gatsby |
Ben McIvor | Clerk-Probity Trust |
Hamish Michael | Clerk-Probity Trust |
Brian Rooney | Clerk-Probity Trust |
Kevin McGlothan | Footman |
Nick Meenahan | Train Conductor |
Olga Miller | Russian Silent Film Actress |
Heather Mitchell | Daisy's Mother |
Gus Murray | Teddy Barton |
Kate Mulvany | Mrs. McKee |
Barry Otto | Benny McClenahan |
John O'Connell | Newton Orchid |
Corey Blake Owers | Louisville Officer |
Tasman Palazzi | Young James Gatz |
Brenton Prince | Guard at Gatsby's Gates |
Bryan Probets | Gardener |
Milan Pulvermacher | Waiter-Hotel Sayre |
Alfred Quinten | Party Guest |
Ghadir Rajab | Footman |
Jake Ryan | Motorcycle |
John Sheerin | The Police Captain |
Nicholas Simpson | Second Policeman-Wilson's Garage |
Kasia Stelmach | Silent Film Star Marlene Moon |
Nick Tate | Taxi Driver |
Jack Thompson | Dr. Walter Perkins |
Kieran Van Bunnik | Rowdie |
Sylvana Vandertouw | European Woman |
Gemma Ward | Languid Girl |
Matthew Whittet | Vladmir Tostoff |
Felix Williamson | Henri |
Bill Young | Policeman-Wilson's Garage |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Baz Luhrmann | Director |
Baz Luhrmann | Screenwriter |
Craig Pearce | Screenwriter |
F. Scott Fitzgerald | Story Creator |
Baz Luhrmann | Producer |
Catherine Martin | Producer |
Douglas Wick | Producer |
Lucy Fisher | Producer |
Catherine Knapman | Producer |
Barrie M. Osborne | Executive Producer |
Bruce Berman | Executive Producer |
Jay Z | Executive Producer |
Simon Duggan | Director of Photography |
Catherine Martin | Production Designer |
Matt Villa | Editor |
Jason Ballantine | Editor |
Jonathan Redmond | Editor |
Catherine Martin | Costume Designer |
Anton Monsted | Co-Producer |
Chris Godfrey | Visual Effects Supervisor |
Craig Armstrong | Composer |
Anton Monsted | Executive Music Producer |
Ronna Kress | Casting |
Nikki Barrett | Casting |
Alexandra Taussig | Unit Production Manager |
Damien Drew | Art Director |
Michael Turner | Art Director |
Beverley Dunn | Set Decorator |
Guntis Sics | Sound |
Wayne Pashley | Sound Designer |
Wayne Pashley | Supervising Sound Editor |
Steve Maslow | Re-recording Mixer |
Phil Heywood | Re-recording Mixer |
Wayne Pashley | Re-recording Mixer |
Joyce Cox | Visual Effects Producer |
Glenn Ruehland | Stunt Coordinator |
Jennifer Leacey | 1st Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.